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o THE SMITHSONIAN Gala NPG Dedication Takes Place October 5 The National Portrait Gallery will resource for research and scholarship as TORCH dedicate its new home with due pomp well as the general public." Smithsonian Institution, Washington, D.C. No. 10, October 1968 and fanfare on October 5. Its opening to Atmosphere will be provided by the the public on October 7 will give the Marine Band, playing for Smithsonian its second major new Wash­ the ceremony, and the Dupont Circle ington art gallery in less than six months Consortium, which will demonstrate six after a five-year renovation program at dances that were done at Lincoln's Sec­ the Old Patent Office Building. ond Inaugural Ball, held in the Patent D. C. Mayor-Commissioner Walter Office Building. Washington will join Secretary Ripley The inaugural exhibition will be a pro­ and'Director Charles Nagel in dedicating vocative show of 168 paintings, sculp­ the gallery that Mr. Ripley says should tures and photographs entitled "This New be "a grand and most fitting addition to Man: A Discourse in Portraits." Its the Nation's Capital. Here will hang the theme is taken from Jean de Crevecoeur, portraits of men and women who have who asked in his Letters from an Ameri­ made significant contributions to the can Farmer in 1782: "What then is the history, development, and culture of the American, this new man?" people of the United States. In addition, To develop this theme further, a sym­ here also we hope to develop a significant posium on the culture and character of the nation will be held October 4 and 5, with noted anthropologist Margaret Mead, curator of ethnology at the Amer­ ican of Natural History; Dan­ Book, Show iel J. Boorstin, history professor at the University of Chicago, and Marcus Cun­ liffe, professor of American studies at Will Recall Sussex University, England, as speakers. Miss Mead will discuss "Americans and Their Ancestors," Boorstin "The Mystery Perry Trip of the American Hero," and Cunliffe "What Is an American, or Crevecoeur Just over a century ago Commodore Revisited." Their talks will be foIlowed Matthew C. Perry opened Japan to the by a panel discussion. United States and the rest of the world. The symposium is being financed by a The Smithsonian is commemorating that grant from Time Incorporated through Museum aide Betsy Heck, who helped gather associative items for the NPG opener, historic event with a special exhibit open- the good offices of Sidney James, Time demonstrates the use of Charles Willson Peale's physiognotrace under the watchful ing on October 11 and the first publi- Vice President. eye of the artist himself. cation of Perry's personal journals of the voyage. Opening along with the special "This The three hand-written volumes of New Man" exhibition will be a perma­ nent NPG feature, a sweeping Pres i­ Perry's journals have been edited by dential GaIlery with likenesses of every Roger Pineau of the Smithsonian In- Chief Executive through John F. Ken- Performing Arts Will Take stitution Press, and will be published as The Japan Expedition., 1852-1854: The nedy. President Johnson has asked that Personal Journal of Commodore Mat- no likeness of himself be put on ex­ hibition until he leaves office. Folk Company to Olympics thew C. Perry. The Presidential Gallery will include .... ~ ______Ib ~~nti~~~~~~~llh~~~L-__~~~~~~w~~i~thi~Jl~~4U~ ~~~I~t~i~n~c~lu~d~e~s~a~n~in~t~r~o~d~u£ct~io~n~b~~th~e~d~is~-~

Biological ~ociety The Smithsonian will host the fall meeting of the Biological Society of "Bucks County Barn" by Charles Sheeler "Aftermath of a Storm" by Jacob Kainen Washington Friday, October 11 , at 9 While its sister gallery presents its opening show, the Na­ by NCFA since it opened its new quarters in May. a.m. in the MHT Auditorium. Interested tional Collection of Fine Arts will not be resting on its laurels. Also on display is a selection of prints from the NCFA staff members are invited to attend. NCFA opens two important exhibitions of its Own early this collection of graphics done under the Works Progress Ad­ Theme of the meeting is "Natural His­ month. ministration , The 35 "WPA Prints: 1935-1943" were chosen tory Collections Past-Present-Future." The largest show ever assembled of the work of artist from among hundreds by NCFA curator Jacob Kainen and Speakers from the Smithsonian staff Charles Sheeler goes on display October 10 for six weeks. his aide Caril Dreyfuss. include: Philip Ritterbush, Nicholas The retrospective includes 135 paintings and drawings and 35 Kainen himself participated in the WPA project and is Hotton III, Richard Zusi, William Sturte­ photographs. Among the paintings are many of hi s famous represented in the show by a lithograph executed in 1936. vant, Donald Duckworth, Raymond industrial scenes and five of the six works he exhibited in the Other artists whose work is on display include Raphael and Manning, Stanwyn Shetler, and Richard Armory Show in New York in 1913. Isaac Soyer, George Constant, Louis Lozowick, and Louis Cowan. "Charles Sheeler" is the first special exhibition originated Schanker. October, 1968 THE SMITHSONIAN TORCH Page 3 Underwater Art Added to Shipwreck Study

Shipwrecks are getting to be pretty old hat lineate the position in which the vessel lay, or to Armed Forces History curator Mendel L. to determine whether she had broken up in Peterson-he has explored some 200 of them- sinking." but the latest offered some firsts and some sur- Another job was to do more detailed draw- prising discoveries. And one of those firsts in- ings using watercolors, of the more perishable volved a fellow MHT staffer, artist Peter specimens recovered by the divers, principally Copeland. wooden pieces that Peterson feared would not The Saint Joseph was part of a Spanish long survive out of water. His fears were con- • treasure fleet devastated in the Florida Keys firmed when the inscription on a wooden tray Mendel Peterson and photographer Ed Reinard examine the in 1733. The most perfectly camouflaged wreck disappeared shortly after Copeland completed wreckage of the Saint Joseph. Artist Peter Copeland recorded Peterson had ever investigated, it was in about his drawing. the scene underwater using grease pencil on plexiglass. 25 feet of water, covered with sand and ob- Details of ship construction of this period scured by a thick growth of sea grass. It was are scarce, Copeland points out, and the Saint located by a proton magnetometer, a hyper- Joseph added to the store of availalble knowl- sensitive sounding device. edge. Among the mysteries it helped solve was If the ship was the best camouflaged Peter- the question of how the rudder could be turned son had ever investigated, it was the first Cope- without the resulting pressure fracturing the a-______~ _____I'"':' and had ever ex lored. He was in th ~e ~e~x~e:!::d~i-_ __1I~o~n~5_w~o~o~d~e.!.!n__'su.h~a~f~t ...!cth~at~le~d!...._'_'to"__"th~e~s~te~e"_'.r_'_'in'_'b....b_"e"""a_'_'r.'______I tion to try a new approach to shipwreck study. The Saint Joseph revealed that the shaft was the combination of photography with under- surrounded by metal cages that absorbed the water drawing to document more accurately strain. the expedition's discoveries. Among the other finds was the first human "My task," Copeland explains, "was to draw skull ever discovered in a Western Hemisphere underwater, upon plexiglass with grease pencils, shipwreck. Sliding bar shot, a kind of ammu- the various portions of the wreckage thus far nition that lengthened in flight to make it far uncovered, which had been marked with num- more destructive, was another surprise that be red markers by Mr. Peterson. I had to draw turned up. It had not been known that this these sites positioning myself facing South to type of shot was used as late as the 18th North on each site and maintaining a relative century. Two compasses, extremely difficult scale and elevation in each drawing, where to find from this time period, were discovered. possible. The purpose of these drawings was They are being restored in MHT. not only to indicate details of wreck structure, Some of the finds will be shown in a special but also, when put together, to attempt to de- exhibition in MHT next year.

The all-important rudder, left, in a detailed watercolor. Below, the artist at work. Right, a view of the wreckage with directional markings for later determination of the po­ sition in which the ship lay. Page 4 THE SMITHSONIAN TORCH October I 1 968 Desautels' Mineral Kingdom Book-of-Month Club Choice sales of around 100,000. The handsome $15 volume, which the author describes as "a coffee-table kind of book" written for the layman with general interest, will be the subject of a full-page ad in the New York Times Book Review and a double-page spread in Natural History. Desautels, who was featured at a de­ partment store autograph party, is pleased but not especially surprised at the book's apparent success. "I knew there was a good story there and that the art work could be dazzling." He and photographer Lee Boltin, who produced 72 spectacular full-page color illustrations for the book, have already contracted for a volume on gems to come out in about two years. The publishers have offered a free copy for every five books purchased by the nation's 750 rock clubs, and in addition will contribute $2 to Smithsonian's Bosch fund for mineral purchase. It looks like a best seller for Paul De­ The Mineral Kingdom is available in sautels, supervisor of the Division of area book stores and in the Museum Mineralogy. Shops, where SI employees are entitled His first hardback book, The Mineral to a 10 percent discount. It will be one Kingdom, has been selected as a Book­ of four books by Smithsonian authors of-the-Month Club alternate, and pub­ featured in a Shops sales exhibit in No­ lishers Grosset and Dunlop anticipate vember. Davis Named Assistant for NCFA Robert Tyler Davis, a highly ex­ York. perienced museum administrator and Davis most recently was consultant educator, is new Assistant Director of with French and Company of New York. the National Collection of Fine Arts. Previously he was responsible for con­ Davis will assist Director David W. verting a private museum into Vizcaya, Scott in all phases of the Collection's the Dade County (Florida) Art Mu­ operations and, in addition, will be par­ seum, and for establishing its programs. ticularly concerned with painting and At the same time he was interim director sculpture until a curator for that division of the Joe and Emily Lowe Gallery of One of the displays at the Smithsonian-Department of Transportation "Cars of is named. The position as curator of the University of Miami. Prior to that he America-Tomorrow" show on the Mall was actually a car of yesterday, and is now painting and sculpture was vacated when had served as the first professional direc­ a work of art. Smithsonian sculptors James Fisher, Mechanical and Civil Engineer­ Dr. Richard P. Wunder was assigned to tor of the Montreal Museum of Fine ing, and Ann Rushforth, Office of Public Affairs, pose with the untitled figure they the Cooper-Hewitt Museum in New Arts. created from parts 'Of a wrecked car as part of the day's entertainment. Dr. Evans Reverses Migratory Pattern by Mary M. Krug lection's weak spots and suggest how they only man in the world doing archeologi­ Victor Nunez was head of the Anthro­ Smithsonian forays into other countries can be filled out. cal research in the Baeza area of eastern pological Institute of C6rdoba~ Argen­ are by now commonplace and well docu­ The benefits of his visit from his own Ecuador, he came to SI in 1965 on a tina, before a political upheaval in 1966 mented. But at least one department is point of view were many fold. First of grant from the Guggenheim Foundation cost him his position. Drs. Evans and finding it mutually advantageous to re­ .all, he had access to reference materials to learn the basic techniques of arche­ Meggers, who had known Nunez since verse the migratory pattern and bring unavailable in Peru; he also added to his ology from Drs. Evans and Meggers. He 1961 were eager to coordinate findings of foreign scientists here to work. own personal library, to be shipped home, learned so well, says Evans, that he was the Brazil Program with similar studies Three South American anthropologists stacks of books now available in inexpen­ able to go back and do "100 percent in the three provinces on the Argentine have taken advantage of grants this year sive paperback editions and articles he scientific work" in conducting excava­ side of the Parana river. to work with Dr. Clifford Evans-includ­ could not get there. He had the chance tions and gathering data. "The Smithsonian," says Evans, "was ing one "repeater" and a collaborator in to study the anthropology of countries Padre Porras' Order in Ecuador did literally able to rescue Mr. Nunez' Evans' and Betty Meggers' Brazil Pro­ other than his own, and "looking at not have space for his archeological col­ scientific career" by giving him a re­ gram (see March TORCH.) another society and culture makes it lection; therefore the Smithsonian is now search associateship in the Brazil Program. easier to understand your own," he notes. caretaker of a whole roomful of impor­ Now he and his entire family are in Most important, from both his and tant archeological objects shipped here Evans' point of view, was the chance to for storage and study. learn English. "It gives him a whole new The headquarters of Padre Porras' series of professional contacts and opens order in Rome gave permission for him to him many books previously unavail­ to accept a year's grant from the Amer­ able because he did not read English," ican Philosophical Society and a travel Dr. Evans notes. grant from Guggenheim. He will spend "When I first came, I did not know the next year here analyzing and classify­ enough English to ask for stamps at the ing his archeological materials, coordi­ post office," Fonseca reveals. "This visit nating them with ethno-historic data in has given me a wonderful chance to meet early Spanish records he located, and U.S. scientists like Dr. Evans. It is a hopefully finding correlations wi th dis­ good idea to build relations between coveries from the adjacent Rio Napo American and Latin American scientists." area where Drs. Evans and Meggers A man who would agree with him is themselves did research. Padre Pedro I. Porras, a priest with the The third visiting scientist might be order of Saint Joseph in Ecuador. The jobless were it not for the Smithsonian. Victor Nunez Washington on a Guggenheim Fellow­ Pedro I. Porras ship, permitting him to classify his find­ Peruvian Cesar Fonseca spent the sum­ ings and hopefully to correlate them with mer here on a grant from the Wenner­ the sequences obtained by the Brazilian Gren Foundation for Anthropological archeologists. "Boundaries mean nothing Research between semesters at Cornell in archeological work, but they have to University, mastering English and doing be respected politically," Evans and research on the agricultural systems of Meggers note. lowland and highland Peru. He also, and Nunez will also use SI research fa­ not incidentally, carried out a project of cilities to complete a monograph on other great value to the Smithsonian. field work he conducted years ago. In Fonseca, well versed in .the ethnology this way, he can continue his professional of his own country, went through the In­ career while waiting for the scientific stitution's collections of Peruvian ethno­ climate in Argentina to improve so that logical material, gathered over the last he can return to teaching and research. 80 to 90 years without being properly In the meantime, he will have, along classified. He was able to identify the with Fonseca and Padre Porras, made a objects by culture and tribal group and significant contribution to anthropology note other significant background ma­ at the Smithsonian and in his own coun­ terial, as well as to point out the col- Cesar Fonseca try as well.