DOCSLIB.ORG

The Indianapolis Times

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

- Complete Wire Reports of UNITED PRESS, The Greatest World-Wide News Service —" j 1 :EE Indianapolis Times HOME The tonight, probably becoming Saturday; tonight 45. Mostly fair unsettled moderate temperature, lowest 40-to SCRIPPS-HOWARD Entered as Second-Class Matter Outside Marion VOLUME 39—NUMBER 213 INDIANAPOLIS, FRIDAY, JAN. 13, 1928 at Postoffice, Indianapolis TWO CENTS County 3 Cents WhoKilled The Canary? Donkey Bray CHILD LURED INTO AUTO BY RUTH SNYDER AND GRAY DIE POLICE CLASH ~ y > —■— 4 Margaret Odell, the toast of Broadway, known inter- Rogers Pours Fiery Ban- IN ELECTRIC CHAIR; KILLERS nationally among theatergoers as “The Canary,” was found WITH GARAGE ter on Democrats At- KIDNAPER, TAKEN TO WOODS murdered in her room. And out of the maze of clews left tending Dinner. in the luxurious room, after long and patient search, Philo Vance, the most amazing detective of all fiction, achieved WITH KNIFE GO CALMLY TO THEIR DOOM ON STOP LINE Jan. 13.—Will AND MURDERED solution of a fiendishly ingenious crime. “The Canary Mur- WASHINGTON,Rogers, cowboy humorist, der Case,” starts Monday Times. told the Democratic national com- by S. S. Van Dine, in The the Pair Walk Without Sign of Fear to Seat of story. Circle Motor Inn Smudges 1 mittee all about politics at Enraged Michigan Posses Search State for; Don’t miss a chapter of this enthralling Jackson day banquet, Thursday Praying for Mercy; Double Off New Paint; Worley night. Killer, Believed Fleeing From Execution, “A politician,” he said, “is a Puts It Down Again. bandit who having made a local in Electrocution in Fourteen Minutes. reputation, is sent to Washing- Scene of Crime Auto. ton to raid the treasury. He takes TO ROW his loot back to his constitutuents WOMAN PLEADS FOR FORGIVENESS COURT SETTLE and is then sent to the Senate. TWO SUSPECTS QUIZZED BY POLICE "The Senate is a body that opens with a prayer and closes Left Turns Tie Up Traffic, with an investigation. First they Blonde Slayer Goes First to Death; Forty investigate the chaplain, then Body, With Incisions by Skilled Hand, Found Says Chief: ‘Not So/ they investigate each, other to see Witnesses in Sing Sing Chamber as how much each pays to get in. Near Creek; Farmer Gives Retorts Manager. If one paid more than the other Murderers Expiate Their Crime. did, they throw him out. Description of Slayer. The score stood one to one in “The House never has an in-' Other Snyder-Gray details on the game of “traffic, traffic, who'll vestigation. They just figure that Bn United Press Page One, Section Two. block the traffic?” between police if you paid to get in you are a FLINT, Mich., Jan. 13.—An aroused citizenry joined hands and T. B. Rogers, manager of the simp. the kidnaper By LOUIS F. KEEMLE , the forces of the law today to apprehend ( Contrast Circle Motor Inn, W. Market St. Rogers said he was glad the with United Pres* Staff Correspondent harmony E.u Vnited Press Monument Circle, today. Democrats were having a and slayer of Dorothy Schneider, 5 years old. SING SING PRISON, OSSIN- Y., and OSSINING, N. Jan. 13. Police, for the moment, had Rog- dinner. Dorothy, blonde kindergarten pupil in the suburban Mount ING, N. Y., Jan. 13.—Ruth Ruth Snyder and Henry Judd ers nonplussed, but he bided the “Democrats ought to eat in Gray were in decided contrast, harmony if can’t drink in into an automobile by an Snyder and Henry Judd Gray, hour when he would go to Superior they Morris consolidated school, was lured when a few hours before their Judge Byron K. Eliott’s court to harmony,” he explained. away. have execution each was advised elderly man yesterday and driven lovers and murderers, press a plea for a permanent in- that last-minute efforts at police from Her body was found last night in Benson creek, three miles paid the penalty for their love clemency had failed. junction to prohibit “I nothing more standing in front of the garage and from home. It had been mutilated with incisions that might aud murder in the same electric expected keeping motorists from making left Gray said calmly, and turned 'WE' TAKE REST have made by precise hand of a skilled surgeon. chair. turns into and out of the garage. been the back to his Bible. clothing They went to death, between “Ain’t there anything any- Caused Traffic Jams The had been body can do?” Mrs. Snyder stripped from her body and shoulder to shoulder with State o’clock night, Twice within two days employes PANAMA CITY troopers, county sheriffs and city 11 and 11:11 last asked, and wept violently. IN Inn smudged out the yellow ravine spread without a sign of fear and pray- of the scattered through the police, fanwise in all direc- line which police painted down the tions from the scene of the crime.* mercy.” where the creek flows. ing to God for mercy. “Jesus, have center of the street in front of the Lindy Will Take Off Next for So great was the city’s revulsion this The mask was snuffling the sound. garage to prevent the left turns, Two suspects were arrested today. of The first woman to die in the at the atrocious crime that many in twenty-nine years, and one “Forgive me, Father, for all my which they say h tve caused serious One was rushed to the scene of were private state Venezuela. crime in police efforts to obtain a the searching parties of the few ever to suffer capital sins.” traffic jams for months. ventures, organized and led by pro- executioner in the al- Not only motorists trying to get confession. Then the Bjr I‘rrss „ _ punishment in this country, met I United _ fessional men, merchants and Panama, 13.—The First Suspect Freed death with calmness and resigna- cove threw down a switch, hard. into and out of Monument Circle, COLCN, Jan . workers from Flint's automobile chair, mechanical half of Col. Charles A. the tion. The figure in the that had but pedestrians trying to get past The first suspect, proved to factories. garage Lindbergh’s good-will police She Gray, been il- been limp, threw itself forward the entrance on the side- combination satisfaction of that he was Clubwomen Enraged and who had bonds, “We”—his airplane. The licit lovers, were put to death for against the restraining walk have appealed to the police of Spirit not the man wanted. Twenty clubwomen viewed Dor- Louis—today was undergoing Albert Snyder, stiffened and stayed that way. It for relief. of St. The second manarrested answered several killing her husband, newspapers received and overhauling, after hunted othy’s body and afterwards in Village, N. Y., last never moved voluntarily again. Police and inspection the description of the told Sheriff Grean that they would Queens many complaints garage hours in the air in the weight. They chloroformed It was 11:02. that the strenuous criminal, except in He the execution March. him, parked dozens of cars tour of Central America. pounds, whereas be willing to aid in beat him to death with a sash- The silence endured for three management weighed about 175 of the man responsible. only sound the outside in the sub-zero weather As soon as the plane is re- the of the suspects slay- weight and strangled him with pic- minutes. The was description The killer, however,. will escape heavy., breathing of a stout witness. New Year’s Eve instead of in the conditioned, Lindbergh will take off er fixed his weight at 200 pounds. ture wire. but interior where for Venezuela, but he is not certain said they found blood death, even though he is captured, Their lives were to the At 11:05 the current was shut off warm, crowded Police if he is guarded closely by author- ..forfeited body slumped thought their property when, neither is he certain what driven by the State in a little high-ceilinged room and the down in the car owners stains in the auto being stops he will make after leaving suspect. man ities. Capital punishment was out- forty feet long and twenty chair. was safeguarded. second The first about another minute the group Venezuela. arrested, police announced, was one lawed in Michigan many years ago feet wide, in which a group of forty In Officer Guards New Paint and the most that he would suffer Stepped forward, the front of Mrs. He said today he would like to stupid from the effects of liquor, in persons, including two women, had would imprisonment Snyder’s frock was laid back and The fact that Inn employes visit Colombia, but he had not re- Hurley Hospital. He was released be for life. gathered. fields f)r. C. C. Sweet, prison physician, smeared pitch over the latest line ceived reports of the flying when he convinced detectives he Farmer Gives Clew* Forgiveness Asked . .. - applied painted night did not to there and until he was certain about on a week’s “spree.” ¥ for and one of his assistants, last had been The best “Forgive me. Father, all my their stethoscope. sweeten police disposition. Police them he would not decide on his Today heavily armed posses, in clew to the identity of ■sins,” Mrs. Snyder said in a low, the wanted furnished by Dr. Sweet the witnesses and painters scraped off the pitch and itinerary. which private citizens advanced man was before 2,200 faced Archie Bacon, a farmer, lives thin little voice just said—- painted anew line this morning.
Recommended publications
  • Masquerade, Crime and Fiction

    Masquerade, Crime and Fiction

    Crime Files Series General Editor: Clive Bloom Since its invention in the nineteenth century, detective fiction has never been more popular. In novels, short stories, films, radio, television and now in computer games, private detectives and psychopaths, prim poisoners and over- worked cops, tommy gun gangsters and cocaine criminals are the very stuff of modern imagination, and their creators one mainstay of popular consciousness. Crime Files is a ground-breaking series offering scholars, students and discern- ing readers a comprehensive set of guides to the world of crime and detective fiction. Every aspect of crime writing, detective fiction, gangster movie, true- crime exposé, police procedural and post-colonial investigation is explored through clear and informative texts offering comprehensive coverage and theoretical sophistication. Published titles include: Hans Bertens and Theo D’haen CONTEMPORARY AMERICAN CRIME FICTION Anita Biressi CRIME, FEAR AND THE LAW IN TRUE CRIME STORIES Ed Christian (editor) THE POST-COLONIAL DETECTIVE Paul Cobley THE AMERICAN THRILLER Generic Innovation and Social Change in the 1970s Lee Horsley THE NOIR THRILLER Fran Mason AMERICAN GANGSTER CINEMA From Little Caesar to Pulp Fiction Linden Peach MASQUERADE, CRIME AND FICTION Criminal Deceptions Susan Rowland FROM AGATHA CHRISTIE TO RUTH RENDELL British Women Writers in Detective and Crime Fiction Adrian Schober POSSESSED CHILD NARRATIVES IN LITERATURE AND FILM Contrary States Heather Worthington THE RISE OF THE DETECTIVE IN EARLY NINETEENTH-CENTURY POPULAR FICTION Crime Files Series Standing Order ISBN 978-0–333–71471–3 (Hardback) 978-0–333–93064–9 (Paperback) (outside North America only) You can receive future titles in this series as they are published by placing a standing order.

  • Soc 172 Case Study 1925-01 Part B

    HARVARD COLLEGE CRIME, JOURNALISM & LAW SOCIOLOGY 172 Case Study 1925-001 March 2013 Ruth Snyder: Press Access to a Murderess and “The Most Remarkable Exclusive Picture in the History of Criminology” Part B—Decisions Unfortunately for Hazelton, the press refused to play along with the Ruth Snyder he desperately wanted to depict. At the first interview and subsequently, Snyder was rather roughly treated by both the tabloid and broadsheet papers. Damon Runyon, literary personality and pressman for the United Press publicly referred to the case as “the Dumbbell Murder,” because of the perpetrators’ stunning haplessness.1 It did not help that Hazelton first allowed the Daily News an exclusive photo opportunity with Snyder, while the other reporters were simultaneously told that she was resting after a sleepless night. They had already agreed to Hazelton’s exasperating stipulations that only three reporters be allowed to conduct the interview, all of them women. When they realized the photo shoot was happening, the reporters demanded that the interview begin, already starting out with a less than stellar opinion of Hazelton and his client. During the interview Snyder read from a prepared script. Even the photo-op itself represented the difficulty and awkwardness Hazelton had with portraying Snyder in a positive light: “When [the cameraman] suggested that she put her handkerchief to her eyes in a show of grief, Mrs. Snyder grinned broadly, cautioning the cameraman not to take any photographs while she was laughing.” 2 The press played up the image of Snyder as a demonic temptress who had seduced Judd Gray into committing his heinous crime.
  • On Andy Warhol's Electric Chair

    On Andy Warhol's Electric Chair

    On Andy Warhol's Electric Chair Bennett Caperst [T]he room conveys a hypnotic stillness. The chair itself is luminous, bathed in a clear wash of light that seems to come from a skylight over- head. The still space is framed right and left by three shadowy black door- ways, functioning like ominous sentinels guarding the scene. The horizontal geometry created by the sprinklers, the wall, and the floor is calm. The austere, isolated chair sits on a rectangularfloorplate. The fa- mous "silence" sign is framed against a black door. The image is silent and expectant. I INTRODUCTION In June 2003, the Andy Warhol Museum in Pittsburgh mounted an exhibition of Warhol's iconic Electric Chair print series-ten large-scale prints along with several smaller prints and paintings-as a catalyst to gen- erate discourse on the issue of capital punishment.2 The project, Andy Warhol's Electric Chairs:Reflecting on Capital Punishment in America, which came two years after the execution of Timothy McVeigh and shortly after the decision by Illinois Governor George Ryan to commute all death sentences in that state,3 raised significant questions about the social utility and morality of the death penalty. Copyright ) 2006 California Law Review, Inc. California Law Review, Inc. (CLR) is a California nonprofit corporation. CLR and the authors are solely responsible for the content of their publications. t Associate Professor of Law, Hofstra Law School. B.A. Princeton University; J.D. Columbia Law School. Assistant U.S. Attorney 1995-2004. My thanks to Jessica Gogan, Assistant Director for Education and Interpretatoin at The Andy Warhol Museum in Pittsburgh, Pennsylvania, Seth Michael Forman of the School of Visual Arts in New York, the staff of the Ossining Historical Society Museum in Ossining, New York, and Jospeh Masheck of the Art History Department of Hofstra University.
  • Machinal: a Sourcebook for the Actress Playing "Young Women"

    Machinal: a Sourcebook for the Actress Playing "Young Women"

    University of Central Florida STARS Electronic Theses and Dissertations, 2004-2019 2009 Machinal: A Sourcebook For The Actress Playing "young Women" Brittney Rentschler University of Central Florida Part of the Theatre and Performance Studies Commons Find similar works at: https://stars.library.ucf.edu/etd University of Central Florida Libraries http://library.ucf.edu This Masters Thesis (Open Access) is brought to you for free and open access by STARS. It has been accepted for inclusion in Electronic Theses and Dissertations, 2004-2019 by an authorized administrator of STARS. For more information, please contact [email protected]. STARS Citation Rentschler, Brittney, "Machinal: A Sourcebook For The Actress Playing "young Women"" (2009). Electronic Theses and Dissertations, 2004-2019. 4151. https://stars.library.ucf.edu/etd/4151 MACHINAL: A SOURCEBOOK FOR THE ACTRESS PLAYING “YOUNG WOMAN” By BRITTNEY RENTSCHLER B.A. University of Alabama at Birmingham, 2006 A thesis submitted in partial fulfillment of the requirements for the degree of Master of Fine Arts in the Department of Theatre in the College of Arts and Humanities at the University of Central Florida Orlando, Florida Spring Term 2009 © 2009 Brittney Rentschler ! "" ABSTRACT This thesis will document four phases of my rehearsal process/performance while portraying the role of Helen in Sophie Treadwell’s Machinal. The first phase of the project will be researching and analyzing historical material on: Sophie Treadwell (the playwright) Ruth Snyder (the murderess upon whom the character of Helen is based), and the actual murder that occurred in the 1920’s. The second phase that will be documented is a character analysis.
  • Ruth Snyder, Gray, to Die in the Chair Week of January 9

    Ruth Snyder, Gray, to Die in the Chair Week of January 9

    .V.'- y-. > ‘ THE WBATHdBK I roiMMt my U. *. mrnn^t, 7 .. NET PRESS RUN , grow HaTM'.- , ■ V .i A v e r a g e d a il y circulation , , ■ . \ OF THE EVENING HERALD Light showers tonight or Bnirs- for the month of OctolWi l®t7 day; cooler tonliht* 5 , 0 4 2 State * a u £S$) PRICE THREE CENTS danifled AdrertlslBg w Paca 1E> MANCHESTER, CONN., WEDNESDAY, NOVEMBER 23, 1927.’ Conn. VOL. XLIL, NO. 40. TURKEY FOR PRESIDENT i NO HERALD TAX REDUCnOM SENT PROM IPSWICH, MASS John Gobbler Turk^s Farewell to Beloved Spouse RUTH SNYDER, GRAY, Ipswich, Mass.; Nov. '23.—rA TOMORROW twenty-pound turkey for the Thanksgiving Day dinner at the • aaaaaaa SCHEHESTARTS White House was sent from a • a • a s a a In accordance with regular | TO DIE IN THE CHAIR aaeaeaae • •os • •asaaa* local farm by Mr. and Mrs. .• • • • • • w a custom iSie Herald, will not 'be [ Walter Poole. President and kr,sned tomorrow, Thanksgiving | A N O i m n C H T Mrs. Coolidge were supplied by Day. a Thanksgiving turkey by the WEEK OF JANUARY 9 Pooles Vast year. 4> (S> iRepnblicans Announce The^ THANKSGIVING DAY NOW GATHERING CHICAGO LOSES Court of Appeals Announces Will Make Cut Apply to Date of Exeention— Gray Corporations’ Income For LOOSEENDSOF WAR DEPT. SUIT SPECIAL SERVICES Takes the News Calmly; Year 1927, SINOMCASE Woman Weeps All Swedish Church to Hold City Restrained From Using J AVashington. Nov. 23.— A-' new , Through the Night— Last 'political fight over tax reduction Only Union Observance; Goyemment Officials Moving Lake Michigan Water .to broke out today when Republican .
  • Ruth Snyder and Gray Pay Penalty in Chair Cuba Gives

    Ruth Snyder and Gray Pay Penalty in Chair Cuba Gives

    t\« » ' lA*«»** 1 ^ * 1**' °* -so. 7_. Pioneer VOLUME 9» NO. 11 BIG TIMBER, SWEET GRASS COUNTY, MONTANA, THURSDAY, JANUARY 19, 1928 PRICE 12.00 PER YEAR Vote On Senator-Elect Smith RUTH SNYDER AND GRAY Will Probably Come Up TodayCUBA GIVES PRESIDENT WASHINGTON, .tan. 18.—Modifies of the .senator-elect have insisted that PAY PENALTY IN CHAIR lion of tlie resolution finally barring Governor Small would' not take tills ITS GREATEST RECEPTION Fran|;,L. Smith, republican, of Illinois, course, leaving Smith free to present from the senate was agreed upon in his credentials again at the opening private conferences today as the sec­ of the seventy-first congress after the >Voman, Accompanied By Priest, Goes To Chair ond day of debate on the report of genera! elections next fall when one- Pan-American Delegates Hear Outline Of U. S. tile speeial slush fund committeepro­ third of the senate meml>ership is to Praying: Forgiveness-—Gray Faces End ceeded on the floor be chosen. Policy—Key West Next Stopping Point Stoically—Death Instantaneous . At the insistence of Senators Borah, Discussion today was opened by Of Coolidge And Secretaries republican. Idaho; Iteed, democrat, Mis­ Senator Walsh, democrat, Montana, who in a long prepared .speech toot: SING SING PHI SON, Ossining, N. V, I prehensibie beyond the tael that "she souri. chairman of the committee, and would seem to indicate the certainty other senators, it was consented to sharp issue with those who have con­ HAVANA. Jan. 17 --President Conl- Jau. 12.—Mrs. Ruth Snyder and Henry tended that (lie senate is powerless to idge.
  • Directing Machinal, Sophie Tredwell's Expressionistic Outcry Against the Male Establishment Erin Lucas

    Directing Machinal, Sophie Tredwell's Expressionistic Outcry Against the Male Establishment Erin Lucas

    University of Portland Pilot Scholars Graduate Theses and Dissertations 2014 Woman vs. Machine: Directing Machinal, Sophie Tredwell's Expressionistic Outcry Against the Male Establishment Erin Lucas Follow this and additional works at: http://pilotscholars.up.edu/etd Part of the Film and Media Studies Commons, and the Fine Arts Commons Recommended Citation Lucas, Erin, "Woman vs. Machine: Directing Machinal, Sophie Tredwell's Expressionistic Outcry Against the Male Establishment" (2014). Graduate Theses and Dissertations. 17. http://pilotscholars.up.edu/etd/17 This Master Thesis is brought to you for free and open access by Pilot Scholars. It has been accepted for inclusion in Graduate Theses and Dissertations by an authorized administrator of Pilot Scholars. For more information, please contact [email protected]. CONTENTS Chapter 1: Introduction 4 Chapter 2: Research 8 Historical Context – American Women in the 1920s 8 Technological Advancement 13 Treadwell Background and Views 16 Source Material – Ruth Snyder Murder Case 20 Expressionism 22 Chapter 3: Analysis 27 Given Circumstances 28 Theatrical Contract 29 Conflict 30 Genre 33 Characters 34 Theme – Female Identity in a Male-Dominated, Mechanized Society 44 Conclusion 48 Chapter 4: Production Approach 49 Scenery 50 Props 54 Lighting 54 Costumes 54 Sound 57 Acting Style 58 Special Problems 60 Conclusion 61 Chapter 5: Auditions, Casting and Rehearsals 63 Auditions 63 Casting 64 Character Meetings 66 First Rehearsal 67 Table Work 68 Style Work 68 The Jury 73 Prologue 73 Transitions 74 Conclusion 74 Chapter 6: Design Process 75 Scenic 76 Costumes 77 Sound 77 2 Lighting 79 Conclusion 79 Chapter 7: Post-Production Response 80 Chapter 8: Conclusion 90 Appendices Appendix A: Audition Notice 92 Appendix B: Production Photos 95 Works Cited 106 3 Chapter 1 Introduction Machinal, French for mechanical or automatic, is Sophie Treadwell’s groundbreaking expressionist play, written in 1928.
  • Tableaux Morts: Execution, Cinema, and Galvanistic Fantasies Alison Griffiths Baruch College, CUNY

    Tableaux Morts: Execution, Cinema, and Galvanistic Fantasies Alison Griffiths Baruch College, CUNY

    Tableaux Morts: Execution, Cinema, and Galvanistic Fantasies Alison Griffiths Baruch College, CUNY ales of punishment, incarceration, torture, and execution have enthralled audiences since time immemorial; even witnessing actual executions was within the realm of the possible up until the dawn of the twentieth century, as death penalties Twere carried out in public. A rich, macabre visual culture evolved around spectacularized exe- cutions: images of barbaric deaths have been recorded in artworks, woodcuts, paintings, draw- ings, photographs, lithographs, and motion pictures. This essay explores how the invention of cinema responded to the longue durée that is visualized executions. But rather than construct a genealogy of execution on film, I instead want to hone in on a method of execution that is vir- tually isomorphic with cinema’s invention—electrocution. Coming of age at roughly the same time, electrocution and cinema were exemplars of technological modernity and were shaped by shared histories of popular and scientific display.1 Thomas Alva Edison was instrumental in the development of both motion pictures and electrocution. Without his expert testimony in the legal Earlier versions of this essay were presented as invited talks at the “Powers of Display: Cinemas of Investigation” conference at the University of Chicago, at the “Europe on Display” conference at McGill University, and at Utrecht University. I am grateful to William Boddy, Tom Gunning, Frank Kessler, Matthew Solomon, Paul Spehr, Haidee Wasson, and an anonymous reader from the Republics of Letters for assistance preparing this essay for publication. 1 Kristen Whissel, Picturing American Modernity: Traffic, Technology, and the Silent Cinema (Berkeley and Los Angeles: University of California Press, 2008), 154.
  • Aws Outlaws Outlaws Outlaws

    Aws Outlaws Outlaws Outlaws

    Outlaws Outlaws Outlaws Outlaws An Art Projectby RobertPrisemanArt An with contributions by Olivia by Tessaessay anandChanner Livingstone An Art Project by Robert Priseman with contributions by Olivia Channer and an essay by Tessa Livingstone An Art Project by Robert Priseman with contributions by Olivia Channer and an An Art Project by Robert Priseman essay by Tessa Livingstone with contributions by Olivia Channer and an essay by Tessa Livingstone Outlaws Devised by Robert Priseman Drawings by Robert Priseman, biographies by Olivia Channer and Robert Priseman Essay by Tessa Livingstone, PhD, FRSA Introduction Born Bad? On the 15th of August 1912, Virginia Christian celebrated her 17th birthday. The next day she was strapped into an electric chair and executed. Christian, a black house maid, was convicted of murdering her employer Ida Belote, a 72 year old white woman, at her home in Hampton on the 18th March 1912. Belote frequently beat Christian and in mid- March 1912 an argument broke out between the two when Belote accused Christian of stealing a locket and a skirt. Belote then hit Christian with a spittoon. The dispute escalated when Christian and Belote ran for two broom handles which were used to prop up bedroom windows. Christian grabbed one and struck Belote on the forehead with it. In an attempt to stifle the screams, Christian stuffed a towel in her employer’s mouth, which caused her death by suffocation. When Christian left the house, she ran off with Belote’s purse and a ring. Police quickly arrested Christian, who when questioned, admitted hitting Belote but was shocked to learn she was dead, claiming she had no intention of killing her employer.
  • Double Indemnity Murder : Ruth Snyder, Judd Gray, and New Yorks Crime of the Century

    Double Indemnity Murder : Ruth Snyder, Judd Gray, and New Yorks Crime of the Century

    DOUBLE INDEMNITY MURDER : RUTH SNYDER, JUDD GRAY, AND NEW YORKS CRIME OF THE CENTURY Author: Landis MacKellar Number of Pages: 411 pages Published Date: 30 Oct 2006 Publisher: Syracuse University Press Publication Country: New York, United States Language: English ISBN: 9780815608240 DOWNLOAD: DOUBLE INDEMNITY MURDER : RUTH SNYDER, JUDD GRAY, AND NEW YORKS CRIME OF THE CENTURY Double Indemnity Murder : Ruth Snyder, Judd Gray, and New Yorks Crime of the Century PDF Book Examples of the synthesis of labelled compounds are also provided. Youth Sport and Spirituality: Catholic PerspectivesUnsportsmanlike behaviour by student athletes or parents at youth sporting events happens with regularity these days. The story now being told by economists and management experts - one that this book attempts to present - is a complicated one. The result is a field-tested book that is the accepted curricular model in the field--and a resource that will enable teachers to help their students grow into solid citizens both personally and socially. Based on the life of Susan Armstrong, this book answers the question of how she went from addicted, abused and homeless, to international speaker, award-winning trainer and author. Traditionally medical training has concentrated on the acquisition of knowledge and skills related to diagnostic intervention and therapeutic procedures. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. Double Indemnity Murder : Ruth Snyder, Judd Gray, and New Yorks Crime of the Century Writer the global water crisis: problems and perspectives; regional experiences in solving water problems in Central Asia; problems and management of transboundary water resources; ecological and economic aspects of water management; scientific analysis and tools of water changes; strategic implications of water access arisen during the workshop.
  • Soc 172 Case Study 1925-01 Part C

    Soc 172 Case Study 1925-01 Part C

    HARVARD COLLEGE CRIME, JOURNALISM & LAW SOCIOLOGY 172 Case Study 1925-001 March 2013 Ruth Snyder: Press Access to a Murderess and “The Most Remarkable Exclusive Picture in the History of Criminology” Part C—Discussion The Ruth Snyder case is a perfect example of “Jazz Journalism” during the Jazz Age. Bessie’s quote of Aben Kandel, that tabloid journalism consists in “fastening a camera lens to every boudoir keyhole” seems particularly apt in relation to the importance of photography in the Snyder case.1 So, too, does the submission of a tabloid reader concerned that the pictures of electric chairs were turning little boys into “incipient paranoiac[s].”2 The image of Ruth Snyder’s execution was available to a wide audience, including children, for whom it was of highly questionable suitability. The Daily News front page is a perfect example of what Bessie calls “format freaks… designed primarily to magnetize the eye.”3 The photograph spans the entire page, or at least that part of it which is not taken up by the gargantuan and purposefully simple headline “DEAD!” The fact that it is a photograph is important. As Bessie writes, pictures “were also vivid beyond everything except actual participation.”4 In this way, I would argue, the publishing of the Snyder photograph made her execution a public execution, the significance of which I will discuss below. The Snyder case also underscored multiple themes that Bessie attributes to the age of Jazz Journalism, namely “the discovery of Sex” and “the rebellion of women against Victorian restraints.”5 The public moral condemnation of Ruth Snyder was indicative of a backlash against the new, sexualized woman, who dared to go so far as to challenge her husband.
  • The Machine's Effect on the Psyche of the American Woman: a Dramaturgical Analysis of Machinal by Sophie Treadwell

    The Machine's Effect on the Psyche of the American Woman: a Dramaturgical Analysis of Machinal by Sophie Treadwell

    Columbus State University CSU ePress Theses and Dissertations Student Publications 2009 The Machine's Effect on the Psyche of the American Woman: A Dramaturgical Analysis of Machinal by Sophie Treadwell Kori Jackson Columbus State University Follow this and additional works at: https://csuepress.columbusstate.edu/theses_dissertations Part of the Performance Studies Commons Recommended Citation Jackson, Kori, "The Machine's Effect on the Psyche of the American Woman: A Dramaturgical Analysis of Machinal by Sophie Treadwell" (2009). Theses and Dissertations. 144. https://csuepress.columbusstate.edu/theses_dissertations/144 This Thesis is brought to you for free and open access by the Student Publications at CSU ePress. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of CSU ePress. THE MACHINE'S EFFECT ON THE PSYCHE OF THE AMERICAN WOMAN: A DRAMATURGICAL ANALYSIS OF MACHINAL BY SOPHIE TREADWELi Kori Jackson Digitized by the Internet Archive in 2012 with funding from LYRASIS Members and Sloan Foundation http://archive.org/details/machineseffectonOOjack Thesis Cover Page The Machine 's Effect on the Psyche of the American Woman: A Dramaturgical Analysis o/Machinal by Sophie Treadwell by Kori Jackson A Thesis Submitted in Partial Fulfillment of Requirements of the CSU Honors Program for Honors in the degree of Bachelor of Fine Arts in Theatre Performance, College of the Arts, Columbus State University Thesis Advisor Q^s ^ ^~ Date fc/l'/^ ~~^j-^^^ Committee Member Date (Z/'*/<**} Committee Member Date Director, Honors Program ! X A K^k ^„ rHi-Li-w Date l£*~lO* D°\ — Jackson 1 of 26 The Machine 's Effect on the Psyche of the American Woman: A Dramaturgical Analysis of Machinal by Sophie Treachvell Structural Analysis I.