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Labarthe Thomas Alias Toma-L
LABARTHE THOMAS ALIAS TOMA-L Frevo BIOGRAPHY Thomas Labarthe was born in France in 1975. He lives and works in Nantes. It was at the Pompidou Centre in October 2001 that Thomas Labarthe frst discovered Jean Dubuffet. The retrospective exhibition was like “a massive shock to my system”. His frst canvas, Mala bestia emerged three months later. Like André Breton and Jean Miro before him Thomas threw himself into a creative furry. The time for exhibitions would come later in Paris, Nantes and Tours. In 2009, Thomas met Sebastien Fritsch who would soon become his agent. Together, the two men set up a series of exhibitions and creative projects in the South of France. His artistic force is centrifugal and soon attracted other creative contributors: Film makers, photographers, authors, graphic designer, dancers and set designers united around him and numerous colla- borations ensued. The following decade proved to be one of the utmost creativity: his powerful graphic style was received en- thusiastically by the artistic community and with wide acclaim in Barcelona, Brussels and in Paris at the Galerie W Landau and Halle Saint Pierre. Museum. In May 2019, Toma-L then set up in the Frevo Gallery in Greenwich Village which has remained the seat of his activity in New York ever since. He toils in the fertile felds of Free Figuration, Lyrical Abstraction and of course Outsider Art and his efforts are not limited to canvas work. He regularly branches out to create hybrid projects in a move which echoes Gilles Deleuze theory that “The notion of a ‘territory’ can only really be qualifed by the action we take to get out of it” found in his work Abécédaire*. -
Peace Angel of Helsinki” Wanted to Save the World
The “Peace Angel of Helsinki” wanted to save the world By Volker Kluge Unauthorised intruder at the ceremony: 23-year-old Barbara Rotraut Pleyer took her place in Olympic history with her ‘illegal’ lap of the stadium as the ‘’Peace Angel of Helsinki’’. Photo: Suomen Urheilumuseo On the 19th July 1952, the weather gods proved ungracious opening formula – for the first time in four languages. as a storm raged over Helsinki. The downpour continued Six thousand doves flew away into the grey sky, startled for hours. Yet people still streamed towards the by the 21 gun salute which accompanied the raising of stadium, protected by umbrellas and capes. Once there, the Olympic Flag. they found 70,000 wet seats. Gusts of wind made them The last torchbearer who entered the stadium was shiver. Yet they remained good-humoured, for this was nine time Olympic champion Paavo Nurmi. He kindled the opening of an Olympics for which Finland had been the bowl in the centre field. Shortly afterwards, another forced to wait twelve years. running legend Hannes Kolehmainen lit the fire at the The rain had relented by the time fanfares announced top of the stadium tower. A choir sang the Olympic hymn the ceremony at one o’clock on the dot. In those days by Jaakko Linjama. the ceremonial was still somewhat ponderous but this This solemn moment was to be followed by a sermon time at least, the IOC Members did not wear top hat and by Archbishop Ilmari Salomies. Instead, there was an tails when they were presented to Finland’s President unexpected incident. -
Rut Blees Luxemburg, CV
Rut Blees Luxemburg, CV Selected Solo Exhibitions (2015) London Dust, Museum of London (2012–13) Lustgarten, Stadtmuseum Simeonstift, Trier, Germany (2010) Black Sunrise, Galerie Dominique Fiat, Paris (2004) Liebeslied/My Suicides – An Opera, ICA, London (2003) Phantom, Tate Liverpool Selected Commissions (2015) The Silver Forest – Permanent public art installation, Westminster City Hall ( 2015) The Teaser – Temporary Installation, Somerset House Square, Photo London (2007) Piccadilly’s Peccadilloes – Public art Installation, Heathrow Airport, Platform for Art Selected Group Exhibitions (2014) A Needle walks into a Haystack, Tate Liverpool, Liverpool Biennial Foreign Exchange, Weltkulturen Museum Frankfurt, Germany (2013) Nouvelles Vagues, Palais de Tokyo, Paris, France Foreign Exchange, Weltkulturen Museum, Germany Wonderland, Towner Gallery, Eastbourne (2012) Dérives et des Rêves, Utopian architectural practices and artists, Chateau d’Oiron, France Observers, Photographers of the British Scene from the 1930’s to now, British Council exhibition, Galeria de Arte do Sesi, Sao Paulo, Brazil (2011) Prix Découverte des Rencontres d’Arles, France, Alias, Krakow Photomonth, Krakow, Poland New Narrative, Digital Arts Centre, Taipei, Taiwan Veilleurs de nuit, Le Centre d’art de l’Yonne, Chateau Tanlay, France (2010) The City and The Stars, Stills Gallery, Edinburgh, Scotland Le Havre Images sur commande, Musee Malraux, Le Havre, France (2009) elles @ centrepompidou, Centre Pompidou, Paris OPERA, film screening, Espai Liceu, Barcelona Auto, Sueno y Materia, LaBoral, Gijon and Dos de Mayo Art Centre, Monographs García Düttmann, A, (2014) The Academic Year, London: SPBH Durand, R., Park, D. and García Düttman, A. (2009) Commonsensual: The Works of Rut Blees Luxemburg, London: Black Dog Publishing Lynch, P., Park, D. and Wyn Evans, C. -
Gabriel Orozco and .Dami ´An Ortega
Conversation Gabriel OrOzcO and .damia ´ n OrteGa Damián Ortega and Gabriel Orozco were friends and neighbors in Mexico people, especially Spanish-speaking City in the 1980s, years before they established international careers students who otherwise would have no as artists. Son of painter Mario Orozco Rivera, a longtime assistant to access to publications like these. the muralist David Alfaro Siqueiros, Orozco (b. 1962, Jalapa, Veracruz) Some aspects of the project remind grew up in an artistic household, attended a prestigious art school and me of our Friday Workshops in the late was well traveled when he met the younger Ortega. By contrast, Ortega 1980s, which you proposed to do in my (b. 1967, Mexico City) is self-taught, except for weekly meetings with house. I liked the workshop idea right away because it was the initiative of a Orozco that evolved into an experimental art course over the span of younger artist. With Abraham Cruzville- some four years beginning in 1987. Along with artists Gabriel Kuri, gas, Gabriel Kuri and Dr. Lakra joining Abraham Cruzvillegas and Dr. Lakra (Jerónimo López Ramírez), they us, the workshop became a kind of established what they called the Taller de los Viernes (Friday Workshop) extra-official school that lasted four years. at Orozco’s home in the Tlalpan district, a provincial outpost during the During that time, information about what colonial era and now part of the capital’s urban sprawl. It was an oppres- was going on in the international art sive time politically in Mexico, where progressive thinking was routinely scene was very limited in Mexico. -
Alias Grace by Margaret Atwood Adapted for the Stage by Jennifer Blackmer Directed by RTE Co-Founder Karen Kessler
Contact: Cathy Taylor / Kelsey Moorhouse Cathy Taylor Public Relations, Inc. For Immediate Release [email protected] June 28, 2017 773-564-9564 Rivendell Theatre Ensemble in association with Brian Nitzkin announces cast for the World Premiere of Alias Grace By Margaret Atwood Adapted for the Stage by Jennifer Blackmer Directed by RTE Co-Founder Karen Kessler Cast features RTE members Ashley Neal and Jane Baxter Miller with Steve Haggard, Maura Kidwell, Ayssette Muñoz, David Raymond, Amro Salama and Drew Vidal September 1 – October 14, 2017 Chicago, IL—Rivendell Theatre Ensemble (RTE), Chicago’s only Equity theatre dedicated to producing new work with women at the core, in association with Brian Nitzkin, announces casting for the world premiere of Alias Grace by Margaret Atwood, adapted for the stage by Jennifer Blackmer, and directed by RTE Co-Founder Karen Kessler. Alias Grace runs September 1 – October 14, 2017, at Rivendell Theatre Ensemble, 5779 N. Ridge Avenue in Chicago. The press opening is Wednesday, September 13 at 7:00pm. This production of Alias Grace replaces the previously announced Cal in Camo, which will now be presented in January 2018. The cast includes RTE members Ashley Neal (Grace Marks) and Jane Baxter Miller (Mrs. Humphrey), with Steve Haggard (Simon Jordan), Maura Kidwell (Nancy Montgomery), Ayssette Muñoz (Mary Whitney), David Raymond (James McDermott), Amro Salama (Jerimiah /Jerome Dupont) and Drew Vidal (Thomas Kinnear). The designers include RTE member Elvia Moreno (scenic), RTE member Janice Pytel (costumes) and Michael Mahlum (lighting). A world premiere adaptation of Margaret Atwood's acclaimed novel Alias Grace takes a look at one of Canada's most notorious murderers. -
Spot the Alias
Spot the alias DIRECTIONS: STEP 1: CUT ALONG DOTTED LINE. STEP 2: FOLD IN HALF VERTICALLY. STEP 3: FOLD INTO ACCORDIAN. STEP 4: PLACE IN WALLET! CORN EGGS FISH MILK corn sugar, corn syrup, albumin, conalbumin, (includes crustaceans ammonium caseinate, corn syrup solids, egg substitutes, globulin, and shellfi sh) calcium caseinate, cornstarch, crystalline lecithin (from egg), anchovy, bass, bluefi sh, magnesium caseinate, fructose, crystalline livetin,lysozyme, meringue, calamari, carp, catfi sh, potassium caseinate, glucose, dextrose, ovalbumin, char, clam, cod, cockle, sodium caseinate, glucose, glucose syrup, ovomacroglobulin, conch, crab, crayfi sh, eel, casein, caseinate, * NOTE: SPOT high fructose corn syrup ovomucin, ovomucoid, escargot, halibut, herring, curds, dry milk, hydrolyzed This guide should not (HFCS), lecithin (from corn), ovotransferrin, ovovitellin, lobster, mackerel, casein, hydrolyzed milk be considered the fi nal THE word on your allergen maltodextrin silico-albuminate, mahi-mahi, marlin, protein, lactalbumin, ® and its “aliases” – Simplesse , vitellin mussels, octopus, orange lactate, lactoferrin, ALIAS lactoglobulin, lactose, speak to your doctor roughy, pickerel, pike, about obtaining a An egg by any modifi ed milk ingredients, pollock, prawns, rockfi sh, complete list. other name… salmon, sardine, shark, Opta™, can be confusing! shrimp, scallops, sea sour cream, sour milk Watch for these urchin, smelt, snails, solids, whey, possible aliases snapper, swordfi sh, squid, whey protein concentrate, rennet of common tilapia, -
Blockchain-Based Address Alias System
Article Blockchain-Based Address Alias System Norbert Bodziony , Paweł Jemioło * , Krzysztof Kluza and Marek R. Ogiela AGH University of Science and Technology, Faculty of Electrical Engineering, Automatics, Computer Science and Biomedical Engineering, al. A. Mickiewicza 30, 30-059 Krakow, Poland; [email protected] (N.B.); [email protected] (K.K.); [email protected] (M.R.O.) * Correspondence: [email protected] Abstract: In recent years, blockchains systems have seen massive adoption in retail and enterprise environments. Cryptocurrencies become more widely adopted, and many online businesses have decided to add the most popular ones, like Bitcoin or Ethereum, next to Visa or Mastercard payments. Due to the decentralized nature of blockchain-based systems, there is no possible way to revert confirmed transactions. It may result in losses caused by human error or poor design of the user interface. We created a cryptocurrency wallet with a full on-chain solution for aliasing accounts and tokens to improve user experience and avoid unnecessary errors. The aliasing system consists of a number of smart contracts deployed on top of the blockchain network that give the ability to register aliases to accounts and tokens and use them instead of opaque addresses. Our solution shows how performant modern blockchains are and presents a way of building fully decentralized applications that can compete with centralized ones in terms of performance. Keywords: blockchain; cryptocurrency; wallet; aliasing system; Solana Citation: Bodziony, N.; Jemioło, P.; 1. Introduction Kluza, K.; Ogiela, M.R. Blockchain- Blockchain [1,2] space is one of the most rapidly growing ecosystems right now. -
Havana Wine List
wine Havana’s Wine List - Winner of Wine Spectator’s “Best of Award of Excellence” 2004-2020 (Only one of three restaurants in Maine with this award!) WHITE WINES for the Summer of 2021 FEATURED WHITE WINES BY THE GLASS glass bottle WHITES Chardonnay Catena - Mendoza, Vista Flores Vnyrd, Argentina ‘17 $9.95 $39 A great California style Chardonnay . but from Argentina Terrien - Sonoma Valley 2013 $13.95 $52 ... yes, 8 year old Cali chard - high acid, perfect balance, Meursault like in many ways Viognier/Marsanne D’Arenberg, The Hermit Crab” - Australia 2018 $10.95 $42 Lobster - perfect. Other seafood - perfect too Riesling Loosen Brothers, “Dr. L.” - Mosel, Germany 2020 $10.95 $42 Kabinett level, which is dry, crisp and delicious Sauvignon Blanc Joel Gott - California 2019 $9.95 $39 Focused is the word, along with bright. Classic Sauv. Blanc Rhone Blend Tablas Creek, “Patelin” - Central Coast, Cali. 2018 $13.95 $52 Pear, white peach, medium to full bodied, a delicious wine ROSÉ Bieler, “Sabine”, Pere et Fils - Provence 2020 $9.95 $39 SPARKLERS Cava - Mas fi, Brut Nature - Spain NV $8.95 $39 All served in 3.5 oz. pours Rose Cava - Miquel Pons, Brut Nature - Spain 2018 $9.95 $45 Moscato d’Asti - Maragliano, “La Caliera” - Italy 2018 half btl. $8.95 $29 Wild Blueberry - Bluet, Brut - Maine 2017 $8.95 $39 A fantastic, super-dry Maine sparkler SAMPLE ANY 3 WHITE OR RED WINES - $12.95 - 2 OZ. OF EACH Maine State law allows you to take your partially finished bottle of wine home with you! Signifies a wine grown and made biodynamically Signifies a wine grown and made organically Signifies a wine grown and made naturally In this case the grapes were usually grown either organically or biodynamically but the wine is usually fermented using naturally occurring wild yeast, and usually unfiltered with no additives whatsoever. -
The Post-Madrid Face of Al Qaeda
Rohan Gunaratna The Post-Madrid Face of Al Qaeda For two-and-a-half years after the September 11, 2001, attacks on the United States’ most iconic landmarks, Al Qaeda and its associated groups struck Western targets only in the global South, in places such as Bali, Casablanca, Saudi Arabia, Pakistan, Turkey, Chechnya, and Tunisia. Despite the September 11 attacks and the continuing threat, Europe re- mained an active center for terrorist support activity—propaganda, recruit- ment, fundraising, and procurement. As support cells were enmeshed in the socioeconomic, cultural, and political fabric of migrant and diaspora Mus- lims, European law enforcement, security, and intelligence services targeted only the operational cells that appeared on their radar screen. It was consid- ered politically incorrect to revise the legislative framework to target several hundred terrorist support cells active on European soil. Some Europeans even believed that Al Qaeda had spared the continent because of its policy tolerating terrorist support infrastructure. Although successive attacks against Jewish and British targets in Istanbul in November 2003 demonstrated Al Qaeda’s intentions, capabilities, and opportunities for attack on the continent, European law enforcement, intel- ligence, and security services did not take the threat seriously. Although the Turkish case clearly demonstrated that terrorists planning to strike could survive undetected for years, there was neither a proper appreciation of the threat nor an appreciable effort to increase the quality of intelligence by penetrating the politicized and radicalized segments of Europe’s diaspora and migrant communities. Even the fact that three of the four September 11 suicide pilots were recruited from the heart of Europe did not generate the same sense of urgency in Europe that prevailed in the United States. -
Discover CUBA with All Classical FM__MASTER
CLASSIC CUBA A Celebration of Dance, Art, Architecture and Music With ALL CLASSICAL PORTLAND March 21- 29, 2015 JOIN ALL CLASSICAL PORTLAND hosts Ed Goldberg and Amy Clayton and a small group of like- minded travelers on a culturally rich, classical music journey to Cuba. Visit the National Museum of Fine Arts, the Prodanza school of ballet and Cuba's leading music school, the Instituto Superior de Arte. In addition, you’ll stroll through Old Havana, visit the National Botanical Garden, Hemingway’s home and enjoy meaningful exchanges with the people of Cuba. This in-depth “People to People” journey has been specially designed for the ALL CLASSICAL PORTLAND traveler who is interested in music, art, history and culture. Space is limited. TRIP AT A GLANCE 1 Night Miami, Marriott airport 1 Nights Havana, Hotel Nacional 2 Nights Colonial Trinidad, Las Brisas Resort 4 Nights Havana, Hotel Capri Earthbound Expeditions Inc. POB 11305, Bainbridge Island, WA 98110 USA T. 206 842 9775 / F. 206 842 8280 www.EarthboundExpeditions.com IT’S INCLUDED Travel with ALL CLASSICAL hosts Ed Goldberg and Amy Clayton Accompanied by an Earthbound program director People-to-People license provided by Earthbound Expeditions An expert bilingual Cuban guide Accommodations as listed in your itinerary Cuban government emergency medical insurance plan up to $1,000 All meals (except one breakfast in Miami and one evening meal in Havana) Bottled water daily Visits to classical music institutions Transport by private motor coach while in Cuba Roundtrip charter -
Alias in Ix Developer 2.0 KI00310 2013-02
Alias in iX Developer 2.0 KI00310 2013-02 1 Function and area of use This document explains how to set up and use aliases in iX Developer 2.0. An alias should be treated as a property of a screen and can act as a stand-in for a tag. The alias can be used to reference a tag wherever that tag can be referenced directly. When used, iX Developer will act the same as if the original tag had been used. Each screen using aliases can be configured with a different instance with different tag references. Using aliases will enable reuse of screens without having to create a new duplicated screen. Software requirements: - iX Developer 2.0 2 About this Start-Up document This Start Up document should not be considered as a complete manual. It is an aid to be able to start up a normal application quickly and easily. For further information we refer to the manual for iX Developer 2.0. This document and other Start Up documents can be obtained from your closest distributor of operator terminals. Please use the address manual@ beijer.se for feedback on our Start Up documents. Page 1 (6) Beijer Electronics Automation AB a company in the Beijer Electronics Group Parent Company (Reg. office) Subsidiaries Beijer Electronics Automation AB Norway, Drammen: Beijer Electronics AS, +47 32 24 30 00 P.O. Box 426 Finland, Helsinki: Beijer Electronics Oy, +358 207 46 35 40 SE-201 24 MALMÖ, SWEDEN Denmark, Copenhagen: Beijer Electronics A/S, +45 70 26 46 46 Telephone +46 40 35 86 00 Estonia, Tallin: Beijer Electronics Eesti Oü, +372 6 518140 Fax +46 40 93 23 01 Latvia, Riga: Beijer Electronics SIA, +371 7 842280 Visitor’s address Stora Varvsgatan 13a, Malmö Lithuania, Vilnius: Beijer Electronics UAB, +370 5 2323101 Reg no. -
Brazilian Elodea Egeria Densa
Brazilian Elodea Egeria densa seagrant.psu.edu Photo courtesy of Richard Old, XID Services, Inc., Bugwood.org Species at a Glance Brazilian elodea, also known as Brazilian waterweed, is a leafy, submerged aquatic perennial with populations of only male plants in the United States. Because of its showy flowers and oxygen generating capabilities, it is widely used as an aquarium plant and is still sold today under its alias Anacharis. Species Description Brazilian elodea can reach lengths of greater than 3 m (10 ft) and survive either rooted or free-floating in up to 6 m (20 ft) of water. The leaves are bright to dark green, blade-shaped, with very fine teeth on the leaf margins that are only visible with magnification. Leaves are densely arranged in whorls of 4-6, although occasionally they can be found in whorls of three. Flowers are large and showy with three white Map courtesy of petals, a yellow center, and three green sepals. They emerge above or at the water’s United States Geological Survey. surface on slender stalks projecting from leaf axils near the stem tips. BRAZILIAN ELODEA Native & Introduced Ranges Egeria densa Native to Brazil and coastal regions of Argentina and Uruguay, Brazilian elodea is found to be invasive throughout the United States and at least 27 other countries. The earliest record in the United States was in 1893 when the plant was collected on Long Island, New York. In Pennsylvania, it can be found in the southeast region in Berks, Bucks, Montgomery, Delaware, and Philadelphia counties as well as in Allegheny and Bedford counties.