Madison County Library

Total Page：16

File Type：pdf, Size：1020Kb

THOMPSON-HICKMAN Madison County Library Virginia City, Montana Mondays 10:00am - 7:00pm Tuesdays-Fridays 10:00am - 5:30pm Saturdays 10:00am – 2:00pm 217 Idaho St * PO Box 128 * 406-843-5346 * Fax 406-843-5347 * [email protected] 2016 This Month at Thompson-Hickman The Story & Craft Time Halloween Party & The Halloween Carnival (Hosted by the Elks Lodge in collaboration with the Friends of the Thompson-Hickman Library) were both a great success! , Have you ever been interested in researching your genealogy? Maybe this winter is the time to get started! THIS MONTH we will be switching from HeritageQuest to ANCESTRY. The switch will require patrons to come into the library to use the service, but Ancestry is a MUCH more comprehensive product than HeritageQuest. This is your chance to use Ancestry for FREE! What’s New? DVDs Outlander: Season 2 The Good Neighbor Ice Age: Collision Course The Legend of Tarzan Star Trek Beyond Bates Motel: Season 4 Independence Day: Resurgence Ghostbusters Swiss Army Man Infiltration Ratchet & Clank Indian Summers: Season 2 Secret in their Eyes Mercy Street Railway Man Ghost Team Despicable Me 2 The Kennedys The X-Files: The Event Series The Night Manager: Season 1 Krampus BOOKS ghkj Slow Stitch: Mindful and Contemplative Textile Art by Claire Wellesley-Smith Paint Yourself Calm by Jean Haines Ghostland: An American History in Haunted Places by Colin Dickey The Women in the Walls by Amy Lukavics Belgravia by Julian Fellowes The Immortal Irishman by Timothy Egan The Never List by Koethi Zan Black Fridays by Michael Sears The Chill of Night by James Hayman The Odds by Kathleen George Montana Women Homesteaders: A Field of One’s Own by Sarah Carter The Dark House by John Sedgwick The Magnolia Story by Chip Gaines Two by Two by Nicholas Sparks Tales of the Peculiar by Ransom Riggs Friends of the Library Children’s Story & Craft Time Tuesdays @ 10:30am .

Copy Link

Recommended publications

Discovery Shuttle
DISCOVERY SHUTTLE FREE FOR TOURISTS AN EASIER WAY SHUTTLE STOPS TO SEE MORE CENTRAL RICHMOND Discover the most popular destinations Located along the Canada Line LANSDOWNE SkyTrain, just a short ride from STATION* in Richmond with the convenience of downtown Vancouver, discover some our all-new FREE tourist shuttle. of the best shopping and Asian dining Richmond has to offer. Operating on weekends and statutory holidays. June 15 - September 2, 2019. SHERATON Conveniently located near four of Plan your trip at VANCOUVER AIRPORT Richmond’s main hotels, begin your day of Pacific exploration from here. See North America’s first-ever RICHMOND Olympic museum, host to long-track OLYMPIC OVA L speed skating for the 2010 Vancouver Olympics, with two international-size ice rinks, a 40-foot climbing wall and more. STEVESTON VILLAGE Explore the history of Steveston Harbour GULF OF GEORGIA at the Gulf of Georgia Cannery National CANNERY* Historic Site, enjoy fresh-caught seafood at Fisherman’s Wharf, and discover eclectic shops along Moncton Street. Glimpse into Steveston’s rich beginnings and BRITANNIA Western Canada’s fishing industry, as well as the SHIPYARDS set to notable TV shows, including: Bates Motel, Man in the High Castle and The Crossing. *Stops in parking lot. DISCOVER RICHMOND IN A DAY SHUTTLE SCHEDULE STOPS DEPARTURE TIMES 2:30 LANSDOWNE 9:30 10:45 12:00 1:15 pm 3:00 4:15 5:30 6:25 STATION* am am pm pm Unload pm pm pm pm only 6:35 SHERATON 9:40 10:55 12:10 1:25 3:10 4:25 5:40 pm VANCOUVER – am am pm pm pm pm pm Unload AIRPORT only RICHMOND 9:50 11:05 12:20 1:35 3:20 4:35 Closed OLYMPIC am am pm pm – pm pm – OVA L GULF OF 10:10 11:25 12:40 1:55 3:40 4:55 6:00 GEORGIA am am pm pm – pm pm pm – CANNERY* 10:20 11:35 12:50 2:05 3:50 5:05 BRITANNIA – Closed – SHIPYARDS** am am pm pm pm pm *Stops in parking lot.
[Show full text]
The Overbearing in Coriolanus and Psycho
The Corinthian Volume 17 Article 2 2016 Mother Knows Best: The Overbearing in Coriolanus and Psycho Mikaela LaFave Georgia College and State University Follow this and additional works at: https://kb.gcsu.edu/thecorinthian Part of the English Language and Literature Commons Recommended Citation LaFave, Mikaela (2016) "Mother Knows Best: The Overbearing in Coriolanus and Psycho," The Corinthian: Vol. 17 , Article 2. Available at: https://kb.gcsu.edu/thecorinthian/vol17/iss1/2 This Article is brought to you for free and open access by the Undergraduate Research at Knowledge Box. It has been accepted for inclusion in The Corinthian by an authorized editor of Knowledge Box. The Corinthian: The Journal of Student Research at Georgia College Volume 17 • Spring 2016 Mother Knows Best: The Overbearing in Coriolanus and Psycho ercises enough influence over Martius to drive him toward self-de- Mikaela LaFave structive pride. The First Citizen establishes that Martius’ pride originates from his sense of obligation towards Volumnia: “Though Dr. Jenny Flaherty soft-conscienced men can be content to say it was for his country, Faculty Mentor [Martius] did it to please his mother and to be partly proud, which he is, even to the altitude of his virtue” (1.1.36-40). Shakespeare establishes that Martius’ pride possesses an indelible link to Volum- nia; rather than feeling pride for himself, or seeking out pride for Psychoanalytic critics have focused on the mother-son himself, he does so for his mother, framing their relationship as one relationship throughout its criticism, stemming from Freud’s rein- of fear and domination rather than love.
[Show full text]
Psycho by Charles Taylor “The a List: the National Society of Film Critics’ 100 Essential Films,” 2002
Psycho By Charles Taylor “The A List: The National Society of Film Critics’ 100 Essential Films,” 2002 Reprinted by permission of the author The impact of Alfred Hitchcock’s “Psycho” owes so much to its two big surprises that when the film opened in 1960 Hitchcock not only refused to allow press screenings but had theaters hire Pinkerton security guards to prevent latecomers from entering the theater once the picture had started. He wanted to keep the people who hadn’t bought tickets from finding out that Janet Leigh’s Marion Crane is stabbed to death in the shower only forty-five minutes into the movie, and that the murderer is Antho- ny Perkins’s Norma Bates, who has succumbed to the personality of the mother he murdered years before. In many ways, “Psycho” seems like a death knell for the studio system that would lumber on for a few more years before collapsing later in the decade under the weight of filmmakers and audiences sick of the old stultified formu- Alfred Hitchcock holding a clapper on the set of “Psycho.” las. It isn’t just that Hitchcock made the film fast and on Courtesy Library of Congress the cheap (it cost only $800,000), using the crew from his television anthology series “Alfred Hitchcock Presents.” We are as anxious for Norman not to be found out cover- And it’s not just the shock of the shower murder, its bril- ing up “mother’s” crime as we were for Marion not to get liant and savage elisions heralding and in many cases sur- caught stealing the $40,000 that started her on the jour- passing the screen violence to come.
[Show full text]
ATX Television Festival FROM: Fons PR RE: ATX Television Festival / Publicity Status Report
DATE: June 20, 2014 TO: ATX Television Festival FROM: Fons PR RE: ATX Television Festival / Publicity Status Report Please find our Online Publicity Status Report for ATX Television Festival INTERVIEWS ARRANGED AUSTIN AMERICAN STATESMAN Podcast / Omar Gallaga - Interview with Caitlin & Emily AUSTIN 360 / Gary Dinges - Interview with Caitlin & Emily AUSTIN CHRONICLE / Amy Gentry - Interview with Caitlin & Emily KOOP (LIGHTS, CAMERA, AUSTIN) / Robert Sims - Interview with Caitlin & Emily KUT (NPR) / Laura Rice - Interview with Caitlin & Emily TEXAS LIVING MAGAZINE / Kimberly Sutra - Interview with Caitlin & Emily THE CW AUSTIN / Taylor Ellison - Interview with Caitlin & Emily BLOG TALK RADIO / Dennis Tarden – Interview with Caitlin & Emily TV LINE / Robyn Ross – Interview with Adriane Palicki PRESS CONFERENCES ARRANGED HEY DUDE Reunion: Press Attendees: All Media Network ATX Gossip Bitch Magazine CNN Entertainment College Movie Review CW Austin Do512 E! Online Fanboy TV International Business Times KUT-FM Mad Betty Blog See Saw Austin Too Fab Urban Life & Style Variety HENRY WINKLER Press Attendees: ATX Gossip All Media Network FOX-TV (Austin) KUT KEYE-TV Mad Betty Blog Retina See Saw Austin Sneak Peek TV Spiderwood TV Star Pulse Too Fab Urban Life & Style WNEW All News EVERWOOD Reunion: Press Attendees: Pajiba Fanbolt Too Fab ATX Gossip Variety Chickster Mag All Media Network The Televixen We Heart TV ATL CW.TV US Weekly The Televixen Bitch Magazine Urban Life & Style Snakkle International Business Times Star Pulse ROSWELL Reunion: Press
[Show full text]
Mercy Street” to Premiere January 17 on Pbs
“MERCY STREET” TO PREMIERE JANUARY 17 ON PBS – Original Six-Episode Series to Take Viewers Beyond the Battlefield with Intimate, Human Look at Lives on the Civil War Home Front − MERCY STREET to Follow “Downton Abbey, The Final Season” on MASTERPIECE for a Powerful Sunday Night Lineup – – Award-Winning Creative Team Includes Ridley Scott, David Zabel, Lisa Quijano Wolfinger and David W. Zucker – ARLINGTON, VA; Updated December 16, 2015 – MERCY STREET, a new Civil War era drama produced in and around Richmond, Virginia, will debut Sunday, January 17, 2016, at 10:00 p.m. MERCY STREET will follow “Downton Abbey, The Final Season” on MASTERPIECE highlighting PBS as a home for internationally acclaimed television drama. The series is executive produced by Ridley Scott (Gladiator, Thelma and Louise); David W. Zucker (“The Good Wife” and “The Man in the High Castle”) of Scott Free; Lisa Q. Wolfinger (“Desperate Crossing, The untold story of the Mayflower”) and David Zabel (ER). Dean Devlin’s Electric Entertainment secured all foreign rights to the series early in the process, and will continue to sell to international territories. Based on real events, MERCY STREET takes viewers beyond the battlefield and into the lives of Americans on the Civil War home front as they face the unprecedented challenges of one of the most turbulent times in our nation’s history. Set in Virginia in the spring of 1862, MERCY STREET follows the lives of two volunteer nurses on opposite sides of the conflict; Mary Phinney, (Mary Elizabeth Winstead), a staunch New England abolitionist, and Emma Green, (Hannah James), a naive young Confederate belle.
[Show full text]
Fangoria's Top 20 Hom Etown
FANGORIA HOME/ NEWS MOVIES/ TV REVIEWS BLOGS COMMUNITY REGISTER STORE fango family all the horror screen screams devouring media fango staff speaks connect w ith others join us buy stuff Username •••••• Login Forgot login? | Register MY PROFILE | MY MESSAGES Search.... Search Movies/ TV Fearful Features FANGORIA's Top 20 Hometown Haunts F ANGORIA'S TOP 20 HOM ETOWN HAUNTS RSS F EED Get the FANGO Feed! Last year, Fango posted a list of the top 20 haunts across the U.S. With the most wonderful FANGORIA time of the year quickly approaching, here’s a look at those various spooky locales to check out! At FANGORIA we know Horror, and there is nowhere you can find live movie and video-game NEWSLETTER style FX laden horror than at the best hometown haunted houses in America! They take you into an experience that you won’t soon forget. We have searched for some of the scariest, most over-the-top haunted houses (not including theme parks) and now we present our list of the Top 20 Hometown Haunted Houses in America! So once you've watched your favorite horror movies and survived a zombie attack in LEFT 4 DEAD 2, go out into the October night to one of these terrifying events…and don’t say we didn’t warn you! REVIEWS 1) Netherworld – Norcross, GA (Atlanta area) “PSYCHOSIS” (DVD One of the most creative and ingenious Haunted houses ever created; movie quality special effects, elaborate sets, Review) a powerful acting troupe and remarkably unique scares made Netherworld our #1 Haunted House in 2009! “THE DARKNESS” #89 (Comic Review) “THE SORROW KING” 2) House of Shock - New Orleans, LA (Book Review) “PROOF: ENDANGERED” The House of Shock is one of the most infamous Haunted Attractions in the world! A full horror pre-show features #2 (Comic Review) “DARK DAYS, DARK pyrotechnics, explosions and even a freak show.
[Show full text]
Psycho/Bates Motel : Hyperdiégèse Et Réactivation Sélective Marta Boni
Document généré le 30 sept. 2021 21:46 Intermédialités Histoire et théorie des arts, des lettres et des techniques Intermediality History and Theory of the Arts, Literature and Technologies Psycho/Bates Motel : hyperdiégèse et réactivation sélective Marta Boni refaire Résumé de l'article redoing Cette contribution propose un modèle pour l’analyse de la tendance Numéro 28-29, automne 2016, printemps 2017 contemporaine consistant à refaire, en série, un film culte. L’analyse de la série Bates Motel (A&E, 2013–), choisie comme exemple pertinent, s’appuie sur URI : https://id.erudit.org/iderudit/1041077ar l’insertion de la série dans une sphère de discours plus large représentée par DOI : https://doi.org/10.7202/1041077ar l’univers de Psycho et ses multiples incarnations médiatiques, incluant les appropriations « apocryphes » des téléspectateurs. Bates Motel correspond ainsi à l’exploration d’un espace. Ce phénomène est décrit à travers les Aller au sommaire du numéro concepts d’hyperdiégèse de Matt Hills (Fan Cultures, Londres, New York, Routledge, 2002), ainsi que de série culturelle et de musée imaginaire de Martin Lefebvre (Psycho : de la figure au musée imaginaire. Théorie et pratique Éditeur(s) de l’acte de spectature, Montréal, Paris, L’Harmattan, 1997). Les notions d’« activation » ou de « réactivation sélective » sont par ailleurs proposées et Revue intermédialités (Presses de l’Université de Montréal) discutées. ISSN 1920-3136 (numérique) Découvrir la revue Citer cet article Boni, M. (2016). Psycho/Bates Motel : hyperdiégèse et réactivation sélective. Intermédialités / Intermediality, (28-29). https://doi.org/10.7202/1041077ar Tous droits réservés © Revue Intermédialités, 2017 Ce document est protégé par la loi sur le droit d’auteur.
[Show full text]
Psycho INDIANA UNIVERSITY PRESS FILMGUIDE SERIES Harry Geduld and Ronald Gottesman, General Editors Filmguide to Psycho
Filmguide. to Psycho INDIANA UNIVERSITY PRESS FILMGUIDE SERIES Harry Geduld and Ronald Gottesman, General Editors Filmguide to Psycho JAMES NAREMORE INDIANA UNIVERSITY PRESS Bloomington London Copyright© 1973 by Indiana University Press All rights reserved No part of this book may be reproduced or utilized in any form or by any means, electronic or mechanical, including photocopying and recording, or by any information storage and retrieval system, without permission in writing from the publisher. The Association of American University Presses Resolution on Permissions constitutes the only exception to this prohibition. Published in Canada by Fitzhenry & Whiteside Limited, Don Mills, Ontario Library of Congress catalog card number: 72-88636 ISBN: 0-253-39307-8 cl. 0-253-39308-6 pa. Manufactured in. the United States of America 2 3 4 5 6 80 79 78 77 76 For Jay, who likes horror movies I would like to thank Harry Geduld and Ron Gottesman for giving me this opportunity. My thanks also to Murray Sperber and Charles Eckert, who spent hours talking with me about Psycho. J,N, contents 1 Credits 3 2 Outline 5 3 Aesthetics of Repression 9 4 The Production 19 5 Analysis 25 6 Summary Critique 72 A Hitchcock Filmography 81 Selected Bibliography 83 Rental Sources 87 vii -- Filmguide to Psycho ---- 1 . credits PSYCHO Paramount Pictures, 1960 Producer: Alfred Hitchcock Direction Alfred Hitchcock Screenplay Joseph Stephano, from the novel by Robert Bloch Photography John L. Russell, A.s.c. Special EfJects Clarence Champagne Art Direction Joseph Hurley, Robert Clatworthy Sets George Milo Music Bernard Herrmann Sound Engineering Waldon Watson, William Russell Title Design Saul Bass Editing George Tomasini Assistant Director Hilton Green Costumes Helen Colvig Time 109 minutes Filmed in Hollywood, partly on the lots of the old Universal Stu dios.
[Show full text]
PSYCHO NOTES 1. the Mother, Norma Bates, Is a Classic Super-Ego Character, Internalized by Norman. the Tension in the Film Comes
PSYCHO NOTES 1. The Mother, Norma Bates, is a classic super-ego character, internalized by Norman. The tension in the film comes from not knowing that she is actually dead and mummified. She is the ‘thing that refuses to die’ in the sense that Norman’s internalization of her keeps her alive and her body is not buried but treated as alive. 2. The house is a classic ‘uncanny’ house: Victorian, high on a hill, ‘empty’. The house contains the secret, and getting into the house stages the attempts to uncover the truth. 3. The theme of voyeurism is a perversion that is itself perverted. Instead of leading to sexual pleasure, Norman adopts the persona of his mother to kill Marion Crane. His pleasure is sadistic rather than sexual or, rather, he derives sexual pleasure from the stabbing — as God seems to do in the case of Sta. Theresa. 4. The drain and the eye dominate the shower scene; this is the Real! The camera wanders away, pausing to look at objects in the room, and then drifts out the window toward the house. 5. The role of the voice is key. Normal ventriloquizes his mother’s voice, staging conversations that the audience takes to be actual until they discover the mother’s corpse. Is there, like in Vertigo, a phrase? Possibly the shift in the role of the acousmatic voice is an indicator that Psycho is a different kind of ‘discourse’. 6. What is the meaning of the taxidermy theme, apart from the role it plays in explaining Norman’s anxiety to preserve the mother’s body.
[Show full text]
The Contemporary Gothic in Bates Motel Reviving Psycho…
We Still Need to Talk About Norman: The Contemporary Gothic in Bates Motel Renata Pires de Souza* Resumo: Estrelada por Vera Farmiga (Norma Bates) e Freddie Highmore (Norman Bates), Bates Motel estreou em 2013 como uma série de TV derivada de Psicose (Robert Bloch, 1959; Alfred Hitchcock, 1960). A proposta é construir uma prequel contemporânea para a história, que promete mostrar um retrato de Norman Bates durante sua adolescência, revelando a complexa relação entre ele e sua mãe. Alguns elementos góticos são trazidos de volta pela série, como a casa abandonada; sombras projetadas; ações que se passam à noite; a prática da taxidermia; a questão do duplo, do estranho e da paranoia. Assim, o objetivo deste trabalho é observar como Bates Motel revive e expande a história original, sobretudo em se tratando do gótico contemporâneo, no qual temos a retórica da psicanálise como um tema bastante explícito na narrativa, e não apenas como ferramenta para a análise do texto. Dentro dessa perspectiva, registra-se a impossibilidade de harmonia familiar, assunto crucial na série, visto que cada relação esconde algum tipo de problema. Ainda, tem-se a mãe monstruosa, figura ambígua, que extravasa o seu amor descomedido, ciúme e superproteção; bem como o herói patológico, figura introspectiva, que oculta sua monstruosidade. Reviver essa história, portanto, não apenas nos permite recordar uma narrativa perturbadora, mas também experimentar algo novo, visto que esse é o propósito da ficção derivativa: criar uma nova trama a partir daquela já conhecida pelo público. Palavras-chave: ficção derivativa, Bates Motel, gótico contemporâneo, mãe monstruosa, herói patológico. A glimpse into the world proves that horror is nothing other than reality.
[Show full text]
Television Executive Producers' Use of Twitter As a Public Relations Tool
Brigham Young University BYU ScholarsArchive Theses and Dissertations 2015-05-01 Television Executive Producers' Use of Twitter as a Public Relations Tool Scott Joseph Nash Brigham Young University - Provo Follow this and additional works at: https://scholarsarchive.byu.edu/etd Part of the Communication Commons BYU ScholarsArchive Citation Nash, Scott Joseph, "Television Executive Producers' Use of Twitter as a Public Relations Tool" (2015). Theses and Dissertations. 5554. https://scholarsarchive.byu.edu/etd/5554 This Thesis is brought to you for free and open access by BYU ScholarsArchive. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. Television Executive Producers’ Use of Twitter as a Public Relations Tool Scott Joseph Nash A thesis submitted to the faculty of Brigham Young University in partial fulfillment of the requirements for the degree of Master of Arts Kenneth Dean Plowman, Chair Pamela Jo Brubaker Loy Clark Callahan School of Communications Brigham Young University May 2015 Copyright © 2015 Scott Joseph Nash All Rights Reserved ABSTRACT Television Executive Producers’ Use of Twitter as a Public Relations Tool Scott Joseph Nash School of Communications, BYU Master of Arts This study examines how television executive producers are utilizing the social media platform of Twitter as a public relations tool. Utilizing a qualitative textual analysis, this study examines 10 executive producers’ use of Twitter over a three-week period. The results of the textual analysis indicated executive producers primarily used Twitter as a public relations tool in five different themes: clarification, compliment, gratitude, promotion, and engagement.
[Show full text]
Mayors Gold Cup 2020 Men's 50 and Over
Mayors Gold Cup 2020 Men’s 50 and Over Group A Group B 1 FC Aloha 6 Lanikai FC 2 PVSC 7 Athleta Samurai 3 Tigers 8 Hughson United 4 Clayton Wonders 9 Turn Verein 5 FC77 Ajax 10 Kizuna Thursday 1/16/20 Games Name Score Name Score Field FC Aloha 3 Clayton Wonders 1 PVSC 1 FC 77 Ajax 0 Tigers * 3 Lanikai FC * 0 Athleta Samurai 0 Turn Verein 3 Hughson United 0 Kizuna 3 Friday 1/17/20 Name Score Name Score Field FC Aloha 1 PVSC 5 Clayton Wonders 1 Tigers 5 FC 77 Ajax * 0 Turn Verein * 3 Hughson United 5 Athleta Samurai 1 Lanikai FC 1 Kizuna 7 Saturday 1/18/20 Games Name Score Name Score Field PVSC * 2 Hughson United * 1 Athleta Samurai 1 Tigers 6 FC Aloha 1 FC 77 Ajax 0 Lanikai 0 Turn Verein 3 Clayton Wonders 0 Kizuna 7 *Crossover game Group A Game 1 Game 2 Game 3 Total Finish Points Points Points FC Aloha 9 1 10 20 3 PVSC 8 9 9 26 2 Tigers 10 9 9 28 1 Clayton Wonders 1 1 0 2 4 FC77 Ajax 0 0 0 0 5 Group B Game 1 Game 2 Game 3 Total Finish Points Points Points Lanikai FC 0 1 0 1 5 Athleta Samurai 0 1 1 2 4 Hughson United 0 9 1 10 3 Turn Verein 10 10 10 30 1 Kizuna 10 9 10 29 2 Sunday 1/19/20 Games Name Score Name Score Field 1A Tigers 1B Turn Verein 2A PVSC Canael 2B Kizuna 3A FC Aloha Canael 3B Hughson United 4A Clayton Wonders 1 4B Athleta Samurai 2 5A FC 77 Ajax 5B Lanikai Canael Champions Men’s 50 and Over Turn Verein Mayors Gold Cup 2020 Men’s 60 and Over Group A Group B 1 Calgary Rangers 5 Royal Hawaiian 2 Poi Dogs 6 Bates Motel 3 Vancouver FC 7 Bays United 4 Turn Verein 8 Duke of Edinburg Thursday 1/16/20 Games Name Score Name Score
[Show full text]