A Spectral Line Survey of the Starless and Proto-Stellar Cores Detected by BLAST Toward the Vela-D Molecular Cloud ,
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Estonian Surf Team.Pdf
Toss-Ups for the 1st annual PBA-OCB1vtI \ 1'13 written by the Estonian Surf Team [Erdahl-Karels on-Nelson] 1. Its main ingredient is actually oatmeal, but most people only remember that part about including a sheep's internal organs boiled in the animal's stomach. FTP name this traditional delicacy of Scotland? ANSWER: Haggis 2. Jeremy Irons, Miranda Richardson and Juliette Binoche starred in the film version, but FTP who wrote the best-selling novel Damage? ANSWER: Josephine Hart 3. Guatemalan soldiers killed this Quiche Indian's mother and burned her brother alive. She learned Spanish to speak out on human rights. FTP name this Guatemalan woman who won the 1992 Nobel Peace Prize? ANSWER: Rigoberta Menchu 4. Let Us Now Praise Famous Men is a showcase for this photographer's craft. His photographs brilliantly illustrate the life of Southern sharecroppers. FTP name this American photographer whose works are part of a new display at New York's Metropolitan Museum of Art? ANSWER: Walker Evans 5. Cebu, Bohol, Samar, Panay, Palawan, Masbate, Mindoro, Negros, Leyte, Mindanao and Luzon are some of the over 7,000 islands of, FTP, what country? ANSWER: the Philippines 6. This two-word Latin legal phrase means that the prosecution does not wish to pursue matters further. FTP name this writ that ends court proceedings? ANSWER: Nolle Prosequi 7. Zero is dead calm, four a moderate breeze, nine a strong gale, and twelve is hurricane force winds with 30 foot plus waves. FTP name this naval weather scale? ANS WER: the Beaufort Scale 8. -
Download This List As PDF Here
QuadraphonicQuad Multichannel Engineers of 5.1 SACD, DVD-Audio and Blu-Ray Surround Discs JULY 2021 UPDATED 2021-7-16 Engineer Year Artist Title Format Notes 5.1 Production Live… Greetins From The Flow Dishwalla Services, State Abraham, Josh 2003 Staind 14 Shades of Grey DVD-A with Ryan Williams Acquah, Ebby Depeche Mode 101 Live SACD Ahern, Brian 2003 Emmylou Harris Producer’s Cut DVD-A Ainlay, Chuck David Alan David Alan DVD-A Ainlay, Chuck 2005 Dire Straits Brothers In Arms DVD-A DualDisc/SACD Ainlay, Chuck Dire Straits Alchemy Live DVD/BD-V Ainlay, Chuck Everclear So Much for the Afterglow DVD-A Ainlay, Chuck George Strait One Step at a Time DTS CD Ainlay, Chuck George Strait Honkytonkville DVD-A/SACD Ainlay, Chuck 2005 Mark Knopfler Sailing To Philadelphia DVD-A DualDisc Ainlay, Chuck 2005 Mark Knopfler Shangri La DVD-A DualDisc/SACD Ainlay, Chuck Mavericks, The Trampoline DTS CD Ainlay, Chuck Olivia Newton John Back With a Heart DTS CD Ainlay, Chuck Pacific Coast Highway Pacific Coast Highway DTS CD Ainlay, Chuck Peter Frampton Frampton Comes Alive! DVD-A/SACD Ainlay, Chuck Trisha Yearwood Where Your Road Leads DTS CD Ainlay, Chuck Vince Gill High Lonesome Sound DTS CD/DVD-A/SACD Anderson, Jim Donna Byrne Licensed to Thrill SACD Anderson, Jim Jane Ira Bloom Sixteen Sunsets BD-A 2018 Grammy Winner: Anderson, Jim 2018 Jane Ira Bloom Early Americans BD-A Best Surround Album Wild Lines: Improvising on Emily Anderson, Jim 2020 Jane Ira Bloom DSD/DXD Download Dickinson Jazz Ambassadors/Sammy Anderson, Jim The Sammy Sessions BD-A Nestico Masur/Stavanger Symphony Anderson, Jim Kverndokk: Symphonic Dances BD-A Orchestra Anderson, Jim Patricia Barber Modern Cool BD-A SACD/DSD & DXD Anderson, Jim 2020 Patricia Barber Higher with Ulrike Schwarz Download SACD/DSD & DXD Anderson, Jim 2021 Patricia Barber Clique Download Svilvay/Stavanger Symphony Anderson, Jim Mortensen: Symphony Op. -
King Crimson Collectors' Club (1969-1974)
King Crimson Collectors' Club (1969-1974) Scritto da Gianluca Livi Mercoledì 30 Marzo 2016 19:23 King Crimson 1 / 10 King Crimson Collectors' Club (1969-1974) Scritto da Gianluca Livi Mercoledì 30 Marzo 2016 19:23 Collectors' Club (1969-1974) di Gianluca Livi Articolo originariamente apparso in due puntate sui nn. 35 e 37 (rispettivamente Marzo/Aprile e Luglio/Agosto del 2008) di "Musikbox. Rivista di cultura musicale e guida ragionata al collezionismo", qui pubblicato, con alcune varianti, per gentile concessione dell'autore. Premessa (2008) Alla fine degli anni '90, stanco dei bootleg, Robert Fripp decise di commercializzare ufficialmente alcuni live dei King Crimson su cd, muovendo dal presupposto che, se fino a quel momento i fan avevano acquistato materiale del gruppo dal vivo di scarsa qualità, facendo guadagnare esclusivamente biechi 2 / 10 King Crimson Collectors' Club (1969-1974) Scritto da Gianluca Livi Mercoledì 30 Marzo 2016 19:23 imprenditori pirata, poteva egli stesso vendere le medesime esibizioni, ufficializzandone l'uscita sul mercato discografico e, congiuntamente, perseguendo anche un (legittimo) fine di lucro. Poiché anche parte delle registrazioni in suo possesso erano qualitativamente scadenti, conscio dell'impossibilità di immetterle nel mercato senza suscitare polemiche, decise di distribuirle solo agli iscritti di un club, il cosiddetto “Collector's Club”. Coloro che vi avessero aderito, previo versamento di una cifra iniziale abbastanza consistente, avrebbero ricevuto i titoli pubblicati di volta in volta, vedendosi scalato il valore di ogni singolo disco dalla quota d'iscrizione. L'iniziativa andò avanti con ottimi risultati fino al 2002, quando - abbandonato definitivamente il metodo dell'iscrizione al Club - i cd furono inseriti nel catalogo della DGM, unitamente ad album ufficiali dei Crimson e di altri artisti della scuderia. -
141715236.Pdf
This issue of the Other Press has been brought to you by these people (and others) · Don't you love them so? Table Cont 28 30 , Georwe s Malady· Now if :r: could just prowam t ·his VCR to tape "Friends." - I guess it had to happen. The deli tions of its members." This is not At worst, when foisting spurious O where I go for sandwiches has a to say that he did not cherish propaganda, mission statements ~ mission statement. Posted in billboard such beliefs, only that he was too are misleading. At best, they are +-' proportions behind the counter, where busy eradicating a disease to superfluous. One local retail outlet, the menu should be, is their corporate embroider the words on a doily in a "statement of core values" C manifesto, replete with such feel-good and have them framed. issued to its employees, imparts 0 sentiments as "We recognize and But we Jive in a time when the stunning revelation, "We respect the rights of others" and "We humility and quiet accomplish recognize that profitability is · acknowledge the diversity in our ment are seen as weaknesses, essential to our success." Well, U community." The poor harried em when enterprising executroids duh. Might as well include the part C ployee making my sandwich behind buy off-the-rack personalities about opening the doors. As for the counter was so busy respecting . from Tony Robbins and other the respect-the-rights-of-others 0 rights and acknowledging diversity such snake oil salesmen, when type of statements, these are •- that he forgot the mustard. -
John Wetton's Official Website
John Wetton's Official Website http://www.johnwetton.com/index.html LATEST NEWS January 31st 2020--- Today is the 3rd anniversary of the untimely death of John Wetton. Today we remember the genius of John and we share love with John’s son, Dylan, and John’s wife Lisa. Please keep subscribed to John’s social media. More details relating to the forthcoming John Wetton box set will shortly be released. The stories and tributes being assembled are a mind-blowing testament to John’s legacy. December 12th 2019--- American guitarist Fernando Perdomo has recorded a tribute album of King Crimson songs. The Crimson Guitar includes two songs from John Wetton's time in the band - Starless and Book of Saturday. There is also a dedication to John Wetton's memory inside the album. Amazon CD: https://geni.us/CrimsonGuitar June 12th 2019--- The John Wetton Estate proudly announces work has commenced on a solo career box set featuring expanded editions of his iconic albums and a lavish hardback book. 12th June 2019 would have been John’s 70th birthday. 1 of 42 16/03/2020, 12:18 John Wetton's Official Website http://www.johnwetton.com/index.html Since John Wetton’s passing in January 2017, his family, friends and management have been working on finding a fitting tribute to such a remarkable man and iconic artist. The result of this labour of love is a box set entitled “An Extraordinary Life”, dedicated entirely to John’s solo career. The project has the full support of John’s wife, Lisa, and his son, Dylan, who are wholly involved with compiling the contents. -
Complete Recordings, Starless, Road to Red, on [And Off) the Road and Thrak Box: Live and Studio Recordings 1994–1997
The making of virtual space in the King Crimson Box sets Larks tongues in as- pic: Complete recordings, Starless, Road to Red, On [and off) the Road and Thrak Box: Live and Studio Recordings 1994–1997 Toivo Burlin, Stockholm University When the founding fathers of progressive rock, British (-American) group King Crimson, pro- duced their groundbreaking LP In the Court of the Crimson king in 1969, they established an ec- lectic yet recognizable style, with a strong musical and production virtuosity. Continuing for four decades, they became the only band of its generation to continually developing and ex- panding it’s style and techniques. Their music is not easily categorized: from the advanced rock music inspired by modern jazz and art music on the first four LP albums – and a lot of changes in the band personnel and set up of instruments – the music developed in the mid 1970’s to a dynamic, experimental hard rock with an art music attitude, containing sound worlds of percussion, violins and softer melodic elements blended with heavy, rhythmically complex, asymmetrical guitar riffs: The albums Larks tongues in aspic (1973), Starless and bible black (1974) and Red (1974) was highly influential. When the band was reformed with partly new musicians in 1981, they arrived with a different, of New wave and minimalism, influenced style. In a short span of three years, 1981–1984, they released albums Discipline, Beat and Three of a perfect pair, and reformed once more in 1994 to release the CD Thrak. Importantly, in the same period they managed to take total creative and commercial control of all their recorded output, and it put them in a uniquely strong independent artistic position, connected to their loyal followers. -
Tesi Del Dott. Jacopo Conti: Minimalismo ... -.:: Franco Fabbri
UNIVERSITÀ DEGLI STUDI DI TORINO FACOLTÀ DI SCIENZE DELLA FORMAZIONE CORSO DI STUDIO TRIENNALE IN D.A.M.S. DISSERTAZIONE FINALE Minimalismo, modalità e improvvisazione nella musica dei nuovi King Crimson Relatore: Candidato: Ernesto Napolitano Jacopo Conti matr. n° 259083 Anno accademico 2006 - 2007 A mia zia, che credeva in me e mi ha sempre sostenuto. 1 PREMESSA “King Crimson was more a revolving door than a band. ” - Robert Palmer La cronologia dei King Crimson (KC) dal 1969 al 2003 è assai articolata, e include vari stili e molti musicisti con una sola presenza fissa, quella di Robert Fripp (1946), chitarrista e compositore inglese fondatore del gruppo. Considerati tra i fondatori del progressive rock, pubblicano l’album In The Court Of The Crimson King 1 nel 1969 con Fripp alla chitarra, Ian McDonald (1946) al sax e al mellotron, Michael Giles (1942) alla batteria, Greg Lake (1948) al basso e alla voce e Peter Sinfield (1943) nel ruolo di paroliere. I lunghi brani strutturati, gli elaborati riff suonati all’unisono e i testi di ispirazione fantastica e fiabesca non solo diventano la caratteristica principale del gruppo, ma anche gli elementi fondanti del nuovo genere. Già con il secondo lp, In The Wake Of Poseidon (1970), la formazione viene rimodellata: Mel Collins (1947) prende il posto di McDonald al sax, Gordon Haskell canta in alcuni brani (durante la lavorazione del disco Greg Lake abbandona il gruppo per andare a costituire il trio Emerson, Lake & Palmer), si aggiunge al pianoforte Keith Tippett (1947). Il gruppo si scioglie per qualche mese dopo l’incisione del disco per poi tornare, con un’altra formazione, alla fine del 1970. -
Discografia King Crimson
Discografia king crimson Continue 1992 The Great Deceiver -- Live 1973-1974 Registrato dal vivo durante il Tour Heavy Horses in Europe (1978). CD 1 - Things aren't as they seem... Theatre Registry Al Palace, Providence, USA, il 30 giugno 1974. 1 - Walk by ... No Pussyfooting - 0:52 2 - Lark Languages in Aspic, Part 2 - 6:12 3 - Crying - 4:04 4 - Exiles - 7:00 5 - Journey to the Center of Space - 14:4 1 6 - Easy Money - 7:14 7 - Providence - 9:47 8 - Rift - 10:47 9 - Starless - 11:56 CD 2 - Hand sleight of hand Tracce 1-2 registered Al Palace Theatre, Providence, Stati Uniti d'America, il 30 giugno 1974. Tracce 3-11 registrar Al Apollo, Glasgow, GB, il 23 ottobre 1973. Tracce 12-13 Registrar al Penn State University, State College, Pennsylvania, Stati Uniti d'America, il 29 giugno 1974. 1 - 21st Century Schizoid Man - 7:32 2 - Walk from Providence ... No Pussyfooting - 1:15 3 - Sharks lightweight at Lemsip - 2:38 4 - Lark tongues in Aspic, Part One - 7:25 5 - Saturday Book - 2:49 6 - Easy Money - 6:43 7 - We Let You Know - 4:54 8 - Night's Watch - 4:5 5 4 9 - Tight Scrummy - 8:27 10 - World: Theme - 1:01 11 - Cat Food - 4:14 12 - Easy Money - 2:19 13 - ... It's for you, but not for us - 7:25 CD 3 - ... Acts of Deception Tracce 1-11 Registration Al Stanley Warner Theater, Pittsburgh, USA, il 29 aprile 1974. Tracce 12-13 Registrar al Penn State University, State College, Pennsylvania, USA, il 29 giugno 1974. -
Of Virtual Spatiality: Surround Sound Mixing in King Crimson's Back
Toivo Burlin: The creation (and re-creation) of virtual spatiality: Surround sound mixing in King Crimson’s back catalog box sets Proceedings of the 12th Art of Record Production Conference Mono: Stereo: Multi Burlin, T. (2019). The creation (and re-creation) of virtual spatiality: Surround sound mixing in King Crimson’s back catalog box sets. In J.-O. Gullö (Ed.), Pro- ceedings of the 12th Art of Record Production Conference Mono: Stereo: Multi (pp. 37-53). Stockholm: Royal College of Music (KMH) & Art of Record Produc- tion. ISBN 978-91-983869-9-8 © The editors and authors own the copyright of their respective contrubutions. Toivo Burlin: The creation (and re-creation) of virtual spatiality: Surround sound mixing in King Crimson’s back catalog box sets Abstract: The article analyzes surround mixing of King Crimson’s analog recordings. “Lizard,” “Larks’ Tongues in Aspic (Part 1),” “The Night Watch,” “Trio,” and “One Time” are analyzed using the theoretical perspec- tives of the music recording as representation and spatial design. There is a difference between live and studio recordings in surround: live recordings tend to be mixed according to the direct/ambient principle, while studio re- cordings are mixed according to the principle of direct-sound all around. Live recordings in surround can also often be understood as examples of documentarism, and studio recordings as examples of hyper realism. The spatial design of the surround mix tends to emphasize aspects of spatiality in the broad sense: where the recording can, for example, be interpreted as a landscape in sound. Introduction This essay discusses some tendencies in the emerging conventions in con- temporary surround mixing of popular music. -
Page 1 of 163 Music
Music Psychedelic Navigator 1 Acid Mother Guru Guru 1.Stonerrock Socks (10:49) 2.Bayangobi (20:24) 3.For Bunka-San (2:18) 4.Psychedelic Navigator (19:49) 5.Bo Diddley (8:41) IAO Chant from the Cosmic Inferno 2 Acid Mothers Temple 1.IAO Chant From The Cosmic Inferno (51:24) Nam Myo Ho Ren Ge Kyo 3 Acid Mothers Temple 1.Nam Myo Ho Ren Ge Kyo (1:05:15) Absolutely Freak Out (Zap Your Mind!) 4 Acid Mothers Temple & The Melting Paraiso U.F.O. 1.Star Child vs Third Bad Stone (3:49) 2.Supernal Infinite Space - Waikiki Easy Meat (19:09) 3.Grapefruit March - Virgin UFO – Let's Have A Ball - Pagan Nova (20:19) 4.Stone Stoner (16:32) 1.The Incipient Light Of The Echoes (12:15) 2.Magic Aum Rock - Mercurical Megatronic Meninx (7:39) 3.Children Of The Drab - Surfin' Paris Texas - Virgin UFO Feedback (24:35) 4.The Kiss That Took A Trip - Magic Aum Rock Again - Love Is Overborne - Fly High (19:25) Electric Heavyland 5 Acid Mothers Temple & The Melting Paraiso U.F.O. 1.Atomic Rotary Grinding God (15:43) 2.Loved And Confused (17:02) 3.Phantom Of Galactic Magnum (18:58) In C 6 Acid Mothers Temple & The Melting Paraiso U.F.O. 1.In C (20:32) 2.In E (16:31) 3.In D (19:47) Page 1 of 163 Music Last Chance Disco 7 Acoustic Ladyland 1.Iggy (1:56) 9.Thing (2:39) 2.Om Konz (5:50) 10.Of You (4:39) 3.Deckchair (4:06) 11.Nico (4:42) 4.Remember (5:45) 5.Perfect Bitch (1:58) 6.Ludwig Van Ramone (4:38) 7.High Heel Blues (2:02) 8.Trial And Error (4:47) Last 8 Agitation Free 1.Soundpool (5:54) 2.Laila II (16:58) 3.Looping IV (22:43) Malesch 9 Agitation Free 1.You Play For -
King Crimson Alla Corte Del Re Cremisi
King Crimson Alla Corte del Re Cremisi in memoria di Brian Jones, con varie formazioni (Battered Ornaments, Third Ear Band, Family, Alexis Korner e Screw), ma sono proprio Fripp & Co. a lasciare il segno più tangibile nella serata davanti a 600.000 spettatori entusiasti. Il 10 ottobre è una data da circoletto rosso, viene, infatti, pubblicato uno dei dischi più affascinanti e innovativi della storia del rock: In The Court Of Crimson King (sottotitolato An Observation By King Crimson). E’ quasi impossibile trovare nel panorama musicale un'opera d'esordio così complessa e perfetta, illuminata dai testi di Pete Sinfield, reale quinto uomo in campo. Le sue liriche - essenziali, epigrammatiche, fantastiche e paranoiche - attingono dalla letteratura favolistica medioevale britannica e dall'elegia sepolcrale inglese del Settecento. Si passa dai riff graffianti e penetranti di 21st Century Schizoid Man, all'intensa magia di I Talk To The Wind, al respiro epico di Epitaph fino al sontuoso finale di The Court Of The [Le catene arrugginite delle prigioni- In assoluto tra i gruppi più amati e Crimson King dove viene presentata apprezzati dall'esigente popolo al gran completo la folle e bizzarra luna sono infrante dal sole/Cammino progressivo, i King Crimson si Corte del Re Cremisi. Greg Lake, per una strada, gli orizzonti cambiano formano ufficialmente il 13 gennaio spettacolare al basso, mette in viva l'inizio del torneo/Il pifferaio viola del 1969 quando quattro giovani e luce la duttilità del proprio canto, valenti musicisti (Robert Fripp, Ian mentre Ian McDonald recita a inizia il suo pezzo, il coro canta McDonald, Greg Lake e Mike Giles) meraviglia la parte del tastierista in dolcemente tre cantilene in una si ritrovano per la prima volta a tempesta con pizzicate agili e vecchia lingua per la Corte del Re suonare al Fulham Palace Cafe di nevrotiche. -
King Crimson – Live in Toronto
King Crimson – Live In Toronto (62:39 + 64:15, 2 CDs, Discipline Global Mobile, 2016) Eigentlich schien das Kapitel King Crimson bereits endgültig geschlossen. Nach der letzten längeren Tour im Jahr 2003 hatte Robert Fripp keine Lust mehr auf das stressige Tourleben, auch nervten ihn die damit verbunden Umstände immer mehr – Fotografen, die Auftritte mit Blitzlicht versauten, schlechte Bedingungen im Umfeld der Gigs, ständiges rastloses Unterwegssein -, wie er auch seit langen keine Interviews mehr geben wollte. 2008 folgten noch einige wenige Auftritte in den USA und das schien es dann endgültig mit King Crimson im Livesektor gewesen zu sein. Zum Trost für Fans hieltFripp dafür mit diversen, sehr aufwändig und hochwertig gestalteten Boxen das Interesse an der Band hoch. Überraschend fand der Mastermind ein paar Jahre später Gefallen an einer komplett neuen Reinkarnation seiner Band, verbunden mit einer noch viel überraschenden Reise weit in die Vergangenheit. Ende 2014 ging die Band in der auf den ersten Blick sehr eigenwilligen Besetzung mitRobert Fripp (Gitarre, Keyboards), Jakko Jakszyk (Gitarre, Gesang), Tony Levin (Bass, Stick), Mel Collins (Saxophon, Flöte) und den drei(!) Schlagzeugern Pat Mastelotto, Gavin Harrison und Bill Rieflin wieder auf Tour durch die USA, England, Holland, Frankreich, Kanada und Japan. Die Reaktionen darauf waren begeistert, teils regelrecht enthusiastisch. Nachdem letztes Jahr mit dem Livealbum „Live At The Orpheum“ bereits ein rund 40-minütger, viel zu kurzer Ausschnitt jener Tour erschien, liegt mit „Live in Toronto“ jetzt endlich ein kompletter Konzertmitschnitt vor. Der Abend zuvor auf der gleichen Bühne und am gleichen Ort hatten unter keinem guten Stern gestanden, da wieder einmal Paparazzi trotz ausdrücklichen Fotografierverbots für ein Konzert ohne Zugabe und reichlich genervte Musiker sorgten – tags darauf aber lieferten King Crimson einen ihrer besten, wenn nicht sogar den besten Auftritt überhaupt in dieser Besetzung ab.