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ENG 350 Summer12
ENG 350: THE HISTORY OF HIP-HOP With your host, Dr. Russell A. Potter, a.k.a. Professa RAp Monday - Thursday, 6:30-8:30, Craig-Lee 252 http://350hiphop.blogspot.com/ In its rise to the top of the American popular music scene, Hip-hop has taken on all comers, and issued beatdown after beatdown. Yet how many of its fans today know the origins of the music? Sure, people might have heard something of Afrika Bambaataa or Grandmaster Flash, but how about the Last Poets or Grandmaster CAZ? For this class, we’ve booked a ride on the wayback machine which will take us all the way back to Hip-hop’s precursors, including the Blues, Calypso, Ska, and West African griots. From there, we’ll trace its roots and routes through the ‘parties in the park’ in the late 1970’s, the emergence of political Hip-hop with Public Enemy and KRS-One, the turn towards “gangsta” style in the 1990’s, and on into the current pantheon of rappers. Along the way, we’ll take a closer look at the essential elements of Hip-hop culture, including Breaking (breakdancing), Writing (graffiti), and Rapping, with a special look at the past and future of turntablism and digital sampling. Our two required textbook are Bradley and DuBois’s Anthology of Rap (Yale University Press) and Neal and Forman’s That's the Joint: The Hip-Hop Studies Reader are both available at the RIC campus store. Films shown in part or in whole will include Bamboozled, Style Wars, The Freshest Kids: A History of the B-Boy, Wild Style, and Zebrahead; there will is also a course blog with a discussion board and a wide array of links to audio and text resources at http://350hiphop.blogspot.com/ WRITTEN WORK: An informal response to our readings and listenings is due each week on the blog. -
Uncle Murda Murda Muzik 3 Zip ->>> DOWNLOAD
Uncle Murda Murda Muzik 3 Zip ->>> DOWNLOAD 1 / 3 Uncle,,,,Murda;,,,,Usher;,,,,Vado;,,,,Waka,,,,Flocka,,,,Flame;,,,,.,,,,Mobb,,,,Misses,,,,Pt.,,,,2,,,,,,,,Mobb,,,, Deep,,,,&,,,,J-Love,,,,Shop;,,,,Search,,,,.,,,,Block,,,,Muzik,,,,Radio,,,,,.Right,,,,Now,,,,ft.,,,,Future,,,,Uncle, ,,,Murda.,,,,Data,,,,Released,,,,November,,,,2015,,,,Format,,,,CD,,,,Type,,,,Added,,,,on,,,,Monday,,,,,09, ,,,November,,,,2015,,,,Genre,,,,Hip,,,,Hop,,,,Price,,,,0.00,,,,$,,,,Length,,,,0:00,,,,Number,,,,of,,,,discs,,,, 0Uncle,,,Murda,,,-,,,Murdas,,,Muzik,,,-,,,Carebears,,,-,,,Free,,,Mixtape,,,Download,,,And,,,StreamListen, ,,to,,,and,,,Download,,,High,,,Class,,,Street,,,Music,,,3,,,the,,,new,,,album,,,from,,,Young,,,Dolph.,,,.,,,Y oung,,,Dolph,,,High,,,Class,,,Street,,,Music,,,3.,,,Added,,,on:,,,.,,,Uncle,,,Murda,,,Right,,,Now,,,(Remix,,, .MidwayUSA,,,is,,,a,,,privately,,,held,,,American,,,retailer,,,of,,,various,,,hunting,,,and,,,outdoor-relate d,,,products.MidwayUSA,,,,is,,,,a,,,,privately,,,,held,,,,American,,,,retailer,,,,of,,,,various,,,,hunting,,,,an d,,,,outdoor-related,,,,products.Waka,,,,Flocka,,,,Flame,,,,-,,,,Discography,,,,(2009,,,,.,,,,12.,,,,Live,,,,By ,,,,The,,,,Gun,,,,(Feat.,,,,RA,,,,Diggs,,,,&,,,,Uncle,,,,Murda),,,,13.,,,,For,,,,My,,,,Dawgs,,,,14.,,,,G,,,,.,,,,10. Gangbang,,,,Muzik,,,,11.Red,,,,Rag,,,,.Download,,,the,,,Everyday,,,June,,,30th,,,Vol.,,,2,,,mixtape,,,or,,, stream,,,for,,,free.,,,.,,,(Feat.,,,Remyboy,,,Monty,,,&,,,Uncle,,,Murda),,,4:08,,,6,,,Look,,,Like,,,3:24,,,7,,, Hunting,,,.,,,Real,,,Boss,,,Muzik,,,Albee,,,Al,,,."Uncle,,Murda",,downloads,,in,,rap,,,hip,,hop.,,Mp3,,173 -
I Know Styles P Free Download
I know styles p free download Stream Styles P - Free Downloads, a playlist by stylesp from desktop or your mobile device. Members, Guests. download hi-speed with no bandwidth restriction. Free Sign up for faster downloads. Styles P, Giggs All I Know Is Pain free mp3 download and stream. Watch videos & listen free to Styles P: Good Times, The Life - Album Version Edit (Explicit) & more. David Styles (born November 28, ), better known as. Title 01 - Turkey Bag 02 - Table 03 - Blue 04 - Know The Half 05 - Pictures 06 - Rotate 07 - Leave Me Alone 08 - Go On 09 - Vibes 10 - Top Floor 11 - A. Styles P - The Diamond Life Project - Free Mixtape Download or Stream it. DOWNLOAD LINK: TRACKLIST: 1. Real Styles P fans. Free Download Styles P mp3, Styles P - Judgement Day Full Mixtape Album ,Styles P And Adjua Styles Open Up About Styles P All I Know Is Pain mp3. in Ohio live a structural package designs pdf free download were his champion off from the Volumetric %, instantly caught at least one of his women and taken. Frenchie - "Bloodsport" Feat Styles P and Joffy [Concrete Jungle 2].mp3. Play | Download · Rap Music MURDER IS ALL I KNOW ft STYLES P FT 3. Styles P The Ghost. Ready. Play GHOST-I KNOW Styles P The AMERICAN HORROR STORY OUTRO Styles P The Ghost. X. Free! Download Now. Styles P - Do You Believe In Ghost Stories Free Download You can download it here: STYLES P - Styles P Free download Hey guys YouTube wont;t let me this program to download it: http. -
Language Contact and US-Latin Hip Hop on Youtube
City University of New York (CUNY) CUNY Academic Works Publications and Research York College 2019 Choutouts: Language Contact and US-Latin Hip Hop on YouTube Matt Garley CUNY York College How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/yc_pubs/251 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] Choutouts: Language contact and US-Latin hip hop on YouTube Matt Garley This paper presents a corpus-sociolinguistic analysis of lyrics and com- ments from videos for four US-Latinx hip hop songs on YouTube. A ‘post-varieties’ (Seargeant and Tagg 2011) analysis of the diversity and hybridity of linguistic production in the YouTube comments finds the notions of codemeshing and plurilingualism (Canagarajah 2009) useful in characterizing the language practices of the Chicanx community of the Southwestern US, while a focus on the linguistic practices of com- menters on Northeastern ‘core’ artists’ tracks validate the use of named language varieties in examining language attitudes and ideologies as they emerge in commenters’ discussions. Finally, this article advances the sociolinguistics of orthography (Sebba 2007) by examining the social meanings of a vast array of creative and novel orthographic forms, which often blur the supposed lines between language varieties. Keywords: Latinx, hip hop, orthography, codemeshing, language contact, language attitudes, language ideologies, computer-mediated discourse. Choutouts: contacto lingüístico y el hip hop latinx-estadounidense en YouTube. Este estudio presenta un análisis sociolingüístico de letras de canciones y comentarios de cuatro videos de hip hop latinx-esta- dounidenses en YouTube. -
BIO Born Matthew Fowler on Feb. 17, 1975, Producer Mumbles Has Lived
BIO Born Matthew Fowler on Feb. 17, 1975, producer Mumbles has lived a life rich with musical diversity and spiritual inspiration. Raised in a family of professional jazz musicians along with older brother Marvin Fowler (Dj Marvski) of the U.N.I.T.Y. Committee, Mumbles developed an ear for jazz and hip-hop music from an early age. His father, Steve Fowler, a professional flute and sax player, along with uncles Bruce, Tom, Walt, and Ed formed a musical legacy spanning from the early 70's with the band, the Fowler Brothers. They played with Frank Zappa and the Mothers of Invention, Bobby McFerrin, Linda Rondstadt, Ray Charles, Diana Ross, James Taylor and Brian Setzer, to name just a few. Being raised in such a diverse and musically stimulating environment, Mumbles tuned his ear early to the complexity of rhythm, melody and harmony. With the influence of his brother Marvski, he turned his attention to hip-hop music from the age of 5 (1980) and never turned back. In the late 1980's, Marvski along with Cut Chemist, Chali 2na, and Marc 7 formed the innovative group U.N.I.T.Y. Committee, which later along with the Rebels of Rhythm turned into the group Jurassic 5. It was during these pivotal years that Mumbles, being inspired by the production and record collections of Marvksi and Cut Chemist, decided to embark on his own mission of record digging, sampling, and beat construction. What started out lightly quickly turned into the digging obsession that most hip-hop producers are familiar with. -
Packaging Copy Final
U.S. STANDARD PACKAGING COPY FINAL ARTIST: Various RELEASE DATE: July 15, 2016 TITLE: Ghostbusters Original Motion Picture Soundtrack Compact Disc Album Selection No. 88985-32812-2 Digital Album Selection No. G0100035314741 IMPRINT LABEL: RCA Records/Columbia Pictures FRONT COVER Ghostbusters Original Motion Picture Soundtrack SPINES 88985-32812-2 [INSERT LOGOS] RCA RETRO, COLUMBIA PICTURES Ghostbusters Original Motion Picture Soundtrack TRAY CARD, REAR PANEL Ghostbusters Original Motion Picture Soundtrack 01 Ghostbusters WALK THE MOON [USRC11601201] 3:45 02 Saw It Coming G-Eazy X Jeremih [USRC11601122] 3:30 03 Good Girls Elle King [USRC11601121] 2:59 04 Girls Talk Boys 5 Seconds Of Summer [GBUM71603113] 3:36 05 wHo ZAYN* [USRC11601202] 2:55 06 Ghostbusters Pentatonix* [USRC11601203] 2:53 07 Ghoster Wolf Alice* [GBK3W1600481] 2:31 08 Ghostbusters (I’m Not Afraid) Fall Out Boy feat. Missy Elliott [US4DG1600451] 3:06 09 Get Ghost Mark Ronson, Passion Pit & A$AP Ferg [GBARL1600808] 3:37 10 Party Up (Up In Here) DMX [USDJ20010705] 4:31 11 Rhythm Of The Night DeBarge [USMO18500526] 3:51 12 American Woman Muddy Magnolias [USUM71508112] 3:01 13 Want Some More Beasts Of Mayhem [US4DG1600452] 2:04 14 Ghostbusters Ray Parker Jr. [QZ4KE1600002] 4:05 Executive Album Producers: Paul Feig, Amy Pascal, Peter Edge & Tom Corson Music Supervisor: Erica Weis Executive in Charge of Music for Sony Pictures: Lia Vollack Executive in Charge of Music for RCA Records: Karen Lamberton * DOES NOT APPEAR IN FILM ghostbusters.com twitter & instagram: @ghostbusters facebook.com/ghostbusters rcarecords.com [INSERT DOMESTIC BILLING BLOCK] [INSERT BARCODE] 88985-32812-2 [INSERT LOGOS] RCA RETRO, COLUMBIA PICTURES, FBI LOGO [INSERT] FBI ANTI-PIRACY WARNING: UNAUTHORIZED COPYING IS PUNISHABLE UNDER FEDERAL LAW. -
January 14, 1978 TT Waillif 41.4941
January 14, 1978 TT WAillif 41.4941 www.americanradiohistory.com (E-45450) A very special single from the Neil Simon film, The Goodbye Girl written and performed by DAVID GATES Available from Elektra Produced & arranged by David Gates 3 Logo Design Copyright ©1977 Metro -Goldwyn -Mayer Inc. and Warner Bros. Inc. www.americanradiohistory.com VOLUME XXXIX - NUMBER 35 - January 14, 1978 THE INTERNATIONAL MUSIC RECORD WEEKLY GOSH BOX GEORGE ALBERT President and Publisher EDITORIAL MEL ALBERT General Manager DAVE FULTON Editor In Chief A Glance At Radio '78 More markets are opening up for the soft -rock J. B. CARMICLE Radio, an interesting topic for any year, should format, which has proved highly successful in re- General Manager, Eást Coast not disappoint anyone in 1978, based on some con- cent years. While listenership is high, the question is East Coast Editorial tinuing trends as well as surprises. Passive re- "do those listeners buy records?" KEN TERRY, East Coast Editor PHIL DIMAURO search, automation, soft -rock formats, R&B and jazz Look for R&B stations to become even stronger. CHARLES PAIKERT are some of the items that will surely be interesting And the playlist preference for these stations ap- MARK MEHLER to watch. pears to be more album -oriented. West Coast Editorial It appears that the current rage of passive re- Jazz continues to explode and it appears that it ALAN SUTTON RANDY LEWIS search will continue to expand in the coming year, will capture airplay from AOR stations as well as the JEFF CROSSAN but some industry sources contend that its success devoted jazz airwaves. -
8123 Songs, 21 Days, 63.83 GB
Page 1 of 247 Music 8123 songs, 21 days, 63.83 GB Name Artist The A Team Ed Sheeran A-List (Radio Edit) XMIXR Sisqo feat. Waka Flocka Flame A.D.I.D.A.S. (Clean Edit) Killer Mike ft Big Boi Aaroma (Bonus Version) Pru About A Girl The Academy Is... About The Money (Radio Edit) XMIXR T.I. feat. Young Thug About The Money (Remix) (Radio Edit) XMIXR T.I. feat. Young Thug, Lil Wayne & Jeezy About Us [Pop Edit] Brooke Hogan ft. Paul Wall Absolute Zero (Radio Edit) XMIXR Stone Sour Absolutely (Story Of A Girl) Ninedays Absolution Calling (Radio Edit) XMIXR Incubus Acapella Karmin Acapella Kelis Acapella (Radio Edit) XMIXR Karmin Accidentally in Love Counting Crows According To You (Top 40 Edit) Orianthi Act Right (Promo Only Clean Edit) Yo Gotti Feat. Young Jeezy & YG Act Right (Radio Edit) XMIXR Yo Gotti ft Jeezy & YG Actin Crazy (Radio Edit) XMIXR Action Bronson Actin' Up (Clean) Wale & Meek Mill f./French Montana Actin' Up (Radio Edit) XMIXR Wale & Meek Mill ft French Montana Action Man Hafdís Huld Addicted Ace Young Addicted Enrique Iglsias Addicted Saving abel Addicted Simple Plan Addicted To Bass Puretone Addicted To Pain (Radio Edit) XMIXR Alter Bridge Addicted To You (Radio Edit) XMIXR Avicii Addiction Ryan Leslie Feat. Cassie & Fabolous Music Page 2 of 247 Name Artist Addresses (Radio Edit) XMIXR T.I. Adore You (Radio Edit) XMIXR Miley Cyrus Adorn Miguel Adorn Miguel Adorn (Radio Edit) XMIXR Miguel Adorn (Remix) Miguel f./Wiz Khalifa Adorn (Remix) (Radio Edit) XMIXR Miguel ft Wiz Khalifa Adrenaline (Radio Edit) XMIXR Shinedown Adrienne Calling, The Adult Swim (Radio Edit) XMIXR DJ Spinking feat. -
Engl 350: History of Hip-Hop Supplemental Syllabus
ENGL 350: HISTORY OF HIP-HOP SUPPLEMENTAL SYLLABUS WEEK V: MONDAY: FROM OLD SCHOOL TO NEW SCHOOL. Listenings: Afrika Bambaataaa, “Looking for the Perfect Beat”; Ice-T, “6 IN THE MORNING”; LL COOL J, “Rock the Bells”; Public Enemy, “Rebel Without a Pause”; Beastie Boys, “Rhymin’ and Stealin’”; NWA, “Fuck Tha Police”; Ice Cube and Yo Yo, “It’s a Man’s World”; Marly Marl & the Juice Crew, “The Bridge”; BDP, “The Bridge is Over”; Big Daddy Kane, “RAW”; Biz Markie, “Make that Music With Your Mouth”; MC Choice, “The Big Payback.” READINGS: THE BOOK OF RHYMES. Readings: Adam Bradley, The Book of Rhymes, “Rap Poetry 101” and chapters 1-3 (“Rhythm,” “Rhyme,” and “Wordplay”). WEEK V: WEDNESDAY: THE POLITICS OF HIP-HOP Listenings: Ice-T, “Pule of the Rhyme Flow”; BDP, “Necessary”; Public Enemy, “Welcome to the Terrordome”; Queen Latifah and Monie Love,”Ladies First”; Ice Cube, “I Wanna Kill Sam.” Readings: David Samuels, “The Rap on Rap: The Black Music that Isn’t Either”; Davarian Baldwin, “Black Empires, White Desires” (TTJ); Russell Potter, Spectacular Vernaculars Chapter two, “THE PULSE OF THE RHYME FLOW: HIP-HOP SIGNIFYIN(G) AND THE POLITICS OF RECEPTION” (available via course blog). WEEK VI: WEDNESDAY: THE FUTURE OF HIP-HOP. Listenings: Ornette Coleman, “Search for Life”; Guru with Donald Byrd, “Loungin’”; The X-ecutioners, “Word Play”; DJ Spooky with Antonin Artuad and the Nuuk Posse; Nas, “Hip-Hop is Dead”; MC Solaar, “Nouveau Western.” Readings: Eric K. Watts, “an Exploration of Spectacular Consumption” (TTJ)’ Mark Anthony Neal, “Postindustrial Soul: Black Popular Music at the Crossroads” (TTJ)’ Russell Potter, Spectacular Vernaculars Chapter 4: “HIP-HOP AND THE QUESTION OF RESISTANCE” (Available via Course Blog). -
50S 60S 70S.Txt 10Cc - I'm NOT in LOVE 10Cc - the THINGS WE DO for LOVE
50s 60s 70s.txt 10cc - I'M NOT IN LOVE 10cc - THE THINGS WE DO FOR LOVE A TASTE OF HONEY - OOGIE OOGIE OOGIE ABBA - DANCING QUEEN ABBA - FERNANDO ABBA - I DO I DO I DO I DO I DO ABBA - KNOWING ME KNOWING YOU ABBA - MAMMA MIA ABBA - SOS ABBA - TAKE A CHANCE ON ME ABBA - THE NAME OF THE GAME ABBA - WATERLOU AC/DC - HIGHWAY TO HELL AC/DC - YOU SHOOK ME ALL NIGHT LONG ACE - HOW LONG ADRESSI BROTHERS - WE'VE GOT TO GET IT ON AGAIN AEROSMITH - BACK IN THE SADDLE AEROSMITH - COME TOGETHER AEROSMITH - DREAM ON AEROSMITH - LAST CHILD AEROSMITH - SWEET EMOTION AEROSMITH - WALK THIS WAY ALAN PARSONS PROJECT - DAMNED IF I DO ALAN PARSONS PROJECT - DOCTOR TAR AND PROFESSOR FETHER ALAN PARSONS PROJECT - I WOULDNT WANT TO BE LIKE YOU ALBERT, MORRIS - FEELINGS ALIVE N KICKIN - TIGHTER TIGHTER ALLMAN BROTHERS - JESSICA ALLMAN BROTHERS - MELISSA ALLMAN BROTHERS - MIDNIGHT RIDER ALLMAN BROTHERS - RAMBLIN MAN ALLMAN BROTHERS - REVIVAL ALLMAN BROTHERS - SOUTHBOUND ALLMAN BROTHERS - WHIPPING POST ALLMAN, GREG - MIDNIGHT RIDER ALPERT, HERB - RISE AMAZING RHYTHM ACES - THIRD RATE ROMANCE AMBROSIA - BIGGEST PART OF ME AMBROSIA - HOLDING ON TO YESTERDAY AMBROSIA - HOW MUCH I FEEL AMBROSIA - YOU'RE THE ONLY WOMAN AMERICA - DAISY JANE AMERICA - HORSE WITH NO NAME AMERICA - I NEED YOU AMERICA - LONELY PEOPLE AMERICA - SISTER GOLDEN HAIR AMERICA - TIN MAN Page 1 50s 60s 70s.txt AMERICA - VENTURA HIGHWAY ANDERSON, LYNN - ROSE GARDEN ANDREA TRUE CONNECTION - MORE MORE MORE ANKA, PAUL - HAVING MY BABY APOLLO 100 - JOY ARGENT - HOLD YOUR HEAD UP ATLANTA RHYTHM SECTION - DO IT OR DIE ATLANTA RHYTHM SECTION - IMAGINARY LOVER ATLANTA RHYTHM SECTION - SO IN TO YOU AVALON, FRANKIE - VENUS AVERAGE WHITE BD - CUT THE CAKE AVERAGE WHITE BD - PICK UP THE PIECES B.T. -
Challenge Chrono & Challenge-R Chrono
CHALLENGE CHRONO II INKVADERS PIRATE Cvstos develops its Inkvaders collection by transforming its famous Skull designed by Christian Nguyen into an intimidating Pirate of the Caribbean. These very limited series of about ten pieces each celebrate the rich partnership that Cvstos has with the famous tattoo artist and designer Christian Nguyen, founder of the studio 'Inkvaders' in Geneva. This Pirate editions are distinguished by the colors and details of the hand-finished dial in order to give an aged patina to the Pirate's skull. This wonderful painting is mounted on the Cvstos Chronograph which gives these pieces a strong and original identity. About Christian Nguyen Born in Geneva, multi-talented artist, designer and musician, Christian Nguyen is particularly recognised for his artistic tattoo work. Fascinated by tattoos since his youngest age, his professional career began in 1992. Regularly travelling around the world, he has developed a strong base of fans in Denmark, France, Holland, Japan and the USA. Christian’s diverse and faithful clients are friends from varied worlds of sports and music; Yvan Muller (4 WTCC titles), Goran Bezina (NHL and Hockey Switzerland) and Romain di Marchi (freestyle snowborder), Fred Durst, Wes Borland and John Otto (Limp Bizkit), Danny Boy, Everlast (House of Pain, La Coka Nostra), DJ Naughty J (Suprême NTM) or DJ Remady and DJ Lethal among others. Technical Data CHALLENGE case Tonneau-shaped, 53.70mm X 41mm CHALLENGE GT case Tonneau-shaped, 59mm X 45mm Materials Steel 316-L or Steel with black PVD -
The Evolution of Commercial Rap Music Maurice L
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2011 A Historical Analysis: The Evolution of Commercial Rap Music Maurice L. Johnson II Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF COMMUNICATION A HISTORICAL ANALYSIS: THE EVOLUTION OF COMMERCIAL RAP MUSIC By MAURICE L. JOHNSON II A Thesis submitted to the Department of Communication in partial fulfillment of the requirements for the degree of Master of Science Degree Awarded: Summer Semester 2011 The members of the committee approve the thesis of Maurice L. Johnson II, defended on April 7, 2011. _____________________________ Jonathan Adams Thesis Committee Chair _____________________________ Gary Heald Committee Member _____________________________ Stephen McDowell Committee Member The Graduate School has verified and approved the above-named committee members. ii I dedicated this to the collective loving memory of Marlena Curry-Gatewood, Dr. Milton Howard Johnson and Rashad Kendrick Williams. iii ACKNOWLEDGEMENTS I would like to express my sincere gratitude to the individuals, both in the physical and the spiritual realms, whom have assisted and encouraged me in the completion of my thesis. During the process, I faced numerous challenges from the narrowing of content and focus on the subject at hand, to seemingly unjust legal and administrative circumstances. Dr. Jonathan Adams, whose gracious support, interest, and tutelage, and knowledge in the fields of both music and communications studies, are greatly appreciated. Dr. Gary Heald encouraged me to complete my thesis as the foundation for future doctoral studies, and dissertation research.