May 2021 Preview-Art.Com SSNAP 2021/2022 the Salt Spring National Art Prize
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Subrosa Tactical Biopolitics
14 Common Knowledge and Political Love subRosa . the body has been for women in capitalist society what the factory has been for male waged workers: the primary ground of their exploitation and resistance, as the female body has been appropriated by the state and men, and forced to function as a means for the reproduction and accumulation of labor. Thus the importance which the body in all its aspects—maternity, childbirth, sexuality—has acquired in feminist theory and women’s history has not been misplaced. silvia federici (2004, p. 16) Under capitalism, femininity and gender roles became a “labor” function, and women became a “labor class.”1 On one hand, women’s bodies and labor are revered and exploited as a “natural” resource, a biocommons or commonwealth that is fundamental to maintain- ing and continuing life: women are equated with “the lands,” “mother-earth,” or “the homelands.”2 On the other hand, women’s sexual and reproductive labor—motherhood, pregnancy, childbirth—is economically devalued and socially degraded. In the Biotech Century, women’s bodies have become fl esh labs and Pharma-commons: They are mined for eggs, embryonic tissues, and stem cells for use in medical, and therapeutic experiments, and are employed as gestational wombs in assisted reproductive technologies (ART). Under such conditions, resistant feminist discourses of the “body” emerge as an explicitly biopolitical practice.3 subRosa is a cyberfeminist collective of cultural producers whose practice creates dis- course and experiential knowledge about the intersections of information and biotechnolo- gies in women’s lives, work, and bodies. Since the year 2000, subRosa has produced a variety of performances, participatory events, installations, publications, and Web sites as (cyber)feminist responses to key issues in bio- and digital technologies. -
HOW to BENEFIT As a Member Or Seasons Pass Holder at One of Vancouver’S Must See Attractions You Are Eligible for Savings and Benefits at Other Top Attractions
HOW TO BENEFIT As a Member or Seasons Pass holder at one of Vancouver’s Must See Attractions you are eligible for savings and benefits at other top Attractions. Simply present your valid membership or pass at participating Attractions’ guest services, retail outlet or when you make a reservation to enjoy a benefit. There is no limit to the number of times you may present your valid membership or seasons pass. Capilano Suspension Bridge Park featuring the iconic Suspension Bridge, Treetops Adventure, 7 suspended footbridges offering views 100 feet above the forest floor and the Cliffwalk, a labyrinth-like series of narrow cantilevered bridges, stairs and platforms high above the Capilano River offers you 20% off Food and Beverage, (excluding alcohol) at any of our Food & Beverage venues within the park excluding the Cliff House Restaurant and Trading Post gift store. 604.985.7474 capbridge.com Step aboard an old-fashioned horse-drawn vehicle for a Stanley Park Horse-Drawn Tour and meander in comfort through the natural beauty of Stanley Park, Vancouver’s thousand acre wonderland. Three great offers available for members: A) Enjoy a 2 for 1 offer ($42 value) for our regularly-scheduled Stanley Park Horse-Drawn Tours; B) $50 off of a Private Carriage Reservation within Stanley Park and the downtown core of Vancouver, or C) $100 off a Private Carriage Reservation taking place outside of Stanley Park and the downtown core of Vancouver. Restrictions: Must be within our regular operating season of March 1 – December 22. Private carriage bookings must be made in advance. 604.681.5115 stanleypark.com Sea otters, sea lions, snakes and sloths…plus 60,000 other aquatic creatures, await your arrival at the Vancouver Aquarium, conveniently located in Stanley Park. -
Washington Funding Report: FY 2011 – 2016
Washington Institute of Museum and Library Services Funding Report: FY 2011 - 2016 The Institute of Museum and Library Services (IMLS) helps ensure that all Americans have access to museum, library, and information services. IMLS is an independent grantmaking agency and the primary source of federal support for the nation’s approximately 123,000 libraries and 35,000 museums. The agency supports innovation, lifelong learning, and entrepreneurship, enabling museums and libraries to deliver services that make it possible for communities and individuals to thrive. IMLS Investments IMLS Investments: FY 2011-2016 # Projects Federal % of Non-Federal Total $ or Awards Funding Federal $ Contribution $ Grants to States, Libraries 431 * $19,618,687 59% $12,830,000 * $32,448,687 Competitive Awards to Museums & Libraries 146 $13,378,884 41% $10,161,216 $23,540,100 Total 577 $32,997,571 100% $22,991,216 $55,988,787 * FY 2016 data for the Grants to States, Libraries count of projects and non-federal contribution are not yet available. Figures shown here only include FY 2011-2015. Grants to State Library Administrative Agencies The Library Grants to States Program, supported by the Library Grants to States Awards (LSTA): Services and Technology Act (LSTA), is IMLS's largest program and FY 2011-2016 provides grants to every state using a population-based formula. State Library Administrative Agencies (SLAAs) provide IMLS with a five-year FY 2016 $3.26 M plan and use subawards and statewide projects to improve library services. FY 2015 $3.30 M In FY 2014, IMLS’s $3.28 million grant to the SLAA leveraged FY 2014 $3.28 M approximately $2.27 million in support from the state that year for library services through the SLAA. -
Manning Prospect Point's Lighthouse By
Vancouver Historical Society NEWSLETTER ISSN 0042 - 2487 October 2013 Vol. 53 No. 2 Liquor, Lust and the Law Speaker: Aaron Chapman Few Vancouver nightspots evoke Vancouver’s underworld. charges and tips paid by the 80 to 100 such a fabled history as the Penthouse prostitutes who were entering and re- Nightclub. In December 1975 activities caught entering the club to pick up customers. up with them when police raided Joe’s defense was very personal saying From the time the Italian immigrant the nightclub. They charged the that a jail term would kill his mother Filipone brothers — Joe (Joe’s even though evidence through last name was spelled Philliponi undercover tapes showed due to an immigration officer’s among other things that liquor mistake), Ross, Mickey inspectors were on the take. and Jimmy — opened the During the investigation and Vancouver Penthouse Nightclub sensational trial, the Penthouse in 1947, the after hours was closed for three years. After watering hole on Seymour winning an appeal, Vancouver Street was a place to go and a City Council reinstated the place in which to be seen. brothers’ licence to run the Penthouse in 1979. A friendly escape for everyone from world famous entertainers Fate caught up with Joe, “the to some of the city’s most Godfather of Seymour Street” notorious, the nightclub in 1983 when he was shot dead welcomed all equally within during a robbery. its doors. For example, in the 1950s and 1960s the Penthouse The first ever book on the billed Harry Belafonte, Ella Penthouse, Liquor, Lust and Fitzgerald and Sammy David the Law uses material kept Jr. -
Download NARM Member List
Huntsville, The Huntsville Museum of Art, 256-535-4350 Los Angeles, Chinese American Museum, 213-485-8567 North American Reciprocal Mobile, Alabama Contemporary Art Center Los Angeles, Craft Contemporary, 323-937-4230 Museum (NARM) Mobile, Mobile Museum of Art, 251-208-5200 Los Angeles, GRAMMY Museum, 213-765-6800 Association® Members Montgomery, Montgomery Museum of Fine Arts, 334-240-4333 Los Angeles, Holocaust Museum LA, 323-651-3704 Spring 2021 Northport, Kentuck Museum, 205-758-1257 Los Angeles, Japanese American National Museum*, 213-625-0414 Talladega, Jemison Carnegie Heritage Hall Museum and Arts Center, 256-761-1364 Los Angeles, LA Plaza de Cultura y Artes, 888-488-8083 Alaska Los Angeles, Los Angeles Contemporary Exhibitions, 323-957-1777 This list is updated quarterly in mid-December, mid-March, mid-June and Haines, Sheldon Museum and Cultural Center, 907-766-2366 Los Angeles, Museum of Contemporary Art (MOCA), Los Angeles, 213-621-1794 mid-September even though updates to the roster of NARM member Kodiak, The Kodiak History Museum, 907-486-5920 Los Angeles, Skirball Cultural Center*, 310-440-4500 organizations occur more frequently. For the most current information Palmer, Palmer Museum of History and Art, 907-746-7668 Los Gatos, New Museum Los Gatos (NUMU), 408-354-2646 search the NARM map on our website at narmassociation.org Valdez, Valdez Museum & Historical Archive, 907-835-2764 McClellan, Aerospace Museum of California, 916-564-3437 Arizona Modesto, Great Valley Museum, 209-575-6196 Members from one of the North American -
Volume 26 March • April 2017 Number 2 2 Artaccess.Com © March • April 2017 Here We Are
TM Volume 26 March • April 2017 Number 2 www.ArtAccess.com 2 ArtAccess.com © March • April 2017 Here We Are I’m not unlike many professional artists. My work means piecing together of Way Write a career from teaching, publishing, speaking fees, grants, honorariums, and applying to choreograph in far away places, which satisfies my addiction to traveling, and my love of dancing. Dancers are my mobile community. Wherever I go, here we are. I’m in KeriKeri, New Zealand, first studio on a North Island tour. And it’s not every day that I get to teach Polynesians, so, quickly as possible, I’m going to write this and press SEND. I’m sitting outside a private home, pilfering the wireless. My lodging doesn’t have internet, possibly what I like best about it. Talia walked into the studio slowly, but I didn’t get the feeling it was because she is bigger than most people, only that she comes from a humid place in the middle of the Pacific Ocean and slowly is just how people move due to the heat. “I know nothing about your kind of dancing,” she said, “I worry I make fool of myself.” But as soon as she started moving her hips, it didn’t take long to see how there is nothing slow about her dancing. “Hula is an amazing dance form,” I whispered to the director. “We have a lot of Samoan dancers,” he said. “We had to have our floor reinforced.” I liked Talia right away. When I think more about why, I consider all the people who are moving to Seattle lately with lots of money and, oftentimes, airs to match. -
Marian Penner Bancroft Rca Studies 1965
MARIAN PENNER BANCROFT RCA STUDIES 1965-67 UNIVERSITY OF BRITISH COLUMBIA, Arts & Science 1967-69 THE VANCOUVER SCHOOL OF ART (Emily Carr University of Art + Design) 1970-71 RYERSON POLYTECHNICAL UNIVERSITY, Toronto, Advanced Graduate Diploma 1989 SIMON FRASER UNIVERSITY, Visual Arts Summer Intensive with Mary Kelly 1990 VANCOUVER ART GALLERY, short course with Griselda Pollock SOLO EXHIBITIONS 2019 REPUBLIC GALLERY, Vancouver, upcoming in May 2019 WINDWEAVEWAVE, Burnaby, BC, video installation, upcoming in May 2018 HIGASHIKAWA INTERNATIONAL PHOTOGRAPHY FESTIVAL GALLERY, Higashikawa, Hokkaido, Japan, Overseas Photography Award exhibition, Aki Kusumoto, curator 2017 REPUBLIC GALLERY, Vancouver, RADIAL SYSTEMS photos, text and video installation 2014 THE REACH GALLERY & MUSEUM, Abbotsford, BC, By Land & Sea (prospect & refuge) 2013 REPUBLIC GALLERY, Vancouver, HYDROLOGIC: drawing up the clouds, photos, video and soundtape installation 2012 VANCOUVER ART GALLERY, SPIRITLANDS t/Here, Grant Arnold, curator 2009 REPUBLIC GALLERY, Vancouver, CHORUS, photos, video, text, sound 2008 REPUBLIC GALLERY, Vancouver, HUMAN NATURE: Alberta, Friesland, Suffolk, photos, text installation 2001 CATRIONA JEFFRIES GALLERY, Vancouver THE MENDEL GALLERY, Saskatoon SOUTHERN ALBERTA ART GALLERY, Lethbridge, Alberta, By Land and Sea (prospect and refuge) 2000 GALERIE DE L'UQAM, Montreal, By Land and Sea (prospect and refuge) CATRIONA JEFFRIES GALLERY, Vancouver, VISIT 1999 PRESENTATION HOUSE GALLERY, North Vancouver, By Land and Sea (prospect and refuge) UNIVERSITY -
“My Personal Is Not Political?” a Dialogue on Art, Feminism and Pedagogy
Liminalities: A Journal of Performance Studies Vol. 5, No. 2, July 2009 “My Personal Is Not Political?” A Dialogue on Art, Feminism and Pedagogy Irina Aristarkhova and Faith Wilding This is a dialogue between two scholars who discuss art, feminism, and pedagogy. While Irina Aristarkhova proposes “active distancing” and “strategic withdrawal of personal politics” as two performative strategies to deal with various stereotypes of women's art among students, Faith Wilding responds with an overview of art school’s curricular within a wider context of Feminist Art Movement and the radical questioning of art and pedagogy that the movement represents Using a concrete situation of teaching a women’s art class within an art school environment, this dialogue between Faith Wilding and Irina Aristakhova analyzes the challenges that such teaching represents within a wider cultural and historical context of women, art, and feminist performance pedagogy. Faith Wilding has been a prominent figure in the feminist art movement from the early 1970s, as a member of the California Arts Institute’s Feminist Art Program, Womanhouse, and in the recent decade, a member of the SubRosa, a cyberfeminist art collective. Irina Aristarkhova, is coming from a different history to this conversation: generationally, politically and theoretically, she faces her position as being an outsider to these mostly North American and, to a lesser extent, Western European developments. The authors see their on-going dialogue of different experiences and ideas within feminism(s) as an opportunity to share strategies and knowledges towards a common goal of sustaining heterogeneity in a pedagogical setting. First, this conversation focuses on the performance of feminist pedagogy in relation to women’s art. -
Hop-On Hop-Off
HOP-ON Save on Save on TOURS & Tour Attractions SIGHTSEEING HOP-OFF Bundles Packages Bundle #1 Explore the North Shore Hop-On in Vancouver + • Capilano Suspension Bridge Tour Whistler • Grouse Mountain General Admission* • 48H Hop-On, Hop-Off Classic Pass This bundle takes Sea-to-Sky literally! Start by taking in the spectacular ocean You Save views in Vancouver before winding along Adult $137 $30 the Sea-to-Sky Highway and ascending into Child $61 $15 the coastal mountains. 1 DAY #1: 48H Hop-On, Hop-Off Classic Pass 2020 WINTER 19 - OCT 1, 2019 APR 30, Your perfect VanDAY #2: Whistler + Shannon Falls Tour* Sea to Bridge Experience You Save • Capilano Suspension Bridge day on Hop-On, Adult $169 $30 • Vancouver Aquarium Child $89 $15 • 48H Hop-On, Hop-Off Classic Pass You Save Hop-Off Operates: Dec 1, 2019 - Apr 30, 2020 Classic Pass Adult $118 $30 The classic pass is valid for 48 hours and * Whistler + Shannon Falls Tour operates: Child $53 $15 Choose from 26 stops at world-class • Dec 1, 2019 - Jan 6, 2020, Daily includes both Park and City Routes • Apr 1 - 30, 2020, Daily attractions and landmarks at your • Jan 8 - Mar 29, 2020, Wed, Fri, Sat & Sun 2 own pace with our Hop-On, Hop-Off Hop-On, Hop-Off + WINTER 19 - OCT 1, 2019 - APR 30, 2020 WINTER 19 - OCT 1, 2019 APR 30, Sightseeing routes. $49 $25 Lookout Tower Special Adult Child (3-12) Bundle #2 Hop-On in Vancouver + • Vancouver Lookout Highlights Tour Victoria • 48H Hop-On, Hop-Off Classic Pass • 26 stops, including 6 stops in Stanley Park CITY Route PARK Route and 1 stop at Granville Island Take an in-depth look at Vancouver at You Save (Blue line) (Green Line) your own pace before journeying to the Adult $53 $15 • Recorded commentary in English, French, Spanish, includes 9 stops includes 17 stops quaint island city of Victoria on a full day of Child $27 $8 German, Japanese, Korean & Mandarin Fully featuring: featuring: exploration. -
THE ARTERY News from the Britannia Art Gallery February 1, 2017 Vol
THE ARTERY News from the Britannia Art Gallery February 1, 2017 Vol. 44 Issue 97 While the Artery is providing this newsletter as a courtesy service, every effort is made to ensure that information listed below is timely and accurate. However we are unable to guarantee the accuracy of information and functioning of all links. INDEX # ON AT THE GALLERY: Exhibition My Vintage Rubble and Fish & Moose series 1 Mini-retrospective by Ken Gerberick Opening Reception: Wednesday, Feb 1, 6:30 pm EVENTS AROUND TOWN EVENTS 2-6 EXHIBITIONS 7-24 THEATRE 25/26 WORKSHOPS 27-30 CALLS FOR SUBMISSIONS LOCAL EXHIBITIONS 31 GRANTS 32 MISCELLANEOUS 33 PUBLIC ART 34 CALLS FOR SUBMISSIONS NATIONAL AWARDS 35 EXHIBITIONS 36-44 FAIR 45/46 FESTIVAL 47-49 JOB CALL 50-56 CALL FOR PARTICPATION 57 PERFORMANCE 58 CONFERENCE 59 PUBLIC ART 60-63 RESIDENCY 64-69 CALLS FOR SUBMISSIONS INTERNATIONAL WEBSITE 70 BY COUNTRY ARGENTINA RESIDENCY 71 AUSTRIA PRIZE 72 BRAZIL RESIDENCY 73/74 CANADA RESIDENCY 75-79 FRANCE RESIDENCY 80/81 GERMANY RESIDENCY 82 ICELAND PERFORMERS 83 INDIA RESIDENCY 84 IRELAND FESTIVAL 85 ITALY FAIR 86 RESIDENCY 87-89 MACEDONIA RESIDENCY 90 MEXICO RESIDENCY 91/92 MOROCCO RESIDENCY 93 NORWAY RESIDENCY 94 PANAMA RESIDENCY 95 SPAIN RESIDENCY 96 RETREAT 97 UK RESIDENCY 98/99 USA COMPETITION 100 EXHIBITION 101 FELLOWSHIP 102 RESIDENCY 103-07 BRITANNIA ART GALLERY: ACKNOWLEDGEMENTS: 108 SUBMISSIONS TO THE ARTERY E-NEWSLETTER 109 VOLUNTEER RECOGNITION 110 GALLERY CONTACT INFORMATION 111 ON AT BRITANNIA ART GALLERY 1 EXHIBITIONS: February 1 - 24 My Vintage Rubble, Fish and Moose series – Ken Gerberick Opening Reception: Wed. -
Galerie Krinzinger, Seilerstätte 16, 1010 Wien Tel
GALERIE KRINZINGER, SEILERSTÄTTE 16, 1010 WIEN TEL. +43 1 513 30 06 FAX +43 1 513 30 06 33 [email protected] RUDOLF SCHWARZKOGLER Geboren / Born 1940 in Wien /Vienna - † 1969 in Wien/ Vienna AUSSTELLUNGEN (Auswahl) / Exhibitions (selection) 2019 Body Extended, Shepherd W&K Galleries, New York, USA Cursed Images, Galerie Lisa Kandlhofer, Vienna, Austria 2018 Salm Modern #1: Dimensions of Dialogue, Salm Palace, National Gallery in Prague Prague, Czech Republic Mixed Media (Iv): About The Body, Kicken Berlin, Berlin, Germany 2017 Acting for the camera, Albertina Museum, Vienna, Austria Austrian Masters, Galerie Konzett, Vienna, Austria Konzett Konzept Konzert Kkk Nr. 10: Schönheit, Galerie Konzett, Vienna 2016 Eyes on:Monat der Fotografie:Sex Appeal of the Inorganic – Galerie Konzett, Vienna Körper, Psyche & Tabu. Wiener Aktionismus & die frühe Wiener Moderne - Museum Moderner Kunst Stiftung Ludwig (MUMOK), Vienna Becoming Animal: Becoming Landscape and Joan Balzar, The Morris and Helen Belkin Art Gallery, University of British Columbia, Vancouver, Canada 2015 Small pieces/ das kleine Format - galerie GALERIE, Wien What We Call Love: From Surrealism to Now - Irish Museum of Modern Art - IMMA, Dublin Da un'importante collezione veneziana di fotographia - Galleria L'Elefante, Treviso Nach dem frühen Tod - Staatliche Kunsthalle Baden-Baden, Baden-Baden „IM LICHTE DER ÖFFENTLICHKEIT – Österreichische Kunst nach 1945 aus Tiroler Privatbesitz“, Tiroler Landesmuseum Ferdinandeum, Innsbruck, Austria Araki / Schwarzkogler, Shin Gallery -
THE NEW VANCOUVER ART GALLERY a Case for Support
THE NEW VANCOUVER ART GALLERY A Case for Support A GATHERING PLACE for Transformative Experiences with Art Art is one of the most meaningful ways in which a community expresses itself to the world. Now in its ninth decade as a significant contributor The Gallery’s art presentations, multifaceted public to the vibrant creative life of British Columbia and programs and publication projects will reflect the Canada, the Vancouver Art Gallery has embarked on diversity and vitality of our community, connecting local a transformative campaign to build an innovative and ideas and stories within the global realm and fostering inspiring new art museum that will greatly enhance the exchanges between cultures. many ways in which citizens and visitors to the city can experience the amazing power of art. Its programs will touch the lives of hundreds of thousands of visitors annually, through remarkable, The new building will be a creative and cultural mind-opening experiences with art, and play a gathering place in the heart of Vancouver, unifying substantial role in heightening Vancouver’s reputation the crossroads of many different neighbourhoods— as a vibrant place in which to live, work and visit. Downtown, Yaletown, Gastown, Chinatown, East Vancouver—and fuelling a lively hub of activity. For many British Columbians, this will be the most important project of their Open to everyone, this will be an urban space where museum-goers and others will crisscross and encounter generation—a model of civic leadership each other daily, and stop to take pleasure in its many when individuals come together to build offerings, including exhibitions celebrating compelling a major new cultural facility for its people art from the past through to artists working today— and for generations of children to come.