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The Dub Issue 15 August2017
AIRWAVES DUB GREEN FUTURES FESTIVAL RADIO + TuneIn Radio Thurs - 9-late - Cornerstone feat.Baps www.greenfuturesfestivals.org.uk/www.kingstongreenradi o.org.uk DESTINY RADIO 105.1FM www.destinyradio.uk FIRST WEDNESDAY of each month – 8-10pm – RIDDIM SHOW feat. Leo B. Strictly roots. Sat – 10-1am – Cornerstone feat.Baps Sun – 4-6pm – Sir Sambo Sound feat. King Lloyd, DJ Elvis and Jeni Dami Sun – 10-1am – DestaNation feat. Ras Hugo and Jah Sticks. Strictly roots. Wed – 10-midnight – Sir Sambo Sound NATURAL VIBEZ RADIO.COM Daddy Mark sessions Mon – 10-midnight Sun – 9-midday. Strictly roots. LOVERS ROCK RADIO.COM Mon - 10-midnight – Angela Grant aka Empress Vibez. Roots Reggae as well as lo Editorial Dub Dear Reader First comments, especially of gratitude, must go to Danny B of Soundworks and Nick Lokko of DAT Sound. First salute must go to them. When you read inside, you'll see why. May their days overflow with blessings. This will be the first issue available only online. But for those that want hard copies, contact Parchment Printers: £1 a copy! We've done well to have issued fourteen in hard copy, when you think that Fire! (of the Harlem Renaissance), Legitime Defense and Pan African were one issue publications - and Revue du Monde Noir was issued six times. We're lucky to have what they didn't have – the online link. So I salute again the support we have from Sista Mariana at Rastaites and Marco Fregnan of Reggaediscography. Another salute also to Ali Zion, for taking The Dub to Aylesbury (five venues) - and here, there and everywhere she goes. -
Vindicating Karma: Jazz and the Black Arts Movement
University of Massachusetts Amherst ScholarWorks@UMass Amherst Doctoral Dissertations 1896 - February 2014 1-1-2007 Vindicating karma: jazz and the Black Arts movement/ W. S. Tkweme University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/dissertations_1 Recommended Citation Tkweme, W. S., "Vindicating karma: jazz and the Black Arts movement/" (2007). Doctoral Dissertations 1896 - February 2014. 924. https://scholarworks.umass.edu/dissertations_1/924 This Open Access Dissertation is brought to you for free and open access by ScholarWorks@UMass Amherst. It has been accepted for inclusion in Doctoral Dissertations 1896 - February 2014 by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. University of Massachusetts Amherst Library Digitized by the Internet Archive in 2014 https://archive.org/details/vindicatingkarmaOOtkwe This is an authorized facsimile, made from the microfilm master copy of the original dissertation or master thesis published by UMI. The bibliographic information for this thesis is contained in UMTs Dissertation Abstracts database, the only central source for accessing almost every doctoral dissertation accepted in North America since 1861. Dissertation UMI Services From:Pro£vuest COMPANY 300 North Zeeb Road P.O. Box 1346 Ann Arbor, Michigan 48106-1346 USA 800.521.0600 734.761.4700 web www.il.proquest.com Printed in 2007 by digital xerographic process on acid-free paper V INDICATING KARMA: JAZZ AND THE BLACK ARTS MOVEMENT A Dissertation Presented by W.S. TKWEME Submitted to the Graduate School of the University of Massachusetts Amherst in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 W.E.B. -
Various the Trojan Skinhead Reggae Collection Mp3, Flac, Wma
Various The Trojan Skinhead Reggae Collection mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Reggae Album: The Trojan Skinhead Reggae Collection Country: Europe Released: 2009 Style: Reggae MP3 version RAR size: 1239 mb FLAC version RAR size: 1530 mb WMA version RAR size: 1737 mb Rating: 4.2 Votes: 227 Other Formats: MIDI APE FLAC MP4 AUD MMF MP1 Tracklist Hide Credits Skinhead Train 1-1 –The Charmers 2:40 Producer – Lloyd CharmersWritten-By – Charmers* Hee Cup 1-2 –Sir Harry 2:14 Producer – Edward 'Bunny' Lee*Written-By – Unknown Artist –King Cannon (Karl Overproof (aka Little Darlin') 1-3 2:41 Bryan)* Producer – Lynford AndersonWritten-By – Williams* Copy Cat 1-4 –Derrick Morgan 2:38 Producer – Leslie KongWritten-By – Morgan* The Law 1-5 –Andy Capp 2:17 Producer – Lynford AndersonWritten-By – Lee*, Anderson* Soul Call 1-6 –The Soul Rhythms 2:57 Producer – J. Sinclair*Written-By – Bryan* Music Street 1-7 –The Harmonians* 1:59 Producer – Edward 'Bunny' Lee*Written-By – Lee* V Rocket 1-8 –The Fabion Producer – Albert Gene Murphy*Written-By – Albert George 2:37 Murphy What Am I To Do 1-9 –Tony Scott 3:15 Producer – Tony Scott Written-By – Scott* Spread Your Bed 1-10 –The Versatiles 2:17 Written-By – Byles* John Public (Tom Hark) 1-11 –The Dynamites 2:13 Producer – Clancy EcclesWritten-By – Bopape* Casa Boo Boo 1-12 –Cool Sticky* Producer – 'Prince' Tony Robinson*Written-By – Unknown 2:33 Artist Smile (My Baby) 1-13 –The Tennors 2:57 Producer – Albert George MurphyWritten-By – Murphy* Zapatoo The Tiger 1-14 –Roland Alphonso 2:38 Producer -
The Dub June 2018
1 Spanners & Field Frequency Sound System, Reading Dub Club 12.5.18 2 Editorial Dub Front cover – Indigenous Resistance: Ethiopia Dub Journey II Dear Reader, Welcome to issue 25 for the month of Levi. This is our 3rd anniversary issue, Natty Mark founding the magazine in June 2016, launching it at the 1st Mikey Dread Festival near Witney (an event that is also 3 years old this year). This summer sees a major upsurge in events involving members of The Dub family – Natty HiFi, Jah Lambs & Lions, Makepeace Promotions, Zion Roots, Swindon Dub Club, Field Frequency Sound System, High Grade and more – hence the launch of the new Dub Diary Newsletter at sessions. The aim is to spread the word about forthcoming gigs and sessions across the region, pulling different promoters’ efforts together. Give thanks to the photographers who have allowed us to use their pictures of events this month. We welcome some new writers this month too – thanks you for stepping up Benjamin Ital and Eric Denham (whose West Indian Music Appreciation Society newsletter ran from 1966 to 1974 and then from 2014 onwards). Steve Mosco presents a major interview with U Brown from when they recorded an album together a few years ago. There is also an interview with Protoje, a conversation with Jah9 from April’s Reggae Innovations Conference, a feature on the Indigenous Resistance collective, and a feature on Augustus Pablo. Welcome to The Dub Editor – Dan-I [email protected] The Dub is available to download for free at reggaediscography.blogspot.co.uk and rastaites.com The Dub magazine is not funded and has no sponsors. -
CD REVIEWS “Songs of the Martin” KEVIN Mcccormick Mirabilis Records Produced, Mixed & Mastered by Kevin Mccormick Review by Greg Forest
CD REVIEWS “Songs of the Martin” KEVIN McCCORMICK Mirabilis Records Produced, Mixed & Mastered by Kevin McCormick Review by Greg Forest Kevin McCormick is well known for his work in a wide variety of musical styles ranging from classical to jazz. His previous five CDs showcased both his guitar virtuoso and composition skills. He has stepped off the farm a bit for this collection of cherished cover songs covering a two century span. Not only that but Kevin brings real authenticity to the project by performing the whole CD on an original 1840s C.F. Martin guitar. Old Songs. Old guitar. The rich tone of the instrument exemplifies why Martin guitars have been the go to instrument of choice of fine acoustic musicians. McCormick shares some evergreens beloved by all like “Georgia on My Mind,” “Danny Boy,” and “What a Wonderful World,” in addition to more classical pieces like “Etude No. 22,” “Gymnopedie No. 3,” and “Bossa Triste.” Kevin will also be performing live around the Hill Country this holiday season with a special Holiday offering a great mix of beloved Christmas songs. Check out his web site at kevin-mccormick.com. This CD would make a great stocking stuffer and is available online at amazon.com, iTunes, CD Baby and through his web site. “Sign Time” KINGMAN & JONAH Sunking Records Produced by Claudius Linton & Review by Jack Armstrong The 2008 release of Sign Time by the Roots Reggae founder Claudius ‘Kingman’ Linton is being called ‘The Unearthed Holy Grail of Reggae’ by DJs, reviewers and music lovers worldwide of the released CD collection of his essential 1970’s reggae hits, Roots Master: The Vintage Roots Reg- gae Singles Vol. -
Recorded Jazz in the 20Th Century
Recorded Jazz in the 20th Century: A (Haphazard and Woefully Incomplete) Consumer Guide by Tom Hull Copyright © 2016 Tom Hull - 2 Table of Contents Introduction................................................................................................................................................1 Individuals..................................................................................................................................................2 Groups....................................................................................................................................................121 Introduction - 1 Introduction write something here Work and Release Notes write some more here Acknowledgments Some of this is already written above: Robert Christgau, Chuck Eddy, Rob Harvilla, Michael Tatum. Add a blanket thanks to all of the many publicists and musicians who sent me CDs. End with Laura Tillem, of course. Individuals - 2 Individuals Ahmed Abdul-Malik Ahmed Abdul-Malik: Jazz Sahara (1958, OJC) Originally Sam Gill, an American but with roots in Sudan, he played bass with Monk but mostly plays oud on this date. Middle-eastern rhythm and tone, topped with the irrepressible Johnny Griffin on tenor sax. An interesting piece of hybrid music. [+] John Abercrombie John Abercrombie: Animato (1989, ECM -90) Mild mannered guitar record, with Vince Mendoza writing most of the pieces and playing synthesizer, while Jon Christensen adds some percussion. [+] John Abercrombie/Jarek Smietana: Speak Easy (1999, PAO) Smietana -
The Dub Issue 29 October 2018
1 Burning Spear by Ras Haile Mecael. Contact Ras Haile Mecael on Facebook or via the Art of Rastafari group on Facebook for other heart works. 2 Editorial Dub Cover photo – Instrument Of Jah mandala, Dubshack tent, One Love Festival 2018. Painting on slate by Mystys Myth, photo by Dan-I Dear Reader, Welcome to issue 28 for the month of Dan. Firstly, apologies to our regular writer Eric Denham, whose Alton Ellis piece should have appeared in the singer’s birth month of September. Afrikan History Season swings into full gear this month in Oxfordshire, with the opening of the Windrush Years exhibition at the Museum of Oxford and the conference on the legacies of Emperor Haile Selassie I. A huge thank you to the organisers of the One Love Festival and all the artists and performers for making us feel truly welcome. I hope the reviews do the event justice. As for local events, Reggae On Tap goes from strength to strength and new venture Enjoy Yourself starts this month at The Swan in Eynsham on a regular basis thanks to long time The Dub contributor Richie Roots. Finally a big thank you to Prince Jamo and Messenger Douglas for a pair of fantastic interviews, tune in next month for the first in our Tales From Birmingham. Welcome to The Dub Editor – Dan-I [email protected] The Dub is available to download for free every month at reggaediscography.blogspot.co.uk and rastaites.com The Dub magazine is not funded and has no sponsors. While this allows for artistic freedom, it also means that money for printing is very limited. -
C Light at M-21 and Bowes Road Debated
2S( Wednesday, April 28,1993 Volume 17, Issue 24 Lowell Area Readers Since 1893 c light at M-21 and Bowes Road debated Michigan Senators honor Improvements must be made Earth Day at the Capitol before State will fund project The City of Lowell and The second part to the in- candidate for a light signal. Lowell and VcrgennesTown- tersection scenario is that In defining how much vol- ship Planning Commissions before the State will consider ume is needed to warrant a determined back in August, a traffic light for that intersec- light, Rasch said 100-200 that the realigning of the M- tion, improvements to the cars an hour for an eight-hour 21, Bowes and AldcnNash intersection will have to be day is necessary. intersection would be a top made. "Many times it is argued a priority because of increased One of the key elements in light is needed at a shopping traffic caused by the new determining if a light is mall, however, traffic at those high school and continued neccessary will be trafic vol- locations is often just for a resident ia i deve lopme nt. ume. "We have to justify from couple hours a day and ex- How quickly this project a volume standpoint that there tended over an eight-hour is expedited may depend is a sustained amount of traf- period." greatly on how much of it the fic coming off the side street The study would also look City of Lowell is willing to over an eight hour period to at a possiblity of a dasher, a )iund. -
Jazz and Disability Chapter, Repository Copy 2019
Jazz and disability Django Reinhardt, New York City 1946. Photography by William P. Gottlieb, from the William P. Gottlieb Collection, Library of Congress. Classification no. LC-GLB23-0730. Public Domain 1 Jazz and disability George McKay [pre-publication final draft of chapter in Nicholas Gebhardt, Nicole Rustin-Paschal Tony Whyton, eds. 2019. The Routledge Companion to Jazz Studies. London: Routledge, pp. 173-184] What is jazz? Is it art, a disease, a manner, or a dance? Bandleader Paul Whiteman, New York Times, 1927 (quoted in Watts et al 2008, 184) Art or disease? This chapter both draws on and seeks to extend recent interdisciplinary scholarship in music and disability studies (DS) by looking at the case of jazz. Consider here a definition of the musical instruction alla zoppa, which is usually employed in western classical music to signal a physically impaired character: zoppa in Italian is ‘lame’, ‘limping’, and so it has been applied to music. But it can also mean ‘syncopated’— and so the rhythmic feature at the heart of much jazz has a musical connection with a physical disability, a disability which is about moving differently. A small body of work has been exploring the relation between jazz and disability (Stras 2008 and 2009, Johnson 2011, Lubet 2011 and 2013, Rowden 2009, Pearl 2009); the approach has tended to be around a particular artist (Stras on Connie Boswell, Lubet on Oscar Peterson), or a specific period (Johnson and Stras on early jazz and dance music in the 1920s), or a particular disability (Rowden on visual impairment, Pearl on neurological issues). -
SKINHEADS – Diskrepanzen Einer Subkultur
SKINHEADS – Diskrepanzen einer Subkultur Masterarbeit zur Erlangung des akademischen Grades einer Magistra der Philosophie an der Karl-Franzens-Universität Graz vorgelegt von Claudia PLIESCHNEGGER, Bakk.phil. am Institut für Erziehungs- und Bildungswissenschaft Begutachter: Ao.Univ.-Prof. Mag.rer.nat. Dr.phil. Arno HEIMGARTNER Graz, 2011 1 EIDESSTATTLICHE ERKLÄRUNG Ich, Claudia Plieschnegger, erkläre hiermit an Eides statt, dass ich die vorliegende Arbeit zum Thema „Skinheads – Diskrepanzen einer Subkultur” selbstständig und ohne fremde Hilfe verfasst habe. Keine anderen als die angegebenen Quellen und Hilfsmittel wurden benutzt. Die aus den benutzten fremden Quellen wörtlich oder inhaltlich übernommenen Gedanken sowie die direkt oder indirekt entnommenen Stellen wurde als solche kenntlich gemacht. Die Arbeit wurde bisher in gleicher oder ähnlicher Form keiner anderen Prüfungsbehörde vorgelegt und auch noch nicht veröffentlicht. Die vorliegende Fassung entspricht der eingereichten elektronischen Version. Ort, Datum Unterschrift 2 DANKSAGUNG An dieser Stelle möchte ich meinen Dank aussprechen an: Luki (für die Hilfe während der letzten Monate wie auch die Weitervermittlungen, Crossfire (die mir lange vor meiner Arbeit eine Lektion in Sachen Skinheads erteilten), insbesondere Vale, der mir seinen „Way of Life“ vor allem auf musikalischer Ebene überzeugend näherbrachte, Martin aka Mr. Mambo (für den Lesestoff), Bomml von Oi! The Print (für das Interview und vor allem das Päckchen), Armin, Alex von Paragraph 270 (für die Interviews), wie auch dem österreichischen „Skinheadexperten“ Markus Messics, der mir freundlicherweise für ein Interview und einen netten Nachmittag in der besten Stadt der Welt, Leoben, zur Verfügung stand. Einen ganz besonderen Dank an meinem Freund Thomas Kropfitsch, der mich während der Zeit des Verfassens dieser Arbeit in allen Höhen und Tiefen unterstützte und es immer wieder schaffte, mich zu motivieren und mit seiner positiven Einstellung zu bestärken. -
New Singles, 26
INSIDE *'*$.'_■ ... Amm L --- *#&&&* Singles chart, 10-11; Album chart,New Albums, 25; New 8; AirplaySingles, guide, 26; lands18-19; special, Small Labels,16-24. 13; Mid- March 9, 1981 VOLUME THREE Number 49 Major TV push for Televideo... THE MOST ambitious attempt so far to able for rental and UA repertoire is directions. There will, however, be a equipmentmass merchandise through videodirect-response software andTV excludedThe first from 90-seconds being sold. commercials will coveringspecial no-deposit any film in introductory the UA catalogue offer donadvertising area. begins tonight in the Lon- Thamesbe screened TV and Monday-Thursdays the campaign will runon andfor a feepacking. of £5.95 The plus concessionary 95p return postage rate existingThe twoTellydisc major directparticipants mail inrecord the areafor two response weeks. furtherDepending regional on London- promo- freenegotiated hire for with an annual Granada payment gives six and weeks two companycompany, BertlesmannEurodisc, and through the Huttonits UK committedtion is envisaged to further and TV Televideoupdates dur- is weeksOn foraverage, monthly Televideo's payments. purchase joinedadvertising forces agencythis time have with oncethe Intervi- again specialing the offers,year to likepromote blank new tapes releases and video and pricepercent on belowsoftware retail. are claimed to be 25 sionSelwood, company, former to Pyeform and Televideo. CBS market- Clive Because of the relatively complex entertainment."We are in theThere business will be of no family soft HEATH LEVY Music continues to ing director,director. has been appointed manag- club,nature the of focusenrolling of the in TVthe advertisingTelevideo companyporn in our spokesman. catalogue," "Our commented research a tion'mop list. -
The Public Eye Fall 2020 1.Pdf
FALL 2020 The Public Eye Book Review: Spectres of Fascism • Could Anti-Government Militias Become Pro-State Paramilitaries? No Sanctuary: Anti-Abortion “Abolitionists” Go to City Hall • Conservative, Christian, Corporate: COVID-19 Opportunism and Betsy DeVos’s Education Agenda FALL 2020 Total Life Reform: The Real Consequences of the Far Right’s Self-Help Grift editor’s letter We’re closing this issue of The Public Eye on the eve of Election Day. Whatever this week THE PUBLIC EYE will bring, Political Research Associates will continue to bring sharp, relevant analysis and QUARTERLY insight to the trends shaping our country and world. PUBLISHER In our book review (pg. 3) this issue, Matthew N. Lyons reads Spectres of Fascism, a Tarso Luís Ramos collection of essays considering the rise of right-wing authoritarian and populist move- EDITOR ments across the world, from the U.S. and Hungary to India and the Philippines. “One Kathryn Joyce of the challenges in trying to understand fascism is that it touches on so many different COVER ART aspects of human experience,” writes Lyons, “from the brutality of mass imprisonment Shea Justice and killing to the pageantry of a political rally; from the calculations of geopolitics to the PRINTING intimacies of family life.” Park Press Printers In a piece encompassing original data research, “Could Anti-Government Militias Become Pro-State Paramilitaries?” (pg. 5), Jaclyn Fox and Carolyn Gallaher look at the The Public Eye is published by concerning possibility of overlap and collaboration between various sectors on the far- Political Research Associates right and the Trump administration.