Headz, a Novel John Colagrande Jr
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ENG 350 Summer12
ENG 350: THE HISTORY OF HIP-HOP With your host, Dr. Russell A. Potter, a.k.a. Professa RAp Monday - Thursday, 6:30-8:30, Craig-Lee 252 http://350hiphop.blogspot.com/ In its rise to the top of the American popular music scene, Hip-hop has taken on all comers, and issued beatdown after beatdown. Yet how many of its fans today know the origins of the music? Sure, people might have heard something of Afrika Bambaataa or Grandmaster Flash, but how about the Last Poets or Grandmaster CAZ? For this class, we’ve booked a ride on the wayback machine which will take us all the way back to Hip-hop’s precursors, including the Blues, Calypso, Ska, and West African griots. From there, we’ll trace its roots and routes through the ‘parties in the park’ in the late 1970’s, the emergence of political Hip-hop with Public Enemy and KRS-One, the turn towards “gangsta” style in the 1990’s, and on into the current pantheon of rappers. Along the way, we’ll take a closer look at the essential elements of Hip-hop culture, including Breaking (breakdancing), Writing (graffiti), and Rapping, with a special look at the past and future of turntablism and digital sampling. Our two required textbook are Bradley and DuBois’s Anthology of Rap (Yale University Press) and Neal and Forman’s That's the Joint: The Hip-Hop Studies Reader are both available at the RIC campus store. Films shown in part or in whole will include Bamboozled, Style Wars, The Freshest Kids: A History of the B-Boy, Wild Style, and Zebrahead; there will is also a course blog with a discussion board and a wide array of links to audio and text resources at http://350hiphop.blogspot.com/ WRITTEN WORK: An informal response to our readings and listenings is due each week on the blog. -
Engl 350: History of Hip-Hop Supplemental Syllabus
ENGL 350: HISTORY OF HIP-HOP SUPPLEMENTAL SYLLABUS WEEK V: MONDAY: FROM OLD SCHOOL TO NEW SCHOOL. Listenings: Afrika Bambaataaa, “Looking for the Perfect Beat”; Ice-T, “6 IN THE MORNING”; LL COOL J, “Rock the Bells”; Public Enemy, “Rebel Without a Pause”; Beastie Boys, “Rhymin’ and Stealin’”; NWA, “Fuck Tha Police”; Ice Cube and Yo Yo, “It’s a Man’s World”; Marly Marl & the Juice Crew, “The Bridge”; BDP, “The Bridge is Over”; Big Daddy Kane, “RAW”; Biz Markie, “Make that Music With Your Mouth”; MC Choice, “The Big Payback.” READINGS: THE BOOK OF RHYMES. Readings: Adam Bradley, The Book of Rhymes, “Rap Poetry 101” and chapters 1-3 (“Rhythm,” “Rhyme,” and “Wordplay”). WEEK V: WEDNESDAY: THE POLITICS OF HIP-HOP Listenings: Ice-T, “Pule of the Rhyme Flow”; BDP, “Necessary”; Public Enemy, “Welcome to the Terrordome”; Queen Latifah and Monie Love,”Ladies First”; Ice Cube, “I Wanna Kill Sam.” Readings: David Samuels, “The Rap on Rap: The Black Music that Isn’t Either”; Davarian Baldwin, “Black Empires, White Desires” (TTJ); Russell Potter, Spectacular Vernaculars Chapter two, “THE PULSE OF THE RHYME FLOW: HIP-HOP SIGNIFYIN(G) AND THE POLITICS OF RECEPTION” (available via course blog). WEEK VI: WEDNESDAY: THE FUTURE OF HIP-HOP. Listenings: Ornette Coleman, “Search for Life”; Guru with Donald Byrd, “Loungin’”; The X-ecutioners, “Word Play”; DJ Spooky with Antonin Artuad and the Nuuk Posse; Nas, “Hip-Hop is Dead”; MC Solaar, “Nouveau Western.” Readings: Eric K. Watts, “an Exploration of Spectacular Consumption” (TTJ)’ Mark Anthony Neal, “Postindustrial Soul: Black Popular Music at the Crossroads” (TTJ)’ Russell Potter, Spectacular Vernaculars Chapter 4: “HIP-HOP AND THE QUESTION OF RESISTANCE” (Available via Course Blog). -
The Evolution of Commercial Rap Music Maurice L
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2011 A Historical Analysis: The Evolution of Commercial Rap Music Maurice L. Johnson II Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF COMMUNICATION A HISTORICAL ANALYSIS: THE EVOLUTION OF COMMERCIAL RAP MUSIC By MAURICE L. JOHNSON II A Thesis submitted to the Department of Communication in partial fulfillment of the requirements for the degree of Master of Science Degree Awarded: Summer Semester 2011 The members of the committee approve the thesis of Maurice L. Johnson II, defended on April 7, 2011. _____________________________ Jonathan Adams Thesis Committee Chair _____________________________ Gary Heald Committee Member _____________________________ Stephen McDowell Committee Member The Graduate School has verified and approved the above-named committee members. ii I dedicated this to the collective loving memory of Marlena Curry-Gatewood, Dr. Milton Howard Johnson and Rashad Kendrick Williams. iii ACKNOWLEDGEMENTS I would like to express my sincere gratitude to the individuals, both in the physical and the spiritual realms, whom have assisted and encouraged me in the completion of my thesis. During the process, I faced numerous challenges from the narrowing of content and focus on the subject at hand, to seemingly unjust legal and administrative circumstances. Dr. Jonathan Adams, whose gracious support, interest, and tutelage, and knowledge in the fields of both music and communications studies, are greatly appreciated. Dr. Gary Heald encouraged me to complete my thesis as the foundation for future doctoral studies, and dissertation research. -
The Pennsylvania State University the Graduate School College of the Liberal Arts
The Pennsylvania State University The Graduate School College of the Liberal Arts PASSING, PASSAGES, AND PASSKEYS: POST-CIVIL RIGHTS SATIRISTS UNLOCK THE MASTER’S HOUSE A Dissertation in English By Mahpiua-Luta Deas © 2012 Mahpiua-Luta Deas Submitted in Partial Fulfillment Of the Requirements For the Degree of Doctor of Philosophy December 2012 ii The dissertation of Mahpiua-Luta Deas was reviewed and approved by the following: Aldon L. Nielsen The George and Barbara Kelly Professor of American Literature Dissertation Adviser Chair of Committee Linda F. Selzer Associate Professor of English Shirley Moody Assistant Professor of English Lovalerie King Associate Professor of English Director of the Africana Research Center Garrett A. Sullivan Professor of English Director of Graduate Studies, English *Signatures are on file in the Graduate School. iii ABSTRACT In the post-civil rights era, which is marked by the eradication of legalized racial boundaries, racial passing should be unnecessary and obsolete. Yet contemporary satirists have found satiric portrayals of racial passing to be productive on two levels. On a plot-level, they use passing to interrogate contemporary racial subjectivity and to both explore racial advances and to critique persistent racial inequities. On a structural level, they write fiction that challenges the prescriptive and restrictive aesthetic criteria that they believe African American fiction is required to meet. Ultimately, this fiction offers dynamic critiques of contemporary racial identity and textual production. These authors use satire to examine how the fictional depiction of racial identities/bodies informs, depends on, and dictates the textual body and vice versa. The purpose of the study is to draw on two parallel contemporary literary theories, racial passing and satire, in order to analyze the works of five of the most important and recognized contemporary satiric writers of the post-civil rights generation: Percival Everett, Paul Beatty, Mat Johnson, Trey Ellis, and Adam Mansbach. -
The Nickel Boys : a Novel / Colson Whitehead
ALSO BY COLSON WHITEHEAD The Intuitionist John Henry Days The Colossus of New York Apex Hides the Hurt Sag Harbor Zone One The Noble Hustle The Underground Railroad This is a work of fiction. All incidents and dialogue and all characters, with the exception of some well-known historical figures, are products of the author’s imagination and are not to be construed as real. In all other respects, any resemblance to persons living or dead is entirely coincidental. Copyright © 2019 by Colson Whitehead All rights reserved. Published in the United States by Doubleday, a division of Penguin Random House LLC, New York. www.doubleday.com DOUBLEDAY and the portrayal of an anchor with a dolphin are registered trademarks of Penguin Random House LLC. Cover design by Oliver Munday Cover photograph: Reflection, Harlem, New York, 1964 (detail) © Neil Libbert/Bridgeman Images LIBRARY OF CONGRESS CATALOGING-IN-PUBLICATION DATA Names: Whitehead, Colson, 1969– author. Title: The nickel boys : a novel / Colson Whitehead. Description: First edition. | New York : Doubleday, [2019] Identifiers: LCCN 2018042961| ISBN 9780385537070 (hardcover) | ISBN 9780385537087 (ebook) | ISBN 9780385545440 (open market) Classification: LCC PS3573.H4768 N53 2019 | DDC 813/.54—dc23 LC record available at https://lccn.loc.gov/ 2018042961 Ebook ISBN 9780385537087 v5.4 ep Contents Cover Also by Colson Whitehead Title Page Copyright Dedication Prologue Part One Chapter One Chapter Two Chapter Three Part Two Chapter Four Chapter Five Chapter Six Chapter Seven Chapter Eight Chapter Nine Chapter Ten Part Three Chapter Eleven Chapter Twelve Chapter Thirteen Chapter Fourteen Chapter Fifteen Chapter Sixteen Epilogue Acknowledgments About the Author For Richard Nash PROLOGUE Even in death the boys were trouble. -
Mack Wilds Afterhours Clean Version Free Download Snoop Dogg's Albums, Ranked
mack wilds afterhours clean version free download Snoop Dogg's albums, ranked. Snoop Dogg first landed on the music world’s radar as Dr. Dre’s preferred collaborator on 1992’s The Chronic , and since then, he has unleashed solo albums and collaborative joints that have taken him to the top of the hip-hop world and always dancing on the fringes of pop music. In honor of his fine new album Bush , which is in stores Tuesday, here’s a deeply scientific ranking of Snoop’s albums, from worst to first. 14. Doggumentary (2011) The title for this album was originally batted around as some variation on Doggystyle 2 , and it’s fortunate that cooler heads prevailed to jettison that name, as Doggumentary has no business associating with Snoop’s finest work. It takes the form of a lot of his latter-day outings, but for some reason the chemistry is all wrong. As I noted in my review of Snoop’s latest album Bush , he’s pretty much the same on every release (which is to say there’s a baseline of quality work at the outset), and it’s up to his collaborators to tease out greater levels of his ineffable Snoopness. Just about everybody strikes out on Doggumentary , even though the list of guests includes Kanye West, Gorillaz, R. Kelly, Wiz Khalifa, Willie Nelson, and peaking-at-the-time T-Pain. Doggumentary is the longest album in Snoop’s catalog, and it feels even longer. 13. Tha Doggfather (1996) In the three years between Snoop’s breakout debut Doggystyle and the follow-up, the dude crammed in an awful lot of living: He became estranged from mentor Dr. -
HAUNT - 2018 : Cover Image: Andrea Welton Untitled | Ink, Acrylic, and Pumice on Canvas | 54X102” | 2018 HAUNT Journal of Art
journal of art HAUNT - 2018 : Cover Image: Andrea Welton Untitled | ink, acrylic, and pumice on canvas | 54x102” | 2018 HAUNT Journal of Art Issue 005 November 2018 TABLE OF CONTENTS Artwork: Portrait of a Super Predator Who We Never Taught to Cry | 5 Antoine Williams Comfort | Coverage Notes from the Editor-in-Chief | 6 Charisse Pearlina Weston Poetics Against Notes from the Managing Editor | 12 Linette Park A Natural History of Inequality | 17 Douglas Kearney Noord Street | 24 Frank Wilderson III Civil Rights | 25 Frank Wilderson III Artwork: Cheaper to Keep Her | 26 Cosmo Whyte The Blind Eye | 28 John Pluecker Future Dated Eulogy for the Carefree | 31 S. Erin Batiste In Conversation with Erin Christovale | 34 photos by Brian Forrest Artwork: Fiction Diptych (Drape no. 2) | 43 Regina Agu Pedagogy of Ridiculousness | 44 Prathna Lor acrylic and thread on skin | 36”x70” 2018 The Jacket | 47 Mali Collins-White a broken silence | 49 Traci-Ann Wint-Hayles Artwork: Portrait of a Super Predator Who Was Made to Believe She Was Cute to Be Dark | 54 Antoine Williams Eskimo (After Wiley) | 55 D.S. Marriott Essay on Demand | 58 Prathna Lor African Rainbow Lizard | 61 Terrance Hayes Portrait of a Super Predator Who We Never Taught To Cry | To Taught Never We Who of a Super Predator Portrait Contributor Biographies | 72 Antoine Williams Williams Antoine Portrait of a Super Predator Who We Never Taught to Cry Antoine Williams NOTES FROM THE EDITOR IN CHIEF Charisse Pearlina Weston COMFORT | COVERAGE I begin this meditation while sitting in the neighborhood of Roma Sur in Mexico City, Mexico. -
In the Hip-Hop Game These Days, Rappers Make All
PUBLISHER/EDITOR: Julia Beverly JUL05 MUSIC REVIEWS: ADG, Wally Sparks CONTENTS CONTRIBUTORS: AJ Woodson, Bogan, Cynthia Coutard, Dain Burroughs, Dar- nella Dunham, Felisha Foxx, Felita Knight, Iisha Hillmon, Jaro Vacek, Jessica Koslow, J Lash, Katerina Perez, Keith Kennedy, K.G. Mosley, King Yella, Lisa Coleman, Malik COVER: “Copafeel” Abdul, Marcus DeWayne, Matt Sonzala, WEBBIE pg A26 Maurice G. Garland, Natalia Gomez, Noel Malcolm, Ray P$C pg B22-23 Tamarra, Rayfield Warren, Rohit Loomba, Spiff, Swift SALES CONSULTANT: FEATURES: Che’ Johnson (Gotta Boogie) TONY YAYO pg A17 LEGAL AFFAIRS: Kyle P. King, P.A. (King Law SMITTY pg A19 Firm) TOK pg A31 STREET REPS: Al-My-T, B-Lord, Bill Rickett, 112 pg B13 Black, Bull, Cedric Walker, Chill, Chilly C, Chuck T, Con- Z-RO pg B18-19 troller, Dap, Delight, Dereck Washington, Derek Jurand, Dwayne Barnum, Dr. Doom, Ed the World Famous, Episode, General, H-Vidal, Hollywood, Jammin’ Jay, Janky, Jason Brown, Joe Anthony, Judah, Kamikaze, Klarc Shepard, Kydd Joe, Lex, Lump, Marco Mall, Miguel, Mr. Lee, Music & More, Nick@Nite, Pat Pat, PhattLipp, Pimp G, Quest, Red Dawn, Rippy, Rob-Lo, Statik, Stax, TJ’s DJ’s, Trina Edwards, Vicious, Victor Walker, Voodoo, Wild Bill ADMINISTRATIVE: Melinda Pas, Nikki Kancey CIRCULATION: Mercedes (Strictly Streets) Buggah D. Govanah (On Point) MONTHLY SECTIONS: Big Teach (Big Mouth) Efren Mauricio (Direct Promo) 16 BARS pg A20 To subscribe, send check or FEEDBACK pg A10 money order for $11 to: JB’s 2 CENTS pg A11 1516 E. Colonial Dr. Suite 205 ON THE SET pg A23,27 Orlando, FL 32803 PHOTOS pg A12-18, B8-16 Phone: 407-447-6063 Fax: 407-447-6064 LIVE SHOW REVIEWS pg B31 Web: www.ozonemag.com CD & DVD REVIEWS pg B24-26 Cover credits: P$C photo by CAFFEINE SUBSTITUTES pg B17 Eric Johnson; Webbie, Smitty, & Pimp G photos by Julia GROUPIE CONFESSIONS pg A13 Beverly. -
The Politics of Independent Hip-Hop a Dissertation Submitted in Partial
UNIVERSITY OF CALIFORNIA RIVERSIDE Just Say No to 360s: The Politics of Independent Hip-Hop A Dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Sociology by Christopher Sangalang Vito June 2017 Dissertation Committee: Dr. Ellen Reese, Chairperson Dr. Adalberto Aguirre, Jr. Dr. Lan Duong Dr. Alfredo M. Mirandé Copyright by Christopher Sangalang Vito 2017 The Dissertation of Christopher Sangalang Vito is approved: Committee Chairperson University of California, Riverside ACKNOWLEDGEMENTS I would like to thank my family and friends for their endless love and support, my dissertation committee for their care and guidance, my colleagues for the smiles and laughs, my students for their passion, everyone who has helped me along my path, and most importantly I would like to thank hip-hop for saving my life. iv DEDICATION For my mom. v ABSTRACT OF THE DISSERTATION Just Say No to 360s: The Politics of Independent Hip-Hop by Christopher Sangalang Vito Doctor of Philosophy, Graduate Program in Sociology University of California, Riverside, June 2017 Dr. Ellen Reese, Chairperson My dissertation addresses to what extent and how independent hip-hop challenges or reproduces U.S. mainstream hip-hop culture and U.S. culture more generally. I contend that independent hip-hop remains a complex contemporary subculture. My research design utilizes a mixed methods approach. First, I analyze the lyrics of independent hip-hop albums through a content analysis of twenty-five independent albums from 2000-2013. I uncover the dominant ideologies of independent hip-hop artists regarding race, class, gender, sexual orientation, and calls for social change. -
I STRICTLY for NIGGAS
STRICTLY FOR NIGGAS: NIGGAS MOVIN’ AROUND TO PEEP THE FOOT WERQ OF BLACK VOICE AND HUMANISM BY IGNACIO V. EVANS A Thesis Submitted to the Graduate Faculty of WAKE FOREST UNIVERSITY GRADUATE SCHOOL OF ARTS AND SCIENCES in Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS Communication May, 2020 Winston-Salem, North Carolina Approved By: Alessandra B. Von Burg, PhD, Advisor R. Jarrod Atchison, PhD, Chair Amber E. Kelsie, PhD Ron Von Burg, PhD i To my niggas I want to give thanks to the niggas who cared for me during the time it took to produce this werk, the niggas who was shootin’ wit me in the gym. This is not a ‘catch all’ or ‘a role call’ of niggas but I want to take this time to write this because niggas should know that niggas can do things with, for, and to niggas. I want s/o first and foremost niggas who don’t want to be recognized by they government or at all, I just wanna say thanks to you niggas for being y’all. I want to give thanks to my mamma ( Mema) my second mom, my third mom, and Mrs. Lavern and Mr. Eddie, my daddy ( pop pop) , my daughter (Tink), my brothers (Mike, Mark and James) Ro Ro, Nana, Popa and the other nigga families who let me sleep on they couch, get a room, get a plate or two, and took the time and energy to learn a nigga with care given that the world wants to school niggas in hard-knocks. -
DJ Master Mix CD List
DJ Master Mix CD List ***Background Music*** 25 Gloria in Excelsis Deo (vocal) 2 Pennsylvania 6-5000 3 Chatanooga Choo-Choo 101 Strings Play Frank Sinatra ***Background Music*** 4 String of pearls 1 All the way 25 All Time Christmas Favorites Di 5 In the mood 2 Strangers in the night 1 Jingle bells (pop) 6 Sunrise serenade 3 Fly me to the moon 2 Joy to the world (pop) 7 Johnson rag 4 New York, New York 3 Deck the halls (pop) 8 American patrol 5 The lady is a tramp 4 We wish you a merry Christmas (pop) 9 Kalamazoo 6 Come fly with me 5 Hark the herald angels sing (pop) 10 Bugle call rag 7 I've got you under my skin 6 Jolly old St. Nicholas (pop) 11 Anvil chorus 8 Young at heart 7 O Christmas Tree (pop) 12 Tuxedo junction 9 Just the way you look tonight 8 Auld Lang Syne (pop) 13 Moonlight cocktail 10 You're nobody till somebody loves you 9 The twelve days of Christmas(pop) 14 Serenade in blue 11 The shadow of your smile 10 We three Kings (pop) 12 Three coins in the fountain 11 Ave Maria (vocal) ***Background Music*** ***Background Music*** 12 Gloria a Jesu(vocal) Big Band Spectacular Vol. II 13 Alleluia (vocal) 1 One O'clock jump 15 of the World's Greatest Love Son 14 II Est Ne Le Divin Enfant 2 Jersey bounce 1 Wind beneath my wings 15 Silver Bells (vocal) 3 Frankie and Johnny were lovers 2 Always on my mind 16 Alleluiah 4 Stomping at the Savoy 3 All out of love 17 For unto us a child is born 5 Down south camp meeting 4 Dust in the wind 18 The trumpet shall sound 6 Jumping at the woodside 5 Lady in red 19 Amen 7 Let's dance 6 Up where we -
Sup Meaning in Text
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