FREE FREE FREE FREE PHOTOGRAPHY NOW PHOTOGRAPHY LEE MILLER 06 PABLO PICASSO AT VILLA LA CALIFORNIE Cannes, France. 1957 [f22] www.f22magazine.com 1 EDWARD BURTYNSKY NADAV KANDER ROBERT POLIDORI MICHAEL WOLF 82 KINGSLAND ROAD LONDON E2 8DP +44 (0)20 7920 7777
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[email protected] WWW.FLOWERSGALLERIES.COM Image: Edward Burtynsky Super Pit, #4, Kalgoorlie, Western Australia, 2007 Chromogenic Print, 122 x 152 cm CONTENTS >> EDITORIAL | 06 Art Fairs London Ltd intend to launch Art13 (international Modern and Contemporary Art) at Olympia, in March 2013. Stephanie Dieckvoss (ex Fair Manager at Frieze) has been appointed Director and it will be interesting to see if there is room for yet another alternative showcase event and what part photography will play. SCOPING out the photography at ART2012, an ingredient of most gallery stands, and especially the Photo50 feature, a certain nuance could be detected and there appears to be a subtle backlash growing against the point-and-shoot capabilities of digital technology. The latest hardware does everything for you except choose the shot, the in-camera editing options are impressive, and the AF is faster than ever. But for a new breed of artists using the photographic medium there seems to be a desire to engage with the raw elements of image making and the magic that used to be a key ingredient of the process. The conjuring with light and dark, surface and chemicals, is suddenly more attractive than ever and the number of photographers recreating and working with original processes – ambrotypes; wet Collodion; daguerreotypes; heliographs – is increasing.