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Selected Bibliography Books and Chapters Compiled by Rebecca Zamora Andrew Dickson White Museum of Art. Earth Art. Ithaca, N.Y.: Office of University Publications, Cornell University, 1970. Andrews, Matthew. Land, Art: A Cultural Ecology Handbook. : RSA, 2006. Applin, Jo. Eccentric Objects: Rethinking Sculpture in 1960s America. Forthcoming, New Haven and London: Yale University Press, 2013. Araeen, Rasheed. Making Myself Visible. London: Kala Press, 1984. Art Institute of . Sculpture, a Generation of Innovation: June 23– August 27, 1967. Exh. cat. Chicago: Art Institute of Chicago, 1967. Barker, Ian. Anthony Caro; Quest for the New Sculpture. Hampshire, U.K.: Lund Humphries, 2004. Battcock, Gregory. The New Art: A Critical Anthology. New York: E. P. Dutton, 1973. Beardsley, John. Earthworks and Beyond. New York: Abbeville Press, 1989. Beckett, Jane, and Fiona Russell, eds. Henry Moore: Critical Essays. Aldershot: Ashgate, 2003. Berthoud, Roger. The Life of Henry Moore. New York: E. P. Dutton, 1987. Bloom, Harold. The Anxiety of Influence: A Theory of Poetry. New York: Oxford University Press, 1997. Bois, Yve-Alain, and Rosalind Krauss. Formless: A User’s Guide. New York: Zone Books, 1997. Boström, Antonia, Christopher Bedford, Penelope Curtis, and John Dixon Hunt. The Fran and Ray Stark Collection of 20th-Century Sculpture at the J. Paul Getty Museum. Los Angeles: J. Paul Getty Museum, 2008. Bruggen, Coosje van. Bruce Nauman. New York: Rizzoli, 1988. Brundage, Susan, ed. Bruce Nauman, 25 Years, Leo Castelli. New York: Rizzoli, 1994. Bruyn, Eric de. “Land Art in the Mediascape: On the Politics of Counterpublicity in the Year 1969.” In Ready to Shoot, edited by Ulrike Groos, pp. 134–46. Düsseldorf: Kunsthalle Düsseldorf; Cologne: Snoeck, 2004. Burnham, Jack. Beyond Modern Sculpture: The Effects of Science and Technology on the Sculpture of this Century. New York: G. Braziller, 1968. Causey, Andrew. Sculpture Since 1945. Oxford History of Art. Oxford: Oxford University Press, 1998. Corris, Michael, ed. Conceptual Art: Theory, Myth, and Practice. Cambridge and New York: Cambridge University Press, 2004. Cropper, Elizabeth, ed. The A.W. Mellon Lectures in the Fine Arts: Fifty Years. New Haven: Yale University Press, 2003. Curtis, Penelope. Sculpture in 20th Century Britain. Leeds, England: Henry Moore Institute, 2003. Dell, Simon. On Location: Siting Robert Smithson and His Contemporaries. London: Black Dog, 2008.

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Dimitrijevic, Nina. Bruce McLean. Exh. cat. Basel: Kunstahlle; London: Whitechapel Art Gallery; Eindhoven: Stedelijk Van Abbemuseum, 1982. Douglas, Mary. Purity and Danger: An Analysis of Concepts of Pollution and Taboo. London; New York: Routledge, 1992 (Originally published: New York: Praeger, 1966). Finn, David, and Judith Jedlicka. The Art of Leadership: Building Business Art Alliances. New York: Abbeville Press, 1998. Flam, Jack, ed. Robert Smithson: Collected Writings. Berkeley: University of Press, 1996. Ford, Boris, ed. Modern Britain. Vol. 9, The Cambridge Cultural History of Britain. Cambridge: Cambridge University Press, 1992. Fried, Michael. Art and Objecthood. Chicago and London: Chicago University Press, 1998. Fuchs, Rudi. Richard Long. London: Thames and Hudson, 1986. Fulton, Hamish. Hamish Fulton: Selected Walks, 1969–1989. Buffalo, N.Y.: Albright-Knox Art Gallery, 1990. . Hollow Lane. London: Situation Publications, 1971. Garlake, Margaret. New Art New World: British Art in Postwar Society. New Haven and London: Yale University Press, 1998. Getsy, David. Body Doubles: Sculpture in Britain, 1877–1905. New Haven and London: Yale University Press, 2004. Gooding, Mel. Bruce McLean. Oxford: Phaidon, 1990. Graziani, Ron. Robert Smithson and the American Landscape. New York: Cambridge University Press, 2004. Greenberg, Clement. Art and Culture: Critical Essays. Boston: Beacon Press, 1961. . Clement Greenberg: The Collected Essays and Criticism. Edited by John O’Brian. 4 vols. Chicago: University of Chicago Press, 1986–93. . “The European View of American Art (The Nation, November 1950).” Reprinted in Henry Moore and the Geometry of Fear, by James Hyman, pp. 60–61. London: James Hyman Fine Art, 2002. Grieve, Alastair. Constructed Abstract Art in England after the Second World War: A Neglected Avant-Garde. London: Yale University Press, 2005. Guilbault, Serge. How New York Stole the Idea of Modern Art. Chicago: University of Chicago Press, 1983. Hall, James. The World as Sculpture: The Changing Status of Sculpture from the Renaissance to the Present Day. London: Pimlico, 2000. Hamill, Sarah. David Smith in Two Dimensions: Sculpture, Photography, and Space. Forthcoming, Berkeley: University of California Press, 2012. Harrison, Charles. “Grounds for Optimism: The Work of Gerry Schum.” In Ready to Shoot, edited by Ulrike Groos, pp. 26–33. Düsseldorf: Kunsthalle Düsseldorf; Cologne: Snoeck, 2004. Hedgecoe, John. Henry Spencer Moore. London and New York: Simon and Schuster, 1968. Hobbs, Robert. Robert Smithson: Sculpture. Ithaca and London: Cornell University Press, 1981. Holt, Nancy, ed. The Writings of Robert Smithson: Essays with Illustrations. New York: New York University Press, 1979. Hyman, James. The Battle for Realism and Figurative Art in Britain during the Cold War, 1945–1960. London: Yale University Press, 2001.

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PROOF 1 2 3 4 5 6 179 Selected Bibliography

Jewish Museum, New York. Primary Structures: Younger American and British Sculptors. Exh. cat. New York, 1966. Johnson, Geraldine, ed. Sculpture and Photography: Envisioning the Third Dimension. Cambridge: Cambridge University Press, 1998. Judd, Donald. Donald Judd: Complete Writings. Halifax: Press of the Nova Scotia College of Art and Design, 1975. Kepes, Gyorgy. Arts of the Environment. Henley: Aidan Ellis, 1972. King, James. The Last Modern: A Life of Herbert Read. New York: St. Martin’s Press, 1990. Kosinski, Dorothy M., and Julian Andrews. Henry Moore: Sculpting the Twentieth Century. New Haven: Yale University Press, 2001. Kozloff, Max. “American Painting during the Cold War.” In Pollock and After: The Critical Debate, 2nd edn., edited by Francis Frascina, pp. 130–46. London and New York: Routledge, 2000. Kramer, Hilton. “Henry Moore: A Very English Romantic.” In The Age of the Avant-Garde, section II, chapter 22. New York: Farrar, Straus and Giroux, 1973. Krauss, Rosalind. The Optical Unconscious. Cambridge: MIT Press, 1993. . Passages in Modern Sculpture. Cambridge, Mass.: MIT Press, 1981. . The Sculpture of David Smith: A Catalogue Raisonné. New York: Garland Pub., 1977. . Terminal Iron Works: The Sculpture of David Smith. Cambridge, Mass.: MIT Press, 1971. Kraynak, Janet, ed. Please Pay Attention Please: Bruce Nauman’s Words, Writings and Interviews. Cambridge, Mass.: MIT Press, 2003. Laguna Beach Museum of Art. A Tribute to Henry Seldis. Laguna Beach, Calif.: The Museum, 1978. Lee, Pamela N. Chronophobia: On Time in the Art of the 1960s. Cambridge: MIT Press, 2002. Lewallen, Constance M., Robert R. Riley, Robert Storr, Anne Middleton Wagner, and Bruce Nauman. A Rose Has No Teeth: Bruce Nauman in the 1960s. Berkeley: University of California Press, 2007. Lippard, Lucy. Overlay: Contemporary Art and the Art of Prehistory. New York: Pantheon Books, 1983. . Six Years: The Dematerialization of the Art Object. New York: Praeger, 1973. Lippincott, J. Gordon. Design for Business. Chicago: P. Theobald, 1947. London County Council, Battersea Park, London, and Museum of Modern Art, New York. Sculpture: Open Air Exhibition of Contemporary British and American Works. London, 1963. Long, Richard. Richard Long: Walking and Marking. Edinburgh: National Galleries of Scotland, 2007. . Richard Long: Walking in Circles. London: Hayward Gallery, 1991. McCoy, Garnett, ed. David Smith. New York: Praeger, 1973. McLean, Bruce, and Nena N. Dimitrijevic. Bruce McLean, Kunsthalle Basel 1981, Whitechapel Art Gallery, London 1982, Stedelijk Van Abbemuseum, Eindhoven, 1982. Exh. cat. London: Trustees of the Whitechapel Art Gallery, 1981. Moore, Henry. “The Sculptor in Modern Society” (1952). In Art in Theory, 1900–2000: An Anthology of Changing Ideas, edited by Charles Harrison

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and Paul Wood, pp. 677–79. Malden, Mass., and Oxford: Blackwell Pub., 2003. Moore, Henry, Herbert Read, and Alan Bowness. Henry Moore: Sculpture and Drawings. 6 vols. London: Lund, Humphries, 1944–88. Morris, Robert. “On Drawing.” In Pop Art Redefined, edited by John Russell and Suzi Gablik, pp. 94–95. New York: Praeger, 1969. Moure, G., ed. Behind the Facts: Interfunktionen, 1968–1975. Barcelona: Ediciones Poligrafa, 2004. Müller, Grégoire. The New Avant-Garde. London: Pall Mall Press, 1972. New Generation, The: 1965. Exh. cat. London: Whitechapel Art Gallery, 1965. Newman, Amy. Challenging Art: Artforum. New York: Soho Press, 2000. O’Neill, John P., ed. Barnett Newman: Selected Writings and Interviews. Annotated by Mollie McNickle. New York: Knopf, 1990. Pevsner, Nikolaus. The Englishness of English Art. London: Architectural Press, 1956. Read, Benedict, and David Thistlewood, eds. Herbert Read: A British Vision of World Art. Leeds: Leeds City Art Galleries, 1993. Read, Herbert. “The Ambiguity of Modern Sculpture.” In A Letter to a Young Painter, pp. 211–32. New York: Horizon Press, 1962. . The Art of Sculpture, A. W. Mellon Lecture in the Fine Arts. New York: Pantheon Books, 1956. . A Concise History of Modern Sculpture. Praeger World of Art series. New York: Praeger; London: Thames and Hudson, 1964. . Lynne Chadwick. Amriswil: Bodensee-Verlag, 1958. . “New Aspects of British Sculpture.” In The XXVI Venice Biennale, British Pavilion [British Council]. London: Westminster Press, 1952. Reynolds, Ann. Robert Smithson: Learning from New Jersey and Elsewhere. Cambridge, Mass., and London: MIT Press, 2003. Robbe-Grillet, Alain. “Nature, Humanism, Tragedy.” In For a New Novel: Essays on Fiction, chapter 4. New York: Grove Press, 1965. Rubenfeld, Florence. Clement Greenberg: A Life. New York: Scribner, 1997. Russell, James. “Henry Moore: Englishman.” In Mostra di Henry Moore, edited by Giovanni Carandente, p. 28. Florence: Il Bisonte Editore/Nuovedizioni Enrico Vallecchi, 1972. Sandler, Irving, and Amy Newman. Defining Modern Art: Selected Writings of Alfred H. Barr, Jr. New York: Abrams, 1986. Seldis, Henry. Henry Moore in America. Los Angeles: Los Angeles County Museum of Art, 1973. Selz, Peter. New Images of Man. New York: Museum of Modern Art, 1959. Selz, Peter, and Kristine Stiles. Theories and Documents of Contemporary Art: A Sourcebook of Art Writings. Los Angeles and London: University of California Press, 1996. Shannon, Joshua. The Disappearance of Objects. New Haven: Yale University Press, 2009. Simon, Joan. “Nauman Variations: Back to the Future.” In Bruce Nauman, edited by Nicholas Serota, pp. 11–18. London: Trustees of the Whitechapel Art Gallery, 1987. Sleeman, Joy. The Sculpture of William Tucker. Aldershot, England: Lund Humphries, 2007.

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PROOF 1 2 3 4 5 6 181 Selected Bibliography

Smith, Candida, David Smith, Irving Sandler, and Mark di Suvero. The Fields of David Smith. Mountainville, N.Y.: Storm King Art Center, 1999. Sonfist, Alan, ed. Art in the Land: A Critical Anthology of Environmental Art. New York: E. P. Dutton, 1983. Sontag, Susan. Against Interpretation and Other Essays. New York: Farrar, Straus & Giroux, 1966. Stallabrass, J. “The Mother and Child Theme in the work of Henry Moore.” In Henry Moore: Mutter und Kind (Mother and Child). Much Hadham: Henry Moore Foundation, 1992. Sylvester, David. Interviews with American Artists. New Haven: Yale University Press, 2001. Szeemann, Harald. “How Does an Exhibition Come into Being?” Translated by Gerard Goodman. In Painting, Object, Film, Concept: Works from the Herbig Collection, edited by Scott Burton, pp. 36–50. London: Christies, 1998. Tant, Rachel. “Sculpture at St. Martin’s.” In Art and the 60s: This Was Tomorrow, edited by Chris Stephens and Katharine Stout. London: Tate, 2004. Tomkins, Calvin. The Scene: Reports on Post-Modern Art. New York: Viking Press, 1976. Tsai, Eugenie. Robert Smithson Unearthed: Drawings, Collages, Writings. New York: Columbia University Press, 1991. Tucker, William. The Language of Sculpture. London: Thames and Hudson, 1981. Tufnell, Ben. Land Art. London: Tate Publishing, 2006. Tufnell, Ben, ed. Richard Long: Selected Statements and Interviews. London: Haunch of Venison, 2007. Tufnell, Ben, Andrew Wilson, Bill McKibben, and Doug K. Scott. Hamish Fulton: Walking Journey. London: Tate Publishing, 2002. Wagner, Anne Middleton. Mother Stone: The Vitality of Modern British Sculpture. New Haven: Yale University Press, 2005. Walker, John A. Left Shift: Radical Art in 1970s Britain. London: I. B. Tauris, 2002. Wallis, Brian, and Jeffrey Kastner. Land and Environmental Art. London: Phaidon Press, 1998. Welchman, John C. “Architecture; Sculpture.” In Learning from the Bilbao Guggenheim, edited by Anna Maria Guasch and Joseba Zulaika, pp. 235–58. Reno: Center for Basque Studies, University of Nevada, 2005. Whitely, Nigel. Pop Design: Modernism to Mod. London: Design Council, 1987. Wilkinson, Alan, ed. Henry Moore: Writings and Conversations. Berkeley: University of California Press, 2002.

Articles Abell, Walter. “Industry and Painting.” Magazine of Art 39, no. 3 (1946), pp. 82–93, 114–18. Alloway, Lawrence. “Britain’s New Iron Age.” Art News 52, no. 4 (1953), pp. 19-20, 68–70. . “London Letter.” Art International 5, no. 2 (1961), pp. 46–53.

Compiled by Zamora, “Selected Bibliography,” Anglo-American Exchange in Postwar Sculpture, 1945–1975 (Getty, 2011)

PROOF 1 2 3 4 5 6 182 Compiled by Rebecca Zamora

Annesley, David, Roelof Louw, Tim Scott, and William Tucker. “Anthony Caro’s Work: A Symposium by Four Sculptors.” Studio International 177, no. 907 (1969), pp. 14–20. Araeen, Rasheed. “How I Discovered My Oriental Soul in the Wilderness in the West.” Third Text (Spring 1992), pp. 85–102. Ashton, Dore. “Kelly’s Unique Spatial Experiences.” Studio International 170 (July 1965), pp. 42–43. . “A Symposium on Pop Art.” Arts 37, no. 7 (1963), pp. 36–45. B[urrey], S[uzanne]. “Ellsworth Kelly.” Arts Magazine 32 (October 1957), pp. 56–57. Banham, Reyner. “Not Quite Architecture: Not Quite Painting or Sculpture Either.” Architect’s Journal 124 (August 16, 1956), pp. 215–17. Baro, Gene. “Some Late Words from David Smith.” Art International 9, no. 7 (October 20, 1965), p. 49. Bear, Liza, and Willoughby Sharp, eds. “Discussions with Heizer, Oppenheim, Smithson.” Avalanche 1 (Fall 1970), pp. 48–71. Bochner, Mel. “In the Galleries: Eccentric Abstraction.” Arts 41, no. 1 (November 1966), p. 58. Boswell, Peyton. “Moore, Vital Briton.” Art Digest 21, no. 7 (1947). Bourdon, David. “The Razed Sites of Carl Andre: A Sculptor Laid down by the Brancusi Syndrome.” Artforum 5, no. 2 (1966), pp. 14–17. Burstow, Robert. “Butler’s Competition Project for a Monument to ‘The Unknown Political Prisoner’: Abstraction and Cold War Politics.” Art History 12, no. 4 (1989), pp. 472–96. . “The Limits of Modernist Art as a ‘Weapon of the Cold War’: Reassessing the Unknown Patron of the Monument to the Unknown Political Prisoner.” Oxford Art Journal 20, no. 1 (1997), pp. 68–80. Busch, Noel F. “British Sculptor: Henry Moore Shocks and Pleases in His First Big Exhibit in U.S.” Life 22, no. 3 (1947), pp. 77–80. Causey, Andrew. “, Prehistory, and the Cornish Landscape.” Sculpture Journal 17, no. 2 (2008), pp. 9–22. Corris, Michael. “Rasheed Araeen (exhibition, South London Gallery).” Artforum 33, no. 7 (1995), p. 100. Crary, Jonathon. “Projects in Nature.” Arts Magazine 50, no. 4 (December 1975), p. 52. Danieli, Fidel. “The Art of Bruce Nauman.” Artforum 6 (December 1967), pp. 15–19. Engert, Gail P. D. “Acquisitions of Modern Art by Museums.” The Burlington Magazine 113, no. 815 (1971), p. 118. Foster, Hal. “Forms of Resistance.” Artforum (January 2008), pp. 272–73. Frankfurter, Alfred. “Henry Moore: America’s First View of England’s First Sculptor.” Art News 45, no. 10 (1946), pp. 26–29. Fried, Michael. “Anthony Caro: Midday-Sculpture.” Artforum 32 (September 1993), pp. 138–39. . “Epstein Amid the Moderns.” Arts Magazine 36, no. 4 (January 1962), pp. 50–52. Fuller, Peter. “Review of British Art in the 20th Century (Royal Academy of Arts, London).” The Burlington Magazine 129, no. 1009 (1987), pp. 261–65. Gibbs, Jo. “Henry Moore, Modern Briton, Impresses with His Aesthetic Vitality.” Art Digest 21, no. 7 (1947), pp. 9, 29.

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PROOF 1 2 3 4 5 6 183 Selected Bibliography

Gordon, Alastair. “The British Council—International Impresario of British Art.” Connoisseur 147 (June 1961), pp. 18–21. Graham, Dan. “Models and Monuments: The Plague of Architecture.” Arts 41, no. 5 (March 1967), pp. 32–35. Haacke, Lorraine. “Henry Moore: New Book Ready at a Perfect Time for Dallas.” The Dallas Times Herald, May 29, 1977. Hall, Donald. “The Experience of Forms, Part II.” The New Yorker, December 18, 1965, p. 59. Hall, James. “Clement Greenberg on English Sculpture and Englishness.” Sculpture Journal 4 (2000), pp. 172–77. Hamilton, George Heard. “Painting in Contemporary America.” The Burlington Magazine 102 (May 1960), pp. 192–97. Harrison, Charles. “Roelof Louw’s Sculpture.” Studio International 178, no. 915 (1969), pp. 126–29. . “Some Recent Sculpture in Britain.” Studio International 177, no. 907 (1969), pp. 26–33. Hess, Thomas. “The Phony Crisis in American Art.” Art News 62 (Summer 1963), pp. 24–28, 59–60. . “A Tale of Two Cities.” Location 1, no. 2 (1964), p. 40. Higgins, Dick. “Intermedia,” with an appendix by Hannah Higgins. Leonardo 34, no. 1 (2001), pp. 49–54. Hughes, Robert. “Moore is Less.” Spectator (October 25, 1968). “The Humanistic Tradition in the Century Ahead: A Bicentennial Conference Review.” Princeton Alumni Weekly, December 20, 1946, pp. 4–7. Jappe, Georg. “Gerry Schum.” Studio International 185, no. 955 (1973), pp. 236–37. Judd, Donald. “Specific Objects.”Arts Yearbook 8 (1965), pp. 74–82. Kavanaugh, Simon. “Timeless Simplicity of the Primitive Is His Goal.” Coventry Evening Telegraph, November 7, 1958. Kramer, Hilton. “Henry Moore: Twilight of an Era?” The New York Times, June 25, 1972, p. D19. Krauss, Rosalind. “Changing the Work of David Smith.” Art in America 62, no. 5 (1974), pp. 30–33. . “How paradigmatic is Anthony Caro?” Art in America 63, no. 5 (September–October 1975), pp. 80–83. . Letters. “Rosalind Krauss Replies.” Art in America 66, no. 2 (1978), p. 5. . “Sculpture in the Expanded Field.” October 8 (Spring 1979), pp. 30–44. Lapp, Axel. “The Freedom of Sculpture: The International Sculpture Competition for a Monument to the Unknown Political Prisoner, London, 1951–3.” Sculpture Journal 2 (1998), pp. 113–22. Lawson, Thomas. “Hilton Kramer: An Appreciation.” Artforum 23, no. 3 (November 1984), pp. 90–91. LeWitt, Sol. “Paragraphs on Conceptual Art.” Artforum 5, no. 10 (1967), pp. 79–83. Lippard, Lucy. “New York Letter: Recent Sculpture as Escape.” Art International 10 (February 1966), pp. 48–58. . “Wood at the Nassau County Museum.” Art in America 65, no. 6 (November–December 1977), pp. 136–137.

Compiled by Zamora, “Selected Bibliography,” Anglo-American Exchange in Postwar Sculpture, 1945–1975 (Getty, 2011)

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Long, Richard. “Correspondence: Richard Long Replies to a Critic.” Art Monthly 68 (July/August 1983), pp. 20–21. Louw, Roelof. “Site/Non-Sites.” Tracks, a Journal of Artists’ Writings 3, nos. 1–2 (1977), pp. 5–15. “Maker of Images.” Time 74, no. 12 (1959), Art Section pp. 78–88. Marter, Joan. “The Ascendancy of Abstraction for Public Art: The Monument to the Unknown Political Prison Competition.” Art Journal 53, no. 4 (1994), pp. 28–36. McBride, Henry. “Henry Moore Drawings.” New York Sun, May 14, 1943. McCaughey, Patrick. “The Monolith and Modernist Sculpture.” Art International 14 (November 1970), pp. 19–24. Metzger, Gustav. “Automata in History,” part 2. Studio International 178, no. 915 (1969), pp. 109–17. Morphet, Richard. “Carl Andre’s Bricks.” The Burlington Magazine 118, no. 884 (1976), pp. 762–67. Morris, Robert. “Aligned with Nazca.” Artforum 14, no. 2 (1975), pp. 26–39. Nash, Mark. “Reality in the Age of Aesthetics.” Frieze, no. 114 (April 2008), pp. 119–24. O’Hara, Frank. “David Smith: The Color of Steel.” Art News 60 (December 1961), pp. 32–34, 69–70. Oldenburg, Claes. “Some Program Notes about Monuments, Mainly.” Chelsea, no. 22/23 (June 1968), pp. 87–92. Owens, Craig. “Earthwords.” October 10 (Fall 1979), pp. 120–130. Packer, William. “Henry Moore Photographed.” The Financial Times, May 31, 1977. Pearson, Christopher. “Hepworth, Moore, and the United Nations: Modern Art and the Ideology of Post-War Internationalism.” Sculpture Journal 6 (2001), pp. 89–99. Potts, Alex. “Less Is Moore? Or, Henry Moore Abroad.” Art History 28, no. 1 (2005), pp. 123–28. Read, Herbert. “A Blot on the Scutcheon.” Encounter 5, no. 22 (1955), pp. 54–57. Reichardt, Jasia. “Structures/Objects/Assemblages.” Studio International 172, no. 884 (December 1966). . “UK Commentary: Review of John Moores Biennial Exhibition, Liverpool.” Studio International 179, no. 918 (1970), pp. 34–35. Reise, Barbara. “‘Untitled 1969’: A Footnote on Art and Minimal Stylehood.” Studio International 177, no. 910 (1969), pp. 166–72. Reynolds, Ann. “Reproducing Nature: The Museum of Natural History as Nonsite.” October 45 (Summer 1988), p. 117. Richter, Gigi. “Introduction to Henry Moore.” Art in America 35, no. 1 (1947), pp. 5, 16. Riley, Maude. “Henry Moore from War Torn London.” Art Digest 17, no. 16 (1943), p. 14. Rogers, W[illiam]. G[arland]. “Sculptor Henry Moore Opening Show Tuesday.” Norfolk Virginian Pilot, December 15, 1946. Rose, Barbara. “ABC Art.” Art in America 53, no. 5 (1965), pp. 57–69. Rosenberg, Harold. “The American Action Painters.” Art News 51, no. 8 (1952), p. 22.

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PROOF 1 2 3 4 5 6 185 Selected Bibliography

Ross, Kenneth. “Celebrant of Los Angeles’ Cultural Metamorphosis.” , March 5, 1978, p. N84. Rubin, William. “Younger American Painters.” Art International 4, no. 1 (1960), pp. 24–31. Russell, John. “The Met Will Present the Private Henry Moore.” The New York Times, May 8, 1983, p. H1. . “Ten Years of Majestic Expansion.” The Sunday Times, November 27, 1960. Sandler, Irving. “The New Cool Art.” Art in America 53, no. 1 (1965), pp. 96–101. Seldis, Henry. “‘Art of Assemblage’: The Power of Negative Thinking.” Los Angeles Times, March 18, 1962, p. A26. . “Art Needs Touch of Intellect, Even Now.” Los Angeles Times, February 19, 1961, p. L20. . “Art Pendulum Swings Away from Abstracts.” Los Angeles Times, June 2, 1963, p. B13. . “Art Reaches a Crossroad.” Los Angeles Times, March 15, 1959, p. E12. . “The Biggest Threat Facing Modern Art.” Los Angeles Times, February 10, 1963, p. B13. . “David Smith, Sculptor in Steel, Proves His Mettle.” Los Angeles Times, November 14, 1965, p. B18. . “Great Names in Sculpture Here.” Los Angeles Times, April 24, 1960, p. D13. . “Henry Moore—Man’s Hopes and Fears Put on a Pedestal.” Los Angeles Times, September 19, 1965, p. B2. . “Humanity’s Guerreschi’s Forte.” Los Angeles Times, May 12, 1961, p. A4. . “In N.Y., Torsos in Torment.” Los Angeles Times, August 12, 1962, p. A12. . “In the Galleries: Sculptures Echo Hate and Power.” Los Angeles Times, November 10, 1961, p. A5. . “Kienholz Art: Anything Goes.” Los Angeles Times, March 27, 1966, p. B1. . “Myopic Selections Versus Balanced Taste.” Los Angeles Times, May 20, 1962, p. A14. . “‘New Realism’ Comes in Humor, Cynicism.” Los Angeles Times, December 2, 1962, p. Q2. . “‘Peace on Earth’ a Diadem in Music Center Crown.” Los Angeles Times, May 11, 1969, p. O48. . “Power Found in Sculptures.” Los Angeles Times, February 28, 1960, p. G6. . “Rights of Wrongs in Art? Conviction ‘All that Counts.’” Los Angeles Times, November 20, 1960, p. O16. . “Terms Source of Confusion.” Los Angeles Times, January 4, 1959, p. E5. . “A Trio of Vanguard Types.” Los Angeles Times, December 6, 1965, p. D12. . “An Unforgettable Experience—the Mystique of Jacques Lipchitz.” Los Angeles Times, March 10, 1963, p. C3.

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PROOF 1 2 3 4 5 6 186 Compiled by Rebecca Zamora

. “U.S. Sculpture Exhibit Looks Beyond the 60s.” Los Angeles Times, May 7, 1967, p. C38. . “Visitor Airs Art Attitudes.” Los Angeles Times, December 27, 1959, p. D6. . “Words Obscure Much Criticism.” Los Angeles Times, December 28, 1958, p. D6. Skurka, Norma. “Henry Moore at Home.” The New York Times Magazine, July 23, 1972, pp. 32–33. Smithson, Robert. “Aerial Art.” Studio International 177, no. 910 (1969), pp. 180–81. . “The Artist and Politics: A Symposium.” Artforum 9 (September 1970), pp. 35–39. . “Entropy and the New Monuments.” Artforum 4 (June 1966), pp. 26–31. . “Frederick Law Olmstead and the Dialectical Landscape.” Artforum 11, no. 6 (February 1973), pp. 62–68. . “Incidents of Mirror Travel in the Yucatan.” Artforum 8, no. 1 (September 1969), pp. 28–53. Smithson, Robert, and Mel Bochner. “The Domain of the Great Bear.” Art Voices 5 (Fall 1966), pp. 44–51. Smithson, Robert, and Allan Kaprow. “What Is a Museum? A Dialogue between Allan Kaprow and Robert Smithson.” Arts Yearbook, 1967, pp. 94–101. Soby, James Thrall. Letter to the Editors: “Sculptor Henry Moore.” Life, February 10, 1947, p. 4. Solomon, Alan. “The Green Mountain Boys.” Vogue 148, August 1, 1966, pp. 104–9, 151–52. Spencer, Charles. “Moore at Seventy.” Fashion, August 1968, p. 68. Tucker, Marcia. “PheNAUMANology.” Artforum 9, no. 4 (December 1970), pp. 38–44. Tyler, Parker. “Reviews and Previews: Ellsworth Kelly.” Art News 55, no. 4 (1956), p. 51. Wagner, Anne Middleton. “Henry Moore’s Mother.” Representations 65 (1999), pp. 93–120. Whiteley, Nigel. “Towards a Throw-Away Culture: Consumerism, ‘Style Obsolescence,’ and Cultural Theory in the 1950s and 1960s.” Oxford Art Journal 10, no. 2 (1987), pp. 3–27. “Whizz Kids in Sculpture.” Daily Mail (London), March 11, 1965. Wight, Frederick S. “Gentle with Artists, Firm with Their Institutions.” Los Angeles Times, March 5, 1978, p. N84. Williams, Nick B., and William Wilson. “Henry Seldis: Colleagues Remember.” Los Angeles Times, March 5, 1978, p. N84. Wollheim, Richard. “Minimal Art.” Arts Magazine (January 1965), pp. 26–32.

Interviews Andre, Carl. “An Interview with Carl Andre.” By Phyllis Tuchman. Artforum 8, no. 10 (June 1970), pp. 55–61. . “Carl Andre.” By Willoughby Sharp. Avalanche, no. 1 (Fall 1970), pp. 18–27. Sharp’s interview with Andre took place on December 10, 1968. . “Interview with Carl Andre.” By Achille Bonito Oliva. Domus, no. 515 (October 1972), pp. 51–52.

Compiled by Zamora, “Selected Bibliography,” Anglo-American Exchange in Postwar Sculpture, 1945–1975 (Getty, 2011)

PROOF 1 2 3 4 5 6 187 Selected Bibliography

. Interview with Carl Andre. By Tim Marlow. The Art Magazine (Tate Gallery, London), Summer 1996, pp. 36–41. Araeen, Rasheed. “An Interview with Rasheed Araeen.” By Hou Hanru. Art Asia Pacific 2 (January 1995), pp. 102–7. . “I Had No Choice but to Deal with This Gaze Which Was Making Me Invisibile. An Interview with Rasheed Araeen.” By Helena Pivec. M’Ars: Casopis Moderne Galerije Ljublijana 6, nos. 1–4 (1994), p. 45. De Maria, Walter. Oral history interview with Walter De Maria. By Paul Cummings. (New York, October 4, 1972). Archives of American Art, Smithsonian Institution. http://www.aaa.si.edu/collections/oralhistories /transcripts/demari72.htm. Finn, David. “Interview with David Finn.” By Roger Berthoud. New York (November 29, 1983). Henry Moore Foundation Archives, Perry Green, Much Hadham, . Fischer, Konrad. Interview with Konrad Fischer. By Georg Jappe. Studio International 181, no. 930 (February 1971), pp. 68–71. Judd, Donald. Oral history interview with Donald Judd. By Bruce Hooton (February 3, 1965). Archives of American Art, Smithsonian Institution, Washington, D.C. http://www.aaa.si.edu/collections/oralhistories/transcripts /judd65.htm. Moore, Henry. “Henry Moore: An Interview.” By Donald Hall. Horizon 3, no. 2 (November 1960), pp. 102–15. . Interview with Henry Moore. By James Johnson Sweeney. Partisan Review 14, no. 2 (March/April 1947), pp. 180–85. . “NBC TV Today: Henry Moore Report.” By Aline Saarinen. New York: NBC Television, 1970. Morris, Robert. Oral history interview with Robert Morris. By Paul Cummings (March 10, 1968). Archives of American Art, Smithsonian Institution, Washington, D.C. http://www.aaa.si.edu/collections/oralhistories/transcripts /morrisr68.htm. Smithson, Robert. “Conversation with Robert Smithson.” By Bruce Kurtz (April 22, 1972). The Fox 2 (1975), pp. 75–76.

Films Baxter, Raymond, ed. Without Walls: Upholding the Bricks. London: Mark James Productions, 1991. Film, 60 min. Subject: Carl André. Mclean, Bruce. The Elusive Sculptor, Richard Long. 1970. Video, b/w, 10 min.

Archives Cited Alloway, Lawrence. “Lawrence Alloway Papers, 1935–2003.” Research Library, The Getty Research Institute, Los Angeles, Accession no. 2003.M.46. Greenberg, Clement. “The Clement Greenberg Papers, 1937–1983.” Archives of American Art, Smithsonian Institution. . “Clement Greenberg Papers, 1928–1995.” Research Library, Getty Research Institute, Los Angeles, Accession no. 950085. Harrison, Charles. “Miscellaneous Papers Regarding an Interview with Clement Greenberg, 1982–1991 (Bulk 1983–1984).” Research Library, Getty Research Institute, Los Angeles, Accession no. 2004.M.32. “Institute of Contemporary Art Archives, 1947–1987.” Hyman Kreitman Research Centre, Tate Archive, .

Compiled by Zamora, “Selected Bibliography,” Anglo-American Exchange in Postwar Sculpture, 1945–1975 (Getty, 2011)

PROOF 1 2 3 4 5 6 188 Compiled by Rebecca Zamora

Lippard, Lucy. “Lucy R. Lippard Papers, 1940s–2006, Bulk 1968–1990.” Archives of American Art, Smithsonian Institution. Moore, Henry. Henry Moore Foundation Archives, Perry Green, Much Hadham, United Kingdom. . Henry Moore Institute Archive, Leeds, United Kingdom. . Henry Moore: Correspondence: Archives of Museum of Modern Art, New York. Seldis, Henry J. Henry J. Seldis Interviews, 1958–1978. With Ralph T. Collin, Henry Moore, Lorser Feitelson, Frederick Hammersley, Norman Levy, and Gordon Vonshaft. Sound recordings. Research Library, Getty Research Institute, Los Angeles, Accession no. 2010.M.31. Smith, David. “David Smith Papers, 1926–1965.” Archives of American Art, Smithsonian Institution. Smithson, Robert. “Robert Smithson and Nancy Holt Papers, 1905–1987.” Archives of American Art, Smithsonian Institution.

Artists’ Websites: Andre, Carl: www.carlandre.net Caro, Anthony: www.anthonycaro.org Hepworth, Barbara: www.barbarahepworth.org.uk Judd, Donald: www.juddfoundation.org Long, Richard: www.richardlong.org Moore, Henry: www.henry-moore.org Louw, Roelof: www.roeloflouw.com Noland, Kenneth: www.kennethnoland.com Smith, David: www.davidsmithestate.org Smithson, Robert: www.robertsmithson.org

Stark, “Selected Bibliography,” Anglo-American Exchange in Postwar Sculpture, 1945–1975 (Getty, 2011)

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