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Selected Bibliography Books and Chapters Compiled by Rebecca Zamora Andrew Dickson White Museum of Art 177 Selected Bibliography Books and Chapters Compiled by Rebecca Zamora Andrew Dickson White Museum of Art. Earth Art. Ithaca, N.Y.: Office of University Publications, Cornell University, 1970. Andrews, Matthew. Land, Art: A Cultural Ecology Handbook. London: RSA, 2006. Applin, Jo. Eccentric Objects: Rethinking Sculpture in 1960s America. Forthcoming, New Haven and London: Yale University Press, 2013. Araeen, Rasheed. Making Myself Visible. London: Kala Press, 1984. Art Institute of Chicago. Sculpture, a Generation of Innovation: June 23– August 27, 1967. Exh. cat. Chicago: Art Institute of Chicago, 1967. Barker, Ian. Anthony Caro; Quest for the New Sculpture. Hampshire, U.K.: Lund Humphries, 2004. Battcock, Gregory. The New Art: A Critical Anthology. New York: E. P. Dutton, 1973. Beardsley, John. Earthworks and Beyond. New York: Abbeville Press, 1989. Beckett, Jane, and Fiona Russell, eds. Henry Moore: Critical Essays. Aldershot: Ashgate, 2003. Berthoud, Roger. The Life of Henry Moore. New York: E. P. Dutton, 1987. Bloom, Harold. The Anxiety of Influence: A Theory of Poetry. New York: Oxford University Press, 1997. Bois, Yve-Alain, and Rosalind Krauss. Formless: A User’s Guide. New York: Zone Books, 1997. Boström, Antonia, Christopher Bedford, Penelope Curtis, and John Dixon Hunt. The Fran and Ray Stark Collection of 20th-Century Sculpture at the J. Paul Getty Museum. Los Angeles: J. Paul Getty Museum, 2008. Bruggen, Coosje van. Bruce Nauman. New York: Rizzoli, 1988. Brundage, Susan, ed. Bruce Nauman, 25 Years, Leo Castelli. New York: Rizzoli, 1994. Bruyn, Eric de. “Land Art in the Mediascape: On the Politics of Counterpublicity in the Year 1969.” In Ready to Shoot, edited by Ulrike Groos, pp. 134–46. Düsseldorf: Kunsthalle Düsseldorf; Cologne: Snoeck, 2004. Burnham, Jack. Beyond Modern Sculpture: The Effects of Science and Technology on the Sculpture of this Century. New York: G. Braziller, 1968. Causey, Andrew. Sculpture Since 1945. Oxford History of Art. Oxford: Oxford University Press, 1998. Corris, Michael, ed. Conceptual Art: Theory, Myth, and Practice. Cambridge and New York: Cambridge University Press, 2004. Cropper, Elizabeth, ed. The A.W. Mellon Lectures in the Fine Arts: Fifty Years. New Haven: Yale University Press, 2003. Curtis, Penelope. Sculpture in 20th Century Britain. Leeds, England: Henry Moore Institute, 2003. Dell, Simon. On Location: Siting Robert Smithson and His Contemporaries. London: Black Dog, 2008. Compiled by Zamora, “Selected Bibliography,” Anglo-American Exchange in Postwar Sculpture, 1945–1975 (Getty, 2011) PROOF 1 2 3 4 5 6 178 Compiled by Rebecca Zamora Dimitrijevic, Nina. Bruce McLean. Exh. cat. Basel: Kunstahlle; London: Whitechapel Art Gallery; Eindhoven: Stedelijk Van Abbemuseum, 1982. Douglas, Mary. Purity and Danger: An Analysis of Concepts of Pollution and Taboo. London; New York: Routledge, 1992 (Originally published: New York: Praeger, 1966). Finn, David, and Judith Jedlicka. The Art of Leadership: Building Business Art Alliances. New York: Abbeville Press, 1998. Flam, Jack, ed. Robert Smithson: Collected Writings. Berkeley: University of California Press, 1996. Ford, Boris, ed. Modern Britain. Vol. 9, The Cambridge Cultural History of Britain. Cambridge: Cambridge University Press, 1992. Fried, Michael. Art and Objecthood. Chicago and London: Chicago University Press, 1998. Fuchs, Rudi. Richard Long. London: Thames and Hudson, 1986. Fulton, Hamish. Hamish Fulton: Selected Walks, 1969–1989. Buffalo, N.Y.: Albright-Knox Art Gallery, 1990. Hollow Lane. London: Situation Publications, 1971. Garlake, Margaret. New Art New World: British Art in Postwar Society. New Haven and London: Yale University Press, 1998. Getsy, David. Body Doubles: Sculpture in Britain, 1877–1905. New Haven and London: Yale University Press, 2004. Gooding, Mel. Bruce McLean. Oxford: Phaidon, 1990. Graziani, Ron. Robert Smithson and the American Landscape. New York: Cambridge University Press, 2004. Greenberg, Clement. Art and Culture: Critical Essays. Boston: Beacon Press, 1961. Clement Greenberg: The Collected Essays and Criticism. Edited by John O’Brian. 4 vols. Chicago: University of Chicago Press, 1986–93. “The European View of American Art (The Nation, November 1950).” Reprinted in Henry Moore and the Geometry of Fear, by James Hyman, pp. 60–61. London: James Hyman Fine Art, 2002. Grieve, Alastair. Constructed Abstract Art in England after the Second World War: A Neglected Avant-Garde. London: Yale University Press, 2005. Guilbault, Serge. How New York Stole the Idea of Modern Art. Chicago: University of Chicago Press, 1983. Hall, James. The World as Sculpture: The Changing Status of Sculpture from the Renaissance to the Present Day. London: Pimlico, 2000. Hamill, Sarah. David Smith in Two Dimensions: Sculpture, Photography, and Space. Forthcoming, Berkeley: University of California Press, 2012. Harrison, Charles. “Grounds for Optimism: The Work of Gerry Schum.” In Ready to Shoot, edited by Ulrike Groos, pp. 26–33. Düsseldorf: Kunsthalle Düsseldorf; Cologne: Snoeck, 2004. Hedgecoe, John. Henry Spencer Moore. London and New York: Simon and Schuster, 1968. Hobbs, Robert. Robert Smithson: Sculpture. Ithaca and London: Cornell University Press, 1981. Holt, Nancy, ed. The Writings of Robert Smithson: Essays with Illustrations. New York: New York University Press, 1979. Hyman, James. The Battle for Realism and Figurative Art in Britain during the Cold War, 1945–1960. London: Yale University Press, 2001. Compiled by Zamora, “Selected Bibliography,” Anglo-American Exchange in Postwar Sculpture, 1945–1975 (Getty, 2011) PROOF 1 2 3 4 5 6 179 Selected Bibliography Jewish Museum, New York. Primary Structures: Younger American and British Sculptors. Exh. cat. New York, 1966. Johnson, Geraldine, ed. Sculpture and Photography: Envisioning the Third Dimension. Cambridge: Cambridge University Press, 1998. Judd, Donald. Donald Judd: Complete Writings. Halifax: Press of the Nova Scotia College of Art and Design, 1975. Kepes, Gyorgy. Arts of the Environment. Henley: Aidan Ellis, 1972. King, James. The Last Modern: A Life of Herbert Read. New York: St. Martin’s Press, 1990. Kosinski, Dorothy M., and Julian Andrews. Henry Moore: Sculpting the Twentieth Century. New Haven: Yale University Press, 2001. Kozloff, Max. “American Painting during the Cold War.” In Pollock and After: The Critical Debate, 2nd edn., edited by Francis Frascina, pp. 130–46. London and New York: Routledge, 2000. Kramer, Hilton. “Henry Moore: A Very English Romantic.” In The Age of the Avant-Garde, section II, chapter 22. New York: Farrar, Straus and Giroux, 1973. Krauss, Rosalind. The Optical Unconscious. Cambridge: MIT Press, 1993. Passages in Modern Sculpture. Cambridge, Mass.: MIT Press, 1981. The Sculpture of David Smith: A Catalogue Raisonné. New York: Garland Pub., 1977. Terminal Iron Works: The Sculpture of David Smith. Cambridge, Mass.: MIT Press, 1971. Kraynak, Janet, ed. Please Pay Attention Please: Bruce Nauman’s Words, Writings and Interviews. Cambridge, Mass.: MIT Press, 2003. Laguna Beach Museum of Art. A Tribute to Henry Seldis. Laguna Beach, Calif.: The Museum, 1978. Lee, Pamela N. Chronophobia: On Time in the Art of the 1960s. Cambridge: MIT Press, 2002. Lewallen, Constance M., Robert R. Riley, Robert Storr, Anne Middleton Wagner, and Bruce Nauman. A Rose Has No Teeth: Bruce Nauman in the 1960s. Berkeley: University of California Press, 2007. Lippard, Lucy. Overlay: Contemporary Art and the Art of Prehistory. New York: Pantheon Books, 1983. Six Years: The Dematerialization of the Art Object. New York: Praeger, 1973. Lippincott, J. Gordon. Design for Business. Chicago: P. Theobald, 1947. London County Council, Battersea Park, London, and Museum of Modern Art, New York. Sculpture: Open Air Exhibition of Contemporary British and American Works. London, 1963. Long, Richard. Richard Long: Walking and Marking. Edinburgh: National Galleries of Scotland, 2007. Richard Long: Walking in Circles. London: Hayward Gallery, 1991. McCoy, Garnett, ed. David Smith. New York: Praeger, 1973. McLean, Bruce, and Nena N. Dimitrijevic. Bruce McLean, Kunsthalle Basel 1981, Whitechapel Art Gallery, London 1982, Stedelijk Van Abbemuseum, Eindhoven, 1982. Exh. cat. London: Trustees of the Whitechapel Art Gallery, 1981. Moore, Henry. “The Sculptor in Modern Society” (1952). In Art in Theory, 1900–2000: An Anthology of Changing Ideas, edited by Charles Harrison Compiled by Zamora, “Selected Bibliography,” Anglo-American Exchange in Postwar Sculpture, 1945–1975 (Getty, 2011) PROOF 1 2 3 4 5 6 180 Compiled by Rebecca Zamora and Paul Wood, pp. 677–79. Malden, Mass., and Oxford: Blackwell Pub., 2003. Moore, Henry, Herbert Read, and Alan Bowness. Henry Moore: Sculpture and Drawings. 6 vols. London: Lund, Humphries, 1944–88. Morris, Robert. “On Drawing.” In Pop Art Redefined, edited by John Russell and Suzi Gablik, pp. 94–95. New York: Praeger, 1969. Moure, G., ed. Behind the Facts: Interfunktionen, 1968–1975. Barcelona: Ediciones Poligrafa, 2004. Müller, Grégoire. The New Avant-Garde. London: Pall Mall Press, 1972. New Generation, The: 1965. Exh. cat. London: Whitechapel Art Gallery, 1965. Newman, Amy. Challenging Art: Artforum. New York: Soho Press, 2000. O’Neill, John P., ed. Barnett Newman: Selected Writings and Interviews. Annotated by Mollie McNickle. New York: Knopf, 1990. Pevsner, Nikolaus. The Englishness of English Art. London: Architectural Press, 1956. Read, Benedict, and David Thistlewood, eds. Herbert Read: A British Vision of World Art. Leeds: Leeds City
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