Read Ebook {PDF EPUB} I Didn't Know You Cared by Peter Tinniswood I Didn't Know You Cared by Peter Tinniswood. Respected novelist and playwright Peter Tinniswood has died at the age of 66 following a long battle with cancer. The Liverpudlian writer was diagnosed with oral cancer in 1995 and had undergone surgery to have his larynx removed. Tinniswood was responsible for bringing many memorable characters to radio and television. One of his best-remembered characters was Uncle Mort, an indomitable northerner who contracted cancer in the screenplay I Didn't Know You Cared. Several of the television and radio plays written by Tinniswood attracted a devoted following. Perhaps his best-known works were Tales from a Long Room, and its sequel, More Tales from a Long Room, which told stories about cricket, one of Tinniswood's life-long passions. Most recently he worked on the small screen adaptation of HE Bates' Uncle Silas, which stars Albert Finney. Born in , Tinniswood grew up in Sale, Greater Manchester, where he lived above the dry-cleaners run by his mother. As a young boy he would sit under the counter among the dirty laundry, listening to customers' conversations. "It was like live radio," he said "it sharpened my ear for dialogue. I became a good mimic." He began his working life as a journalist, writing fiction in his spare time until it was able to provide him with a livelihood. Radical surgery. Tinniswood's plays have been produced all over the country, including at the National Theatre and Bristol Old Vic. Amongs others, he has written for, and had his work performed by, are Dame Judi Dench, , Jane Lapotaire and Michael Williams. Tinniswood's second wife, the actress Liz Goulding, performed and inspired many of his works. His oral cancer was the result of 40 years of pipe smoking. Tinniswood moved back in with Liz Goulding, even though they had been divorced. She cared for him throughout his battle with cancer. He continued to work throughout his illness, saying that writing about what was happening to him was the only way he could cope. Among his new plays were Croak, Croak, Croak and The Last Obit. "I am writing better than I have in my life," he said shortly before his death. I Didn't Know You Cared. I Didn't Know You Cared is a British television comedy set in a working-class household in South Yorkshire in the 1970s, written by Peter Tinniswood loosely based upon his books A Touch of Daniel , I Didn't Know You Cared and Except You're a Bird . It was broadcast by the BBC in four series (seven episodes each in series 1, 3 and 4 and six in series 2) from 1975 to 1979. The main characters are: Carter Brandon (played by and, in series 3 and 4, Keith Drinkel); his uncle, Uncle Mort (); his mother, Annie (); his father, Les (John Comer); his girlfriend (later wife), Pat Partington (Anita Carey and, in series 3 and 4, Liz Goulding); and his other uncle, Uncle Staveley (Bert Palmer and, in series 4, Leslie Sarony). Auntie Lil (Gretchen Franklin), appears in the first two series. Other recurring characters, mostly from Carter's workplace, are: Linda Preston (Deirdre Costello); Mrs Partington, Pat's mother (Vanda Godsell); Sid Skelhorn (Ray Dunbobbin and, in series 3 and 4, Bobby Pattinson); and Louis St. John (Paul Barber). The novels narrate the story of which Carter's thoughts are an integral part. A recurring theme in the books is conversation between Carter and baby Daniel (Uncle Mort's son). One feature of the books is a line at the top of each page which summarizes the developments on that page. The TV series adhere more closely to the conventions of situation comedy, and present generally light-hearted versions of the stories from the books. In the TV series, Uncle Staveley (remembered for his catchphrase, "I heard that! Pardon?") always appears with the ashes of Corporal Parkinson —one of his comrades from World War I—in a box around his neck. External links. I Didn ' t Know You Cared at IMDb I Didn ' t Know You Cared at British Comedy Guide. Related Research Articles. Mother and Son is an Australian television sitcom that was broadcast on the Australian Broadcasting Corporation (ABC) from 16 January 1984 until 21 March 1994. The show stars Ruth Cracknell, Garry McDonald, Henri Szeps and Judy Morris. It featured many Australian actors of the time in guest roles. It was created and written by Geoffrey Atherden. Its theme song features the Tasmanian Symphony Orchestra, playing to "I Want a Girl", a jazz standard which was recorded by Al Jolson in the 1920s. 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In later life, the writer Peter Tinniswood complained that he had spread himself thin, and rarely produced his best work. But if he did not achieve greatness, he nevertheless managed ubiquity – novels, television and above all, radio – and there can be few people who have never been amused or unsettled at one time or another by his distinctive brand of gloomy northern surrealism. He was born in Liverpool in 1936, but spent most of his early years in Sale, outside Manchester, where his mother ran a dry-cleaning shop: he later said that lurking under the counter, listening to the customers' conversation, was what gave him his ear for dialogue. After Sale County Grammar and Manchester University, he became a journalist, working on the Liverpool Echo , the Western Mail and, from 1958 to 1960, the Star . It was at the Star that he met , now famous as the author of the Reggie Perrin novels. They began writing together – sketches for That Was the Week That Was and The Frost Report ; but Tinniswood's creative urges didn't get free rein until the publication of his first novel, A Touch of Daniel , in 1968. This was the work that introduced the Brandons, a grumbling northern household of nagging women and shiftless, taciturn men, afflicted by a mortality rate that swells from extreme to surreal over the course of the book. The Brandons reappeared in a 1973 novel, I Didn't Know You Cared , and a BBC television series of the same name. Although its reputation has been overshadowed by other comedies of the period, such as Fawlty Towers and Porridge , many retain fond memories of the atmosphere of dank pessimism, of Uncle Stavely's catch-phrase, "I 'eard that – pardon?", and Robin Bailey's marvellous performance as the appropriately named Uncle Mort, whose imperturbable gloom no ray of sunshine could penetrate. More significant for Tinniswood was the casting in later series of Liz Goulding as Carter Brandon's nagging, socially ambitious wife, Pat. She and Tinniswood married in 1981, and much of his later work was written with her in mind. Other novels followed, several featuring the Brandons, and more TV: The Home Front – also a novel – starred as a bigoted northerner down south. Tinniswood's stage career had got off to a bad start in 1971, when The Investiture was slammed by Harold Hobson as the worst play he had ever seen. Although he never made it in the West End, Tinniswood's work was frequently performed, at the Stephen Joseph Theatre in Scarborough, under Alan Ayckbourn, Bristol Old Vic, Sheffield Crucible, the Bush and the National. But his great love was radio, which gave scope to his enthusiasm for words, his taste for mixing registers and vocabularies. The total number of plays and series he wrote for Radio 4 is hard to compute; and the roster of stars drawn to his work is impressive: Judi Dench, Michael Williams, Billie Whitelaw, Jane Lapotaire, Stephanie Cole, . Most recently, marked his 80th birthday by starring in Anton in Eastbourne , broadcast on Radio 4 in November. Tinniswood's keenness on sports, especially cricket, inspired Tales from a Long Room – the work for which, after I Didn't Know You Cared , he is probably best remembered. In these monologues, the Brigadier, a drawling, elderly gentleman played by Robin Bailey, offered eccentric musings on "our summer game" and updates on events in the hamlet of Witney Scrotum, dotted with weirdly inconsequential namechecks for cricketing personalities (particularly the umpire Mr H.D. "Dickie" Bird). The Brigadier turned up in several series on Radio 4, as well as half a dozen books, a short-lived television version, and a long-running column in The Cricketer magazine. The 1987 radio play The Village Fête introduced the Empson family – grousing Father, hypochondriac William, nymphomaniac Rosie, the whole neurotic ensemble presided over by kind, sensible Nancy. They were taken up by the local poacher and rural sage, Winston Hayballs (the juxtaposition of characters called William Empson and Winston Hayballs gives you a pretty good idea of the Tinniswood style and range of reference), whose earthy common sense rescued them from all sorts of scrapes, while his erotic enthusiasm gave Nancy an unexpected dose of happiness: a little like Jeeves as written by D.H. Lawrence. Five series of Winston's adventures followed between 1989 and 1994. The atmosphere of the Winston stories – as with so much of his work, it is the atmosphere that lingers – is one of rural idyll overlaid with surrealist anxiety; they are his most underrated work. Throughout his career, his rate of production was impressive. He himself lamented that his inability to say no, and his tendency to try anything once, had led him to spread himself thin. In all honesty, it is hard to disagree with his own judgement: the later outings of the Brigadier and the Brandons, in a number of Radio 4 series, lacked the verve and imagination of the originals. In 1995, on a visit to the dentist, Tinniswood was diagnosed with oral cancer, the result of years of pipe smoking. He subsequently had his voice box removed, and had to speak through a tube that produced a Dalek-like sound. He had been divorced from Liz Goulding – who had starred in much of his work, and whom he regarded as his muse – for a couple of years; but now he moved into her house, and she cared and interpreted for him throughout his illness. This was often traumatic – at one point, he nearly bled to death following a haemorrhage. Curiously, though, as Tinniswood liked to point out, losing his actual voice enabled him to recover his writing voice. He put on a spurt of productivity – 10 radio plays in five years: one, The Goalkeeper's Boo-boo, still remains to be produced. Two plays, The Scan and The Voice Boxer , performed at Bristol Old Vic in 2000 as a double-bill under the title Croak, Croak, Croak dealt more or less directly with his illness. He began writing The Scan in his head while entombed inside a body-scanner, as a way of combating claustrophobia: in it, the main character finds words bursting out of him, unbidden. In The Voice Boxer , a man who has had a laryngectomy finds that his voice has taken on a life of its own and gone travelling. The evident reference here to Gogol's The Nose is a reminder of an international dimension to his work that is easy to overlook, thanks to his obsessions with cricket and the minutiae of English life. Tinniswood himself talked of European absurd theatre as an influence, and he also translated the plays of Eduardo da Filippo – his version of Napoli Milionaria , transplanted from Naples to Liverpool, was staged at the National Theatre in 1991, directed by Richard Eyre, and starring Ian McKellen as the paterfamilias. Da Filippo's belief in the marital bed as the heart of domestic life chimes in with Tinniswood's own convictions about the energising properties of sexual desire, whether expressed or sublimated. But still, Tinniswood was essentially an English writer – more than that, a northern English writer. Paying tribute to him on Radio 4 this week, the radio critic Gillian Reynolds suggested comparison with Robb Wilton and Tommy Handley, fellow natives of Liverpool. But you can also see points of resemblance to both Alan Bennett and Victoria Wood – the talkative women, the nose for euphemism and bathos, the same determination to look on the bleak side, and the relish of trivial pleasures like custard creams. Like them, Tinniswood developed a particular strain of gritty realism – a strain that relies on the recognition that sometimes the grittiness may just be the result of eating custard creams in bed. TINNISWOOD, Peter 1936-2003. OBITUARY NOTICE— See index for CA sketch: Born December 21, 1936, in Liverpool, England; died of cancer January 9, 2003, in London, England. Novelist, television and radio writer, playwright, and journalist. Tinniswood wrote popular comedies for British television and radio programs. One of his best-known was the television series I Didn't Know You Cared, which was aired by the British Broadcasting Corporation for four years in the 1970s and earned the writer a Winifred Holtby Memorial Prize from the Royal Society of Literature. He also contributed to the satirical comedy series That Was the Week that Was and wrote material for media personalities such as internationally recognized broadcaster David Frost. Tinniswood worked as a journalist until he was able to support himself through fiction and comedy. His first novel was A Touch of Daniel, which introduces the Brandon family eventually made famous by I Didn't Know You Cared. Tinniswood also wrote popular radio pieces such as Tales from a Long Room, a series of cricket monologues by a character known as "the brigadier"; these stories were later published in at least eight collections. His radio play The Village Fete, which introduces a poacher named Winston Hayballs, earned the author a Giles Cooper award in 1987. Tinniswood attempted several stage plays, but success in the limelight eluded him until his later years. The 2000 play Croak, Croak, Croak and the 2002 piece The Last Obit, the latter which premiered on the radio prior to its West End opening, were both based on the vicissitudes of aging and failing health, elements of what Tinniswood once described to CA as the "tragi-comic nature" of life. OBITUARIES AND OTHER SOURCES: books. Contemporary Novelists, 7th edition, St. James Press (Detroit, MI), 2001. I Didn't Know You Cared. Book Description Arrow Books Ltd, 1983. Paperback. Condition: Used; Good. **Simply Brit** Shipped with Premium postal service within 24 hours from the UK with impressive delivery time. We have dispatched from our book depository; items of good condition to over ten million satisfied customers worldwide. We are committed to providing you with reliable and efficient service at all times. Seller Inventory # 1026448. 2. I Didn't Know You Cared. Book Description Arrow Books Ltd, 1983. Paperback. Condition: Fair. A readable copy of the book which may include some defects such as highlighting and notes. Cover and pages may be creased and show discolouration. Seller Inventory # GOR001287448. 3. I Didn't Know You Cared. Book Description Arrow Books Ltd, 1983. Paperback. Condition: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. Seller Inventory # GOR001276348. 4. I Didn't Know You Cared. Book Description Arrow Books Ltd, 1983. Paperback. Condition: Good. The book has been read but remains in clean condition. All pages are intact and the cover is intact. Some minor wear to the spine. Seller Inventory # GOR001227432. 5. I Didn't Know You Cared. Book Description Arrow Books Ltd, 1983. Paperback. Condition: Good. A slight tan to page edges Good condition is defined as: a copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned. Most items will be dispatched the same or the next working day. Seller Inventory # wbb0016478869. 6. I Didn't Know You Cared. Book Description Arrow Books Ltd, 1983. Paperback. Condition: Good. No Jacket. Former library book; Pages can have notes/highlighting. Spine may show signs of wear.