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ENG 350 Summer12
ENG 350: THE HISTORY OF HIP-HOP With your host, Dr. Russell A. Potter, a.k.a. Professa RAp Monday - Thursday, 6:30-8:30, Craig-Lee 252 http://350hiphop.blogspot.com/ In its rise to the top of the American popular music scene, Hip-hop has taken on all comers, and issued beatdown after beatdown. Yet how many of its fans today know the origins of the music? Sure, people might have heard something of Afrika Bambaataa or Grandmaster Flash, but how about the Last Poets or Grandmaster CAZ? For this class, we’ve booked a ride on the wayback machine which will take us all the way back to Hip-hop’s precursors, including the Blues, Calypso, Ska, and West African griots. From there, we’ll trace its roots and routes through the ‘parties in the park’ in the late 1970’s, the emergence of political Hip-hop with Public Enemy and KRS-One, the turn towards “gangsta” style in the 1990’s, and on into the current pantheon of rappers. Along the way, we’ll take a closer look at the essential elements of Hip-hop culture, including Breaking (breakdancing), Writing (graffiti), and Rapping, with a special look at the past and future of turntablism and digital sampling. Our two required textbook are Bradley and DuBois’s Anthology of Rap (Yale University Press) and Neal and Forman’s That's the Joint: The Hip-Hop Studies Reader are both available at the RIC campus store. Films shown in part or in whole will include Bamboozled, Style Wars, The Freshest Kids: A History of the B-Boy, Wild Style, and Zebrahead; there will is also a course blog with a discussion board and a wide array of links to audio and text resources at http://350hiphop.blogspot.com/ WRITTEN WORK: An informal response to our readings and listenings is due each week on the blog. -
Engl 350: History of Hip-Hop Supplemental Syllabus
ENGL 350: HISTORY OF HIP-HOP SUPPLEMENTAL SYLLABUS WEEK V: MONDAY: FROM OLD SCHOOL TO NEW SCHOOL. Listenings: Afrika Bambaataaa, “Looking for the Perfect Beat”; Ice-T, “6 IN THE MORNING”; LL COOL J, “Rock the Bells”; Public Enemy, “Rebel Without a Pause”; Beastie Boys, “Rhymin’ and Stealin’”; NWA, “Fuck Tha Police”; Ice Cube and Yo Yo, “It’s a Man’s World”; Marly Marl & the Juice Crew, “The Bridge”; BDP, “The Bridge is Over”; Big Daddy Kane, “RAW”; Biz Markie, “Make that Music With Your Mouth”; MC Choice, “The Big Payback.” READINGS: THE BOOK OF RHYMES. Readings: Adam Bradley, The Book of Rhymes, “Rap Poetry 101” and chapters 1-3 (“Rhythm,” “Rhyme,” and “Wordplay”). WEEK V: WEDNESDAY: THE POLITICS OF HIP-HOP Listenings: Ice-T, “Pule of the Rhyme Flow”; BDP, “Necessary”; Public Enemy, “Welcome to the Terrordome”; Queen Latifah and Monie Love,”Ladies First”; Ice Cube, “I Wanna Kill Sam.” Readings: David Samuels, “The Rap on Rap: The Black Music that Isn’t Either”; Davarian Baldwin, “Black Empires, White Desires” (TTJ); Russell Potter, Spectacular Vernaculars Chapter two, “THE PULSE OF THE RHYME FLOW: HIP-HOP SIGNIFYIN(G) AND THE POLITICS OF RECEPTION” (available via course blog). WEEK VI: WEDNESDAY: THE FUTURE OF HIP-HOP. Listenings: Ornette Coleman, “Search for Life”; Guru with Donald Byrd, “Loungin’”; The X-ecutioners, “Word Play”; DJ Spooky with Antonin Artuad and the Nuuk Posse; Nas, “Hip-Hop is Dead”; MC Solaar, “Nouveau Western.” Readings: Eric K. Watts, “an Exploration of Spectacular Consumption” (TTJ)’ Mark Anthony Neal, “Postindustrial Soul: Black Popular Music at the Crossroads” (TTJ)’ Russell Potter, Spectacular Vernaculars Chapter 4: “HIP-HOP AND THE QUESTION OF RESISTANCE” (Available via Course Blog). -
The Evolution of Commercial Rap Music Maurice L
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2011 A Historical Analysis: The Evolution of Commercial Rap Music Maurice L. Johnson II Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF COMMUNICATION A HISTORICAL ANALYSIS: THE EVOLUTION OF COMMERCIAL RAP MUSIC By MAURICE L. JOHNSON II A Thesis submitted to the Department of Communication in partial fulfillment of the requirements for the degree of Master of Science Degree Awarded: Summer Semester 2011 The members of the committee approve the thesis of Maurice L. Johnson II, defended on April 7, 2011. _____________________________ Jonathan Adams Thesis Committee Chair _____________________________ Gary Heald Committee Member _____________________________ Stephen McDowell Committee Member The Graduate School has verified and approved the above-named committee members. ii I dedicated this to the collective loving memory of Marlena Curry-Gatewood, Dr. Milton Howard Johnson and Rashad Kendrick Williams. iii ACKNOWLEDGEMENTS I would like to express my sincere gratitude to the individuals, both in the physical and the spiritual realms, whom have assisted and encouraged me in the completion of my thesis. During the process, I faced numerous challenges from the narrowing of content and focus on the subject at hand, to seemingly unjust legal and administrative circumstances. Dr. Jonathan Adams, whose gracious support, interest, and tutelage, and knowledge in the fields of both music and communications studies, are greatly appreciated. Dr. Gary Heald encouraged me to complete my thesis as the foundation for future doctoral studies, and dissertation research. -
Mack Wilds Afterhours Clean Version Free Download Snoop Dogg's Albums, Ranked
mack wilds afterhours clean version free download Snoop Dogg's albums, ranked. Snoop Dogg first landed on the music world’s radar as Dr. Dre’s preferred collaborator on 1992’s The Chronic , and since then, he has unleashed solo albums and collaborative joints that have taken him to the top of the hip-hop world and always dancing on the fringes of pop music. In honor of his fine new album Bush , which is in stores Tuesday, here’s a deeply scientific ranking of Snoop’s albums, from worst to first. 14. Doggumentary (2011) The title for this album was originally batted around as some variation on Doggystyle 2 , and it’s fortunate that cooler heads prevailed to jettison that name, as Doggumentary has no business associating with Snoop’s finest work. It takes the form of a lot of his latter-day outings, but for some reason the chemistry is all wrong. As I noted in my review of Snoop’s latest album Bush , he’s pretty much the same on every release (which is to say there’s a baseline of quality work at the outset), and it’s up to his collaborators to tease out greater levels of his ineffable Snoopness. Just about everybody strikes out on Doggumentary , even though the list of guests includes Kanye West, Gorillaz, R. Kelly, Wiz Khalifa, Willie Nelson, and peaking-at-the-time T-Pain. Doggumentary is the longest album in Snoop’s catalog, and it feels even longer. 13. Tha Doggfather (1996) In the three years between Snoop’s breakout debut Doggystyle and the follow-up, the dude crammed in an awful lot of living: He became estranged from mentor Dr. -
The Politics of Independent Hip-Hop a Dissertation Submitted in Partial
UNIVERSITY OF CALIFORNIA RIVERSIDE Just Say No to 360s: The Politics of Independent Hip-Hop A Dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Sociology by Christopher Sangalang Vito June 2017 Dissertation Committee: Dr. Ellen Reese, Chairperson Dr. Adalberto Aguirre, Jr. Dr. Lan Duong Dr. Alfredo M. Mirandé Copyright by Christopher Sangalang Vito 2017 The Dissertation of Christopher Sangalang Vito is approved: Committee Chairperson University of California, Riverside ACKNOWLEDGEMENTS I would like to thank my family and friends for their endless love and support, my dissertation committee for their care and guidance, my colleagues for the smiles and laughs, my students for their passion, everyone who has helped me along my path, and most importantly I would like to thank hip-hop for saving my life. iv DEDICATION For my mom. v ABSTRACT OF THE DISSERTATION Just Say No to 360s: The Politics of Independent Hip-Hop by Christopher Sangalang Vito Doctor of Philosophy, Graduate Program in Sociology University of California, Riverside, June 2017 Dr. Ellen Reese, Chairperson My dissertation addresses to what extent and how independent hip-hop challenges or reproduces U.S. mainstream hip-hop culture and U.S. culture more generally. I contend that independent hip-hop remains a complex contemporary subculture. My research design utilizes a mixed methods approach. First, I analyze the lyrics of independent hip-hop albums through a content analysis of twenty-five independent albums from 2000-2013. I uncover the dominant ideologies of independent hip-hop artists regarding race, class, gender, sexual orientation, and calls for social change. -
DJ Master Mix CD List
DJ Master Mix CD List ***Background Music*** 25 Gloria in Excelsis Deo (vocal) 2 Pennsylvania 6-5000 3 Chatanooga Choo-Choo 101 Strings Play Frank Sinatra ***Background Music*** 4 String of pearls 1 All the way 25 All Time Christmas Favorites Di 5 In the mood 2 Strangers in the night 1 Jingle bells (pop) 6 Sunrise serenade 3 Fly me to the moon 2 Joy to the world (pop) 7 Johnson rag 4 New York, New York 3 Deck the halls (pop) 8 American patrol 5 The lady is a tramp 4 We wish you a merry Christmas (pop) 9 Kalamazoo 6 Come fly with me 5 Hark the herald angels sing (pop) 10 Bugle call rag 7 I've got you under my skin 6 Jolly old St. Nicholas (pop) 11 Anvil chorus 8 Young at heart 7 O Christmas Tree (pop) 12 Tuxedo junction 9 Just the way you look tonight 8 Auld Lang Syne (pop) 13 Moonlight cocktail 10 You're nobody till somebody loves you 9 The twelve days of Christmas(pop) 14 Serenade in blue 11 The shadow of your smile 10 We three Kings (pop) 12 Three coins in the fountain 11 Ave Maria (vocal) ***Background Music*** ***Background Music*** 12 Gloria a Jesu(vocal) Big Band Spectacular Vol. II 13 Alleluia (vocal) 1 One O'clock jump 15 of the World's Greatest Love Son 14 II Est Ne Le Divin Enfant 2 Jersey bounce 1 Wind beneath my wings 15 Silver Bells (vocal) 3 Frankie and Johnny were lovers 2 Always on my mind 16 Alleluiah 4 Stomping at the Savoy 3 All out of love 17 For unto us a child is born 5 Down south camp meeting 4 Dust in the wind 18 The trumpet shall sound 6 Jumping at the woodside 5 Lady in red 19 Amen 7 Let's dance 6 Up where we -
Hop Channel "Rock the Bells" Exclusively on Siriusxm
NEWS RELEASE LL COOL J to Present His Own Curated Classic Hip- Hop Channel "Rock The Bells" Exclusively on SiriusXM 11/16/2017 LL's "Rock the Bells Radio" to launch in early 2018 NEW YORK, Nov. 16, 2017 /PRNewswire/ -- SiriusXM announced today that entertainment icon and Grammy Award- winner LL COOL J will present his own classic hip-hop channel, "Rock the Bells Radio" exclusively on SiriusXM. The channel, expected to launch in early 2018, will feature a wide range of classic hip-hop content, music, interviews and in-depth retrospectives curated and presented by LL COOL J, as well as other innovators of hip-hop music. An homage to the greats who helped create the music of Hip-Hop, "Rock The Bells Radio" will become the bridge between generations of Hip-Hop and a community where everyone's love of the culture can come together. "My love for Hip-Hop runs deep and I'm passionate about restoring its legacy of respect," says LL. "SiriusXM's Rock The Bells Radio is a creative community where generations embrace programming that pays respect to the forefathers of the culture while evolving it at the same time." "Rock The Bells Radio is a channel that we could only do with LL COOL J," said Scott Greenstein, President and Chief Content Officer, SiriusXM. "Hip-hop has long been a staple of SiriusXM's music offerings, but with LL's distinctive curation and ability to dig into the multi-layers of the genre, we now have the perfect channel for the definitive classic hip-hop fan." "Rock The Bells Radio" is inspired by LL's love of radio; the channel's name is that of the hit single from LL's groundbreaking debut album "Radio." The channel is an homage to his love of music and love affair with the radios that filled his Queens, N.Y. -
Merchandise ARTIST: Eric Clapton
Last Update: 08/10/11 ARTIST: Eric Clapton TITLE: Fire T-Shirt Olive (L) Label: WBN/Warner Bros. Non-Music Config & Selection #: MH 63002 Street Date: 05/31/07 Order Due Date: 05/11/07 UPC: 809736300282 ALTERNATE VIEW Box Count: 15 Unit Per Set: 1 SRP: $10 Alphabetize Under: C OTHER SIZES: For the latest up to date info on MH:809736300480 Fire T-Shirt Olive (XXL)($10) this release visit WEA.com. MH:809736300183 Fire T-Shirt Olive (M)($10) Merchandise MH:809736300381 Fire T-Shirt Olive (XL)($10) DESIGN AVAILABLE MERCH Script Logo Baseball Hat Black 2010 North American Tour Signature T-Shirt Black ALBUM FACTS Genre: Rock ARTIST & INFO By the time Eric Clapton launched his solo career with the release of his self-titled debut album in mid-1970, he was long established as one of the world's major rock stars due to his group affiliations -- the Yardbirds, John Mayall's Bluesbreakers, Cream, and Blind Faith -- which had demonstrated his claim to being the best rock guitarist of his generation. Clapton has been inducted into the Rock and Roll Hall of Fame as a solo performer and as a member of the bands Yardbirds and Cream. He is the only person ever to be inducted three times. In his 40-year-plus career, Eric Clapton has received a total of 18 Grammys. MARKETING POINTS Press & Publicity: 3/1 - Crossroads Guitar Festival 2010 - Pledge Drive Last Update: 08/10/11 ARTIST: Eric Clapton TITLE: 2010 North American Tour Signature T-Shirt Black (L) Label: WBN/Warner Bros. -
Best Buddies Group Changes Lives Program Developed to Form Lasting Friendships Between Volunteers, Disabled
University of South Carolina Scholar Commons April 2007 4-3-2007 The aiD ly Gamecock, TUESDAY, APRIL 3, 2007 University of South Carolina, Office oftude S nt Media Follow this and additional works at: https://scholarcommons.sc.edu/gamecock_2007_apr Recommended Citation University of South Carolina, Office of Student Media, "The aiD ly Gamecock, TUESDAY, APRIL 3, 2007" (2007). April. 20. https://scholarcommons.sc.edu/gamecock_2007_apr/20 This Newspaper is brought to you by the 2007 at Scholar Commons. It has been accepted for inclusion in April by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. dailygamecock.com THE UNIVERSITY OF SOUTH CAROLINA TUESDAY, APRIL 3, 2007 VOL. 100, NO. 130 ● SINCE 1908 Best Buddies group changes lives Program developed to form lasting friendships between volunteers, disabled Rebecca Wilson THE DAILY GAMECOCK USC’s Best Buddies group pairs students with intellectually disabled people and Alisa Cooney, associate director of Student Judicial Affairs, is convinced it does more than enhance the lives of those who take part in the program. “It’s really had a positive impact in my life and on the students,” she said. Cooney has been advising Best Buddies for the past fi ve years and said she plans on continuing in that role for as long as she can. “You couldn’t drag me away from this organization,” Cooney said. For Kara Loth, a first-year pharmacy student and vice president of Best Buddies, being a part of the program is “a great opportunity to build a friendship that otherwise would not be built.” Best Buddies pairs up one volunteer with one intellectually Special to THE DAILY GAMECOCK disabled person and encourages a Best Buddies sponsors activities each month like bowling, dances and picnics to keep the newly formed friendships growing. -
“My Logo Is Branded on Your Skin”: the Wu-Tang Clan, Authenticity, Black Masculinity, and the Rap Music Industry
“MY LOGO IS BRANDED ON YOUR SKIN”: THE WU-TANG CLAN, AUTHENTICITY, BLACK MASCULINITY, AND THE RAP MUSIC INDUSTRY By Ryan Alexander Huey A THESIS Submitted to Michigan State University in partial fulfillment of the requirements for the degree of History – Master of Arts 2014 ABSTRACT “MY LOGO IS BRANDED ON YOUR SKIN”: THE WU-TANG CLAN, AUTHENTICITY, BLACK MASCULINITY, AND THE RAP MUSIC INDUSTRY By Ryan Alexander Huey The rap group, the Wu-Tang Clan came out of a turbulent period of time in both the rap music industry and American society in the early 1990s. Lawsuits over sampling in rap music forced producers to rethink the ways they made music while crack cocaine and the War on Drugs wreaked havoc in urban communities across the nation, as it did in the Clan’s home borough of Staten Island, New York. Before the formation of the group, Gary “GZA” Grice, had managed to land a recording contract as a solo artist, but his marketing was mismanaged and his career stagnated. He returned in 1992 as one of the nine member collective, who billed themselves as kung fu movie buffs melding low-fi, eerie productions with realistic raps about ghetto life. Drawing from the vibrant underground rap scene of New York City in the 1970s and 1980s, Brooklyn’s rich African American chess tradition, the teachings of the Five Percenters, and the cult following for Hong Kong action cinema, the Clan became a huge hit across the country. Each member fashioned a unique masculine identity for himself, bolstering their hardcore underground image while pushing the boundaries of acceptable expressions of manhood in rap music. -
LL COOL J Launches His Exclusive New Siriusxm Channel "Rock the Bells Radio" on March 28
NEWS RELEASE LL COOL J Launches His Exclusive New SiriusXM Channel "Rock The Bells Radio" on March 28 3/27/2018 "Rock the Bells Radio" will allow listeners to look at, and listen to, classic Hip-Hop through the lens of current culture NEW YORK, March 27, 2018 /PRNewswire/ -- SiriusXM announced today that entertainment icon LL COOL J will launch his new SiriusXM classic Hip-Hop channel on March 28 entitled LL COOL J's "Rock the Bells Radio." The channel will feature a wide range of classic hip-hop content, music, interviews and in-depth retrospectives curated and presented by LL, as well as other innovators of hip-hop music, including Ice Cube, Stetsasonic, Eric B. & Rakim, Snoop Dogg, Outkast, Kool Moe Dee, Public Enemy, A Tribe Called Quest, Ultramagnetic MCs, Too Short, Grandmaster Flash and the Furious Five, Canibus, Wu-Tang Clan, Run-DMC, Brand Nubian, De La Soul, Black Moon and Ice T. "Rock the Bells Radio" is allowing its audience to look at and listen to classic Hip-Hop through the lens of our current culture and music. LL says, "If you wanna be a fly on the wall in the world of Classic Hip-Hop, SiriusXM's 'Rock the Bells Radio' is for you. It's where fans can come and be immersed in the music, the culture, the energy and the history of Classic Hip-Hop." LL continues, "We're gonna have great artists, legendary artists, lyricists, superstars, sex symbols. This is the place to be if you want uncut, raw, pure, classic Hip-Hop, but there's one catch—it's strictly for O.G.'s." To help launch the channel, a special invitation-only roller skating event will take place on Wednesday, March 28 at World of Wheels in Los Angeles. -
Headz, a Novel John Colagrande Jr
Florida International University FIU Digital Commons FIU Electronic Theses and Dissertations University Graduate School 3-15-2007 Headz, a novel John Colagrande Jr. Florida International University Follow this and additional works at: http://digitalcommons.fiu.edu/etd Recommended Citation Colagrande, John Jr., "Headz, a novel" (2007). FIU Electronic Theses and Dissertations. Paper 2401. http://digitalcommons.fiu.edu/etd/2401 This work is brought to you for free and open access by the University Graduate School at FIU Digital Commons. It has been accepted for inclusion in FIU Electronic Theses and Dissertations by an authorized administrator of FIU Digital Commons. For more information, please contact [email protected]. FLORIDA INTERNATIONAL UNIVERSITY Miami, Florida HEADZ, A NOVEL A thesis submitted in partial fulfillment of the requirements for the degree of MASTER OF ARTS in CREATIVE WRITING by John Colagrande, Jr. 2007 To: Interim Dean Mark Szuchman College of Arts and Sciences This thesis, written by John Colagrande, Jr., and entitled Headz, a Novel, having been approved in respect to style and intellectual content, is referred to you for judgment. We have read this thesis and recommend that it be approved. Meri-Jane Rochelson James W. Hall John Dufresne, Major Professor Date of Defense: March 15, 2007 The thesis of John Colagrande, Jr. is approved. Interim Dean Mark Szuchman College of Arts and Sciences Dean George Walker University Graduate School Florida International University, 2007 DEDICATION To the family EPIGRAPH The Party, though its flame may flicker low and all but gutter in these juiceless times, goes on forever. —Lester Bangs ABSTRACT OF THE THESIS HEADZ, A NOVEL by John Colagrande, Jr.