DOCSLIB.ORG

Ballet West YAGP Lecture Series

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Ballet West YAGP Lecture Series Ballet West YAGP Lecture Series February 26-28, 2016 Janet Quinney Lawson Capitol Theatre | Capitol Room 52 West 200 South | Salt Lake City Free Admission The first-ever Ballet West – YAGP Lecture Series will give dance students and industry professionals a unique opportunity to hear from leading members of the dance community. Professional dancers, members of Ballet West’s artistic staff, studio owners, and arts administrators will share their knowledge and experience on topics relevant to any student, teacher, or administrator. Attendees will leave the sessions prepared and inspired to move forward to the next step in their careers, with practical advice on how to approach both opportunities and obstacles.The community is welcomed to attend the Lecture Series free of charge. The Series will take place in the Capitol Room (just off the lobby of the Capitol Theater) during the YAGP Regional Competition on February 26, 27, and 28, 2016. For additional details, visit balletwest.org/events/ballet-west-yagp-lecture-series Friday, February 26 | 12:00 PM Pursuing a professional dance career- this panel discussion will provide attendees with insight on how to prepare their job applications for professional dance companies. Panel: Heather Thackeray, Jenna Rae Herrera, Beau Pearson, Sayaka Ohtaki Moderator: Adam Sklute Friday, February 26 | 4:00 PM Overcoming Adversity- this group of panelists will discuss obstacles they faced both in life and in their dance career along with offering advice to attendees on how to overcome their own obstacles. Panel: Gabi Salvatto, Elizabeth Weldon, Lucas Horns, Calvin Kitten Moderator: Sarah Taylor Saturday, February 27 | 2:00 PM Managing Social Media- This discussion will provide advice to attendees on strategies to maximize their social media presence as well as address ways to avoid problems from social media. Panel: Beckanne Sisk, Allison DeBona, Ginamarie Marsala, Felicia Cowen Moderator: Summer Wilson Sunday, February 28 | 10:00 AM Other Career Opportunities in the Dance Industry- Many people want to pursue a career in the dance industry after a professional dancing career or instead of a professional dancing career. This session will provide examples of options as well as advice on how to pursues those options. Panel: Peter Merz, Kim Delgrosso, Allison DeBona, Christopher Ruud, Cati Snarr Moderator: Heather Thackeray Sunday, February 28 | 12:00 PM Higher Education and a Professional Dance Career- This panel will include a discussion of how dancers have approached obtaining a university degree in addition to having a professional dance career. Panel: Kimberly Ballard, Katie Critchlow, Jacqueline Straughan, Hannah Sterling Moderator: Peter Merz Night of Shining Stars A Glittering Evening of Dance Performances New York City Ballet | San Francisco Ballet | Dancing with the Stars MOMIX | Ballet West | The Joffrey Ballet | Boston Ballet | Ballet Red One Night Only | Saturday, February 27 Janet Quinney Lawson Capitol Theatre For the first time ever, internationally-renowned dancers representing eight national companies will appear in Salt Lake City for a dazzling one-night-only dance event. The evening will be dedicated to iconic international dancer, choreographer, and former Artistic Director of Ballet West and Boston Ballet, Bruce Marks. Tickets start at just $25! For more information, please call 801.869.6900 or visit balletwest.org/events/youth-america-grand-prix-gala EVENTS CO-PRESENTED BY BALLET WEST SEASON SPONSORS Copyright © 2016 Ballet West, All rights reserved. Thanks for being part of the Ballet West family! You are receiving this email because you purchased a ticket for a Ballet West event, or signed up through our website. Our mailing address is: Ballet West 52 West 200 South Salt Lake City, Ut 84101 Add us to your address book unsubscribe from this list update subscription preferences .
Load more

Recommended publications
  • Valerie Roche ARAD Director Momix and the Omaha Ballet
    Celebrating 50 years of Dance The lights go down.The orchestra begins to play. Dancers appear and there’s magic on the stage. The Omaha Academy of Ballet, a dream by its founders for a school and a civic ballet company for Omaha, was realized by the gift of two remarkable people: Valerie Roche ARAD director of the school and the late Lee Lubbers S.J., of Creighton University. Lubbers served as Board President and production manager, while Roche choreographed, rehearsed and directed the students during their performances. The dream to have a ballet company for the city of Omaha had begun. Lubbers also hired Roche later that year to teach dance at the university. This decision helped establish the creation of a Fine and Performing Arts Department at Creighton. The Academy has thrived for 50 years, thanks to hundreds of volunteers, donors, instructors, parents and above all the students. Over the decades, the Academy has trained many dancers who have gone on to become members of professional dance companies such as: the American Ballet Theatre, Los Angeles Ballet, Houston Ballet, National Ballet, Dance Theatre of Harlem, San Francisco Ballet, Minnesota Dance Theatre, Denver Ballet, Momix and the Omaha Ballet. Our dancers have also reached beyond the United States to join: The Royal Winnipeg in Canada and the Frankfurt Ballet in Germany. OMAHA WORLD HERALD WORLD OMAHA 01 studying the work of August Birth of a Dream. Bournonville. At Creighton she adopted the syllabi of the Imperial Society for Teachers The Omaha Regional Ballet In 1971 with a grant and until her retirement in 2002.
    [Show full text]
  • The Shubert Foundation 2020 Grants
    The Shubert Foundation 2020 Grants THEATRE About Face Theatre Chicago, IL $20,000 The Acting Company New York, NY 80,000 Actor's Express Atlanta, GA 30,000 The Actors' Gang Culver City, CA 45,000 Actor's Theatre of Charlotte Charlotte, NC 30,000 Actors Theatre of Louisville Louisville, KY 200,000 Adirondack Theatre Festival Glens Falls, NY 25,000 Adventure Theatre Glen Echo, MD 45,000 Alabama Shakespeare Festival Montgomery, AL 165,000 Alley Theatre Houston, TX 75,000 Alliance Theatre Company Atlanta, GA 220,000 American Blues Theater Chicago, IL 20,000 American Conservatory Theater San Francisco, CA 190,000 American Players Theatre Spring Green, WI 50,000 American Repertory Theatre Cambridge, MA 250,000 American Shakespeare Center Staunton, VA 30,000 American Stage Company St. Petersburg, FL 35,000 American Theater Group East Brunswick, NJ 15,000 Amphibian Stage Productions Fort Worth, TX 20,000 Antaeus Company Glendale, CA 15,000 Arden Theatre Company Philadelphia, PA 95,000 Arena Stage Washington, DC 325,000 Arizona Theatre Company Tucson, AZ 50,000 Arkansas Arts Center Children's Theatre Little Rock, AR 20,000 Ars Nova New York, NY 70,000 Artists Repertory Theatre Portland, OR 60,000 Arts Emerson Boston, MA 30,000 ArtsPower National Touring Theatre Cedar Grove, NJ 15,000 Asolo Repertory Theatre Sarasota, FL 65,000 Atlantic Theater Company New York, NY 200,000 Aurora Theatre Lawrenceville, GA 30,000 Aurora Theatre Company Berkeley, CA 40,000 Austin Playhouse Austin, TX 20,000 Azuka Theatre Philadelphia, PA 15,000 Barrington Stage Company
    [Show full text]
  • The Portland Ballet Dances a Fairytale Holiday
    Contact: Cynthia Kirk [email protected] 503-330-1886 The Portland Ballet Dances a Fairytale Holiday Double Bill Includes World Premiere of John Clifford’s Tales from Mother Goose and His Wildly Popular The Enchanted Toyshop Portland State University Orchestra Plays Ravel and Rossini/Respighi’s Music Live at All Six Performances 5-Dollar-First-Show Presents Generous Holiday Gift to Portlanders The Portland Ballet Presents the World Premiere of John Clifford’s Tales from Mother Goose (2014) with his The Enchanted Toyshop (2003) in partnership with Portland State University Orchestra Performances Open Rehearsal F/Sa/Su, Nov 28/29/30, 1 & 5 PM Led by Artistic Director Nancy Davis Lincoln Hall, 1620 SW Park at Market TPB Studio Runtime: 100 minutes w/intermission 6250 SW Capitol Highway Tickets: F/Nov 28, 1 PM $5 Sa, Nov 1, 3-4 PM All other performances: Free: Reservation/Ticket Not Required Tickets: $15, youth; $35, adults Information: theportlandballet.org $90, family pack (2 youth, 2 503.452.8448 adults); additional youth, $10 PSU Box Office, pdx.edu/boxoffice/tickets 503.725.3307 Limited Arts Card and Arts for All tickets Information: 503.452.8448 For 13 years, THE PORTLAND BALLET (Nancy Davis, artistic director)—the metro area’s premiere youth ballet company—has presented a holiday production to delight the entire family. Taking place over Thanksgiving weekend, the production offers a refreshing change from most holiday fare: it’s not the Nutcracker and it takes place before the December performance rush. In addition, it is danced by THE PORTLAND BALLET’s superbly trained young dancers with an immediate connection to a family audience.
    [Show full text]
  • The Auditorium Theatre Celebrates 50Th Anniversary of Their Grand Re
    10/12/2017 Auditorium Theatre One-Night-Only Performance Honoring the Theatre's Past, Present, Future View in browser 50 E Congress Pkwy Lily Oberman Chicago, IL 312.341.2331 (office) | 973.699.5312 (cell) AuditoriumTheatre.org [email protected] Release date: October 5, 2017 THE AUDITORIUM THEATRE CELEBRATES 50th ANNIVERSARY OF THEIR GRAND RE-OPENING WITH ONE-NIGHT-ONLY PERFORMANCE FEATURING PREMIER DANCERS FROM TOP COMPANIES AROUND THE WORLD THE EVENING INCLUDES PERFORMANCES BY DANCERS FROM ALVIN AILEY AMERICAN DANCE THEATER, AMERICAN BALLET THEATRE, DUTCH NATIONAL BALLET, THE JOFFREY BALLET, NEW YORK CITY BALLET, THE WASHINGTON BALLET, AND FINALISTS FROM YOUTH AMERICA GRAND PRIX A Golden Celebration of Dance – November 12, 2017 On November 12, 2017, the Auditorium Theatre, The Theatre for the People, commemorates the 50th anniversary of its grand re-opening with A Golden Celebration of Dance, a one-night-only mixed repertory program featuring dancers from the world’s premier dance companies: Alvin Ailey American Dance Theater, American Ballet Theatre, Dutch National Ballet, Eifman Ballet of St. Petersburg, Hubbard Street Dance Chicago, The Joffrey Ballet, MOMIX, New York City Ballet, Parsons Dance, The Suzanne Farrell Ballet, and The Washington http://tracking.wordfly.com/view/?sid=NjUzXzQ4NTRfMjc3ODA2XzY5NTk&l=4d2b8dea-61af-e711-8416-e41f1345a486&utm_source=wordfly&utm_me… 1/5 10/12/2017 Auditorium Theatre Ballet. In addition, the evening will feature special performances by finalists from the Youth America Grand Prix, the next generation of great dancers. In 1941, the Auditorium Theatre closed its doors to the public in the wake of the Great Depression. Aside from when it was used as a servicemen’s center during World War II, the theatre sat unused and in disrepair, until a 7-year-long fundraising campaign – led by Beatrice Spachner and the Auditorium Theatre Council – covered the costs of theatre renovation, culminating with a grand re-opening on October 31, 1967.
    [Show full text]
  • The Portland Ballet Presents 'The Enchanted Toyshop' and 'Tourbillon
    FOR IMMEDIATE RELEASE CONTACT: Laura Grimes, [email protected], 971.322.9452 The Portland Ballet presents ‘The Enchanted Toyshop’ and ‘Tourbillon,’ a new work by Anne Mueller with Portland State University Orchestra, Ken Selden, music director PROGRAM DETAILS John Clifford’s The Enchanted Toyshop (2003) Anne Mueller’s Tourbillon (2017), a world premiere Both performed with the PSU Orchestra, under the direction of Ken Selden Dates: Nov. 24-26, 2017 Times: 2:30 & 7:30 p.m. Friday-Saturday, Nov. 24-25; 1 & 5 p.m. Sunday, Nov. 26 Where: Lincoln Performance Hall at PSU, 1620 SW Park at Market, Portland, OR Tickets: $5-$35, on sale beginning Oct. 20 Runtime: One hour 45 minutes (including one 20-minute intermission) Information: theportlandballet.org or 503-750-3157 Discounts: • First-Show Friday: Tickets for the 2:30 p.m. show on Friday, Nov. 24, will be only $5 youth/student, $10 adult • Family Package: For TIER 1 pricing, when purchasing two adult and two or more youth tickets, all youth tickets will be $5 off • Group Discount: 10 or more tickets will receive 10% off • Good deals: Limited Arts Card and Arts for All tickets Special Opportunities: • Swag bags: Young people will receive special gift bags. • Activities: The fun starts in the lobby with photo opportunities and activities for kids. • Meet the cast: Audience members are invited to stay after every performance to meet the cast, take photos with them, and have their programs signed. PORTLAND, Ore. – After last year’s sold-out shows, The Portland Ballet is reviving its holiday hit, The Enchanted Toyshop, Thanksgiving weekend in a double bill that will also feature a new ballet, Tourbillon, by co-artistic director Anne Mueller.
    [Show full text]
  • Summer Intensive SPECIAL GUEST INSTRUCTORS GUEST SPECIAL Adam Sklute Adam Ceo & Artistic Ballet West Ballet Director of Information Is Available At
    summer intensive june 19–july 28, 2017 audition information is available at adam sklute, ceo & artistic director balletwest.org/academy peter lebreton merz, academy director Classes will be offered six days a week in technique, partnering, pointe, and men’s. AUDITION TOUR Supplemental classes include contemporary, repertory, and stretch. missoula, mt january 11, 2017 University of Montana atlanta, ga january 13, 2017 Atlanta Ballet detroit, mi january 14, 2017 Academy of Russian Classical Ballet miami, fl january 14, 2017 Miami Youth Ballet cleveland, oh january 15, 2017 Playhouse Square orlando, fl january 15, 2017 Orlando Ballet seattle, wa january 20, 2017 Pacific Northwest Ballet san francisco, ca january 21, 2017 San Francisco Ballet houston, tx january 21, 2017 The Payne Academy los angeles, ca january 22, 2017 Orange County Dance Center dallas, tx january 22, 2017 Ballet Academy of Texas chicago, il january 22, 2017 Ballet Chicago cary, nc january 28, 2017 International Ballet Academy SPECIAL GUEST INSTRUCTORS new york, ny january 29, 2017 School of American Ballet washington, dc january 29, 2017 Washington Ballet School phoenix, az february 5, 2017 Ballet Arizona adam sklute karin averty sascha radetsky additional opportunity salt lake city, ut february 11, 2017 ceo & artistic former principal former principal 2-week choreographic workshop with director of dancer with the dancer with dutch artémotion artistic directors Ballet West ballet west paris opera ballet national ballet allison debona & rex tilton ballet west first soloist adrian fry and ballet west academy student kenedy kallas | photo by beau pearson by beau kallas | photo kenedy student academy and ballet west fry adrian soloist first ballet west.
    [Show full text]
  • Christensen Brothers by Sheryl Flatow
    Christensen Brothers by Sheryl Flatow “Ballet west of the Mississippi is pretty much By the time he was in his early twenties, Willam the creation of the Christensen brothers – was a highly regarded teacher at the school in Willam, Harold, and Lew,” wrote Arlene Croce Ogden. He really wanted to dance ballet, not in 1980 (“Going to the Dance,” p. 311). teach it, but in the early part of the twentieth Separately and together, with passion and century there were no professional ballet ingenuity, tenacity and perseverance, companies in the United States. So, in 1927, he imagination and talent, the Christensen and Lew hit the vaudeville circuit, and a year brothers helped ballet take root in this country, later they were in New York. They swiftly made and their influence reverberates today. it to the prestigious Orpheum circuit with an act for two couples; one of the women, Mignon Willam (1902-2001), as artistic director, Lee, would become Willam’s wife. Despite the choreographer, and teacher, transformed the inclusion of women, the act was really a fledgling San Francisco Ballet from an showcase for male dancing. “Lew and I had to appendage of San Francisco Opera to an be virtuosos,” Willam said. “We had to turn and independent company, and introduced leap like sons-of-guns, and dance fast to keep countless numbers to classical dance in San audiences interested. Because at that time not Francisco and beyond. He then went on to many people knew what we were doing. Were found the ballet department at the University of we gymnasts? Were we acrobats? But Utah – the first of its kind in the country – and 1 audiences liked us.” to establish Ballet West.
    [Show full text]
  • Houston Ballet Revives Artistic Director Stanton Welch AM's Epic
    FOR IMMEDIATE RELEASE MEDIA CONTACT: Christian Brown Public Relations Director [email protected] [email protected] HOUSTON BALLET REVIVES ARTISTIC DIRECTOR STANTON WELCH AM’S EPIC MADAME BUTTERFLY HOUSTON, TEXAS [September 2016] From September 22 - October 2, Houston Ballet will revive artistic director Stanton Welch AM’s signature work Madame Butterfly in a program with his one-act ballet Son of Chamber Symphony. Set to Puccini’s memorable score, in an arrangement by John Lanchbery, Madame Butterfly chronicles the love story of the beautiful geisha Cio-Cio San who is betrothed to marry the handsome American, Lieutenant Pinkerton. The production unfolds dramatically on Peter Farmer’s picturesque sets, which beautifully evoke the mystery and languor of 19th century Japan. Opening the program is the company premiere of Mr. Welch’s Son of Chamber Symphony, set to music by John Adams. Houston Ballet will give seven performances of Madame Butterfly with Son of Chamber Symphony at Wortham Theater Center in downtown Houston. Tickets may be purchased by calling 713-227-2787 or by visiting www.houstonballet.org. Houston Ballet’s Son of Chamber Symphony and Madame Butterfly program is generously sponsored by: The Wortham Foundation, Inc. INTERNATIONAL ACCLAIM FOR MADAME BUTTERFLY Premiered by The Australian Ballet in 1995, Madame Butterfly was Mr. Welch’s first full-length ballet. The two-act work tells the story of the beautiful geisha Cio-Cio San who renounces her faith and her family to wed Lieutenant Pinkerton, the U.S. Naval officer who is betrothed to another woman back in the States. The centerpiece of the work is a ravishing wedding night pas de deux between Pinkerton and Cio-Cio San, which closes the first act.
    [Show full text]
  • Teacher Resource Guide
    TEACHER RESOURCE GUIDE Pittsburgh Ballet Theatre School Instructional Performances | March, April 2018 | Teacher Resource Guide Choreography by Jerome Robbins The instructional performances have been made possible by the generosity of the Jerome Robbins Foundation and a donor who wishes to remain anonymous. PBT gratefully acknowledges the following organizations for their commitment to our education programming: Allegheny Regional Asset District Henry C. Frick Educational Fund of The Buhl Anne L. and George H. Clapp Charitable Foundation Trust BNY Mellon Foundation Highmark Foundation Claude Worthington Benedum Foundation Peoples Natural Gas Eat ‘n Park Hospitality Group Pennsylvania Council on the Arts Edith L. Trees Charitable Trust Pennsylvania Department of Community ESB Bank and Economic Development Giant Eagle Foundation PNC Bank Grow up Great The Grable Foundation PPG Industries, Inc. Hefren-Tillotson, Inc. Richard King Mellon Foundation James M. The Heinz Endowments and Lucy K. Schoonmaker 2 CONTENTS 4 The Choreographer—Jerome Robbins Fast Facts 5 The Composer— Leonard Bernstein 6 Robbins’ Style of Movement 7 A look into the instructional performance: Classical Ballet—Swan Lake excerpts Neo-classical Ballet—The Symphony 8 Robbins’ Ballet—West Side Story Suite 9 Exploring West Side Story: Lesson Prompts Connections to Romeo and Juliet Entry Pointes Characters and Story Elements 11 Communication and Technology 12 Group Dynamics 13 Conflict, Strategies and Resolutions 15 Pedestrian Movement and Choreography Observing and Developing Movement 16 Social Dances 17 Creating an Aesthetic 18 Musical Theater/Movie/Ballet PBT celebrates the 100th birthday of Jerome Robbins with its May 2018 production of In the Night, Fancy Free and West Side Story Suite.
    [Show full text]
  • Professional Division Graduates, 1999-2014
    Professional Division Graduates, 1999-2014 Name Company/College/University Year Heather Aagard Ballet Arizona; Joffrey Ballet 2001 Chelsea Adomaitis Pacific Northwest Ballet 2009 Tristan Alberda Milwaukee Ballet 2000 Maggie Alden Columbia University 2009 Kirsten Allman Louisville Ballet 2009 Garrett Anderson Hubbard Street Dance; Royal Ballet of Flanders; San Francisco Ballet 2001 Jessika Anspach Pacific Northwest Ballet 2004 Isaac Aoki Grand Rapids Ballet 2013 Emma Appel University of California, Berkeley 2011 Robbie-Jean Arbaczewski Central Pennsylvania Youth Ballet 2009 Jacquelyn Arcati Cherylyn Lavagnino Dance; Nevada Ballet; Columbia Univ. School of Law 2005 Thomas Baltrushunas Pennsylvania Ballet; Temple University 2002 Edward Barnes Pennsylvania Ballet 2008 Eli Barnes Cincinnati Ballet; Alberta Ballet 2011 Andrew Bartee Ballet BC; Pacific Northwest Ballet; Princess Grace Award Recipient 2008 Reid Bartelme Alberta Ballet; BalletMet; Current: Freelance fashion/costume designer 2001 Taisha Barton-Rowledge Ballet du Capitole, Toulouse, France; Carolina Ballet 2009 Alison Basford Boston Ballet; Pacific Northwest Ballet; Suzanne Farrell Ballet 2002 Marlowe Bassett Napoles Ballet Theatre; LINES Ballet; Metamorphosis (San Francisco) 2002 Reilley Bell Alberta Ballet 2007 Ezra Benjamin Cornish College of the Arts 2003 Christiana Bennett Ballet West (Principal Dancer) 1999 Laurel Benson Ballet West II 2014 Ian Bethany Ballet Austin 2008 Kelsey Bevington Nevada Ballet Theatre; Cincinnati Ballet II 2013 Perry Bevington Nevada Ballet Theatre,
    [Show full text]
  • University of Oklahoma Graduate College Second and Trainee Companies in the United States
    UNIVERSITY OF OKLAHOMA GRADUATE COLLEGE SECOND AND TRAINEE COMPANIES IN THE UNITED STATES: AN ANALYSIS OF PAST AND PRESENT MISSIONS A THESIS SUBMITTED TO THE GRADUATE FACULTY in partial fulfillment of the requirements for the Degree of MASTER OF FINE ARTS IN DANCE By TYE ASHFORD LOVE Norman, Oklahoma 2016 SECOND AND TRAINEE COMPANIES IN THE UNITED STATES: AN ANALYSIS OF PAST AND PRESENT MISSIONS A THESIS APPROVED FOR THE SCHOOL OF DANCE BY ______________________________ Mr. Jeremy Lindberg, Chair ______________________________ Mr. Ilya Kozadayev ______________________________ Mr. Robert Bailey © Copyright by TYE ASHFORD LOVE 2016 All Rights Reserved. Acknowledgements I first want to thank my extraordinary committee members who without their inspiration in class and in life this document could not be possible, chair Jeremy Lindberg, as well as Ilya Kozadayev and Robert Bailey. I also want to thank the faculty of the University of Oklahoma School of Dance for their continuous support throughout my career, and valuable guidance from Dean Mary-Margaret Holt. I am also lucky to have the best family you could ask for, and their support is priceless. The phone call from home everyday is something I always look forward to. Thank you so much Mom and Dad! I also want to salute my amazing wife who is my biggest fan, thesis editor, best friend, and greatest love. I want to dedicate this document to my late mentor, John Magnus. John inspired many, including myself, to pursue a career in dance with his incredible passion and knowledge of guiding dancers. A passion I hope to pass down to future generations.
    [Show full text]
  • Ballet West Student In-Theater Presentations
    Ballet West for Children Presents Ballet and The Sleeping Beauty Dancers: Soloist Katie Critchlow, First Soloist Sayaka Ohtaki, Principal Artist Emily Adams, First Soloist Katlyn Addison, Demi-Soloist Lindsay Bond Photo by Beau Pearson Music: Peter Ilyich Tchaikovsky Adapted from Original Choreography: Marius Petipa Photo: Quinn Farley Costumes: David Heuvel Dear Dance enthusiast, Ballet West is pleased that you are viewing a Ballet West for Children Presentation as a virtual learning experience. Enclosed you will find the following information concerning this performance: 1. Letter from Artistic Director, Adam Sklute. 2. Letter to the parent/guardian of the students who will be viewing. 3. Specific Information on this Performance, including information on the ballet, music, choreography, follow-up projects and other pertinent material has also been compiled for the teacher's information. 4. We report to the Utah State Board of Education each year on our educational programs, and need your help. Usually, we gather information from teachers as to how the student reacted and what they may have learned from their experience. We’d love to hear from you by filling out our short Survey Monkey listed on our virtual learning page. We don’t have a way to track who and how many people are taking advantage of this opportunity and this will help us to know how we’re doing. You can always email me directly. Thank you very much for your interest in the educational programs of Ballet West. Please call if I may provide any additional information or assistance to you and your school. I can be reached at 801-869-6911 or by email at [email protected].
    [Show full text]