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Art Basel Hong Kong 2016 Press Release English JT(最終調整中)

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Art Basel Hong Kong 2016 Press Release English JT(最終調整中) Booth No. 3D43 JIRO TAKAMATSU Also find us at Encounters 3E16: Keiji Uematsu “Invisible axis - distance and angle” Jiro Takamatsu ©The Estate of Jiro takamatsu, Courtesy of Yumiko Chiba Associates Yumiko Chiba Associates is pleased to present Jiro Takamatsu’s works, focusing on the period from the middle of 1970s to 1980s; mainly, his “Compound” series as well as the other works symbiotically related to the series will be introduced. After majoring in oil painting at Tokyo University of Fine Arts and Music and graduating in 1958, Takamatsu was active over 40 years as an artist. He had an impact on the movement of post-war Japanese art unfolded over the period from the late 1960s to 1970s, such as Anti-art, Conceptualist, and Mono-Ha, with which he made a significant mark on the Japanese art world. Natsuyuki Nakanishi, an artist, who formed the anti-art group Hi-Red Center with Jiro Takamatsu and Genpei Akasegawa, comments on Takamatsu as follows: "[Takamatsu] reviews things known to the world with an innocent curiosity like that of the newly born child and with an earnest attitude. By doing so, reality and non-reality are separated; from the gap in between the two, a new type of humor reveals itself. This creates a situation in which 'things known to the world' are turned into the unknown, which then expands the world that is filled with the unknown. To possess thoughts toward the ideas we humans did not come up with, and to think that every corner from here to the end of the world is already known - but to have a thought that we 'still don't know'.* Jiro Takamatsu was an artist who kept himself engaged in thinking. He practiced various ways in his creation, extending from anti-art performance, paintings, three-dimensional works, installation, photographs and prints. He mentions, “Scientists seem to think about the relationships that exist between objects, but in my case (and in the case of many other artists), I think about the relationships between objects and myself. (Quest for Absence, pp.246-247)”. So, he persisted in questioning himself about existence of objects and human beings and proving them through his perception as well as visual sensation, which remained consistently at root of his creation. Park Grace Shinjuku Bldg. 316, 4-32-6, Nishi-Shinjuku, Shinjuku-ku, Tokyo 160-0023 Japan Opening Hours: 12:00 - 19:00 (Closed on Sunday, Monday, National Holiday) [email protected] +81-3-6276-6731 This presentation will place the “Compound” series as the central feature, yet a part of the transition of Takamatsu’s thinking and proving will be shown through the whole exhibits. Oneness of Paper belongs to the “Oneness” series according to the classification by Takamatsu himself. Oneness divided inside the closed solid is related with the outside space and parts of the other solid, suggesting its link with the “Compound”. Compound, a three-dimensional object, which is coupled with iron, reflects its form onto a flat and gradually converts to Frame as well as Space in Two Dimensions, by pursuing spatiality on a flat surface. Takamatsu also created experimental works, instantly setting up the place in his atelier or when going to a nearby park, which give a glimpse of his ideas of objects and space. The photographs left as a record of the experimentation also show his constant attitude to prove how things could look, the sense of sight itself, or how things should be, as well as his way of producing. Takamatsu contributed the following words in the catalog of Tokyo Biennale '70 titled Between Man and Matter: “If one were to only create a relationship with a specific (a partial) element of a thing, a strong feeling of uncertainty toward that thing would always remain. Even if it means toward a single thing, I feel that it is necessary for one to create a relationship with that thing in its entirety within the extent of one's capability.” In time of worldwide re-evaluation of Japanese conceptual art, our presentation will invite viewers to follow the thread (or a string) of Jiro Takamatsu’s thinking, and we would be grateful if they could appreciate Jiro Takamatsu’s profound thought in his works composed of philosophical ideas and mathematical logic. *Natsuyuki Nakanishi, "On the Writings Sent to Me from Jiro Takamatsu," written in a leaflet that publicized the book The Expanding World Project. Park Grace Shinjuku Bldg. 316, 4-32-6, Nishi-Shinjuku, Shinjuku-ku, Tokyo 160-0023 Japan Opening Hours: 12:00 - 19:00 (Closed on Sunday, Monday, National Holiday) [email protected] +81-3-6276-6731 Takamatsu, Jiro（1936-1998） 1954 Entered Tokyo University of the Arts, Department of Painting, Oil Painting 1966 Jiro Takamatsu “Identification” (Tokyo Gallery, Tokyo) Artists Today, Yokohama Civic Art Gallery, Kanagawa (69, 71,76,78,79,82,84,87.77,84) 1968 XXXIV Esposizione Internazionale d'Arte la Biennale di Venezia (Venice, Italy) Awarded “Carlo Cardazzo” prize 1973 XII Bienal Internacional de Sao Paulo (Sao Paulo, Brazil) 1977 Documenta 6 (Kassel, Germany) Malerei und Fotographie im Dialog von 1840 bis Heute, Kunsthaus, Zurich, Switzerland 1994 Japanese Art after 1945: Scream Against the Sky, Yokohama Museum of Art, Kanagawa 1996 Jiro Takamatsu at Present (Niigata City Art Museum, Niigata/ Mitaka City Gallery of Art, Tokyo) 1999 Jiro Takamatsu－Paintings and Drawings for “Shadow” (The National Museum of Art, Osaka) 2000 Jiro Takamatsu－1970s Three-dimensional Works and Others (Chiba City Museum of Art, Chiba) 2003 Re-verification: Paintings of Jiro Takamatsu from his studio (Mitaka City Gallery of Art, Tokyo) 2004 Jiro Takamatsu－Universe of His Thoughts (Fuchu Art Museum, Tokyo/ Kitakyushu Municipal Museum of Art, Fukuoka) 2005 Yokohama Triennale 2005, Art Circus, Jumping from the Ordinary (Yamashita Pier No.3 and No.4 Warehouses, etc. in Yokohama, Kanagawa) 2006 Jiro Takamatsu－Drawings of Shadows (MIYAKE FINE ART, Tokyo) 2008 Daiwa Press Viewing Room vol. 08 “3,918 drawings by Takamatsu Jiro” (Daiwa Press Viewing Room, Hiroshima) 2009 The 5th Dazaifu Tenmangu Art Program Jiro Takamatsu/ Ryudai Takano “Photograph of Photograph” and Photograph (Dazaifu Tenmangu, Fukuoka) 2010 Jiro Takamatsu Shadow Paintings (McCAFFREY FINE ART, New York, USA) Jiro Takamatsu Early Works (Yumiko Chiba Associates viewing room shinjuku, Tokyo) MOT Collection Chronicle 1947-1963 Days of Independent Art Exhibitions, MUSEUM OF CONTEMPORARY ART TOKYO, Tokyo 2011 Jiro Takamatsu (McCAFFREY FINE ART, New York, USA) 2011 Light and Shadow (Yumiko Chiba Associates viewing room shinjuku, Tokyo) To the 1970s Turning Point of Photography & Art Copying, Reflection, and Projection Period Ⅰ Choosing Photos: Checking Vision, Yumiko Chiba Associates viewing room shinjuku, Tokyo Jiro Takamatsu Words and Things ― Refinement and Tautology ― (NADiff Gallery, Tokyo) 2012 REQUIEM FOR THE SUN: THE ART OF MONO-HA, BLUM & POE, USA Jiro Takamatsu Smashing of Everything (Yumiko Chiba Associates viewing room shinjuku, Tokyo) Jiro Takamatsu These Seven Letters (Yumiko Chiba Associates viewing room shinjuku, Tokyo) 2012-13 The 70s in Japan, 1968-1982 The Museum of Modern Art, Saitama and Hiroshima City Museum of Contemporary Art 2012-13 Tokyo Art Meeting (III) Search for New Synesthesia, Museum of Contemporary Art Tokyo, Tokyo 2012-13 Tokyo 1955–1970: A New Avant-Garde, The Museum of Modern Art, New York 2013 JIRO TAKAMATSU (STHEPHEN FRIEDMAN GALLERY, London, UK) Jiro Takamatsu Perspective – Space in Two Dimensions (Yumiko Chiba Associates viewing room shinjuku, Tokyo) 2013-14 Hi-Red Center: The Documents of “Direct Action” (Nagoya City Art Museum, Nagoya/ The Shoto Museum of Art, Tokyo) 2014 Study from the Human Body (Stephen Friedman Gallery, London, UK) Image And Matter In Japanese Photography From The 1970s, Curated By Yumiko Chiba (MARIANNE BOESKY GALLERY, New York, USA) Other Primary Structures Others 2 (The Jewish Museum, New York, USA) 4×4 (Stephen Friedman Gallery, London, UK) Cazador KURAMATA Shiro/ TAKAMATSU Jiro Photographed by FUJITSUKA Mitsumasa (Yumiko Chiba Associates viewing room shinjuku) Takamatsu Jiro: Mysteries (The National Museum of Modern Art, Tokyo) 2015 For a New World to Come: Experiments in Japanese Art and Photography, 1968–1979 (Museum of Fine Arts, Houston/ Grey Art Gallery and Japan Society, New York, USA) Jiro Takamatsu Trajectory of Work (The National Museum of Art, Osaka) Jiro Takamatsu (Stephen Friedman Gallery, London, UK) 2016 Jiro Takamatsu (Kayne Griffin Corcoran, Los Angeles, USA) [Selected Public Collection] Tate Modern/ Museum of Modern Art, New York/ Solomon R. Guggenheim Museum/ The Minneapolis Institute of Arts/ Miami Art Museum/ Dallas Museum of Art/ The National Museum of Modern Art, Tokyo/ The National Museum of Art, Osaka/ Museum of Contemporary Art Tokyo/ Aomori Museum of Art/ Iwaki City Art Museum/ Utsunomiya Museum of Art/ The Museum of Modern Art, Kamakura & Hayama/ Shizuoka Prefectural Museum of Art/ The Niigata Prefectural Museum of Modern Art/ Niigata City Art Museum/ The Museum of Modern Art, Saitama/ Toyota Municipal Museum of Art/ The Hiratsuka Museum of Art/ Hyogo Prefectural Museum of Art/ Fuchu Art Museum/ Mitaka City Gallery Of Art/ The Miyagi Museum of Art Park Grace Shinjuku Bldg. 316, 4-32-6, Nishi-Shinjuku, Shinjuku-ku, Tokyo 160-0023 Japan Opening Hours: 12:00 - 19:00 (Closed on Sunday, Monday, National Holiday) [email protected] +81-3-6276-6731 .
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