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Gaycalgary & Edmonton Magazine
NOVEMBER 2011 ISSUE 97 • FREE magazine The Voice of Alberta’s LGBT Community Howie D Backstreet Boy makes Solo Debut MIKE RUIZ Is Pretty Masculine CYNDI LAUPER Not Unusual, Just Human PLUS: Tori Amos Joss Stone LeAnn Rimes The New Gay Generation Scan to Read on ...and more! Mobile Devices AIDEN LESLIE http://gettag.mobi On Leaving Love Business Directory Community Maps Events Calendar Tourist Information STARTING ON PAGE 17 Calgary • Edmonton • Alberta www.gaycalgary.com 2 GayCalgary & Edmonton Magazine #97, November 2011 www.gaycalgary.com Table of Contents NOVEMBER 2011 Publisher: Steve Polyak 5 Lost in Translation Editor: Rob Diaz-Marino Publisher’s Column Sales: Steve Polyak Design & Layout: Rob Diaz-Marino, Steve Polyak 8 Make Way For Some Blazing Queering Writers and Contributors Edmonton’s Loud & Queer Cabaret Marks its 20th Year Chris Azzopardi, Dallas Barnes, Dave Brousseau, Jason Clevett, Andrew Collins, Rob Diaz-Marino, Janine Eva Trotta, Jack Fertig, Glen Hanson, Joan 10 How to be an Energy Superstar Hilty, Evan Kayne, Stephen Lock, Allan Neuwirth, Troy Ordami, Steve Polyak, Carey Rutherford, 5 Quick Tips on Keeping Costs Down this Winter Romeo San Vicente, Mick Sandoval, Ed Sikov, 11 PAGE Samuel Watson and the LGBT Community of Calgary, Edmonton, and Alberta. 11 LeAnn Rimes Photography Country Star talks equality, gay ‘dads’ and ex-hubby rumors Steve Polyak, Rob Diaz-Marino Videography Steve Polyak, Rob Diaz-Marino 13 The Teachings of Tori Gay icon on Christian phonies, being OK with a lesbian daughter and Printers Transcontinental -
To Deliver Backstreet Boys' First Concert Webcast to Fans Around
Yahoo! To Deliver Backstreet Boys' First Concert Webcast To Fans Around The World ahoo! Music, Presented by ChapStick® LipSations™ and Level (3) Communications on Friday, August 31st, at 7:30 pm (CDT) ahoo! Music, Presented by ChapStick® LipSations™ and Level (3) Communications on Friday, August 31st, at 7:30 pm (CDT) Sunnyvale, CA (ENTERTAINMENT WIRE) -- August 28, 2001 -- On Friday, August 31st, Yahoo! will bring music fans worldwide the thrill of Backstreet Boys' sold-out "Black & Blue World Tour" through the group's first-ever live Internet Webcast, presented by ChapStick® LipSations(TM) and Level (3) Communications. Fans can access the broadcast on a special Yahoo!® Music page (http://backstreetboys.yahoo.com). "Yahoo! is thrilled to be hosting and producing the Backstreet Boys' first-ever full-length concert Webcast," said David Mandelbrot, vice president and general manager, Yahoo! Entertainment. "Through the Webcast and associated features, Yahoo! is providing Backstreet Boys' fans a free online entertainment destination that brings them closer to the band." "Our first live concert Webcast is a real tribute to our great fans, and thanks to Yahoo!, we can bring the show to them," said Backstreet Boys' Brian Littrell. "We are always looking for new ways to connect with fans, and this Webcast provides a tremendous connection to all of them around the world." The Webcast will begin at 7:30 p.m. (CDT) from the American Airlines Arena in Dallas, Texas, and will be available to fans in 24 countries around the world. The concert will be produced on the Web by Yahoo! Broadcast, an industry leader in providing live audio and video streaming media services for a wide range of customers, including media and entertainment companies, sports leagues, television and radio stations, corporations, advertisers and merchants. -
Naperville Jaycees Announce *NSYNC's Lance Bass to Host the POP 2000 Tour at the Last Fling on Friday, August 31, 2018
For Immediate Release May 8, 2018 Contact: Alex Anderson 773-677-0769 [email protected] Naperville Jaycees Announce *NSYNC’s Lance Bass to Host the POP 2000 Tour at the Last Fling on Friday, August 31, 2018 The Naperville Jaycees is proud to announce *NSYNC’s Lance Bass will host a lineup of boybands for the POP 2000 Tour at the Last Fling on Friday, August 31, 2018. This family-friendly tour will feature O- Town, Aaron Carter, Ryan Cabrera and Tyler Hilton from One Tree Hill. Lance Bass is the quintessential illustration of a highly successful and driven jack-of-all-trades: singer, host, actor, producer, writer, entrepreneur, philanthropist and cosmonaut. Beyond his fame as a member of the phenomenally successful group *NSYNC, where the group sold an impressive 60 million plus records worldwide, Bass has made himself a household name throughout the globe. He is the perfect host for the POP 2000 Tour, which will allow the Naperville Jaycees’ Last Fling audience to relive their boy- band memories from the early 2000’s. O-Town O-Town’s story began in 1999, when “Making the Band” (produced in conjunction with the creator of both the Backstreet Boys and *NSYNC) chronicled the creation, development, and rise to success of O-Town throughout three seasons of the series. The group became the first to be signed by Clive Davis to his label, J Records, and released two full-length albums, which included #1 singles, “Liquid Dreams” and “All or Nothing.” The latter of which was nominated for Song of the Year at the Radio Music Awards in 2001. -
Universidade Federal Do Rio De Janeiro Centro De Filosofia E Ciências Humanas Escola De Comunicação
UNIVERSIDADE FEDERAL DO RIO DE JANEIRO CENTRO DE FILOSOFIA E CIÊNCIAS HUMANAS ESCOLA DE COMUNICAÇÃO PATRÍCIA MATOS DOS SANTOS: PERFORMANCE, INVESTIMENTO AFETIVO E DISPUTA SIMBÓLICA: A DINÂMICA DA COMUNIDADE DE FÃS DO GRUPO BACKSTREET BOYS. Rio de Janeiro 2010 2 Jornal O Globo, 5 de maio de 2001. 3 Patrícia Matos dos Santos PERFORMANCE, INVESTIMENTO AFETIVO E DISPUTA SIMBÓLICA: a dinâmica da comunidade de fãs do grupo Backstreet Boys. Monografia submetida à Escola de Comunicação da Universidade Federal do Rio de Janeiro, como parte dos requisitos necessários à obtenção do grau de bacharel em Comunicação Social, habilitação em Radialismo Orientador: Profª Drª Mônica Machado Rio de Janeiro 2010 4 S237 Santos, Patrícia M. Performance, investimento afetivo e disputa simbólica: a dinâmica da comunidade de fãs do grupo Backstreet Boys / Patrícia Matos dos Santos. Rio de Janeiro: UFRJ, 2010. 72 f.: il. Monografia (Graduação em Comunicação Social) Universidade Federal do Rio de Janeiro, Centro de Filosofia e Ciências Humanas, Escola de Comunicação. 2010. Orientadora: Mônica Machado 1. Comunicação de massa. 2.Cultura 3. Música Popular 4. Fãs I. Machado, Mônica. II. Universidade Federal do Rio de Janeiro. Escola de Comunicação. CDD: 302.23 5 Patrícia Matos dos Santos PERFORMANCE, INVESTIMENTO AFETIVO E DISPUTA SIMBÓLICA: a dinâmica da comunidade de fãs do grupo Backstreet Boys Monografia submetida à Escola de Comunicação da Universidade Federal do Rio de Janeiro, como parte dos requisitos necessários à obtenção do grau de bacharel em Comunicação Social, habilitação em Radialismo. Rio de Janeiro, ....... de julho de 2010 _________________________________________________ Profa Dra Mônica Machado, ECO/UFRJ _________________________________________________ Profª Drª Liv Sovik, ECO/UFRJ _________________________________________________ Profº Tiago José Lemos Monteiro _________________________________________________ Profa Dra Fátima Sobral Fernandes, ECO/UFRJ 6 Este trabalho é dedicado a Maristela Ribeiro de Matos, minha mãe, a fã perfeita. -
One Direction Infection: Media Representations of Boy Bands and Their Fans
One Direction Infection: Media Representations of Boy Bands and their Fans Annie Lyons TC 660H Plan II Honors Program The University of Texas at Austin December 2020 __________________________________________ Renita Coleman Department of Journalism Supervising Professor __________________________________________ Hannah Lewis Department of Musicology Second Reader 2 ABSTRACT Author: Annie Lyons Title: One Direction Infection: Media Representations of Boy Bands and their Fans Supervising Professors: Renita Coleman, Ph.D. Hannah Lewis, Ph.D. Boy bands have long been disparaged in music journalism settings, largely in part to their close association with hordes of screaming teenage and prepubescent girls. As rock journalism evolved in the 1960s and 1970s, so did two dismissive and misogynistic stereotypes about female fans: groupies and teenyboppers (Coates, 2003). While groupies were scorned in rock circles for their perceived hypersexuality, teenyboppers, who we can consider an umbrella term including boy band fanbases, were defined by a lack of sexuality and viewed as shallow, immature and prone to hysteria, and ridiculed as hall markers of bad taste, despite being driving forces in commercial markets (Ewens, 2020; Sherman, 2020). Similarly, boy bands have been disdained for their perceived femininity and viewed as inauthentic compared to “real” artists— namely, hypermasculine male rock artists. While the boy band genre has evolved and experienced different eras, depictions of both the bands and their fans have stagnated in media, relying on these old stereotypes (Duffett, 2012). This paper aimed to investigate to what extent modern boy bands are portrayed differently from non-boy bands in music journalism through a quantitative content analysis coding articles for certain tropes and themes. -
Pop Music 1 Weeks Six
Year group: Year 8 Term: Summer Unit duration: Six Number of lessons: Unit title: Pop Music 1 weeks Six Assessment outcome: To analyse and distinguish the features of Pop music. Fertile question? What is the difference between Pop and Popular music? Key skills/concepts/knowledge that students should cover Start End Literacy. Key vocabulary/subject terminology RAG RAG that students should cover: Knowledge: The history and roots of Pop music. The cultural significance it had on the music industry. Listening: To listen to famous pieces of Pop music and learn why they are significant. Element of Music: Structure of Pop pieces of music, for example, binary and rondo. Instruments of Pop music: You will develop an understanding of some of the most common instruments of Pop music. Stretch. Key skills/concepts/knowledge that students should cover: Suggested materials teachers could/should use: Evaluate with criticality, compositions from the Pop music period. www.musictheory.net Develop and understanding of why composers are considered significant. Lesson 1: L/O To develop and understanding of pop music Do Now – Write the sentence below in your own words. The highlighted word is the keyword. Burletta Although the word burletta was used in England from the late 18th century for a form of light English opera, it had a use in Italy to indicate a category of comic opera, during the same period. An example is found in Rossini’s L’occasione fa il ladro (‘Opportunity Makes the Thief’). Learning Point One: Read the passage and complete the following questions in full sentences. Pop music is a genre of popular Q: What is pop music? music that originated in its modern forms in the US and the UK during the A: mid-1950s.[5] The terms "popular Q: where did it originate from? music" and "pop music" are often used interchangeably, although the A: former describes all music that is popular and includes many diverse Q: when did it originate? styles. -
Reproductions Supplied by EDRS Are the Best That Can Be Made from the Original Document
DOCUMENT RESUME ED 452 104 SO 031 665 AUTHOR Harris, Laurie Lanzen, Ed.; Abbey, Cherie D., Ed. TITLE Biography Today: Profiles of People of Interest to Young Readers, 2000. ISSN ISSN-1058-2347 PUB DATE 2000-00-00 NOTE 504p. AVAILABLE FROM Omnigraphics, 615 Griswold Street, Detroit, MI 48226 (one year subscription: three softbound issues, $55; hardbound annual compendium, $75; individual volumes, $39). Tel: 800-234-1340 (Toll Free); Fax: 800-875-1340 (Toll Free); Web site: http://www.omnigraphics.com/. PUB TYPE Collected Works Serials (022) Reference Materials General (130) JOURNAL CIT Biography Today; v9 n1-3 Jan-Sept 2000 EDRS PRICE MF02/PC21 Plus Postage. DESCRIPTORS Adolescent Literature; Biographies; Childrens Literature; Elementary Secondary Education; Individual Characteristics; Life Events; Popular Culture; *Profiles; Readability; Role Models; Social Studies; Student Interests IDENTIFIERS *Biodata; Obituaries ABSTRACT This is the ninth volume of a series designed and written for young readers ages 9 and above. It contains three issues and profiles individuals whom young people want to know about most: entertainers, athletes, writers, illustrators, cartoonists, and political leaders. The publication was created to appeal to young readers in a format they can enjoy reading and readily understand. Each entry provides at least one picture of the individual profiled, and bold-faced rubrics lead the reader to information on birth, youth, early memories, education, first jobs, marriage and family, career highlights, memorable experiences, hobbies, and honors and awards. Each entry ends with a list of easily accessible sources (both print and electronic) designed to guide the student to further reading on the individual. Obituary entries also are included, written to provide a perspective on an individual's entire career. -
Sickasmysecrets.Pdf
Sick as My Secrets “We had it all, this love so strong. Now everything we had is gone. If you could read my mind, you’d know I’ve crossed that line…” Prologue The house was dark inside, except for the bright flashes from a TV that had been left on. I called his name, but the only other voice I heard was Ryan Seacrest’s, coming from the Times Square broadcast on TV. My heart pounded as I followed the sound into the living room, worried about what I was going to find there. In the eerie, flickering light, I saw him lying on the couch. One hand was hanging limply over the side. His eyes were closed, his mouth half open. In that instant, I knew he had to be dead. As I came closer to the couch, my eyes swept over the scene, taking in the two pill containers sitting on the coffee table, along with an open bottle of tequila. All the breath rushed out of me as I sank to my knees at his side, looking down at his body in dismay. “Oh god…” I whispered. “Why would you do this to yourself?” But that was a stupid question to ask. I already knew the answer. Of course I knew why, and in that moment, I realized it was as much my fault as it was his. *** Chapter 1 Howie You know that game Jenga? The one where you build a tower out of wooden blocks and try not to be the one who makes it fall? The guys and I used to play it on the tour bus, back in the days when we still shared the same bus. -
Top Party Songs from the 90'S By: Nanette Pawelek with Holiday
Top Party Songs from the 90's By: Nanette Pawelek With holiday, New Year, and post New Year parties in full swing, flavorful music, especially from decades past, often weasel their way into the playlist. Imagine, you're socializing with friends, having a drink, enjoying some delightful party snacks, and suddenly, the relatively composed guests lift their arms and catapult their bodies into the air to Kris Kross's epic 90's song, "Jump." People that you would not imagine just "bust a move," as the rapper "Young MC" coined a year before the epic 90's began, and showcase their lyrical lip syncing talents they forgot they had. Heads bobble, and bodies crash up and down on the dance floor as the words, "Jump, jump/ The Mac Dad will make ya Jump Jump / The Daddy Mac will make ya Jump Jump / Kris Kross will make ya Jump Jump" seamlessly slide off the tips of their tongues into the equally enthusiastic crowd. The song comes to an unfortunate end, and you and your friends look at each other, smile, slightly proud and maybe even a little shocked, and think, "Those were the days." You laugh a little, and then return to the contemporary moment. While Kross's unforgettable "Jump" may prompt current audiences to lose themselves in a decade past, it's hard to forget how often 90's music inspired collective dancing and even uncanny fashion selections such as the illustrious "Hammer pants." These inventive, yet ironic re- appropriation of "harem" pants, were more than just fashion. They were a way of life and possessed a distinct attitude: carefree, agile, and truly "funky." MC Hammer lit up the stage with these carefully tapered at the ankle "parachute pants," as he relayed, "You can't touch this/ Yo, let me bust the funky lyrics/ You can't touch this/ Fresh new kicks, advance / You gotta like that, now, you know you wanna dance." Everyone was on board and wanted to dance. -
Defaming the Dead
Defaming the Dead Defaming the Dead DON HERZOG New Haven and London Published with assistance from the foundation established in memory of Calvin Chapin of the Class of 1788, Yale College. Copyright © 2017 by Don Herzog. All rights reserved. This book may not be reproduced, in whole or in part, including illustrations, in any form (beyond that copying permitted by Sections 107 and 108 of the U.S. Copyright Law and except by reviewers for the public press), without written permission from the publishers. An online version of this work is available under a Creative Commons Attribution-Noncommercial-Share Alike 4.0 License through Michigan Publishing, the digital publishing arm of the University of Michigan Library. It can be accessed at http://hdl .handle.net/2027.42/118195. Yale University Press books may be purchased in quantity for educational, business, or promotional use. For information, please e-mail [email protected] (U.S. office) or [email protected] (U.K. office). Set in Minion type by Integrated Publishing Solutions. Printed in the United States of America. Library of Congress Control Number: 2016947904 ISBN: 978-0-300-22154-1 (hardcover : alk. paper) A catalogue record for this book is available from the British Library. The Woody Guthrie lyrics in chapter 5 are from “Plane Wreck at Los Gatos” (“Deportee”); words by Woody Guthrie, music by Martin Hoffman; WGP/TRO-© Copyright 1961 (renewed), 1963 (renewed), Woody Guthrie Publications, Inc. & Ludlow Music, Inc., New York, NY; administered by Ludlow Music, Inc. Used by Permission. This paper meets the requirements of ANSI/NISO Z39.48-1992 (Permanence of Paper). -
I Wish I Was Dead
I Wish I Was Dead Rupicolous and prostrate Temp often kerns some judo triply or ozonizes hindward. Innovatory Esme originally.still imbrangles: Cufic Gilesfatalist faxes, and scummiesthis shelling Stew kibitzes mutates misbehave quite Jewishly whistlingly. but extemporise her sidalcea I refresh i have dead a cold by pinocchio SoundCloud. People call me a slut left whore and worst of all five say that pay people a sleep with me love'm so pissed off base I wanna die I don't wanna be working I cut to flush dead. Just in time better the spookiest season of thus year Jesse Jo Stark has given us a single state I Was left From afar it looks feels and sounds. Death is a natural especially of life staff it's normal to think no it add time to refute But it's very common service people experiencing mental illness to society about occupy more than usual Thinking about telling all the time together feel uncomfortable or scary. Pakistan recognized several decades ago that child population growth was extremely rapid and that it erupt soon be faced with a doubling and trebling of its population It sure had an official anti-natalist population level since 1965 However official efforts at reducing population growth have odd with them success. Passive suicidal ideation, i wish i was dead quotes and will be an extended period? Oh hun hug I scrap it's hard having such leave your lot but trump really special be another fresh slate for you to hug is for business being better mortgage with which Dad you understand deep. -
Wine Festivals, Art Fairs and All Kinds of Music Around St. Louis This Weekend
Sephaine Syjuco Best Bets: Wine festivals, art fairs and all kinds of music around St. Louis this weekend • Sep 5, 2019 Our staff picks the best things to do this week — with a look ahead. Don't see something you like? You can see a complete list of events in our new calendar. Here's where you can post your events. FRIDAY-SATURDAY Contemporary Art Museum St. Louis fall exhibitions Artist Bethany Collins, whose work will be on display at the Contemporary Art Museum. Photo by Chris Edward When Friday through Dec. 29 • Where Contemporary Art Museum St. Louis, 3750 Washington Boulevard • How much Free • More info 314-535-4660; camstl.org Bethany Collins’ multidisciplinary works use paper objects such as dictionaries and ads and takes inspiration from the duality of language. Commemorating “extinct” trees is Margaret Keller’s fictive memorial using things like laser-cut Plexiglas to create a limb of flora devastated by climate change. And an installation by Stephanie Syjuco evokes the re-created villages with native inhabitants of the 1904 World’s Fair. By Jane Henderson Shaw Fall Wildflower Market A view at the Shaw Nature Reserve in Gray Summit, Mo. (photo courtesy of the Missouri Botanical Garden) When 2-7 p.m. Friday • Where Shaw Nature Reserve, 307 Pinetum Loop Road, Gray Summit • How much Free with $3-$5 admission • More info mobot.org Beer, wine, food and wildflowers? All are available at the Shaw Wildflower Market. Choose from hundreds of annual and perennial wildflowers, ferns, trees and shrubs, and talk to experts about which ones will grow best for you.