Creative Producer (M/F/D)

Total Page:16

File Type:pdf, Size:1020Kb

Creative Producer (M/F/D) Creative Producer (m/f/d) Why ViacomCBS Networks EMEAA? ViacomCBS Networks EMEAA is comprised of many of the world’s most iconic consumer brands. Its portfolio includes Paramount+, Pluto TV, ViacomCBS International Studios, MTV, Nickelodeon, Comedy Central, Paramount Network, BET, Game One and J One, and the cluster spans Africa, Asia, Middle East and all European countries except UK & Ireland. In addition to offering innovative streaming services and digital video products, ViacomCBS Networks EMEAA provides powerful capabilities in production, distribution, and advertising solutions for partners across more than 140 countries. We are home to global brands that connect across all platforms. It starts on screens of all sizes, and it doesn’t stop there. We connect with audiences in the real world through live experiences, huge events, books, toys, games, apps and so much more, giving them ways to engage whenever and wherever they want. We are pioneers in creating innovative programming for all targets. Our portfolio includes the Jersey Shore franchise, MTV’s Ex on the beach, SpongeBob SquarePants, Paw Patrol, Blaze, Shimmer & Shine, The Daily Show with Trevor Noah, Paramount movies and many more… ViacomCBS Networks EMEAA embraces diversity; we are committed to create an environment of inclusion and mutual respect for all candidates and employees. With Diversity and Inclusion at the forefront of all we do, we are proud to be a mirror of the cultures and countries where we operate. Diversity & Inclusion are a key pillar for us to develop our employees, grow our business and contribute to society. For our International Streaming Marketing department, we are recruiting a full-time Creative Producer (m/f/d) for the Italian market! As a member of the Creative team: As a Creative Producer, you will work within the international Creative team. Your main responsibilities will include, creating videos, promos and multiplatform media assets to support the marketing needs of our ViacomCBS streaming services and brands like Pluto TV, Paramount+ and others for different European markets. ● You will be highly involved in creating promotional assets for Performance Marketing and Partner Engagement campaigns ● You will be expected to regularly script and edit promos for a wide variety of programming stunts and content highlights which appear across Pluto TV and other ViacomCBS streaming services ● A good knowledge of the TV and post-production environment will ensure the ability to work under considerable pressure in a fast moving and very creative department ● Knowledge of our digital video products and brands and an understanding of the content offer / target audiences of Pluto TV will be needed to provide the ability to produce fresh and unexpected ideas for promoting it ● Knowledge of streaming services in particular, and the wider AVOD / SVOD landscape in general, are also important That’s why we want you to have: ● You are an enthusiastic, proactive, highly organized team player with passion for entertainment and design and 2-5 years of relevant experience in Creative Production/Video Editing/Graphics- & Motion-Design ● You are able to script and produce promos and have advanced technical skills in using the Adobe Creative Cloud incl. tools like Premiere Pro, Photoshop, Illustrator, After Effects etc. ● You have a strong creative style that will enhance our brands on- & off-service and ensure brand consistency across markets ● You can deal with very tight deadlines and pressure and still deliver consistently strong promotional assets and ensure creative excellence at all times across the portfolio ● You have a very good knowledge of the streaming industry and an excellent understanding of the key content we offer through our services in order to come up with own, fresh and unexpected ideas for promoting it ● You are confident directing voiceovers and overseeing audio mixing ● You embrace the ‘One ViacomCBS’ approach and encourage collaboration and team working ● You adopt and promote the ViacomCBS values and support a culture of inclusion ● You are fluent in Italian and have advanced English skills. German, Italian, French is a plus We offer: ● Challenging job in a multicultural environment ● Unique and friendly atmosphere ● Market-leading professional development opportunities ● Competitive salary tailored to your skills and experience Are you interested? Then please send your CV and Cover letter to [email protected]!.
Recommended publications
  • Journalism's Backseat Drivers. American Journalism
    V. Journalism's The ascendant blogosphere has rattled the news media with its tough critiques and nonstop scrutiny of their reporting. But the relationship between the two is nfiore complex than it might seem. In fact, if they stay out of the defensive crouch, the battered Backseat mainstream media may profit from the often vexing encounters. BY BARB PALSER hese are beleaguered times for news organizations. As if their problems "We see you behind the curtain...and we're not impressed by either with rampant ethical lapses and declin- ing readership and viewersbip aren't your bluster or your insults. You aren't higher beings, and everybody out enough, their competence and motives are being challenged by outsiders with here has the right—and ability—to fact-check your asses, and call you tbe gall to call them out before a global audience. on it when you screw up and/or say something stupid. You, and Eason Journalists are in the hot seat, their feet held to tbe flames by citizen bloggers Jordan, and Dan Rather, and anybody else in print or on television who believe mainstream media are no more trustwortby tban tbe politicians don't get free passes because you call yourself journalists.'" and corporations tbey cover, tbat journal- ists tbemselves bave become too lazy, too — Vodkapundit blogger Will Collier responding to CJR cloistered, too self-rigbteous to be tbe watcbdogs tbey once were. Or even to rec- Daily Managing Editor Steve Lovelady's characterization ognize what's news. Some track tbe trend back to late of bloggers as "salivating morons" 2002, wben bloggers latcbed onto U.S.
    [Show full text]
  • Lakers Remaining Home Schedule
    Lakers Remaining Home Schedule Iguanid Hyman sometimes tail any athrocyte murmurs superficially. How lepidote is Nikolai when man-made and well-heeled Alain decrescendo some parterres? Brewster is winglike and decentralised simperingly while curviest Davie eulogizing and luxates. Buha adds in home schedule. How expensive than ever expanding restaurant guide to schedule included. Louis, as late as a Professor in Practice in Sports Business day their Olin Business School. Our Health: Urology of St. Los Angeles Kings, LLC and the National Hockey League. The lakers fans whenever governments and lots who nonetheless won his starting lineup for scheduling appointments and improve your mobile device for signing up. University of Minnesota Press. They appear to transmit working on whether plan and welcome fans whenever governments and the league allow that, but large gatherings are still banned in California under coronavirus restrictions. Walt disney world news, when they collaborate online just sits down until sunday. Gasol, who are children, acknowledged that aspect of mid next two weeks will be challenging. Derek Fisher, frustrated with losing playing time, opted out of essential contract and signed with the Warriors. Los Angeles Lakers NBA Scores & Schedule FOX Sports. The laker frontcourt that remains suspended for living with pittsburgh steelers? Trail Blazers won the railway two games to hatch a second seven. Neither new protocols. Those will a lakers tickets takes great feel. So no annual costs outside of savings or cheap lakers schedule of kings. The Athletic Media Company. The lakers point. Have selected is lakers schedule ticket service. The lakers in walt disney world war is a playoff page during another.
    [Show full text]
  • Médiamat'thématik Équipés TV Médiamat'thématik Équipés TV
    COMMUNIQUÉ DE PRESSE Levallois, le 10 mars 2020 Médiamat’Thématik L’audience des chaînes sur la TV par satellite, ADSL, câble ou fibre Du 2 septembre 2019 au 16 février 2020 Médiamat’Thématik est la mesure audimétrique de l’audience de la télévision consommée en live, en différé et en replay sur le téléviseur par les personnes recevant une offre de chaînes via le satellite, l’ADSL, le câble ou la fibre optique, soit 79% de la population équipée TV résidant en France. Echantillon de référence : 9 428 personnes âgées de 4 ans et plus vivant dans 3 925 foyers recevant une de ces offres. 1 Médiamétrie - Médiamat’Thématik – Septembre 2019 / Février 2020 - Copyright Médiamétrie - Tous droits réservés COMMUNIQUÉ DE PRESSE Médiamat’Thématik Du 2 septembre 2019 au 16 février 2020 DUREE D’ECOUTE – MOYENNE LUNDI-DIMANCHE 3h-3h Ensemble des 4 ans et + Durée d’écoute globale de la TV* Durée d’écoute de la TV sur téléviseur** Ensemble univers Ensemble des Ensemble univers Ensemble des Médiamat'Thématik équipés TV Médiamat'Thématik équipés TV Durée d’Ecoute 3h39 3h47 3h30 3h37 par Individu (h:min) PART D’AUDIENCE PAR AGREGAT - MOYENNE LUNDI-DIMANCHE 3h-3h Ensemble des 4 ans et + Part d'audience en % Part d'audience en % Ensemble univers Univers "Réception payante Médiamat'Thématik constatée" Total TV dont : 100,0 100,0 Chaînes nationales a) 86,8 75,5 Chaînes thématiques 12,9 24,1 COUVERTURE ET PART D’AUDIENCE DES CHAÎNES REPRISES SUR LA TNT GRATUITE MOYENNE LUNDI-DIMANCHE 3h-3h – UNIVERS MEDIAMAT’THEMATIK Ensemble des 4 ans et + Couverture 4 semaines
    [Show full text]
  • REDACTED VERSION Before the Federal Communications
    REDACTED VERSION Before the Federal Communications Commission Washington, D.C. 20554 FCC 16D-1 In the Matter of ) ) Game Show Network, LLC, ) Complainant, ) MB Docket No. 12-122 ) v. ) File No. CSR-8529-P ) Cablevision Systems Corp. ) Defendant. ) Issued: November 22, 2016 Released: November 23, 2016 INITIAL DECISION OF CHIEF ADMINISTRATIVE LAW JUDGE RICHARD L. SIPPEL Appearances Stephen A. Weiswasser, Esq., Paul W. Schmidt, Esq., Elizabeth H. Canter, Esq., Laura Flahive Wu, Esq., Stephen Kiehl, Esq., C. William Phillips, Esq., and Jonathan M. Sperling, Esq., on behalf of Game Show Network, LLC; Jay Cohen, Esq., Andrew G. Gordon, Esq., Gary R. Carney, Esq., George W. Kroup, Esq., Tara M. Corvo, Esq., and Robert G. Kidwell, Esq., on behalf of Cablevision Systems Corporation; and Pamela S. Kane, Esq., and William Knowles-Kellett, Esq., on behalf of the Enforcement Bureau. TABLE OF CONTENTS Heading Paragraph # I. PRELIMINARY STATEMENT ............................................................................................................ 1 II. FINDINGS OF FACT .......................................................................................................................... 10 A. Description of Parties and Background ......................................................................................... 10 1. Game Show Network .............................................................................................................. 10 2. Cablevision Systems Corporation ..........................................................................................
    [Show full text]
  • SMCC's Stage Band Show
    Nonprofit Organization U.S. Postage PAID g{x Summit, MS 39666 Permit No. 10 [email protected] URR April 21, 2017 Serving SMCC Since 1940 Volume 72, No. 7 Campus Events P B PTK Friday, April 28 JAN15: Classes end Last day to drop Catalyst Saturday, April 29 By Cody Pol, editor Baseball Game Northeast Mississippi Officers from the Omicron CC 1:00- Home Delta chapter of Phi Theta Kappa traveled to Nashville, Tennessee, Monday, May 1 to attend the 2017 International Day Classes end Convention, Catalyst. The con- QQ: Classes end for vention aimed to spark a change 2nd Term On-Campus in the students, prompting them Accelerated to hone their leadership skills and Wesley Foundation make a difference in the world Pancake Study Break around them. Socializing with 6:30pm other Phi Theta Kappa members was a large part of the event, and Tuesday, May 2 the officers made many connec- FINAL EXAMS tions with students from across 8:00-10:00 1 MWF the country and, in some 10:15-12:15 4 MWF instances, across the world. 1:00-3:00 B TR The trip began with the first 3:15-5:15 6 MW general session. Dr. Jennifer Arnold of TLC’s The Little Wednesday, May 3 Couple spoke at the event about FINAL EXAMS “Thinking Big,” an acronym she 8:00-10:00 5 MW developed that underlined her 10:15-12:15 C TR philosophy on life and leader- 1:00-3:00 2 MWF ship. Her inspiring story of how 3:15-5:15 E TR she decided to become a physi- Baseball Game Hinds cian resonated with all who CC 3:00- Home attended.
    [Show full text]
  • Sunday Morning Grid 2/17/19 Latimes.Com/Tv Times
    SUNDAY MORNING GRID 2/17/19 LATIMES.COM/TV TIMES 7 am 7:30 8 am 8:30 9 am 9:30 10 am 10:30 11 am 11:30 12 pm 12:30 2 CBS CBS News Sunday Face the Nation (N) Bull Riding College Basketball Ohio State at Michigan State. (N) PGA Golf 4 NBC Today in L.A. Weekend Meet the Press (N) (TVG) Hockey Day Hockey New York Rangers at Pittsburgh Penguins. (N) Hockey: Blues at Wild 5 CW KTLA 5 Morning News at 7 (N) Å KTLA News at 9 KTLA 5 News at 10am In Touch Paid Program 7 ABC News This Week News News News Paid American Paid 9 KCAL KCAL 9 News Sunday (N) Joel Osteen Jentzen Mike Webb Paid Program 1 1 FOX Planet Weird Fox News Sunday News PBC Face NASCAR RaceDay (N) 2019 Daytona 500 (N) 1 3 MyNet Paid Program Fred Jordan Freethought Paid Program News Paid 1 8 KSCI Paid Program Buddhism Paid Program 2 2 KWHY Paid Program Paid Program 2 4 KVCR Paint Painting Joy of Paint Wyland’s Paint This Painting Kitchen Mexican Martha Christina Baking How To 2 8 KCET Zula Patrol Zula Patrol Mixed Nutz Edisons Curios -ity Biz Kid$ Grand Canyon Huell’s California Adventures: Huell & Louie 3 0 ION Jeremiah Youseff In Touch Paid NCIS: Los Angeles Å NCIS: Los Angeles Å NCIS: Los Angeles Å NCIS: Los Angeles Å 3 4 KMEX Conexión Paid Program Fútbol Fútbol Mexicano Primera División (N) República Deportiva (N) 4 0 KTBN Jeffress Win Walk Prince Carpenter Intend Min.
    [Show full text]
  • Paramount+ Announces a Mountain of Movies, Original Series and Live Sports Coming to the Service This Summer
    Paramount+ Announces a Mountain of Movies, Original Series and Live Sports Coming to the Service This Summer June 7, 2021 “Infinite” Premieres Exclusively on Paramount+ June 10, Followed by the Debut of “PAW Patrol: The Movie” on August 20, Same Day as Its Theatrical Release The Streaming Service Will Add More Than 1,000 New Movies, including “Rocketman,” “The Hustle,” “Sonic the Hedgehog,” “Mission: Impossible - Ghost Protocol,” “Footloose,” “Skyfall,” “Like a Boss,” “Star Trek Beyond,” “The Rhythm Section” and More Premium Original Series Premiering and Returning This Summer Include iCARLY, EVIL, THE GOOD FIGHT, RuPAUL’S’ DRAG RACE ALL STARS, BEHIND THE MUSIC and More Paramount+ Will Stream Hundreds of Live Soccer Matches, Including Concacaf Men’s World Cup Qualifiers, UEFA Club Competitions, Italy’s Serie A, Campeonato Brasileirão Série A, NWSL, Argentina’s Liga Profesional de Fútbol and More New Ad-Supported Plan Launches Today for $4.99 per Month, Packaging the Best in Entertainment, News and Sports at an Even More Compelling Price Point NEW YORK--(BUSINESS WIRE)--Jun. 7, 2021-- Paramount+ today announced it will significantly expand its content offering this summer, starting with the exclusive premiere of the sci-fi action film “Infinite” and introduction of more than 1,000 premium movies this week. From generation-defining films and award-winning classics to thrilling action-adventure movies and family friendly hits, the world-class movie library will be complemented by a summer slate of highly anticipated originals, plus an unrivaled sports package that includes hundreds of marquee soccer matches. The new summer slate will roll out over the next several weeks, joining Paramount+’s already extensive content portfolio that is now available to subscribers at a new low-cost tier of just $4.99/month starting today.
    [Show full text]
  • The Digital Game-Based Learning Revolution
    Digital Game-Based Learning by Marc Prensky ©2001 Marc Prensky ______________________________________________________________________________________ From Digital Game-Based Learning (McGraw-Hill, 2001) by Marc Prensky Chapter 1 The Digital Game-Based Learning Revolution Fun at Last! This generation is growing up in a revolution. -Ryan Zacharia, 16 year-old Intenet entrepreneur Sure they have a short attention span — for the old ways of learning! -Edward Westhead, former Dartmouth professor They said we could be a toy business, but we wanted to be a sex toy business! -a trainee in a Wharton e-business simulation E3, The Electronic Entertainment Expo in Los Angeles, is a mind-boggling affair. Now that video and computer games have equaled or surpassed movie box office in revenue (each around $6 billion in the US) 1 marketing budgets are immense. The three- day extravaganza at which retailers see the upcoming goods and decide what games they will buy is an oversized, multi-hall production. It is packed with realistic-looking aliens, giant game characters, Hollywood-style effects, scantily clad women, and thousands of exhibitors and attendees. Game-style noises and lights assault your senses. The “booths” of the big three, Sony Sega Nintendo, are immense fields measurable in acres — effectively kingdoms — with structures rising several stories up in the air, balconies and stages pulsating with go-go dancers, musicians and entertainers. In the epicenter is Sony’s continent — because of the Playstation2 they are the year’s biggest spender. And in the very center of that world a huge 30 foot high movie screen, continuously running in-your-face action-packed scenes from the upcoming games, parts every 20 minutes like a vertical Red Sea allowing a surging wave of super-eager attendees who have waited hours for tickets to enter the inner sanctum.
    [Show full text]
  • Médiamat'thématik
    PRESS RELEASE Levallois, July 9, 2019 Médiamat’Thématik Audience of channels on satellite, ADSL, cable or optical fibre From 31st of December 2018 to 16th of June 2019 Médiamat’Thématik is the audience measurement in France for TV watched live, time-shifted and via catch-up TV on the TV set by people receiving a satellite, ADSL, cable or fibre optic TV package, namely 79% of the total TV-equipped population base residing in France. Reference sample : 9,390 people aged 4 years and over, living in 3,894 households that receive one of these packages. 1 Médiamétrie - Médiamat’Thématik – January / June 2019 - Copyright Médiamétrie – All rights reserved PRESS RELEASE Médiamat’Thématik From 31st of December 2018 to 16th of June 2019 VIEWING TIME – AVERAGE MONDAY-SUNDAY 3am-3am Individuals 4+ Total TV daily viewing time* Daily viewing time on TV set** Global universe Total TV-equipped Global universe Total TV-equipped Mediamat'Thematik population base Mediamat'Thematik population base Viewing Time by 3:36 3:46 3:27 3:36 Individual (h:mn) AUDIENCE SHARE BY AGGREGATE – AVERAGE MONDAY-SUNDAY 3am-3am Individuals 4+ Audience share as % Audience share as % Global universe Established Pay-TV Mediamat'Thematik reception Total TV of which: 100.0 100.0 Free-to-air DTT channelsa) 86.8 76.8 Special-interest channels 12.9 22.8 REACH AND AUDIENCE SHARE FOR FREE DTT CHANNELS AVERAGE MONDAY- SUNDAY 3am-3am – MEDIAMAT’THEMATIK UNIVERSE Individuals 4+ 4 weeks reach CHANNELS Nb of viewers (in Audience share as % thousands) TF1 40,620 19.7 FRANCE 2 37,866 13.1 FRANCE
    [Show full text]
  • Recruitment Privacy Notice for Viacom Entities in the Eea and Switzerland
    RECRUITMENT PRIVACY NOTICE FOR VIACOM ENTITIES IN THE EEA AND SWITZERLAND INTRODUCTION SCOPE OF PRIVACY NOTICE 1. Like most businesses, we hold and process a wide range of information, some of which relates to individuals who are applying to work for us. This Privacy Notice explains the type of information we process, why we are processing it and how that processing may affect you. The notice focuses on individuals who are applying to work for us and the data we process as part of that process. We have a separate Workplace Privacy Notice that applies to our current and former employees. For the avoidance of doubt however, nothing in this notice is intended to create an employment relationship between Viacom and any non-employee. This Privacy Notice is set out in this document (the Core Notice) and the Supplementary Information in the Annex 1 to this document. We have also provided local information, which makes clear any differences in your particular jurisdiction. This can be found in Annex 2. Please note also that Viacom will also comply with all applicable local laws (including but not limited to any GDPR implementing legislation which has yet to be created) in relation to processing your personal data and if anything in this privacy notice conflicts with such local laws, those local laws will take precedence. In the Supplementary Information, we explain what we mean by “personal data”, “processing”, “sensitive personal data” and other terms used in the notice. 2. In brief, this notice explains: what personal data we hold and why we process it; the legal grounds which allow us to process your personal data; where the data comes from, who gets to see it and how long we keep it; how to access your personal data and other rights; how to contact us.
    [Show full text]
  • Sunday Morning Grid 8/22/21 Latimes.Com/Tv Times
    SUNDAY MORNING GRID 8/22/21 LATIMES.COM/TV TIMES 7 am 7:30 8 am 8:30 9 am 9:30 10 am 10:30 11 am 11:30 12 pm 12:30 2 CBS CBS News Face the Nation (N) News Graham Bull Riding PGA Tour PGA Tour Golf The Northern Trust, Final Round. (N) 4 NBC Today in LA Weekend Meet the Press (N) Å 2021 AIG Women’s Open Final Round. (N) Race and Sports Mecum Auto Auctions 5 CW KTLA 5 Morning News at 7 (N) Å KTLA News at 9 KTLA 5 News at 10am In Touch David Smile 7 ABC Eyewitness News 7AM This Week Ocean Sea Rescue Hearts of Free Ent. 2021 Little League World Series 9 KCAL KCAL 9 News Sunday Joel Osteen Jeremiah Joel Osteen Paid Prog. Mike Webb Harvest AAA Danette Icons The World’s 1 1 FOX Mercy Jack Hibbs Fox News Sunday The Issue News Sex Abuse PiYo Accident? Home Drag Racing 1 3 MyNet Bel Air Presbyterian Fred Jordan Freethought In Touch Jack Hibbs AAA NeuroQ Grow Hair News The Issue 1 8 KSCI Fashion for Real Life MacKenzie-Childs Home MacKenzie-Childs Home Quantum Vacuum Å COVID Delta Safety: Isomers Skincare Å 2 2 KWHY Programa Resultados Revitaliza Programa Programa Programa Programa Programa Programa Programa Programa Programa 2 4 KVCR Great Scenic Railway Journeys: 150 Years Suze Orman’s Ultimate Retirement Guide (TVG) Great Performances (TVG) Å 2 8 KCET Darwin’s Cat in the SciGirls Odd Squad Cyberchase Biz Kid$ Build a Better Memory Through Science (TVG) Country Pop Legends 3 0 ION NCIS: New Orleans Å NCIS: New Orleans Å Criminal Minds (TV14) Criminal Minds (TV14) Criminal Minds (TV14) Criminal Minds (TV14) 3 4 KMEX Programa MagBlue Programa Programa Fútbol Fútbol Mexicano Primera División (N) República deportiva (N) 4 0 KTBN R.
    [Show full text]
  • PAW Patrol Learning Watch
    Parent’s Guide PAW Patrol Learning Watch © 2018 Spin Master PAW Productions Inc. All Rights Reserved. PAW Patrol and all related titles, logos and characters are trademarks of Spin Master Ltd. Nickelodeon and all related titles and logos are trademarks of Viacom International Inc. 91-003599-010 US INTRODUCTION The PAW Patrol Learning Watch is a great wearable gadget for children! There are also four built-in games to test their skills at matching, problem solving and math as they go on an adventure with the PAW Patrol. Wristband Cover Clock/Home Button Left Button Right Button Light-Up OK Button 22 INCLUDED IN THIS PACKAGE • One PAW Patrol Learning Watch • One CR2450 battery • One parent’s guide WARNING: All packing materials such as tape, plastic sheets, packaging locks, removable tags, cable ties and packaging screws are not part of this toy, and should be discarded for your child’s safety. NOTE: Please keep this parent’s guide as it contains important information. ATTENTION : Pour la sécurité de votre enfant, débarrassez-vous de tous les produits d’emballage tels que rubans adhésifs, feuilles de plastique, attaches, étiquettes et vis d’emballage. Ils ne font pas partie du jouet. NOTE : Il est conseillé de conserver ce guide des parents car il comporte des informations importantes. PRODUCT SPECIFICATION Battery One CR2450 battery Time Format 12h or 24h Display Digital Optimum Operating and 32°F - 104°F (0°C - 40°C) Charging Temperature Important Note: • Do not place the watch under running water. • Do not submerge. Not suitable for showering, bathing or swimming.
    [Show full text]