The Mainstream Cluture and the Alienated Writer in the Fifties
Lincoln University Digital Thesis Copyright Statement The digital copy of this thesis is protected by the Copyright Act 1994 (New Zealand). This thesis may be consulted by you, provided you comply with the provisions of the Act and the following conditions of use: you will use the copy only for the purposes of research or private study you will recognise the author's right to be identified as the author of the thesis and due acknowledgement will be made to the author where appropriate you will obtain the author's permission before publishing any material from the thesis. Put on the Margins? The Mainstream Culture and the Alienated Writer in the Fifties. *** A thesis submitted in partial fulfilment of the requirements for the Degree of Master of Social Science at Lincoln University by Antje Bednarek *** '.-_ ',-._. :--:".'.C·· .. , .-'-~.--,- Lincoln University 2006 ~ : .. , ,:,.', . ii .';";' ~'-';~,,;,-; ;-~... :·~:":~::k-.;...;;i:~ Abstract of a thesis submitted in partial fulfilment of the • ~ £ • " .~.-.-•• ; requirements for the Degree of M.Soc.Sc. Put on the Margins? The Mainstream Culture and the Alienated Writer in the Fifties. :.:, ~' .. ~ .. by Antje Bednarek The Fifties were the dawning of the age of the New Zealand homeowner, of prosperous families, suburbia and consumerism. Conformity and conservatism determined all aspects of social life. It is commonly believed that the dominant cultural mainstream, in an attempt to uphold patterns of conformity, has marginalised those who resisted the social norm. Writers, artists and intellectuals, according to this version of events, have been forcefully put on the margins of society. A general lack of scholarship about the Fifties does not allow one to establish how true an account of cultural relations this really is.
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