Costume Ideas: the 30 Creepiest Characters in TV and Film

Total Page:16

File Type:pdf, Size:1020Kb

Costume Ideas: the 30 Creepiest Characters in TV and Film Costume Ideas: The 30 Creepiest Characters in TV and Film From Pennywise to Po. BY HANNAH ONGLEY Haven't picked out a costume for this weekend? Just go as Pennywise the Clown. According to this sorta-kinda official list of America's creepiest characters from film and television, the case for a timeless look is just as strong at Halloween as it is any other time of the year. E-Score, the nation's leading character-research service, asked 1,500 consumers across different income, age, education, and geographic demographics to determine the creepiest inhabitants of America's small and big screen. It then sorted the characters by the percentage of people who Freddie Highmore as Norman Bates in Bates Motel rated them as "creepy." NBCU Photo Bank via Getty Images While the 15 creepiest film characters are all pretty objectively terrifying, the television choices are slightly more controversial. Mr. Burns creepier than the Teletubbies? Clearly these people have never seen the latter in black-and- white. Anyway, here are your top picks, America: Creepiest Film Characters Creepiest TV Characters 1. Pennywise the Clown (Stephen King's It) 80% 1. Norman Bates 66% 2. Annabelle the Doll (The Conjuring) 77% 2. Dr. Hannibal Lecter 60% 3. Norman Bates (Psycho) 73% 3. Oswald Cobblepot (Gotham) 58% 4. Dr. Hannibal Lecter (Silence of the Lambs) 72% 4. Mr. Burns (The Simpsons) 53% 5. Chucky (Child's Play) 70% 5. The Governor (The Walking Dead) 49% 6. Leatherface (Texas Chainsaw Massacre) 70% 6. Norma Bates 47% 7. Jason Voorhees (Friday the 13th) 68% 7. Rumplestiltskin (Once Upon a Time) 46% 8. Creature From the Black Lagoon 68% 8. Joffrey Baratheon (Game of Thrones) 43% 9. Pinhead (Hellraiser) 67% 9. The Teletubbies 42% 10. Freddy Krueger 66% 10. Lord Peytr Baelish (Game of Thrones) 42% 11. Michael Myers (Halloween) 66% 11. Dexter Morgan 38% 12. Jack Torrance (The Shining) 66% 12. Annoying Orange 38% 13. Regan MacNeil (The Exorcist) 66% 13. "Crazy Eyes" Warren 36% 14. Voldemort (Harry Potter) 65% 14. Zim 35% 15. Jigsaw (Saw) 65% 15. Krusty the Clown (The Simpsons) 28% Or you could just go as a Banana Flasher, that's fairly creepy too. .
Recommended publications
  • This Installation Explores the Final Girl Trope. Final Girls Are Used in Horror Movies, Most Commonly Within the Slasher Subgenre
    This installation explores the final girl trope. Final girls are used in horror movies, most commonly within the slasher subgenre. The final girl archetype refers to a single surviving female after a murderer kills off the other significant characters. In my research, I focused on the five most iconic final girls, Sally Hardesty from A Texas Chainsaw Massacre, Laurie Strode from Halloween, Ellen Ripley from Alien, Nancy Thompson from A Nightmare on Elm Street and Sidney Prescott from Scream. These characters are the epitome of the archetype and with each girl, the trope evolved further into a multilayered social commentary. While the four girls following Sally added to the power of the trope, the significant majority of subsequent reproductions featured surface level final girls which took value away from the archetype as a whole. As a commentary on this devolution, I altered the plates five times, distorting the image more and more, with the fifth print being almost unrecognizable, in the same way that final girls have become. Chloe S. New Jersey Blood, Tits, and Screams: The Final Girl And Gender In Slasher Films Chloe S. Many critics would credit Hitchcock’s 1960 film Psycho with creating the genre but the golden age of slasher films did not occur until the 70s and the 80s1. As slasher movies became ubiquitous within teen movie culture, film critics began questioning why audiences, specifically young ones, would seek out the high levels of violence that characterized the genre.2 The taboo nature of violence sparked a powerful debate amongst film critics3, but the most popular, and arguably the most interesting explanation was that slasher movies gave the audience something that no other genre was able to offer: the satisfaction of unconscious psychological forces that we must repress in order to “function ‘properly’ in society”.
    [Show full text]
  • Greater Griffith Park Neighborhood Council Name: Jessica Kornberg
    Contact Information Neighborhood Council: Greater Griffith Park Neighborhood Council Name: jessica kornberg Phone Number: 917 446 8991 Email: [email protected] Date of NC Board Action: 09/21/2010 Type of NC Board Action: General Comments Impact Information Date: 09/27/2010 Update to a Previous Input: No Directed To: City Council and Committees Council File Number: 07-2858-S1 Agenda Date: 09/28/2010 Item Number: Brief Summary: The GGPNC reaffirms its opposition to supergraphic signs. In addition, we urge the City Council to retain the sign reduction program. In the event an entity erects different signage than permitted, then the permit should be revoked and the entity and signage should be deemed illegal and subject to the appropriate fines and penalties. Finally, the City Planning Commission should see all proposed signage before any permit is issued. Additional Information: GREATER GRIFFITH PARK NEIGHBORHOOD COUNCIL “Your Neighborhood. Your Voice. Your Council” GOVERNING BOARD MEETING CERTIFIED COUNCIL #36 PRESIDENT Ron Ostrow MINUTES PO Box 27003 VICE PRESIDENTS Los Angeles, CA 90027- Tor Hyams - Administration 0003 Luisa Nubaravacharyan - Outreach September 21, 2010 – 7:00 p.m. TREASURER Los Feliz Community Police Center (323) 908-6054 Christina Khanjian 1965 n. Hillhurst Ave. (2nd floor of Citibank) www.ggpnc.org SECRETARY Los Angeles, CA 90027 Jessica Kornberg [email protected] 1. Call to Order. Quorum Check. 7:10pm Napier, Mims, DeOcampo excused. Here: RO, CK, TW, JG, MV, TO, JK, RD, FM, LVKC, HM, TH, MM 2. Reports from Public Officials City Attorney, Bill Larson: Update on Bates Motel. Order in place for abatement has been appealed.
    [Show full text]
  • A Content Analysis of Liberals' and Conservatives' Respective
    Georgia State University ScholarWorks @ Georgia State University Sociology Theses Department of Sociology 1-6-2017 Red Show, Blue Show: A Content Analysis of Liberals’ and Conservatives’ Respective Television Favorites Nicholas Rogers Follow this and additional works at: https://scholarworks.gsu.edu/sociology_theses Recommended Citation Rogers, Nicholas, "Red Show, Blue Show: A Content Analysis of Liberals’ and Conservatives’ Respective Television Favorites." Thesis, Georgia State University, 2017. https://scholarworks.gsu.edu/sociology_theses/63 This Thesis is brought to you for free and open access by the Department of Sociology at ScholarWorks @ Georgia State University. It has been accepted for inclusion in Sociology Theses by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. RED SHOW, BLUE SHOW: A CONTENT ANALYSIS OF LIBERALS’ AND CONSERVATIVES’ RESPECTIVE TELEVISION FAVORITES by NICK ROGERS Under the Direction of Ben L. Kail, PhD ABSTRACT Ideological partisans in the United States are increasingly “sorting” themselves along cultural lines, from the cable news stations they watch to the chain restaurants they prefer. How do partisans seem to “know” how to sort themselves along ideological lines in cultural realms that offer no obvious political cues? To investigate this question, I look to the realm of narrative television, where conservatives and liberals have certain unique favorite programs despite the programs lacking any overt political content. I employ a quantitative content analysis to demonstrate that the substance of these polarizing shows relate to the social traits of curiosity, conformity, relativism, dogmatism, tribalism, vigilance, and chastity, which have previously been demonstrated to correspond to political ideology.
    [Show full text]
  • Update 22 November 2017 Best Game Yang Baru Masuk
    Downloaded from: justpaste.it/premiumlink UPDATE 22 NOVEMBER 2017 BEST GAME YANG BARU MASUK DAFTAR LIST NieR Automata - (10DVD) Full CPY Releases REKOMENDASI SPESIFIKASI PC PALING RENDAH BISA MAIN GAME BERAT/BESAR TAHUN 2017 SET LOW / MID FPS 30 KURANG LEBIH VERSI INTEL DAN NVIDIA TERENDAH: PROCIE: INTEL I3 RAM: 6GB VGA: NVIDIA GTX 660 WINDOWS 7 VERSI AMD TERENDAH: PROCIE: AMD A6-7400K RAM: 6GB VGA: AMD R7 360 WINDOWS 7 REKOMENDASI SPESIFIKASI PC PALING STABIL FPS 40-+ SET HIGH / ULTRA: PROCIE INTEL I7 6700 / AMD RYZEN 7 1700 RAM 16GB DUAL CHANNEL / QUAD CHANNEL DDR3 / UP VGA NVIDIA GTX 1060 6GB / AMD RX 570 HARDDISK SEAGATE / WD, SATA 6GB/S 5400RPM / UP SSD OPERATING SYSTEM SANDISK / SAMSUNG MOTHERBOARD MSI / ASUS / GIGABYTE / ASROCK PSU 500W CORSAIR / ENERMAX WINDOWS 10 CEK SPESIFIKASI PC UNTUK GAME YANG ANDA INGIN MAINKAN http://www.game-debate.com/ ------------------------------------------------------------------------------------------------------------------------------ -------- LANGKAH COPY & INSTAL PALING LANCAR KLIK DI SINI Order game lain kirim email ke [email protected] dan akan kami berikan link menuju halaman pembelian game tersebut di Tokopedia / Kaskus ------------------------------------------------------------------------------------------------------------------------------ -------- Download List Untuk di simpan Offline LINK DOWNLOAD TIDAK BISA DI BUKA ATAU ERROR, COBA LINK DOWNLOAD LAIN SEMUA SITUS DI BAWAH INI SUDAH DI VERIFIKASI DAN SUDAH SAYA COBA DOWNLOAD SENDIRI, ADALAH TEMPAT DOWNLOAD PALING MUDAH OPENLOAD.CO CLICKNUPLOAD.ORG FILECLOUD.IO SENDIT.CLOUD SENDSPACE.COM UPLOD.CC UPPIT.COM ZIPPYSHARE.COM DOWNACE.COM FILEBEBO.COM SOLIDFILES.COM TUSFILES.NET ------------------------------------------------------------------------------------------------------------------------------ -------- List Online: TEKAN CTR L+F UNTUK MENCARI JUDUL GAME EVOLUSI GRAFIK GAME DAN GAMEPLAY MENINGKAT MULAI TAHUN 2013 UNTUK MENCARI GAME TAHUN 2013 KE ATAS TEKAN CTRL+F KETIK 12 NOVEMBER 2013 1.
    [Show full text]
  • Television Academy
    Television Academy 2014 Primetime Emmy Awards Ballot Outstanding Directing For A Comedy Series For a single episode of a comedy series. Emmy(s) to director(s). VOTE FOR NO MORE THAN FIVE achievements in this category that you have seen and feel are worthy of nomination. (More than five votes in this category will void all votes in this category.) 001 About A Boy Pilot February 22, 2014 Will Freeman is single, unemployed and loving it. But when Fiona, a needy, single mom and her oddly charming 11-year-old son, Marcus, move in next door, his perfect life is about to hit a major snag. Jon Favreau, Director 002 About A Boy About A Rib Chute May 20, 2014 Will is completely heartbroken when Sam receives a job opportunity she can’t refuse in New York, prompting Fiona and Marcus to try their best to comfort him. With her absence weighing on his mind, Will turns to Andy for his sage advice in figuring out how to best move forward. Lawrence Trilling, Directed by 003 About A Boy About A Slopmaster April 15, 2014 Will throws an afternoon margarita party; Fiona runs a school project for Marcus' class; Marcus learns a hard lesson about the value of money. Jeffrey L. Melman, Directed by 004 Alpha House In The Saddle January 10, 2014 When another senator dies unexpectedly, Gil John is asked to organize the funeral arrangements. Louis wins the Nevada primary but Robert has to face off in a Pennsylvania debate to cool the competition. Clark Johnson, Directed by 1 Television Academy 2014 Primetime Emmy Awards Ballot Outstanding Directing For A Comedy Series For a single episode of a comedy series.
    [Show full text]
  • Discovery Shuttle
    DISCOVERY SHUTTLE FREE FOR TOURISTS AN EASIER WAY SHUTTLE STOPS TO SEE MORE CENTRAL RICHMOND Discover the most popular destinations Located along the Canada Line LANSDOWNE SkyTrain, just a short ride from STATION* in Richmond with the convenience of downtown Vancouver, discover some our all-new FREE tourist shuttle. of the best shopping and Asian dining Richmond has to offer. Operating on weekends and statutory holidays. June 15 - September 2, 2019. SHERATON Conveniently located near four of Plan your trip at VANCOUVER AIRPORT Richmond’s main hotels, begin your day of Pacific exploration from here. See North America’s first-ever RICHMOND Olympic museum, host to long-track OLYMPIC OVA L speed skating for the 2010 Vancouver Olympics, with two international-size ice rinks, a 40-foot climbing wall and more. STEVESTON VILLAGE Explore the history of Steveston Harbour GULF OF GEORGIA at the Gulf of Georgia Cannery National CANNERY* Historic Site, enjoy fresh-caught seafood at Fisherman’s Wharf, and discover eclectic shops along Moncton Street. Glimpse into Steveston’s rich beginnings and BRITANNIA Western Canada’s fishing industry, as well as the SHIPYARDS set to notable TV shows, including: Bates Motel, Man in the High Castle and The Crossing. *Stops in parking lot. DISCOVER RICHMOND IN A DAY SHUTTLE SCHEDULE STOPS DEPARTURE TIMES 2:30 LANSDOWNE 9:30 10:45 12:00 1:15 pm 3:00 4:15 5:30 6:25 STATION* am am pm pm Unload pm pm pm pm only 6:35 SHERATON 9:40 10:55 12:10 1:25 3:10 4:25 5:40 pm VANCOUVER – am am pm pm pm pm pm Unload AIRPORT only RICHMOND 9:50 11:05 12:20 1:35 3:20 4:35 Closed OLYMPIC am am pm pm – pm pm – OVA L GULF OF 10:10 11:25 12:40 1:55 3:40 4:55 6:00 GEORGIA am am pm pm – pm pm pm – CANNERY* 10:20 11:35 12:50 2:05 3:50 5:05 BRITANNIA – Closed – SHIPYARDS** am am pm pm pm pm *Stops in parking lot.
    [Show full text]
  • The Overbearing in Coriolanus and Psycho
    The Corinthian Volume 17 Article 2 2016 Mother Knows Best: The Overbearing in Coriolanus and Psycho Mikaela LaFave Georgia College and State University Follow this and additional works at: https://kb.gcsu.edu/thecorinthian Part of the English Language and Literature Commons Recommended Citation LaFave, Mikaela (2016) "Mother Knows Best: The Overbearing in Coriolanus and Psycho," The Corinthian: Vol. 17 , Article 2. Available at: https://kb.gcsu.edu/thecorinthian/vol17/iss1/2 This Article is brought to you for free and open access by the Undergraduate Research at Knowledge Box. It has been accepted for inclusion in The Corinthian by an authorized editor of Knowledge Box. The Corinthian: The Journal of Student Research at Georgia College Volume 17 • Spring 2016 Mother Knows Best: The Overbearing in Coriolanus and Psycho ercises enough influence over Martius to drive him toward self-de- Mikaela LaFave structive pride. The First Citizen establishes that Martius’ pride originates from his sense of obligation towards Volumnia: “Though Dr. Jenny Flaherty soft-conscienced men can be content to say it was for his country, Faculty Mentor [Martius] did it to please his mother and to be partly proud, which he is, even to the altitude of his virtue” (1.1.36-40). Shakespeare establishes that Martius’ pride possesses an indelible link to Volum- nia; rather than feeling pride for himself, or seeking out pride for Psychoanalytic critics have focused on the mother-son himself, he does so for his mother, framing their relationship as one relationship throughout its criticism, stemming from Freud’s rein- of fear and domination rather than love.
    [Show full text]
  • Cinemeducation Movies Have Long Been Utilized to Highlight Varied
    Cinemeducation Movies have long been utilized to highlight varied areas in the field of psychiatry, including the role of the psychiatrist, issues in medical ethics, and the stigma toward people with mental illness. Furthermore, courses designed to teach psychopathology to trainees have traditionally used examples from art and literature to emphasize major teaching points. The integration of creative methods to teach psychiatry residents is essential as course directors are met with the challenge of captivating trainees with increasing demands on time and resources. Teachers must continue to strive to create learning environments that give residents opportunities to apply, analyze, synthesize, and evaluate information (1). To reach this goal, the use of film for teaching may have advantages over traditional didactics. Films are efficient, as they present a controlled patient scenario that can be used repeatedly from year to year. Psychiatry residency curricula that have incorporated viewing contemporary films were found to be useful and enjoyable pertaining to the field of psychiatry in general (2) as well as specific issues within psychiatry, such as acculturation (3). The construction of a formal movie club has also been shown to be a novel way to teach psychiatry residents various aspects of psychiatry (4). Introducing REDRUMTM Building on Kalra et al. (4), we created REDRUMTM (Reviewing [Mental] Disorders with a Reverent Understanding of the Macabre), a Psychopathology curriculum for PGY-1 and -2 residents at Rutgers Robert Wood Johnson Medical School. REDRUMTM teaches topics in mental illnesses by use of the horror genre. We chose this genre in part because of its immense popularity; the tropes that are portrayed resonate with people at an unconscious level.
    [Show full text]
  • The Academy of Science Fiction, Fantasy & Horror
    The Academy of Science Fiction, Fantasy & Horror Films 334 West 54th Street Los Angeles, California 90037-3806 Phone: (323) 752-5811 e-mail: [email protected] Robert Holguin (President) Dr. Donald A. Reed (Founder) Publicity Contact: Karl Williams [email protected] (310) 493-3991 “Gravity” and “The Hobbit: The Desolation of Smaug” soar with 8 Saturn Award nominations, “The Hunger Games: Catching Fire,” scores with 7, “Iron Man 3,” “Pacific Rim,” “Star Trek Into Darkness and Thor: The Dark World lead with 5 nominations apiece for the 40th Annual Saturn Awards, while “Breaking Bad,” “Falling Skies,” and “Game of Thrones” lead on TV in an Epic Year for Science Fiction, Fantasy and Horror LOS ANGELES – February 26, 2014 – Alfonso Cuaron’s Gravity and Peter Jackson’s The Hobbit: The Desolation of Smaug both received 8 nominations as the Academy of Science Fiction, Fantasy & Horror Films today announced nominations for the 40th Annual Saturn Awards, which will be presented in June. Other major contenders that received major nominations were The Hunger Games: Catching Fire, Guillermo del Toro’s Pacific Rim, Star Trek Into Darkness, The Book Thief, Her, Oz The Great anD Powerful and Ron Howard’s Rush. Also making a strong showing was the folk music fable InsiDe Llewyn Davis from Joel and Ethan Coen highlighting their magnificent and original work. And Scarlett Johansson was the first Best Supporting Actress to be nominated for her captivating vocal performance in Spike Jones’ fantasy romance Her. For the Saturn’s stellar 40th Anniversary celebration, two new categories have been added to reflect the changing times; Best Comic-to-Film Motion Picture will see Warner’s Man of Steel duking it out against Marvel’s Iron Man 3, Thor: The Dark WorlD and The Wolverine! The second new category is Best Performance by a Younger Actor in a Television Series – highlighting the most promising young talent working in TV today.
    [Show full text]
  • Psycho by Charles Taylor “The a List: the National Society of Film Critics’ 100 Essential Films,” 2002
    Psycho By Charles Taylor “The A List: The National Society of Film Critics’ 100 Essential Films,” 2002 Reprinted by permission of the author The impact of Alfred Hitchcock’s “Psycho” owes so much to its two big surprises that when the film opened in 1960 Hitchcock not only refused to allow press screenings but had theaters hire Pinkerton security guards to prevent latecomers from entering the theater once the picture had started. He wanted to keep the people who hadn’t bought tickets from finding out that Janet Leigh’s Marion Crane is stabbed to death in the shower only forty-five minutes into the movie, and that the murderer is Antho- ny Perkins’s Norma Bates, who has succumbed to the personality of the mother he murdered years before. In many ways, “Psycho” seems like a death knell for the studio system that would lumber on for a few more years before collapsing later in the decade under the weight of filmmakers and audiences sick of the old stultified formu- Alfred Hitchcock holding a clapper on the set of “Psycho.” las. It isn’t just that Hitchcock made the film fast and on Courtesy Library of Congress the cheap (it cost only $800,000), using the crew from his television anthology series “Alfred Hitchcock Presents.” We are as anxious for Norman not to be found out cover- And it’s not just the shock of the shower murder, its bril- ing up “mother’s” crime as we were for Marion not to get liant and savage elisions heralding and in many cases sur- caught stealing the $40,000 that started her on the jour- passing the screen violence to come.
    [Show full text]
  • The Fisher King
    Movies & Languages 2018-2019 Psycho About the movie (subtitled version) DIRECTOR Alfred Hitchcock YEAR/COUNTRY 1960 / USA GENRE Thriller ACTORS A. Perkins (Norman Bates), J. Leigh (Marion Crane), J. Gavin (Sam Loomis), V. Miles (Marion’s sister, Lila), M. Balsam (Arbogast) PLOT Marion Crane is a trusted secretary who steals $40,000 in cash that her boss entrusts her with, planning to take it to her lover, Sam, and start a new life. However, she is not very good at being a criminal and makes a policeman suspicious, and also a car salesman when she trades in her car. Due to a heavy rainstorm, she ends up at the Bates motel, which is well off the main highway, where the shy manager offers her a room, a meal and a chat. They have a conversation about life’s traps which makes Marion decide to give the money back. However, Marion is murdered in the shower before she can carry out her plan. Wanting to get the money back without involving the police, Marion’s boss, her sister and the boss’s associate pay a private detective, Arbogast, to track her down. After notifying Lila and Sam that he is intending to interview Bates’ mother, Arbogast disappears, and the two searchers contact the local sheriff. Here they make some discoveries which lead them to go out to the motel themselves and solve the mystery. LANGUAGE This movie contains very little complex vocabulary – indeed, it contains relatively little dialogue. The English used, although American in accent, is standard and classic, with the slight exception of the sheriff, who uses a few more colourful expressions (e.g.
    [Show full text]
  • Epilogue Psycho (1960) and the New Domestic Gaze
    Epilogue Psycho (1960) and the New Domestic Gaze By the time Fort Apache appeared in theatres, the Hollywood studios were in deep crisis. As Schatz puts it, “business was declining rapidly. In fact, the fall- ing gross revenues and profits for all the studios would not only continue but accelerate over the coming years” (1999: 331). When the studios did begin to recover, Hollywood had lost its monopoly on the moving sound image. Television began to penetrate everyday life. So, in the late 20th century, cinema was no longer as central to the habits and practices of Americans as it had been during the period in which it alone had the power to move pictures, and thus people. In response, cinema began to dramatize this very transformation through its interrogation of the cinematic gaze. The Gaze Rather than defining the “cinematic gaze” in conceptual terms, let me describe the picture that most famously theorizes this gaze. I’m thinking of course of that seminal moment from Alfred Hitchcock’s film Psycho (1960) that takes place about 45 minutes into the picture. Marion Crane (Janet Leigh) has arrived at the Bates Motel with a bag full of money stolen from her employer. After having dinner with Norman, she decides to shower, presumably to wash away her guilt. Norman Bates (Anthony Perkins), in an adjoining room, takes a painting from the wall. Behind the frame, a hole in the plaster through which Norman watches Marion undress. Here I offer the context, but the scene is important not only for its function in this specific narrative, but because of its formal structure; what that structure says about cinema itself, and about the viewer’s symbolic participation in cinematic violence.
    [Show full text]