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International Film Festival April 24 – May 4, 2008 the Washington, Dc International Film Festival
THE 22ND ANNUAL WASHINGTON, DC INTERNATIONAL FILM FESTIVAL APRIL 24 – MAY 4, 2008 THE WASHINGTON, DC INTERNATIONAL FILM FESTIVAL A world of films…a window into our world. Whether experienced in movie theaters, on DVDs or television in our homes, on our iPods or computers, films are the major communications media of our time. Hollywood films dominate commercial cinema. However, scores of talented filmmakers around the globe produce thou- sands of quality films that speak with a different voice, provide a different point of view, and tell different stories. Presenting these films in the nation’s capital is the purpose of Filmfest DC. Photo: Chad Evans Wyatt Film festivals are a journey of Tony Gittens, Festival Director and Shirin Ghareeb, Assistant Director discovery, a visual and thought provoking adventure into how people see and interpret our world. Every Filmfest DC is different and every film is unique from every other film in the festival. Together, they comprise an amazing representation of human imagination, commitment and talent. The festival has two special focuses this year — Politics & Film and New Latin Ameri- can Cinema. Obviously, politics are especially prominent during this election season and we wanted to explore the role affairs of state play in people’s every day lives. Latin American filmmakers are always a treasure trove of inventive storytelling. The di- verse selection of new work we have gathered from the Spanish-speaking world (in- cluding Spain) are moving, humorous, and insightful. None of this would be possible without the many dedicated people who have shared their time and talents with Filmfest DC. -
Pernille Fischer Christensen
A FAMILY EEN FILM VAN Pernille Fischer Christensen WILD BUNCH HAARLEMMERDIJK 159 - 1013 KH – AMSTERDAM WWW.WILDBUNCH.NL [email protected] WILDBUNCHblx A FAMILY – Pernille Fischer Christensen PROJECT SUMMARY Een productie van ZENTROPA Taal DEENS Originele titel EN FAMILIE Lengte 99 MINUTEN Genre DRAMA Land van herkomst DENEMARKEN Filmmaker PERNILLE FISCHER CHRISTENSEN Hoofdrollen LENE MARIA CHRISTENSEN (Brothers, Terribly Happy) JESPER CHRISTENSEN (Melancholia, The Young Victoria, The Interpreter) PILOU AESBAK (Worlds Apart) ANNE LOUISE HASSING Release datum 4 AUGUSTUS 2011 DVD Release 5 JANUARI 2012 Awards/nominaties FILM FESTIVAL BERLIJN 2010 NOMINATIE GOUDEN BEER WINNAAR FIPRESCI PRIJS Kijkwijzer SYNOPSIS Ditte Rheinwald vertegenwoordigt de jongste generatie van de beroemde Deense bakkersfamilie. Haar eigen dromen en ambities zijn echter anders dan die van haar familie. Als ze een droombaan bij een galerie in New York krijgt aangeboden, besluit ze samen met haar vriend Peter de kans aan te grijpen. De toekomst lijkt stralend, het leven vrolijk en simpel. Maar dan wordt Ditte’s charismatische vader Rikard, meesterbakker en hofleverancier, ernstig ziek. Als Rikard eist dat zij de leiding overneemt van het familiebedrijf, raakt haar hele leven uit balans. Plotseling is het leven niet meer zo simpel. CAST Ditte Lene Maria Christensen Far Jesper Christensen Peter Pilou Asbæk Sanne Anne Louise Hassing Chrisser Line Kruse Line Coco Hjardemaal Vimmer Gustav Fischer Kjærulff CREW DIRECTOR Pernille Fischer Christensen SCREENWRITERS Kim Fupz -
Festival Speciale Direttore Responsabile: Paola Cristalli
festival Speciale Direttore responsabile: Paola Cristalli. Direzione culturale: Cineteca di Bologna. Coordinamento redazionale: Mauro Bonifacino, Alessandro Cavazza, Valeria Dalle Donne, Andrea Meneghelli, Sandro Toni. Collaboratori: Roberto Benatti, Guy Borlée, Alberto Boschi, Michele Canosa, Rinaldo Censi, Luisa Ceretto, Filippo D’Angelo, Gualtiero De Marinis, Anna Di Martino, Anna Fiaccarini, Vittoria Gua- landi, Franco La Polla, Loris Lepri, Andrea Maioli, Giacomo Manzoli, Nicola Mazzanti, Roy Menarini, Patrizia Minghetti, Andrea Morini, Francesco Pitassio, Paolo Simoni, Angela Tromellini, Romano Zanarini. Edizione on-line: Alessandro Cavazza. Grafica: Studio Kuni. Composizione e stampa: Linosprint - Tipografia Moderna. Proprietà: Cineteca di Bologna (aut. Trib. N. 5243 del 14-2-1985) - Presi- dente: Giuseppe Bertolucci. Direttore: Gian Luca Farinelli. Consiglio d’amministrazione: Giuseppe Bertolucci, Francesco Arnone, Gian Piero Brunetta, Alberto Clò, Marco Sermenghi. festival mostra delle scuole europee di cinema - 6a edizione visioni italiane - 10a edizione esordire al Cinema premio luca de nigris “È ora di fare cinema” Bologna Venerdì 21 – Mercoledì 26 novembre 2003 festival Con il contributo di Foto in copertina da destra a sinistra: Ministero per i Beni e le Attività Culturali - Direzione Generale per il Cinema RECONSTRUCTION (Danimarca/2003) di Christoffer Boe (© Linn Sandholm) Assessorato alla Cultura della Regione Emilia-Romagna COMING HOME (Gran Bretagna/2003) di Gemma Carrington Emilia-Romagna Film Commission FINO A CHE -
The Nightingale
SCREEN AUSTRALIA SCREEN TASMANIA AND SOUTH AUSTRALIAN FILM CORPORATION present in association with ADELAIDE FILM FESTIVAL BRON CREATIVE And FILMNATION ENTERTAINMENT a CAUSEWAY FILMS and MADE UP STORIES production THE NIGHTINGALE PRODUCTION NOTES Running Time: 136 mins AUSTRALIAN PUBLICITY REQUESTS: Amy Burgess / National Publicity Manager, Transmission Films 02 8333 9000, [email protected] Images: High res images and poster available to download via the DOWNLOAD MEDIA tab at: https://www.transmissionfilms.com.au/films/the-nightingale Starring Aisling Franciosi, Sam Claflin and Baykali Ganambarr Writer and Director: Jennifer Kent Producers: Kristina Ceyton p.g.a., Bruna Papandrea p.g.a., Steve Hutensky p.g.a. and Jennifer Kent p.g.a. Executive Producers: Brenda Gilbert, Jason Cloth, Andrew Pollack, Aaron L. Gilbert, Ben Browning and Alison Cohen Associate Producer: Jim Everett Director of Photography: Radek Ladczuk Editor: Simon Njoo Production Designer: Alex Holmes Costume Designer: Margot Wilson APDG Hair and Makeup Designer: Nikki Gooley Sound Designer: Robert Mackenzie Composer: Jed Kurzel Visual Effects Supervisor: Marty Pepper Casting Director: Nikki Barrett CSA Distributed in Australia and New Zealand by Transmission Films International Sales: FilmNation Entertainment, US Sales: Endeavor Content The Nightingale Production Notes 2 INDEX SYNOPSES 3 DIRECTOR’S STATEMENT 4 CAST AND CHARACTER LIST 4 GENESIS OF THE FILM 5 CASTING AND CHARACTERS Clare – Portrayed by Aisling Franciosi 8 Hawkins – Portrayed by Sam Claflin 10 Billy -
Stenastiftelsens Arsbok 2019-1.Pdf
STEN A OLSSONS KULTURSTIPENDIUM 2019 2 0 1 9 INDEX FÖRORD 08 RYGGMÄRGSSKADECENTRUM 12 DAVID DENCIK 28 SARAH KLANG 50 MASAYOSHI OYA 72 MATTIAS NORDKVIST 94 MARTHA OSSOWSKA PERSSON 120 MALIN WÄTTRING 142 EVA LÖFDAHL 164 CLAES ERIKSSON 186 MOTIVERINGAR 214 CURRICULUM VITAE 218 MOTTAGARE AV STEN A OLSSONS KULTURSTIPENDIUM 226 08 FÖRORD 09 NYA FORMER FÖR LÄRANDE, kunskapsförmedling och innova- Men 2019 års utan jämförelse största investering är stödet om tioner fortsätter att vara något av en röd tråd i Stenastiftelsens sammanlagt 50 miljoner kronor till uppbyggandet av Universeums satsningar. 3 juni 2019 invigdes, under högtidliga och festliga visualiseringslabb, under ledning av professor Anders Ynnerman, former, Ryggmärgsskadecentrum Göteborg, som under en upp- världsledande inom sitt område. Här sammanfaller fera av stiftel- byggnadsperiod av fem år beviljats stöd om cirka 34 miljoner sens fokusområden: satsningar på nya innovativa lärandeprocesser, kronor från Stenastiftelsen. Sedan etableringen 2017 har arbetet nydanande teknik och mångdisciplinära samarbeten. Den nya fortskridit i snabb takt. Målet är att detta än så länge unika visualiseringstekniken blir tillgänglig för publik i labbstationer projekt skall bli självfnansierande efter 2021. Centrets utveck- och kommer att kunna användas och utnyttjas i fera olika syften lingspotential är stor och arbetet mycket lovande. I årets katalog och sammanhang. Med hjälp av tekniken kan en djupare förstå- fnns en längre intervju med centrets projektledare Gunilla else och insikt uppnås – om mikrokosmos och makrokosmos, om Åhrén, där syfte och framtidsplaner belyses. rymden, människokroppen, stadsmiljön eller klimatet – för att Det är alltid lika glädjande att ta del av de framgångar som bara ge några exempel. På sikt kommer säkert samarbeten mellan såväl de tidigare kulturstipendiaterna som forskningsprojekten olika institutioner och discipliner att etableras för att dra nytta röner, samt hur stiftelsens uttalade ambition – att stödet skall av de nya upptäckter som avtäcks. -
Gendered Mobility, Legacy and Transformative Sacrifice in the Screen Stories of Susanne Bier
Networking Knowledge Position-in-frame (Jun. 2017) Position-in-frame: gendered mobility, legacy and transformative sacrifice in the screen stories of Susanne Bier. CATH MOORE, Deakin University ABSTRACT An integral connection point between the screenplay and reader/viewer is the protagonist’s transformative journey. The construction of this narrative backbone is critical to the articulation of overarching thematic concerns and story premise but also reflects the story creator’s worldview- one often coloured by representations of gender. The Hollywood model certainly divides narrative function along gender lines but does this representation hold true within a different cultural context? This article examines the selected screen stories of Danish director Susanne Bier whose partnership with screenwriter Anders Thomas Jensen is one of Denmark’s most successful film partnerships. Employing a case study methodology I examine the dramatic function of and agency afforded screen characters and the critical dynamic between cultural landscape, practitioner preference and narrative inquiry. Key to this address is an exploration of mobility, legacy and sacrifice as textual considerations of gender and its utilisation as transnational narrative strategy. KEYWORDS Transnational, mobility, transformative, collaboration, gaze Refocusing a masculinised gaze? With persistent ubiquity Hollywood continues to cast a dominant shadow over much of the global film & TV landscape. Similarly pervasive is the figurehead of such industrial influence - the male protagonist -
Sebastian Blenkov D.F.F
Lux Artists Ltd. 12 Stephen Mews London W1T 1AH +44 (0)20 7637 9064 www.luxartists.net SEBASTIAN BLENKOV D.F.F. DIRECTOR OF PHOTOGRAPHY FILM/TELEVISION DIRECTOR PRODUCER MISS SLOANE John Madden EuropaCorp Archery Pictures THEIR FINEST Lone Scherfig BBC Films/ Wildgaze Films Official Selection, Toronto Film Festival (2016) Number 9 Films Official Selection, London Film Festival (2016) MEN AND CHICKEN Anders Thomas Jensen M&M Productions Official Selection, London Film Festival (2015) THE RIOT CLUB Lone Scherfig Hanway/Universal Official Selection, Toronto Film Festival (2014) Blueprint Pictures BANKEROT (Episode 12 – 16) Mikkel Serup Danmarks Radio EXCUSE ME Henrik Ruben Genz Fine & Mellow Nominated, Best Cinematography, Robert Festival (2013) ADAM’S APPLES Anders Thomas Jensen M&M Productions Nominated, Best Film, European Film Awards (2006) Official Selection, Toronto Film Festival (2005) CHINAMAN Henrik Ruben Genz Fine & Mellow ACCUSED Jacob Thuesen Nordisk Film Nominated, Best Cinematography, Camerimage Film Festival (2005) Winner, European Discovery, European Film Awards (2005) Official Selection, Berlin Film Festival (2005) NIKOLAJ OG JULIE (Episode 21 & 22) Birger Larsen Danmarks Radio THE GREEN BUTCHERS Anders Thomas Jensen M&M Productions Nominated, Best Cinematography, Robert Festival (2004) Official Selection, Toronto Film Festival (2003) DIRECTORS/ COMMERCIALS NICK BALL BNP GARY FREEDMAN Jägermeister, VW, Dolmio COOPER & TRUMAN Skyn NORMAN BATES Moscow Credit Bank BART TIMMER Brother, M6, Cetelem, Citroen CHRIS & PATRICK Goodyear, Gold Blend JEPPE RØNDE Momondo, Come4, Winner, Best Cinematography, Cannes Lion (2013) Winner, Best Cinematography, Eurobest Gold Craft (2013) Acadomia JOACHIM BACK Quacker, Chivas, Volvo, Enel JOE VANHOUTEGHEM Amnesty International KASPER WEDENDAGL Leclerc, Sumo LYNN FOX Good Year MARTIN WERNER DNB Nor, Lufthansa, Nykredit, Statoil, VW, Canal, Pandora, Kari Traa. -
BROTHERHOOD [Broderskab]
Presents A FILM BY NICOLO DONATO BROTHERHOOD [Broderskab] STARRING THURE LINDHARDT DAVID DENCIK NICOLAS BRO MORTEN HOLST Country of Origin: Denmark / In Danish with English Subtitles Running time: 90 minutes Shot On: RED1 Sound: Dolby SR Digital Screen Ratio: 1:2:35 Rating: Not Rated PRESS CONTACT SASHA BERMAN SHOTWELL MEDIA TEL: 310.450.5571 [email protected] Please download photos from our website: www.olivefilms.com New York Premiere August 6, 2010 SYNOPSIS When Lars (Thure Lindhardt) is cheated out of promotion to sergeant following rumors about his unbecoming behavior towards some of his men, he decides to leave the army. Back home, his overly proper suburban parents succeed in driving him nuts in record time, as they do everything in their power to sweep the embarrassing incident under the carpet. By chance, Lars runs into a small radical group of neo-Nazis led by the charismatic Michael ‘Fatso’ (Nicolas Bro). Initially, Lars distances himself from their ideology and methods, but fuelled by defiance against the system in general – and his parents in particular – Lars decides to join the group. Fatso immediately spots the potential in the intelligent eloquent Lars, even though his right-hand man, Jimmy (David Dencik), does not agree. Lars rapidly advances through the ranks and is nominated as an A member, despite the fact that this promotion should really have gone to Jimmy’s younger brother, Patrick (Morten Holst). Lars moves out of his parents’ house and into board chairman Ebbe’s remotely situated summer cottage, which Jimmy is in the process of renovating. Despite their initial dislike of each other, the attraction between the two men soon becomes too strong to ignore, and even though they feel torn between ideology and emotions, they begin a secret relationship. -
Nikolaj Lie Kaas Fares Fares
Der dritte Roman. Die größte Spannung. Der beste Film. NIKOLAJ LIE KAAS FARES FARES FLASCHENPOST VON P präsentiert Basierend auf „Erlösung“ von Jussi Adler-Olsen Regie Hans Petter Moland Drehbuch Nikolaj Arcel Darsteller Nikolaj Lie Kaas, Fares Fares, Jakob Oftebro, Pål Sverre Hagen u.v.m. Eine Produktion von Zentropa Entertainments Aps 20 In Koproduktion mit Zentropa Hamburg, Zentropa Berlin und Zentropa International Schweden in Zusammenarbeit mit TV2 Dänemark, ZDF, ZDF Enterprises, TV4 Schweden,TV2 Norwegen, Film i Väst Mit Unterstützung von Danish Film Institute / Market Scheme, Eurimages, Deutscher Filmförderfonds, Filmförderung Hamburg Schleswig-Holstein, Norwegian Film Institute und Filmförderungsanstalt Entwickelt mit Unterstützung durch das Media Programm der Europäischen Union. Produzenten Louise Vesth, Peter Albæk Jensen Ko-Produzenten Fabian Gasmia, Henning Kamm, Ingrid Sølverud Executive Producer Maria Köpf KINOSTART: 9. JUNI 2016 Im Verleih von NFP marketing & distribution* im Vertrieb von Warner Bros. 2 VERLEIH NFP marketing & distribution* Kantstraße 54 10627 Berlin Tel: 030 232554 213 www.NFP.de VERTRIEB Warner Bros. Pictures Germany Humboldtstraße 62 22062 Hamburg Tel: 040 22650 0 Fax: 040 22650 259 www.warnerbros.de PRESSEBETREUUNG boxfish films Raumerstraße 27 10437 Berlin Tel: 030 44044 753 Fax: 030 3646 2629 [email protected] Weitere Presseinformationen und Bildmaterial stehen online für Sie bereit unter www.filmpresskit.de 3 INHALT Kurzinhalt und Pressenotiz 5 Inhalt 6 Interview mit Regisseur Hans Petter Moland 8 Besetzung 10 Nikolaj Lie Kaas – Carl Mørck 10 Fares Fares – Assad 11 Pål Sverre Hagen – Johannes 11 Jacob Lohmann – Elias 12 Amanda Collin – Rakel 12 Johanne Louise Schmidt – Rose Knudsen 13 Jakob Oftebro – Pasgård 13 Der Stab 14 Hans Petter Moland – Regie 14 Nikolaj Arcel – Drehbuch 14 John Andreas Andersen – Kamera 14 Der Autor und der Roman 16 Besetzung 17 Stab 18 Technische Daten 19 4 KURZINHALT Eine Flaschenpost, die auf ihrem Schreibtisch landet, stellt Carl Mørck (Nikolaj Lie Kaas) und Assad (Fares Fares) vor ein Rätsel. -
An Education Pen's Points: ½½
An Education Directed by Lone Scherfig Screenplay by Nick Hornby (Based on a memoir by Lynn Barber) Principal Actors: Carey Mulligan + Peter Sarsgaard & Olivia Williams Lone Scherfig’s terrific new film An Education opens in a classroom in an English suburb in the early 60s. The subject under discussion is Charlotte Brontë’s novel Jane Eyre. Written over one hundred years before scene one, Jane Eyre still maintains its curious hold on the female imagination. Must we be forever reminded that Mr. Rochester, “the hero,” locks his first wife up in an attic? A con artist named David (Peter Sarsgaard) seduces an impressionable teenager named Jenny (Carey Mulligan), but after a few semesters in his “University of Life,” Jenny returns to her teacher, Miss Stubbs (Olivia Williams), and Miss Stubbs is the one who provides the final boost required to launch Jenny from her time into our own. Carey Mulligan as “Jenny.” Pen’s Points: ½½ Lone Scherfig’s terrific new film An Education opens in a classroom. The place and time are very specific: we’re in an English suburb in the early 60s. Born right after World War II, these teenage schoolgirls have all grown up with post-Blitz austerity. They don’t know what we know—if they can just hang on, The Beatles, Twiggy, Carnaby Street, and “Swinging London” are all right around the corner. But in the meantime, the most liberated role model on offer is Jane Eyre, a heroine created by novelist Charlotte Brontë over one hundred years before scene one. Jane Eyre is, in fact, the subject under discussion when we first meet “Jenny” (Carey Mulligan) and her severely bespectacled teacher “Miss Stubbs” (Olivia Williams). -
Land of Mine
LAND OF MINE Directed and Written by Martin Zandvliet Official Selection 2016 Sundance Film Festival 2015 Toronto International Film Festival 101 Minutes East Coast Publicity West Coast Publicity Distributor Sophie Gluck & Block Korenbrot Sony Pictures Classics Associates 6100 Wilshire Blvd Carmelo Pirrone Sophie Gluck Suite 170 Maya Anand Aimee Morris Los Angeles, CA 90048 550 Madison Ave [email protected] 323-634-7001 tel New York, NY 10022 [email protected] 323-634-7030 fax 212-833-8833 tel 212-833-8844 fax CAST Sgt. Rasmussen ROLAND MØLLER Captain Ebbe MIKKEL BOE FØLSGAARD Sebastian Schumann LOUIS HOFMANN Helmut Morbach JOEL BASMAN Ernst Lessner EMIL BELTON Werner Lessner OSKAR BELTON FILMMAKERS Written and directed by Martin Zandvliet Director of Photography Camilla Hjelm Knudsen, DFF Production Designer Gitte Malling Casting Director Simone Bär Editors Per Sandholt Molly Malene Stensgaard Composer Sune Martin Sound Designer Rasmus Winther Jensen Re-recording Mixer Lars Ginzel Production Sound Mixer Johannes Elling Dam Costume Designer Stefanie Bieker Hair and Make-up Designer Barbara Kreuzer Producer Mikael Chr. Rieks Malte Grunert Line Producer Louise Birk Petersen Post Producer Mette Høst Hansen Executive Producers Henrik Zein Torben Majgaard Lena Haugaard Oliver Simon Daniel Baur Stefan Kapelari Silke Wilfinger Associate Producer Klaus Dohle LOGLINE As World War Two comes to an end, a group of German POWs, boys rather than men, are captured by the Danish army and forced to engage in a deadly task – to defuse and clear land mines from the Danish coastline. With little or no training, the boys soon discover that the war is far from over. -
Written by Thomas Vinterberg and Tobias Lindholm Starring: Mads Mikkelsen, Thomas Bo Larsen, Magnus Millang, Lars Ranthe
A Samuel Goldwyn Films Release Directed by Thomas Vinterberg (THE HUNT, THE CELEBRATION) Written by Thomas Vinterberg and Tobias Lindholm Starring: Mads Mikkelsen, Thomas Bo Larsen, Magnus Millang, Lars Ranthe US Press Contacts Cinetic Marketing and PR Julie Chappell Nico Chapin Lydia Snapper [email protected] [email protected] [email protected] 1 LOG LINE Another Round is a fun, moving, life-affirming and thought-provoking drama aBout friendship, freedom, love – and alcohol. SYNOPSIS Four friends, all teachers at various stages of middle age, are stuck in a rut. UnaBle to share their passions either at school or at home, they embark on an audacious experiment from an oBscure philosopher: to see if a constant level of alcohol in their Blood will help them find greater freedom and happiness. At first they each find a new-found zest, But as the gang pushes their experiment further, issues that have Been simmering for years come to a head and the men are faced with a choice: reckon with their Behavior or continue on the same course. Underscored By delicate and affecting camerawork, director Thomas Vinterberg's spry script, co-written with regular collaBorator ToBias Lindholm, uses this Bold premise to explore the euphoria and pain of an unBridled life. Playing a once Brilliant But now world- weary shell of a man, the ever surprising Mads Mikkelsen delivers a fierce and touching performance. 2 DIRECTOR’S INTENT THOMAS VINTERBERG “I never drink before breakfast.” The quote is from Churchill, who helped to defeat the Germans and win World War II, while under the excessive and constant influence of alcohol.