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From Prometheus to Pistorius: a Genaelogy of Physical Ability
FROM PROMETHEUS TO PISTORIUS: A GENAELOGY OF PHYSICAL ABILITY by Stephanie J. Cork A thesis submitted to the Department of Sociology In conformity with the requirements for the degree of Masters of Arts Queen’s University Kingston, Ontario, Canada (September, 2011) Copyright ©Stephanie J. Cork, 2011 Abstract (Fragile Frames + Monstrosities)ModernWar + (Flagged Bodies + Cyborgs)PostmodernWar = dis-AbilityCyborged ii Acknowledgements A huge thank you goes out to: my friends, colleagues, office neighbours, mentors, family, defence committee, readers, editors and Steve. Thank you, also, to the Canadian and American troops as well as Paralympic athletes, Oscar Pistorius and Aimee Mullins for their inspiration, sorry, I have borrowed your stories to perpetuate my own academic success. Thanks also to Louise Bark for her endless patience and kindness, as well as a pint (or three!) at Ben’s Pub. Anne and Wendy and especially Michelle: you are lifesavers! Finally, my eternal gratitude to the: “greatest man alive,” Dr. Rob Beamish (Scott Mason 2011). iii Table of Contents Abstract............................................................................................................................................. i Acknowledgements......................................................................................................................... iii Table of Contents............................................................................................................................ iv Chapter 1: Introduction.....................................................................................................................1 -
Italia Milano Roma Mondo Speciale Tefaf Berlino Londra New York Parigi Vienna SUPPLEMENTO DI «IL GIORNALE DELL’ARTE» N
A cura di Franco Fanelli Questo mese (Arte contemporanea e Gallerie) 146 mostre Anna Maria Farinato (Arte antica) in 72 città Laura Giuliani (Archeologia) Walter Guadagnini (Fotografia) di 15 Paesi «IL GIORNALE DELL’ARTE» | MARZO 2020 IL GIORNALE DELLE MOSTRE Italia Milano Roma Mondo Speciale Tefaf Berlino Londra New York Parigi Vienna SUPPLEMENTO DI «IL GIORNALE DELL’ARTE» N. 406 MARZO 2020 / SOCIETÀ EDITRICE ALLEMANDI N. 406 MARZO 2020 / SOCIETÀ SUPPLEMENTO DI «IL GIORNALE DELL’ARTE» Un fotogramma del video «Nova» (2019) di Cao Fei. Cortesia (2019) di Cao Fei. Un fotogramma del video «Nova» dell’artista e di Vitamin Creative Space e Sprüth Magers. Dal 4 marzo al 17 maggio l’artista progetto espositivo per le Serpentine cinese presenta un nuovo Galleries di Londra. BOLOGNA GRESSONEY-SAINT-JEAN PISTOIA VENARIA REALE IL GIORNALE DELLE MOSTRE ITALIA Bologna Tutti insieme a casa Ricomposto il Polittico Griffoni, perla del Quattrocento emiliano «Santa Lucia» di Francesco del Cossa, Washington, Bologna. La riscoperta di un capola- National Gallery of Art. voro è la realizzazione di un evento In alto, Cecilia Cavalca che resterà probabilmente irripetibi- e Mauro Natale «Nudo femminile di schiena» (1735 ca) di Pierre Subleyras e, sotto, il logo della mostra le. Nell’epico racconto di un «ritorno a casa», nel mistico ritrovarsi di quel Così, in una mostra vo- Venaria gruppo di santi eleganti e solenni, una lutamente concentrata squadra di campioni spirituali «ricon- e filologica, dove a in- vocata» dopo quasi 300 anni, c’è, infat- cantare è, come sempre ti, il sapore dell’impresa memorabile. dovrebbe essere, la rara Tra Barocco e C’è, insomma, aria di festa, a Bologna, qualità degli originali, nell’accogliere questa mostra, «La ri- l’unica concessione alla Neoclassicismo scoperta di un capolavoro. -
Pdf • Cynthia Breazeal
© copyright by Christoph Bartneck, Tony Belpaeime, Friederike Eyssel, Takayuki Kanda, Merel Keijsers, and Selma Sabanovic 2019. https://www.human-robot-interaction.org Human{Robot Interaction An Introduction Christoph Bartneck, Tony Belpaeme, Friederike Eyssel, Takayuki Kanda, Merel Keijsers, Selma Sabanovi´cˇ This material has been published by Cambridge University Press as Human Robot Interaction by Christoph Bartneck, Tony Belpaeime, Friederike Eyssel, Takayuki Kanda, Merel Keijsers, and Selma Sabanovic. ISBN: 9781108735407 (http://www.cambridge.org/9781108735407). This pre-publication version is free to view and download for personal use only. Not for re-distribution, re-sale or use in derivative works. © copyright by Christoph Bartneck, Tony Belpaeime, Friederike Eyssel, Takayuki Kanda, Merel Keijsers, and Selma Sabanovic 2019. https://www.human-robot-interaction.org This material has been published by Cambridge University Press as Human Robot Interaction by Christoph Bartneck, Tony Belpaeime, Friederike Eyssel, Takayuki Kanda, Merel Keijsers, and Selma Sabanovic. ISBN: 9781108735407 (http://www.cambridge.org/9781108735407). This pre-publication version is free to view and download for personal use only. Not for re-distribution, re-sale or use in derivative works. © copyright by Christoph Bartneck, Tony Belpaeime, Friederike Eyssel, Takayuki Kanda, Merel Keijsers, and Selma Sabanovic 2019. https://www.human-robot-interaction.org Contents List of illustrations viii List of tables xi 1 Introduction 1 1.1 About this book 1 1.2 Christoph -
Many Faced Robot - Design and Manufacturing of a Parametric, Modular and Open Source Robot Head
Many Faced Robot - Design and Manufacturing of a Parametric, Modular and Open Source Robot Head Metodi Netzev1, Quentin Houbre1, Eetu Airaksinen1, Alexandre Angleraud1 and Roel Pieters1 Abstract— Robots developed for social interaction and care show great promise as a tool to assist people. While the functionality and capability of such robots is crucial in their acceptance, the visual appearance should not be underesti- mated. Current designs of social robots typically can not be altered and remain the same throughout the life-cycle of the robot. Moreover, customization to different end-users is rarely taken into account and often alterations are strictly prohibited due to the closed-source designs of the manufacturer. The current trend of low-cost manufacturing (3D printing) and open-source technology, however, open up new opportunities for third parties to be involved in the design process. In this work, we propose a development platform based on FreeCAD that offers a parametric, modular and open-source design tool specifically aimed at robot heads. Designs can be generated by altering different features in the tool, which automatically Fig. 1. Different end-users of social robots require different features and design. The designs shown here are generated by the parametric and modular reconfigures the head. In addition, we present several design development platform, proposed in this work. Left design shows a robot approaches that can be integrated in the design to achieve head with wooden facial covering. Right design shows a robot head with different functionalities (face and skin aesthetics, component more humanoid characteristics. Both designs can be generated by changing assembly), while still relying on 3D printing technology. -
Examining the Use of Robots As Teacher Assistants in UAE
Volume 20, 2021 EXAMINING THE USE OF ROBOTS AS TEACHER ASSISTANTS IN UAE CLASSROOMS: TEACHER AND STUDENT PERSPECTIVES Mariam Alhashmi* College of Education, Zayed University, [email protected] Abu Dhabi, UAE Omar Mubin Senior Lecturer in Human Computer [email protected] Interaction, Sydney, Australia Rama Baroud Part-Time Research Assistant [email protected] * Corresponding author ABSTRACT Aim/Purpose This study sought to understand the views of both teachers and students on the usage of humanoid robots as teaching assistants in a specifically Arab context. Background Social robots have in recent times penetrated the educational space. Although prevalent in Asia and some Western regions, the uptake, perception and ac- ceptance of educational robots in the Arab or Emirati region is not known. Methodology A total of 20 children and 5 teachers were randomly selected to comprise the sample for this study, which was a qualitative exploration executed using fo- cus groups after an NAO robot (pronounced now) was deployed in their school for a day of revision sessions. Contribution Where other papers on this topic have largely been based in other countries, this paper, to our knowledge, is the first to examine the potential for the inte- gration of educational robots in the Arab context. Findings The students were generally appreciative of the incorporation of humanoid robots as co-teachers, whereas the teachers were more circumspect, express- ing some concerns and noting a desire to better streamline the process of bringing robots to the classroom. Recommendations We found that the malleability of the robot’s voice played a pivotal role in the for Practitioners acceptability of the robot, and that generally students did well in smaller Accepting Editor Minh Q. -
Planetary Exploration Using Bio Inspired Technologies
© 2016 California Institute of Technology. Government sponsorship acknowledged. Planetary exploration using bio inspired technologies Ref.: Y. Bar-Cohen & D. Hanson “Humanlike Robots” 2009. Courtesy of Adi Marom, Graphics Artist. Yoseph Bar-Cohen, Jet Propulsion Laboratory, California Institute of Technology http://ndeaa.jpl.nasa.gov/ Who really invented the wheel? Ref: http://www.natgeocreative.com/photography/1246755 2 Biology – inspiring human innovation Honeycomb structures are part of almost every aircraft The fins were copied to significantly improve Flying was enabled using aerodynamic swimming and diving principles http://www.wildland.com/trips/details/326/ne The spider is quite an w_zealand_itin.aspx “engineer”. Its web may have inspired the fishing net, fibers, clothing and others. http://www.swimoutlet.com/Swim_Fins _s/329.htm The octopus as a model for biomimetics Adaptive shape, texture and camouflage of the Octopus Courtesy of William M. Kier, of North Carolina Courtesy of Roger T. Hanlon, Director, Marine Resources Center, Marine Biological Lab., MA Camouflage has many forms The swan puffs its wings to look Jewel Scarab Beetles - Leafy seadragon bigger in an attack posture bright colors appear bigger Butterfly - Color matching Owl butterfly Wikipedia freely licensed media Lizard - Color matching http://en.wikipedia.org/wiki/Owl_butterfly 5 Plants use of camouflage • To maximize the pollination opportunities - flowers are as visible as possible. • To protect from premature damage – initially, fruits are green, have sour taste, and are camouflaged by leaves. • Once ripped, fruits become colorful and tasty, as well as have good smell Biomimetic robotic exploration of the universe The mountain goat is an inspiring model for all- terrain legged rovers The Curiosity rover and the Mars Science Laboratory MSL) landed on Mars in Aug. -
An Interactive Tool for Designing Complex Robot Motion Patterns
An Interactive Tool for Designing Complex Robot Motion Patterns Georgios Pierris and Michail G. Lagoudakis Abstract— Low-cost robots with a large number of degrees KME was originally designed for and currently supports of freedom are becoming increasingly popular, nevertheless only the Aldebaran Nao humanoid robot (RoboCup edi- their programming is still a domain for experts. This paper tion) [1], which features a total of 21 degrees of freedom, and introduces the Kouretes Motion Editor (KME), an interactive software tool for designing complex motion patterns on robots its simulated model on the Webots simulator [2]. However, with many degrees of freedom using intuitive means. KME the main features of KME could be easily adapted for allows for a TCP/IP connection to a real or simulated robot, other robots and the tool itself could be used for a variety over which various robot poses can be communicated to or from of purposes, such as providing complex motion patterns the robot and manipulated locally using the KME graphical as starting points for learning algorithms and supporting user interface. This portability and flexibility enables the user to work under different modes, with different robots, using educational activities in robot programming courses. KME different host machines. KME was originally designed for and has been employed successfully by Kouretes, the RoboCup currently supports only the Aldebaran Nao humanoid robot team of the Technical University of Crete in Greece, for which features a total of 21 degrees of freedom. KME has designing various special actions (stand-up, ball kicks, goalie been employed successfully by Kouretes, the RoboCup team of falls), thanks to which the team ranked in the 3rd place at the Technical University of Crete, for designing various special actions, thanks to which the team ranked in the 3rd place at the RoboCup 2008 competition (Standard Platform League). -
Robot Umanoidi E Tecniche Di Interazione Naturale Per Servizi Di Accoglienza Ed Informazioni
POLITECNICO DI TORINO Corso di Laurea Magistrale in Ingegneria Informatica Tesi di Laurea Magistrale Robot umanoidi e tecniche di interazione naturale per servizi di accoglienza ed informazioni Relatori Prof. Fabrizio Lamberti Ing. Federica Bazzano Candidato Simon Dario Mezzomo Dicembre 2017 Quest’opera è stata rilasciata con licenza Creative Commons Attribuzione - Non commerciale - Non opere derivate 4.0 Internazionale. Per leggere una copia della licenza visita il sito web http://creativecommons.org/licenses/by-nc-nd/4.0/ o spedisci una lettera a Creative Commons, PO Box 1866, Mountain View, CA 94042, USA. Ringraziamenti Grazie a tutti quelli che mi sono stati vicino durante questo lungo percorso che mi ha portato al tanto atteso traguardo della laurea. A tutta la famiglia che mi ha sempre sostenuto anche nei momenti più difficili. Agli amici di casa e di università Andrea, Hervé, Jacopo, Maurizio, Didier, Marco, Matteo, Luca, Thomas, Nicola, Simone che hanno condiviso numerose esperienze. A tutti i colleghi di lavoro Edoardo, Francesco, Emanuele, Gianluca, Gabriele, Nicolas, Rebecca, Chiara, Allegra. E a tutti quelli di cui mi sarò sicuramente scordato. iii Sommario L’obiettivo di questo lavoro di tesi è quello di esplorare l’uso di robot umanoidi nel- l’ambito della robotica di servizio per applicazioni che possono essere utili all’uomo e di analizzarne l’effettiva utilità. In particolare, è stata analizzata l’interazione con un robot umanoide (generalmente chiamato receptionist) che accoglie gli utenti e fornisce loro, su richiesta, delle indicazioni per raggiungere il luogo in cui questi si vogliono recare. L’innovazione rispetto allo stato dell’arte in materia consiste nell’integrare le in- dicazioni vocali fornite all’utente con delle indicazioni che mostrano il percorso da seguire su una mappa posta di fronte al robot. -
The Dialectics of Virtuosity: Dance in the People's Republic of China
The Dialectics of Virtuosity: Dance in the People’s Republic of China, 1949-2009 by Emily Elissa Wilcox A dissertation submitted in partial satisfaction of the requirements for the degree of Joint Doctor of Philosophy with the University of California, San Francisco in Medical Anthropology of the University of California, Berkeley Committee in charge: Professor Xin Liu, Chair Professor Vincanne Adams Professor Alexei Yurchak Professor Michael Nylan Professor Shannon Jackson Spring 2011 Abstract The Dialectics of Virtuosity: Dance in the People’s Republic of China, 1949-2009 by Emily Elissa Wilcox Joint Doctor of Philosophy with the University of California, San Francisco in Medical Anthropology University of California, Berkeley Professor Xin Liu, Chair Under state socialism in the People’s Republic of China, dancers’ bodies became important sites for the ongoing negotiation of two paradoxes at the heart of the socialist project, both in China and globally. The first is the valorization of physical labor as a path to positive social reform and personal enlightenment. The second is a dialectical approach to epistemology, in which world-knowing is connected to world-making. In both cases, dancers in China found themselves, their bodies, and their work at the center of conflicting ideals, often in which the state upheld, through its policies and standards, what seemed to be conflicting points of view and directions of action. Since they occupy the unusual position of being cultural workers who labor with their bodies, dancers were successively the heroes and the victims in an ever unresolved national debate over the value of mental versus physical labor. -
Bluecover C-Bfront
! 0%67(KNO5VWFKGU%GPVGT $NWG/CIRKG'ZRGTKOGPVCN(KNO 5GTKGU6CKYCP ⛑䍄繷灓⻇洸㉒⼶ 5GRVGODGTł,CPWCT[ *WOCPKVKGU$WKNFKPI0%67%KPGOCHQTVJG#TVU *55 (KNO 5ETGGPKPI5EJGFWNG (TGG#FOKUUKQP RORO 㞎㤁⨑熿獌⧬䶬ↅ聆Ⰸ⹙砕㬂☡ ↛䰟Ⅽ氉 ↅⰈ↛㡨槜㉒楃 *55 㞎㤁羝峫獌哋䠒⑆⬕苌㺰⢏⬕禈磢桴䎛䡗Ⰺ 哨 5%*'&7.' 9/27/2017 ZANY EXPERIMENTAL ANIMATION AND MONTAGE •!M. Woods, THE DOCTOR IS IN (Digitized Mechanomorphic Consciou{SIC}ness Landscape #5) (USA 2016) 00:02:26 •!Adrián Regnier Chavez, A. (Mexico 2015) 00:07:13 •!Adrián Regnier Chavez, U. (Mexico 2014) 00:04:40 •!Naween Noppakun, WE LOVE ME (Thailand 2017) 00:13:00 •!Paul Wiersbinski, FLY HIGH OR I FLY ABOVE YOU (Germany 2016) 00:7:00 •!Victoria Karmin, EXTRATERRESTRIAL (Mexico 2015) 00:15:00 •!Deborah Kelly, BEASTLINESS (Australia 2011) 00:04:32 •!Jean-Michel Rolland, CARS MELODY (France 2011) 00:05:32 •!Marcantonio Lunardi, UNUSUAL JOURNEY (Italy 2017) 00:03.22 •!Marcantonio Lunardi, THE CAGE (Italy 2016) 00:05:47 •!Marcantonio Lunardi, ANTHROPOMETRY 154855 (Italy 2016) 00:03:36 •!Martin Sulzer, WETWARE (Germany 2017) 00:04:30 •!Przemek Wegrzyn, SECURITY MEASURES (Poland, 2015) 00:05:55 •!Bob Georgeson, WHY IS THIS HAPPENING? (Australia 2015) 00:07:31 10/18/2017 THE BODY—DANCE AND HAPTIC VISUALITY •!Anouska Samms and Sofia Pancucci-McQueen, THE BATHS (UK 2014– 2016) 00:012:27 •!Mark Freeman, BODY WITHOUT A BRAIN (US 2014) 00:06:50 •!Mark Freeman, BODY/BAG (US 2017) 00:02:45 •!Jean-Michel Rolland, THE RACE/LA COURSE (France 2013) 00:03:45 •!Suhrke/Skevik: Hilde Skevik and Ellen Henriette Suhrke, TRANSACTIONS #1 (Norway 2011) 00:03:44 •!Nishat Hossain, 45 MINUTES (USA 2016) 00:10:00 •!Suhrke/Skevik: Hilde Skevik and Ellen Henriette Suhrke, TRANSACTIONS #2 (Norway 2011) 00:05:42 •!Luna Rousseau/Nathan Israel/Thomas Israel/Kika Nicolela, THE MUD MAN/L'HOMME DE BOUE) (Belgium 2017) 00:010:02 •!Pete Burkeet, MANNEQUIN (USA, 2017) 00:07:58 •!Jeremy J. -
Assistive Humanoid Robot MARKO: Development of the Neck Mechanism
MATEC Web of Conferences 121, 08005 (2017) DOI: 10.1051/ matecconf/201712108005 MSE 2017 Assistive humanoid robot MARKO: development of the neck mechanism Marko Penčić1,*, Maja Čavić1, Srđan Savić1, Milan Rackov1, Branislav Borovac1, and Zhenli Lu2 1Faculty of Technical Sciences, University of Novi Sad, TrgDositejaObradovića 6, 21000 Novi Sad, Serbia 2School of Electrical Engineering and Automation, Changshu Institute of Technology, Hushan Road 99, 215500 Changshu, People's Republic of China Abstract.The paper presents the development of neck mechanism for humanoid robots. The research was conducted within the project which is developing a humanoid robot Marko that represents assistive apparatus in the physical therapy for children with cerebral palsy.There are two basic ways for the neck realization of the robots. The first is based on low backlash mechanisms that have high stiffness and the second one based on the viscoelastic elements having variable flexibility. We suggest low backlash differential gear mechanism that requires small actuators. Based on the kinematic-dynamic requirements a dynamic model of the robots upper body is formed. Dynamic simulation for several positions of the robot was performed and the driving torques of neck mechanism are determined.Realized neck has 2 DOFs and enables movements in the direction of flexion-extension 100°, rotation ±90° and the combination of these two movements. It consists of a differential mechanism with three spiral bevel gears of which the two are driving and are identical, and the third one which is driven gear to which the robot head is attached. Power transmission and motion from the actuators to the input links of the differential mechanism is realized with two parallel placed gear mechanisms that are identical.Neck mechanism has high carrying capacity and reliability, high efficiency, low backlash that provide high positioning accuracy and repeatability of movements, compact design and small mass and dimensions. -
HBS-1: a Modular Child-Size 3D Printed Humanoid
robotics Article HBS-1: A Modular Child-Size 3D Printed Humanoid Lianjun Wu, Miles Larkin, Akshay Potnuru and Yonas Tadesse * Received: 6 November 2015; Accepted: 4 January 2016; Published: 13 January 2016 Academic Editor: Huosheng Hu Humanoid, Biorobotics and Smart Systems Laboratory (HBS Lab), Department of Mechanical Engineering, The University of Texas at Dallas, Richardson TX 75080, USA; [email protected] (L.W.); [email protected] (M.L.); [email protected] (A.P.) * Correspondence: [email protected]; Tel.: +1-972-883-4556; Fax: +1-972-883-4659 Abstract: An affordable, highly articulated, child-size humanoid robot could potentially be used for various purposes, widening the design space of humanoids for further study. Several findings indicated that normal children and children with autism interact well with humanoids. This paper presents a child-sized humanoid robot (HBS-1) intended primarily for children’s education and rehabilitation. The design approach is based on the design for manufacturing (DFM) and the design for assembly (DFA) philosophies to realize the robot fully using additive manufacturing. Most parts of the robot are fabricated with acrylonitrile butadiene styrene (ABS) using rapid prototyping technology. Servomotors and shape memory alloy actuators are used as actuating mechanisms. The mechanical design, analysis and characterization of the robot are presented in both theoretical and experimental frameworks. Keywords: humanoid; mechanical design; actuators; manufacturing; 3D printing 1. Introduction Humanoid robots have great potential for use in our daily life by accompanying or working together with people. Growing interest in humanoid robots has spurred a substantial increase in their development over the past decade.