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Walter Pitman Fonds Inventory #241
page 1 Walter Pitman fonds Inventory #241 File: Title: Date(s): Note: Call Number: 2009-049/001 (1) C.M.C. [Canadian Music Centre] [ca. 2002-2004] Freedman - Morrison - The Music Makers (2) Donors- C.M.C., Laidlaw, Dundurn Press : 1999-2006 correspondence re. Music Makers (3) Gail Dixon Musical Analysis : [re. Freedman] ca. 2003 (4) Mary Morrison [biographical notes] [2002-2004?] (5) Harry Freedman basic materials - H.F. biography - CV ca. 1989, 1996. 2002-2005 (6) Thematic materials - H.F. themes : research notes ca. 1977-2003 (7) Interviews - H.F. [Freedman] and others ca. 2003-2004 (8) Research notes - CBC Archives - Freedman daughters ca. 2005 (9) Lyric Arts Trio - Compositions [60s-90s] : research notes for Freedman work (10) David Jaegar : Freedman research and drafts ca. 2005 (11) [Freedman] : research notes ca. 2003 (12) [Freedman] : research notes and clippings ca. 196- (13) C.M.C. Archives 1970s : Freedman research notes and ca. 197- clippings (14) [Freedman] : research clippings ca. 198- (15) [Freedman] : research clippings ca. 199- (16) Notes - National Archives [of Canada] 2004 Call Number: 2009-049/002 (1) National Archives [of Canada] : research notes 2004 (2) National Archives [of Canada] : research notes 2004 (3) National Archives [of Canada] : research notes ca. 2004 (4) Early scribblings [mostly Freedman] (5) Early written materials - Freedman : manuscript draft ca. 2004 1 of 2 (6) Early written materials - Freedman : manuscript draft ca. 2004 2 of 2 (7) Harry and Mary : Making music in Canada's twentieth 2004-2005 -
A Note from the Composer
Toronto Symphony Orchestra Sir Andrew Davis, Interim Artistic Director Friday, December 6, 2019 at 7:30pm Saturday, December 7, 2019 at 2:00pm Saturday, December 7, 2019 at 7:30pm Constantine Kitsopoulos, conductor Resonance Youth Choir Bob Anderson, director As a courtesy to musicians, guest artists, and fellow concertgoers, please put your phone away and on silent during the performance. A NOTE FROM THE COMPOSER Ever since Home Alone appeared, it has held a unique place in the affections of a very broad public. Director Chris Columbus brought a uniquely fresh and innocent approach to this delightful story, and the film has deservedly become a perennial at holiday time. I took great pleasure in composing the score for the film, and I am especially delighted that the magnificent Toronto Symphony Orchestra has agreed to perform the music in a live presentation of the movie. I know I speak for everyone connected with the making of the film in saying that we are greatly honoured by this event…and I hope that the audience at this performance will experience the renewal of joy that the film brings with it, each and every year. John Williams DECEMBER 6 & 7, 2019 17 TWENTIETH CENTURY FOX Presents A JOHN HUGHES Production A CHRIS COLUMBUS Film HOME ALONE Starring MACAULAY CULKIN JOE PESCI DANIEL STERN JOHN HEARD and CATHERINE O’HARA Music by JOHN WILLIAMS Film Editor RAJA GOSNELL Production Designer JOHN MUTO Director of Photography JULIO MACAT Executive Producers MARK LEVINSON & SCOTT ROSENFELT and TARQUIN GOTCH Written and Produced by JOHN HUGHES Directed by CHRIS COLUMBUS Soundtrack Album Available on CBS Records, Cassettes and Compact Discs Color by DELUXE® Tonight’s program is a presentation of the complete filmHome Alone with a live performance of the film’s entire score, including music played by the orchestra during the end credits. -
Chromfantasy Bandh Ex.Pdf
PERFORMANCE NOTES EDUCATION THROUGH ARTISTRY Chromatic Fantasy and Fugue was Conductor's Choice presents an artistically commissioned Jeunesse by La Northumberland distinguished repertoire of selected choral music Girls' Choir, Marie Anderson and Dierdre Morrell, for high school, college, and community choirs. co-directors. As the title implies, these two Bridging the goals of choral music education with movements are entirely instrumental in character the standards of professional performance, and demand of the singers an exactness in pitch Conductor's Choice features an international and rhythm that is uncompromising. The Fantasy roster of young composers and arrangers dedicated unfolds slowly with the vocal lines often dividing to musical craft and authenticity. into complex four-, five-, or even six-note chords. The Fugue, on the other hand, remains in three In the spirit of the Choral Music Experience parts throughout and is unrelenting in its energetic concept, Conductor's Choice seeks to present a drive towards the ending. well-balanced program of contemporary composition that celebrates musicai diversity and encourages musical enjoyment. From the traditional to the experimental, Conductor's ABOUT THE COMPOSER Choice is a choral music series committed to the dynamic relationships between the composer, conductor, choir Since the fall of 1987, John Burge (b. 1961) and their audiences_ has been teaching in the School of Music at Queen's University, Kingston, Ontario where he currently holds the position of Associate A complete and comprehensive choral per_ Professor. He studied composition at the formance curriculum for beginning choirs can be University of Toronto (B.Mus. and M.Mus.) found in the music rextbook WE WILL SING! published by Boosey & Hawkes (TXB-81). -
Toronto Symphony Orchestra Sir Andrew Davis, Interim Artistic Director
Toronto Symphony Orchestra Sir Andrew Davis, Interim Artistic Director Wednesday, April 17, 2019 at 8:00pm Thursday, April 18, 2019 at 8:00pm Saturday, April 20, 2019 at 8:00pm Juanjo Mena, conductor Joélle Harvey, soprano Marie-Nicole Lemieux, contralto Amadeus Choir Elmer Iseler Singers Gustav Mahler Symphony No. 2 in C Minor “Resurrection” I. Allegro maestoso II. Andante moderato III. In ruhig fliessender Bewegung IV. Urlicht. Sehr feierlich, aber schlicht V. Im Tempo des Scherzos There will be no intermission during this performance. As a courtesy to musicians, guest artists, and fellow concertgoers, please put your phone away and on silent during the performance. APRIL 17, 18 & 20, 2019 15 ABOUT THE WORKS Gustav Mahler Symphony No. 2 in C Minor “Resurrection” Born: Kalischt, Austria, July 7, 1860 77 Died: Vienna, Austria, May 18, 1911 min Composed: 1887–1894 Gustav Mahler conducted the first complete was the second movement funeral march performance of Symphony No. 2 himself, in from Beethoven’s Symphony No. 3. But his Berlin on December 13, 1895. concept, brought to life through the resources of the enormous orchestra he has chosen, During the closing months of 1887 and the is far angrier. Still, he repeatedly leavens it beginning of 1888, Mahler had worked feverishly with moments of peaceful consolation. The on two compositions simultaneously: his overriding sense of tragic momentum, however, First Symphony; and Totenfeier, an orchestral carries right through to the conclusion. funeral march. He finished them both before the latter year was out. Three years later, he The first of the three intermezzi is a gentle played Totenfeier on the piano for the eminent country dance. -
British and Commonwealth Concertos from the Nineteenth Century to the Present
BRITISH AND COMMONWEALTH CONCERTOS FROM THE NINETEENTH CENTURY TO THE PRESENT A Discography of CDs & LPs Prepared by Michael Herman Composers I-P JOHN IRELAND (1879-1962) Born in Bowdon, Cheshire. He studied at the Royal College of Music with Stanford and simultaneously worked as a professional organist. He continued his career as an organist after graduation and also held a teaching position at the Royal College. Being also an excellent pianist he composed a lot of solo works for this instrument but in addition to the Piano Concerto he is best known for his for his orchestral pieces, especially the London Overture, and several choral works. Piano Concerto in E flat major (1930) Mark Bebbington (piano)/David Curti/Orchestra of the Swan ( + Bax: Piano Concertino) SOMM 093 (2009) Colin Horsley (piano)/Basil Cameron/Royal Philharmonic Orchestra EMI BRITISH COMPOSERS 352279-2 (2 CDs) (2006) (original LP release: HMV CLP1182) (1958) Eileen Joyce (piano)/Sir Adrian Boult/London Philharmonic Orchestra (rec. 1949) ( + The Forgotten Rite and These Things Shall Be) LONDON PHILHARMONIC ORCHESTRA LPO 0041 (2009) Eileen Joyce (piano)/Leslie Heward/Hallé Orchestra (rec. 1942) ( + Moeran: Symphony in G minor) DUTTON LABORATORIES CDBP 9807 (2011) (original LP release: HMV TREASURY EM290462-3 {2 LPs}) (1985) Piers Lane (piano)/David Lloyd-Jones/Ulster Orchestra ( + Legend and Delius: Piano Concerto) HYPERION CDA67296 (2006) John Lenehan (piano)/John Wilson/Royal Liverpool Philharmonic Orchestra ( + Legend, First Rhapsody, Pastoral, Indian Summer, A Sea Idyll and Three Dances) NAXOS 8572598 (2011) MusicWeb International Updated: August 2020 British & Commonwealth Concertos I-P Eric Parkin (piano)/Sir Adrian Boult/London Philharmonic Orchestra ( + These Things Shall Be, Legend, Satyricon Overture and 2 Symphonic Studies) LYRITA SRCD.241 (2007) (original LP release: LYRITA SRCS.36 (1968) Eric Parkin (piano)/Bryden Thomson/London Philharmonic Orchestra ( + Legend and Mai-Dun) CHANDOS CHAN 8461 (1986) Kathryn Stott (piano)/Sir Andrew Davis/BBC Symphony Orchestra (rec. -
Cultural Diplomacy and Nation-Building in Cold War Canada, 1945-1967 by Kailey Miller a Thesis Submitt
'An Ancillary Weapon’: Cultural Diplomacy and Nation-building in Cold War Canada, 1945-1967 by Kailey Miller A thesis submitted to the Graduate Program in History in conformity with the requirements for the Degree of Doctor of Philosophy Queen’s University Kingston, Ontario, Canada September, 2015 Copyright ©Kailey Miller, 2015 Abstract This dissertation is a study of Canada’s cultural approaches toward the Communist world – particularly in the performing arts – and the ways in which the public and private sectors sought to develop Canada’s identity during the Cold War. The first chapter examines how the defection of Igor Gouzenko in 1945 framed the Canadian state’s approach to the security aspects of cultural exchanges with the Soviet Union. Chapters 2 to 4 analyse the socio-economic, political, and international context that shaped Canada's music, classical theatre, and ballet exchanges with communist countries. The final chapter explores Expo ’67’s World Festival of Arts and Entertainment as a significant moment in international and domestic cultural relations. I contend that although focused abroad, Canada’s cultural initiatives served a nation-building purpose at home. For practitioners of Canadian cultural diplomacy, domestic audiences were just as, if not more, important as foreign audiences. ii Acknowledgements My supervisor, Ian McKay, has been an unfailing source of guidance during this process. I could not have done this without him. Thank you, Ian, for teaching me how to be a better writer, editor, and researcher. I only hope I can be half the scholar you are one day. A big thank you to my committee, Karen Dubinsky, Jeffrey Brison, Lynda Jessup, and Robert Teigrob. -
Well-Known Guelphite, E.I. Birnbaum Is New Chairman, Board of Governors
UNIVERSITY OF GUELPH Vol. 16 — No. 3 Postage-Paid-In-Cash At Third Class Rates Permit 721, Guelph, Ontario January 20, 1972 Well-known Guelphite, E.I. Birnbaum is new chairman, Board of Governors connected with the field of applied chemistry. Mr. Lasby, who is currently on a Trade He has been active in many community or- Mission to Japan, has been a member of the ganizations in Guelph and the province. He is Board since 1970. He is Vice-President and a past president of the Ontario Welfare Council, director of Canada the Childrens Aid Society of Guelph and Packers Limited, Wellington County, and the Guelph Rotary the firm he joined E. I. Birnbaum Club; past chairman of the Guelph Recreation in 1934, after Commission, and the Guelph Welfare Council; graduating from E. I. Birnbaum of Guelph, retired president director of the Guelph Community Chest, the University of of Hart Chemical (Canada) Ltd. and a long- and the Guelph Chamber of Commerce. In Toronto. He ti me resident of the City of Guelph, has been 1951 he was named Guelphs citizen of the year. comes from Ariss, elected Chairman of the Board of Governors and attended high of the University of Guelph, Dr. W. C. school in Guelph. Winegard, President and Vice-Chancellor, has Appointed vice-chairman is William W. announced. Mr. Birnbaum has been a member Lasby, vice-president of Canada Packers Ltd., W. W. Lasby of the Board since the University was founded in 1964. Mr. Birnbaum, who is also a member of NASA advisor to be honored here the University of Guelphs Senate, has served on the executive committee of the Universitys 2 p.m. -
January-February 2015 from the Editor Welcome to the January-February 2015 Edition of the AAA Newsletter
NewsletterAMERICAN ACCORDIONISTS’ ASSOCIATION A bi-monthly publication of the American Accordionists’ Association January-February 2015 From the Editor Welcome to the January-February 2015 edition of the AAA Newsletter. As we welcome in 2015, we also welcome our new President Mary Tokarski as she takes on her leadership role at the AAA. Mary has a long af- filiation with the AAA as a Contestant, Champion, an International Delegate and Adjudicator, Artist in Residence and Executive Officer, so it seems a nat- ural step that she was elected President, as a culmination of all these roles. As Mary begins her new role, we offer our sincerest condolences to her on the sad loss of her devoted husband Frank. Mary had just returned from her concert tour in China with the Mantovani Orchestra to learn of husband's can- cer diagnosis and tragically lost him a week later. Family and friends gathered for his beautiful Funeral service in North Haven, CT on January 24th. Our thoughts are with Mary during this difficult time. As we transition to our new Team, we offer heartfelt thanks to our outgoing President Linda Reed for leading the AAA for the last 10 years. She now joins an elite list of former Presidents who have devoted their time and energies on behalf of the accordion to promote and further the instruments place in the music world. We are delighted that Linda will continue her role with the AAA as part of our incoming Executive officers, enalbing us to draw on her extensive expertise in all facets of working with the AAA. -
Season of Events
2017-2018 season of events Celebrating the Choral and Vocal Music of Imant Raminsh with the UofT Symphony Orchestra IMANT RAMINSH Wilma and Clifford Smith Visitor in Music composer and conductor HILARY APFELSTADT conductor Saturday, October 21, 2017 7:30 pm MacMillan Theatre, 80 Queen’s Park The Faculty of Music gratefully acknowledges the generous support of our presenting sponsors Program Composer Introduction – Dean Don McLean Women’s Chorus Psalm 121 Rise up my love Maxime Despax, viola Elaine Choi and Tracy Wong, conductors Men’s Chorus From The Dream We Carry V. Don’t Give Me the Whole Truth VI. The Dream We Carry Mark Ramsay, conductor Vocal Solo Three Spanish Lyrics Renae Wolfesburger, soprano (from the studio of Laura Tucker) Andrea Van Pelt, collaborative pianist Women’s Chamber Choir Vestigia Olivia LaPointe and Elisabeth Dubois, soloists Cassandra Leshchyshyn, violin Livia Coburn, cello In the Beginning Eszter Horváth, conductor Women’s Chamber Choir continued From Symphony of Psalms, No. 6 Seigneur, tous sais tout de moi Marco De Conno and Zachary Goldstein, clarinets (brief interval – in the hall) MacMillan Singers From Five Latvian Folksongs 1. Tek Saulīte (Hasten, Sun) Julia Frodyma, soloist 3. Trīs Januas Māsas (Three Lovely Sisters) Magnificat I. Magnificat – Et Exultavit II. Quia respexit III. Fecit potentiam IV. Suscepit Israel V. Gloria patri Jennifer Routhier, mezzo-soprano (from the studio of Laura Tucker) Ave verum corpus Imant Raminsh, conductor Intermission Missa Brevis in C minor I. Kyrie II. Gloria III. Sanctus – Benedictus IV. Agnus Dei Women’s Chamber Choir and Women’s Chorus Amy Moodie, soprano (from the studio of Lorna MacDonald) University of Toronto Symphony Orchestra Thank you to Imant Raminsh for his stellar music; to the Faculty of Music for selecting Mr. -
Canadian University Music Society NEWSLETTER
NEWSLETTER : CanadianSpring University Music Society 12 NEWSLETTER : Canadian University Music Society ANNUAL CONFERENCE ISSUE CONTENTS Reports : President (Lynn Cavanagh) 3 Treasurer (Aris Carastathis) 3 Intersections (Edward Jurkowski, Sophie Stévance) 3 Website Editor (Eric Hung) 4 Standing Committee of Institutional Members (Brian Power) 4 CUMS Representative to the Canadian Federation of the Humanities and Social Sciences (James Deaville) 4 CUMS Annual Conference 2012 : Wilfrid Laurier University, Waterloo, ON, May 31 - June 3, 2012 : CUMS Conference Program 2012 5 Conference Registration Form & Banquet Reservation 6 Accommodation & Booking 6 2012 Awards 6 In Memoriam 8 News from Members and Member Institutions : Achievements 9 Upcoming Conferences & Events 10 2 2011-2012 CUMS EXECUTIVE COMMITTEE : Lynn Cavanagh President, University of Regina Mary Ingraham Vice-President, University of Alberta Deanna Oye Past President, University of Lethbridge Joelle Welling Secretary, University of Calgary Aris Carastathis Treasurer, Lakehead University Edward Jurkowski Intersections English Editor, University of Lethbridge Sophie Stévance Intersections French Editor, Université de Montréal Eric Hung Website Editor, Rider University Brian Power Chair, Institutional Members, Brock University The Newsletter of the Canadian University Music Society is published twice annually and is compiled and edited by the Vice President of the Society. Please contact the Newsletter Editor for further information or corrections: Mary Ingraham, University of Alberta, maryi @ ualberta.ca. NEWSLETTER : CUMS Spring 2012, 22/2 3 PRESIDENT’S REPORT ~ Lynn Cavanagh, University of Regina I am pleased to report the creation, during this past year, of a new, annual award, this time for a senior scholar: the SOCAN FOUNDATION/CUMS AWARD OF EXCELLENCE FOR ADVANCEMENT OF RESEARCH IN CANADIAN MUSIC. -
The Music Scene
th ISSUE 04 FREE www.scena.org April – May 2004 cene English Canada National Edition Frances Ginzer and Adrianne Pieczonka Scaling Valhalla Sumi Jo Interview Special on Asian Musicians Summer Camps Classical Music Calendar & Picks Southern Ontario & Western Canada Canada Post Publications Mail Sales Agreement n˚. 40025257 Passing the Torch GreatGreat Recordings Recordings of of the the Century Century A celebration of the defining moments in the history of recorded music. For more than 5 years, Great Recordings of the Century has been the world’s premier re-issue series. Later this year, EMI Classics will cap the series at 150 titles, all of which genuinely deserve the description Great Recordings of the Century. 10 new releases arrive March 16, with a final 10 in September 2004 Great Artists of the Century A celebration of our greatest recording artists - past,Great present andArtists future of the Century This month, along with the penultimate release of Great Recordings of the Century, EMI Classics is proud to announce its successor: Great Artists of the Century. Keeping the same high standards of remastering and packaging as its predecessor, each program in the new series honours one of the great artists who recorded for EMI during its first century. The first 25 releases feature: Alban Berg Quartett, Leif Ove Andsnes, Janet Baker, Sir Adrian Boult, Maria Callas, Choir of King’s College, Cambridge, Georges Cziffra, Jacqueline Du Pré, Dietrich Fischer-Dieskau, Wilhelm Furtwängler, Walter Gieseking, Carlo Maria Giulini, Tito Gobbi, Hans Hotter, Mariss Jansons, Herbert Von Karajan, Nigel Kennedy, Otto Klemperer, Stephen Kovacevich, Dinu Lipatti, Yehudi Menuhin, Arturo Benedetti Michelangeli, Anne-Sophie Mutter, Mstislav Rostropovich, Galina Vishnevskaya All titles in both series have been transferred and, where appropriate, newly remastered from the original source materials by EMI’s renowned team of engineers at Abbey Road Studios. -
NOËL Early Canadian Christmas Music
NOËL Early Canadian Christmas Music This collection of hymns, anthems, carols, songs, and organ works for Christmas is a glimpse into the musical tastes of Canadians from the earliest missions of New France to the early 20th century. The earliest Christmas music associated with Canada came from the 17th-century missions in Quebec and Ontario. Jean de Brébeuf was a Jesuit missionary associated with Ste Marie, a Huron (or Wendat) village on the shore of Georgian Bay. It is believed that he wrote the Wendat words to create the first, and one of the most haunting Canadian Christmas carols Jesous Ahatonhia (1648), also known as The Huron Carol. In Quebec City music played an important role for the French pioneers as well, particularly around Christmas. In plain-chant style, Sacrae familiae (ca 1684) is structured in a call-and-response form. The Ursuline convent also gave music a prominent role. Among the many unsigned manuscripts is the Christmas motet Magnus Dominus (ca. 1700). After the great upheavals of the French-English wars, and the American War of Independence of 1776, Canada welcomed immigrant composers from Europe. Stephen Humbert (1767-1849), a Loyalist from New England, settled in New Brunswick where he continued the tradition of teaching the "proper" singing of hymn-tunes and anthems and compiled and published a collection, Union Harmony, which includes the Christmas anthem Herald Angels (ca. 1816). In French Canada, Christmas continued to offer compositional inspiration both in and outside the church. Christmas songs rather than official hymns of the church often expressed the people's devotion around Christmas, including L'Enfant Dieu (1861) by Antoine Dessane and Napoleon Crepault's La Nuit de Noel (1887).