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Movie Aquisitions in 2010 - Hindi Cinema
Movie Aquisitions in 2010 - Hindi Cinema CISCA thanks Professor Nirmal Kumar of Sri Venkateshwara Collega and Meghnath Bhattacharya of AKHRA Ranchi for great assistance in bringing the films to Aarhus. For questions regarding these acquisitions please contact CISCA at [email protected] (Listed by title) Aamir Aandhi Directed by Rajkumar Gupta Directed by Gulzar Produced by Ronnie Screwvala Produced by J. Om Prakash, Gulzar 2008 1975 UTV Spotboy Motion Pictures Filmyug PVT Ltd. Aar Paar Chak De India Directed and produced by Guru Dutt Directed by Shimit Amin 1954 Produced by Aditya Chopra/Yash Chopra Guru Dutt Production 2007 Yash Raj Films Amar Akbar Anthony Anwar Directed and produced by Manmohan Desai Directed by Manish Jha 1977 Produced by Rajesh Singh Hirawat Jain and Company 2007 Dayal Creations Pvt. Ltd. Aparajito (The Unvanquished) Awara Directed and produced by Satyajit Raj Produced and directed by Raj Kapoor 1956 1951 Epic Productions R.K. Films Ltd. Black Bobby Directed and produced by Sanjay Leela Bhansali Directed and produced by Raj Kapoor 2005 1973 Yash Raj Films R.K. Films Ltd. Border Charulata (The Lonely Wife) Directed and produced by J.P. Dutta Directed by Satyajit Raj 1997 1964 J.P. Films RDB Productions Chaudhvin ka Chand Dev D Directed by Mohammed Sadiq Directed by Anurag Kashyap Produced by Guru Dutt Produced by UTV Spotboy, Bindass 1960 2009 Guru Dutt Production UTV Motion Pictures, UTV Spot Boy Devdas Devdas Directed and Produced by Bimal Roy Directed and produced by Sanjay Leela Bhansali 1955 2002 Bimal Roy Productions -
THE ISSUE of NATIONAL INTEGRATION in BOLLYWOOD with SPECIAL REFERENCE to LAGAAN and CHAK DE! INDIA By: Shashi Prajapati
Episteme: an online interdisciplinary, multidisciplinary & multi-cultural journal Bharat College of Arts and Commerce, Badlapur, MMR, India Volume 8, Issue 2 September 2019 THE ISSUE OF NATIONAL INTEGRATION IN BOLLYWOOD WITH SPECIAL REFERENCE TO LAGAAN AND CHAK DE! INDIA By: Shashi Prajapati Abstract: India is a country of diverse identity where each individual identifies himself/herself with regard to his/ her class, caste, religion, gender, language, region etc. Sometimes these identities lead to the conflicting situations especially when one is obsessed with any particular identity. This may sometimes lead to the threat to our national integrity. In such a case, maintaining the togetherness becomes a tough task. The contribution of Bollywood in this regard is not encouraging especially in the last few decades. The obsession of Bollywood with hero worship has done the huge damage to our society. Most of the films in the name of national integration create a narrow vision of Hindu-Muslim harmony. Films based on public participation are rare to find. Keeping these facts into consideration, the present paper picks up two classic Bollywood movies of 21st century - Lagaan and Chak De! India which relate the story of public participation. Keywords: National Integration, Nation building process, Patriarchy, Bollywood. 60 BCAC-ISSN-2278-879 Episteme: an online interdisciplinary, multidisciplinary & multi-cultural journal Bharat College of Arts and Commerce, Badlapur, MMR, India Volume 8, Issue 2 September 2019 Introduction The date, 14th August 1947, doesn't mark the independence of India and Pakistan alone. There were 565 princely states formerly under the British control, became independent too. These princely states had two options; either to form an independent country of its own or to merge with India or Pakistan. -
India Financial Statement
Many top stars donated their time to PETA in elementary school students why elephants don’t order to help focus public attention on cruelty belong in circuses. PETA India’s new petition calling India to animals. Bollywood “villain” Gulshan Grover’s on the government to uphold the ban on jallikattu – sexy PETA ad against leather was released ahead a bull-taming event in which terrified bulls are Financial Statement of Amazon India Fashion Week. Pamela Anderson deliberately disoriented, punched, jumped on, penned a letter to the Chief Minister of Kerala to offer tormented, stabbed and dragged to the ground – REVENUES 30 life-size, realistic and portable elephants made of has been signed by top film stars, including Contributions 71,098,498 bamboo and papier-mâché to replace live elephants in Sonakshi Sinha, Jacqueline Fernandez, Other Income 335,068 the Thrissur Pooram parade. Tennis player Sania Mirza Bipasha Basu, John Abraham, Raveena Tandon, and the stars of Comedy Nights With Kapil teamed Vidyut Jammwal, Shilpa Shetty, Kapil Sharma, Total Revenues 71,433,566 up with PETA for ads championing homeless cat and Amy Jackson, Athiya Shetty, Sonu Sood, dog adoption. Kapil Sharma, the host of that show, Richa Chadha and Vidya Balan and cricketers was also named PETA’s 2015 Person of the Year for Virat Kohli and Shikhar Dhawan. OPERATING EXPENSES his dedication to Programmes helping animals. PETA gave a Awareness Programme 37,434,078 Just before Humane Science Compassionate Citizen Project 3,998,542 World Music Award to the Membership Development 13,175,830 Day, members Mahatma Gandhi- Management and General Expenses 16,265,248 of folk band Doerenkamp The Raghu Centre, for their Dixit Project monumental Total Operating Expenses 70,873,698 starred in a PETA progress in Youth campaign pushing for ad against cruelty humane legislation CHANGE IN NET ASSETS 559,868 to animals in Photo: © Guarav Sawn and reducing and Net Assets Beginning of Year 5,086,144 the circus. -
Catalogue 2011
Equipo Cines del Sur Director José Sánchez-Montes I Relaciones institucionales Enrique Moratalla I Director de programación Casimiro Torreiro I Asesores de programación Esteve Riambau, Gloria Fernández I Programador cinesdelsur. ext y Extraño Tanto Mar José Luis Chacón I Gerencia Elisabet Rus I Coordinadora de programación, comunicación, difusión Índice y prensa María Vázquez Medina I Departamento de Comunicación Ramón Antequera Rodríguez-Rabadán I Coordinadora de invitados Marichu Sanz de Galdeano I Coordinador Producción Enrique Novi I Departamento Producción Christian Morales, Juan Manuel Ríos I Jefa de prensa Nuria Díaz I Prensa Nuria García Frutos, Neus Molina I Publicaciones Carlos Martín I Catálogo y revista Laura Montero Plata I Gestión de tráfico de copias Reyes Revilla I Protocolo María José Gómez, Manuel 6 Presentación_Welcome Dominguez I Documentación Audiovisual Festival Jorge Rodríguez Puche, Rafael Moya Cuadros I Coordinador de traducción e interpretación Pedro Jesús Castillo I Traducción Pedro Jesús Castillo, Alexia Weninger, Hiroko Inose, Jesús de Manuel Jerez 11 Jurado_Jury I Secretario Jurado Oficial Toni Anguiano I Imagen del cartel Ángel Lozano I Diseño del premio Luis Jarillo I Cabecera LZ Producciones I +Factor Humano Antonio José Millán I Voluntarios José Ángel Martínez I Jefe técnico de proyecciones José Antonio Caballero Soler I Equipo técnico de proyecciones José Antonio Caballero Martín, José Domingo Raya, 19 Programación_Programming José Antonio Caballero Solier I Diseño Catálogo: Ángel Lozano, Juan Gómez, -
Representation of Sikh Character in Bollywood Movies:A Study on Selective Bollywood Movies
PJAEE, 17(6) (2020) REPRESENTATION OF SIKH CHARACTER IN BOLLYWOOD MOVIES:A STUDY ON SELECTIVE BOLLYWOOD MOVIES Navpreet Kaur Assistant Professor University Institute of Media Studies, Chandigarh University, Punjab, India [email protected] Navpreet Kaur, Representation Of Sikh Character In Bollywood Movies: A Study On Selective Bollywood Movies– Palarch’s Journal of Archaeology of Egypt/Egyptology 17(6) (2020), ISSN 1567-214X. Keywords: Bollywood, Sikh, Sikh Character, War, Drama, Crime, Biopic, Action, Diljit Dosanhj, Punjab Abstract Sikhs have been ordinarily spoken to in mainstream Hindi film either as courageous warriors or as classless rustics. In the patriot message in which the envisioned was an urban North Indian, Hindu male, Sikh characters were uprooted and made to give entertainment. Bollywood stars have donned the turban to turn Sikh cool, Sikhs view the representation of the community in Bollywood as demeaning and have attempted to revive the Punjabi film industry as an attempt at authentic self-representation. But with the passage of time the Bollywood makers experimented with the role and images of Sikh character. Sunny Deol's starrer movie Border and Gadar led a foundation of Sikh identity and real image of Sikh community and open the doors for others. This paper examines representation of Sikhs in new Bollywood films to inquire if the romanticization of Sikhs as representing rustic authenticity is a clever marketing tactic used by the Bollywood. Introduction Bollywood is the sobriquet for India's Hindi language film industry, situated in the city of Mumbai, Maharashtra. It is all the more officially alluded to as Hindi film. The expression "Bollywood" is frequently utilized by non-Indians as a synecdoche to allude to the entire of Indian film; be that as it may, Bollywood legitimate is just a piece of the bigger Indian film industry, which incorporates other creation communities delivering films in numerous other Indian dialects. -
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ATN AAPKA COLORS NOV 23 TO NOV 29,2015 ET Monday Tuesday Wednesday Thursday Friday Saturday Sunday PT 23-Nov 24-Nov 25-Nov 26-Nov 27-Nov 28-Nov 29-Nov 0:00 Chakravartin Ashoka Samrat Chakravartin Ashoka Samrat Chakravartin Ashoka Samrat Chakravartin Ashoka Samrat Chakravartin Ashoka Samrat 21:00 Bigg Boss Double Trouble Weekend 0:30 Bigg Boss Double Trouble Weekend Swaragini Swaragini Swaragini Swaragini Swaragini 21:30 1:00 Meri Aashiqui Tum se Hi Meri Aashiqui Tum se Hi Meri Aashiqui Tum se Hi Meri Aashiqui Tum se Hi Meri Aashiqui Tum se Hi 22:00 Naagin 1:30 Bigg Boss Double Trouble Nomination 22:30 Naagin Bigg Boss Double Trouble Bigg Boss Double Trouble Bigg Boss Double Trouble Bigg Boss Double Trouble Special 2:00 23:00 2:30 Ishq Ka Rang Safed Ishq Ka Rang Safed Ishq Ka Rang Safed Ishq Ka Rang Safed Ishq Ka Rang Safed 23:30 Asian Magazine Asian Magazine Comedy Nights Bachao Comedy Nights With Kapil Asian Magazine Asian Magazine Asian Magazine The Pink Gala The Pink Gala 3:00 Dream Wedding Show 0:00 5 Senses Festival Toronto Festival of Literature & Arts Hollywood Bollywood Night Hollywood Bollywood Night Part 02 Part 01 Part 02 Asian Magazine Asian Magazine Asian Magazine Asian Magazine Sahenshah -E- Qawwali Asian Magazine 3:30 Meri Aashiqui Tum se Hi Panorama India Independence day Luminato Thapki Pyar Ki 0:30 Bollywood Nite with Sweta Subram Nusrat Fateh ali Khan Concert Canada's Diversity Celebration Celebration Bollywood Night Asian Magazine Asian Magazine The Pink Gala 4:00 Dream Wedding Show Udaan Udaan Udaan Udaan Udaan 1:00 -
The Reluctant Fundamentalist
Mongrel Media Presents The Reluctant Fundamentalist A film by Mira Nair (128 min., USA, 2012) Language: English and Urdu Distribution Publicity Bonne Smith Star PR 1028 Queen Street West Tel: 416-488-4436 Toronto, Ontario, Canada, M6J 1H6 Fax: 416-488-8438 Tel: 416-516-9775 Fax: 416-516-0651 E-mail: [email protected] E-mail: [email protected] www.mongrelmedia.com High res stills may be downloaded from http://www.mongrelmedia.com/press.html SYNOPSIS 2011, Lahore. At a café a Pakistani man named Changez (Riz Ahmed) tells Bobby (Liev Schreiber), an American journalist, about his experiences in the United States. Roll back ten years, and we find a younger Changez fresh from Princeton, seeking his fortune on Wall Street. The American Dream seems well within his grasp, complete with a smart and gorgeous artist girlfriend, Erica (Kate Hudson). But when the Twin Towers are attacked, a cultural divide slowly begins to crack open between Changez and Erica. Changez’s dream soon begins to slip into nightmare: he is transformed from a well-educated, upwardly mobile businessman to a scapegoat and perceived enemy. Taking us through the culturally rich and beguiling worlds of New York, Lahore and Istanbul, The Reluctant Fundamentalist is a story about conflicting ideologies where perception and suspicion have the power to determine life or death. A MULTI-LAYERED VISION “Looks can be deceiving.” Changez Khan “An Indian director making a film about a Pakistani man. That’s not an easy thing to do,” says novelist and co-screenwriter Mohsin Hamid of The Reluctant Fundamentalist, the new film from award-winning filmmaker Mira Nair, based on Hamid’s acclaimed novel of the same name. -
Metadata Construction Model for Web Videos: a Domain Specific Approach
www.ijecs.in International Journal Of Engineering And Computer Science ISSN:2319-7242 Volume 3 Issue 12 December 2014, Page No. 9742-9748 Metadata Construction Model for Web Videos: A Domain Specific Approach Siddu P. Algur1, Prashant Bhat2*, Suraj Jain3 1School of Mathematics and Computing Sciences, Department of Computer Science Rani Channamma University, Belagavi-591156, Karnataka, India [email protected] 2*School of Mathematics and Computing Sciences, Department of Computer Science Rani Channamma University, Belagavi-591156, Karnataka, India [email protected] 3School of Mathematics and Computing Sciences, Department of Computer Science Rani Channamma University, Belagavi-591156, Karnataka, India [email protected] Abstract: The advances in computer and information technology together with the rapid evolution of multimedia data are resulted in the huge growth of the digital video. Due to the rapid growth of digital data and video database over the Internet, it is becoming very important to extract useful information from visual data. The scientific community has increased the amount of research into new technologies, with a view to improve the digital video utilization: its archiving, indexing, accessibility, acquisition, store and even its process and usability. All these parts of the video utilization entail the necessity of the extraction of all important information of a video, especially in cases of lack of metadata information. This paper describes importance of descriptive metadata of video, categorization of video contents based on video descriptive metadata, and high level metadata based web video modeling. The main goal of this paper is to construct high level descriptive metadata with and without timeline for all the category of videos and extraction of metadata from web videos such as YouTube and Face Book. -
Presenta DOHA FILM INSTITUTE UNA PRODUZIONE MIRABAI FILMS E CINE MOSAIC IL FONDAMENTALISTA RILUTTANTE
presenta DOHA FILM INSTITUTE UNA PRODUZIONE MIRABAI FILMS e CINE MOSAIC IL FONDAMENTALISTA RILUTTANTE Un film di Mira Nair Con Riz Ahmend, Liev Schreiber, Kate Hudson, Kiefer Sutherland, Om Puri Tratto dal romanzo The Reluctant Fondamentalistdi Mohsin Hamid DAL 13 GIUGNO 2013 AL CINEMA I materiali sono scaricabili dallarea stampa di www.eaglepictures.com Ufficio Stampa Stefania Collalto +39 02 46762519 - +39 339 4279472 Lisa Menga +39 02 46762529 - +39 347 5251051 [email protected] SOGGETTO Il Fondamentalista Riluttante è il nuovo, esplosivo film diretto da Mira Nair, regista già vincitrice di un Oscar, e tratto dal romanzo di grande successo scritto da Moshin Hamid. Nel 2010, mentre imperversano le manifestazioni studentesche a Lahore, un giovane pachistano, il professor Changez Khan (Riz Ahmed) viene intervistato dal giornalista americano Bobby Lincoln (Liev Schreiber). Changez, che ha studiato a Princeton, racconta a Lincoln il suo passato di brillante analista finanziario a Wall Street. Parla del luminoso futuro che aveva davanti, del suo mentore, Jim Cross (Kiefer Sutherland), e della bellissima, sofisticata Erica (Kate Hudson), con la quale si preparava a condividere il futuro. Allindomani dell11 settembre, il senso di alienazione e il sospetto con il quale viene improvvisamente trattato, lo riporta nella sua terra di origine e dalla sua famiglia, alla quale è molto affezionato. Il suo carisma e la sua intelligenza lo fanno subito diventare un leader sia agli occhi degli studenti pachistani che lo adorano sia del governo americano che lo guarda con sospetto. La facciata del cordiale incontro tra Lincoln e Changez, in una sala da tè di Lahore, lascia lentamente spazio alla vera ragione per cui questa improbabile coppia si è incontrata in un giorno di estate un professore straniero è stato rapito dagli estremisti e la sua esecuzione è una questione di ore. -
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ATN AAPKA COLORS SEPT 21 TO SEPT 27,2015 ET Monday Tuesday Wednesday Thursday Friday Saturday Sunday PT 21-Sep 22-Sep 23-Sep 24-Sep 25-Sep 26-Sep 27-Sep 0:00 Chakravartin Ashoka Samrat Chakravartin Ashoka Samrat Chakravartin Ashoka Samrat Chakravartin Ashoka Samrat Chakravartin Ashoka Samrat 21:00 Jhalak Dikhla Jaa Jhalak Dikhla Jaa Reloaded 0:30 Reloaded Swaragini Swaragini Swaragini Swaragini Swaragini 21:30 1:00 Meri Aashiqui Tum se Hi Meri Aashiqui Tum se Hi Meri Aashiqui Tum se Hi Meri Aashiqui Tum se Hi Meri Aashiqui Tum se Hi 22:00 Comedy Nights Bachao 1:30 Thapki Pyar Ki Thapki Pyar Ki Thapki Pyar Ki Thapki Pyar Ki Thapki Pyar Ki 22:30 2:00 Comedy Nights With Kapil Sasural Simar Ka Sasural Simar Ka Sasural Simar Ka Sasural Simar Ka Sasural Simar Ka 23:00 2:30 Ishq Ka Rang Safed Ishq Ka Rang Safed Ishq Ka Rang Safed Ishq Ka Rang Safed Ishq Ka Rang Safed Ishq Ka Rang Safed 23:30 Asian Magazine Asian Magazine Asian Magazine Asian Magazine Asian Magazine Asian Magazine 3:00 Swaragini 0:00 World Partnership Walk Raju Srivastava & Sugandha Mishra show Light Up Toronto with Melody Queen Guldasta-E-Ghazal Multi Cultural Event Bollywood Dhamaka Asian Magazine Asian Magazine Asian Magazine Asian Magazine Asian Magazine Asian Magazine 3:30 Yeh Hai Amitabh Balika Vadhu - Kacchi Umar Ke Pakke Rishte 0:30 Indian Independence Day 5 Senses Festival Ek Shaam Rajesh Khanna Ke Naam Ek Shaam Kishore Kumar Ke Naam Rung Asian Magazine 4:00 Sasural Simar Ka Udaan Udaan Udaan Udaan Udaan 1:00 Rang: A Musical Journey of Geet & Ghazal Asian Magazine 4:30 -
Sunny Singh London Metropolitan University [email protected]
The Road to Rāmar ājya : Analysing Shah Rukh Khan’s Parallel Text in Commercial Hindi Cinema Sunny Singh London Metropolitan University [email protected] This paper attempts to trace the construction of Shah Rukh Khan’s parallel text with explicit references to the Hindu epic Rāmāyana through an analysis of key cinematic texts produced from 1995 to 2007. The analysis follows the development of Shah Rukh Khan’s star text as a growing narrative drawn from, and interacting with, the epic and its protagonist, Rāma , and his idealised reign, Rāmar ājya , which is used in India to refer to an epoch of social stability. In addition, the paper explores how the star’s parallel text intersects the aspirations of a nation poised at the edge of monumental change, and the ways in which it challenges and subverts the popularly accepted notions of the growth of Hindu nationalist politics in the country in the late-1990s, finally leading to the assertion of a new, post-Hindutva, post-globalization identity as an Indian Muslim. Keywords: Shah Rukh Khan; India; stars; Bollywood; Rāmāyana . Este estudio intenta delinear la construcción del texto paralelo del actor Shah Rukh Khan con referencias explícitas al clásico épico hindú Rāmāyana por medio de análisis de textos cinematográficos del actor producidos entre 1995 y 2007. El análisis demuestra el desarrollo del texto paralelo de Khan como una narrativa basada en—y dialogando con—el clásico épico, su protagonista, Rāma , y su reino ideal, el Rāmar ājya . Además, el ensayo explora las maneras en que dicho texto llega a representar las pretensiones de una nación al borde de cambios monumentales, y las formas en las que desafía y subvierte las ideas generalmente aceptadas del desarrollo de nacionalismo hindú en el país durante la década de los noventa. -
The Making of the Man's Man: Stardom and the Cultural Politics of Neoliberalism in Hindutva India
Southern Illinois University Carbondale OpenSIUC Dissertations Theses and Dissertations 6-1-2021 THE MAKING OF THE MAN’S MAN: STARDOM AND THE CULTURAL POLITICS OF NEOLIBERALISM IN HINDUTVA INDIA Soumik Pal Southern Illinois University Carbondale, [email protected] Follow this and additional works at: https://opensiuc.lib.siu.edu/dissertations Recommended Citation Pal, Soumik, "THE MAKING OF THE MAN’S MAN: STARDOM AND THE CULTURAL POLITICS OF NEOLIBERALISM IN HINDUTVA INDIA" (2021). Dissertations. 1916. https://opensiuc.lib.siu.edu/dissertations/1916 This Open Access Dissertation is brought to you for free and open access by the Theses and Dissertations at OpenSIUC. It has been accepted for inclusion in Dissertations by an authorized administrator of OpenSIUC. For more information, please contact [email protected]. THE MAKING OF THE MAN’S MAN: STARDOM AND THE CULTURAL POLITICS OF NEOLIBERALISM IN HINDUTVA INDIA by Soumik Pal B.A., Ramakrishna Mission Residential College, Narendrapur, 2005 M.A., Jadavpur University, 2007 PGDM (Communications), Mudra Institute of Communications, Ahmedabad, 2009 A Dissertation Submitted in Partial Fulfillment of the Requirements for the Doctor of Philosophy Degree College of Mass Communication and Media Arts in the Graduate School Southern Illinois University Carbondale May 2021 DISSERTATION APPROVAL THE MAKING OF THE MAN’S MAN: STARDOM AND THE CULTURAL POLITICS OF NEOLIBERALISM IN HINDUTVA INDIA by Soumik Pal A Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in the field of Mass Communication and Media Arts Approved by: Dr. Jyotsna Kapur, Chair Dr. Walter Metz Dr. Deborah Tudor Dr. Novotny Lawrence Dr.