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ITV Partners with Viewability Company Meetrics
PRESS RELEASE ITV partners with viewability company Meetrics First measurements across all channels show viewability rates above industry-wide benchmarks ITV, the UK’s biggest commercial broadcaster, announces that it has partnered with Meetrics, a leading European software company for advertising measurement and analytics, to provide enhanced advertising campaign delivery validation for VOD advertising across ITV Hub platforms. As part of the partnership, Meetrics provides video viewability data and reporting for ITV Hub on connected TV platforms and In-App (Android and iOS) as well as desktop and mobile web campaigns. This enriches the reporting capabilities for VOD campaigns run on ITV Hub and demonstrates the high quality of ITV’s ad inventory on metrics that are important to agencies and advertisers. With the partnership, ITV underlines its commitment to very high transparency standards and quality controls for the benefit of its advertising customers. Meetrics is an independent vendor accredited for various services by the Media Rating Council and committed to strict privacy rules in full accordance with GDPR. With Meetrics as a partner ITV is breaking new ground by being the first broadcaster in the world to make use of the IAB Open Measurement SDK, which is considered the most rigorous standard for In-App viewability measurement. To date, average measurement for campaigns running across ITV Hub showed a viewability rate (according to the MRC definition) of 98%, which is far beyond average, compared to industry viewability benchmarks. The new viewability measurement and reporting will give advertisers huge confidence that ITV can deliver standards on human and viewability measures that outperform the VOD market. -
INDUSTRY REPORT (AN ARTICLE of ITV ) After My Graduation, My
INDUSTRY REPORT (AN ARTICLE OF ITV ) After my graduation, my ambition is to work in ITV channel, for creating movies for children and applying 3d graphics in news channels is my passion in my life. In this report I would like to study about Itv’s News channel functions and nature of works in ITV’s graphics hub etc. ITV is a 24-hour television news channel in the United Kingdom which Launched in 1955 as Independent Television. It started broadcasting from 1 August 2000 to 23 December 2005. Latterly only between 6:00 am and 6:00 pm when ITV4 cut its hours to half day in 2005 and analogue cable, presenting national and international news plus regular business, sport, entertainment and weather summaries. Priority was usually given to breaking news stories. There was also an added focus on British stories, drawing on the resources of the ITV network's regional newsrooms. As a public service broadcaster, the ITV network is obliged to broadcast programming of public importance, including news, current affairs, children's and religious programming as well as party election broadcasts on behalf of the major political parties and political events. Current ITV Channels: • 1.1ITV • 1.2ITV2 • 1.3ITV3 • 1.4ITV4 • 1.5ITVBe • 1.6ITV Box Office • 1.7ITV Encore • 1.8ITV HD • 1.9CITV Uses of Graphics : 3D Graphics have been used to greatest effect in within news. In what can be a chaotic world where footage isn’t always the best quality news graphics play an important role in striping stories down to the bare essentials. -
AT2400 Alltouch® Remote Control How Do I Program the Mode Keys? What If None of the Codes Work? the Same Time, Regardless of the Current Mode
FCC Compliance Setting Up Your Remote (continued) User’s Guide Can I Change My Volume Control? Can I Change My Channel Control? This device complies with Part 15 of the FCC Rules. You can program your Volume and Mute keys to By default, the channel keys on your remote (CH+, Operation is subject to the following two conditions: function in one of two ways: CH-, digits 0-9, and Last) let you change channels (1) This device may not cause harmful interference, • To control the volume on a single device all on the set-top, the TV, or a VCR, depending on the and (2) this device must accept any interference the time current mode. You can disable or enable channel received, including interference that may cause control for the TV or VCR mode. Also, if you have ® • To control the volume on each device, AT2400 AllTouch undesired operation. reassigned your AUX key to control a second TV depending on the mode key that you press or VCR, you can disable or enable channel control Note Remote Control Note: The default setting is to control volume for that device as well. See Reassigning Mode This equipment has been tested and found to comply through your TV all the time. Keys, earlier in this section, for more information. with the limits for a class B digital device, pursuant Follow these steps to change the way your Volume If you disable the channel control for a TV or VCR, to Part 15 of the FCC Rules. These limits are and Mute keys function. -
TP Vision Confirms Arrival of Freeview Play on Philips Android Tvs
News Release TP Vision confirms arrival of Freeview Play on Philips Android TVs TP Vision has confirmed the imminent arrival of Freeview Play to the company’s Philips Android TVs. Freeview Play is the UK’s fastest growing TV platform, launched in 2015, the platform now has over 7 million users. Freeview Play gives viewers access to live and on demand TV in one easy to use interface. The platform provides 85 live channels (including 15 in HD), as well as 20,000 hours of on-demand content from BBC iPlayer, ITV Hub, All 4, My 5, UKTV Play, CBS Catchup Channels UK and Horror Bites. TP Vision has been one of the strongest and most successful partners for Android TV having first introduced the platform back in 2014 and having committed nearly 50% of the company’s range of Philips sets to Android TV ever since – including the premium OLED and OLED+ ranges, frequently awarded the status of the Best TV available by the media, consumers and the trade. Philips Android TVs manufactured from now on will include firmware that enables Freeview Play by default. 2019 model year Philips Android TVs which are in-store or are already in use in consumer homes will receive an over-the-air software update which will prompt users to enable Freeview Play on the TV via easy onscreen instructions. In the case of any further questions, consumers can easily contact Philips’ Consumer Care info-line for help. Commenting on the inclusion of Freeview Play to Philips Android TVs, Martijn Smelt CMO for Europe at TP Vision said: ‘The addition of Freeview Play is the final piece that allows us to confidently say Philips Android TV sets offer the best overall package on the UK market. -
PSB Audience Opinions Annex
PSB Annual Research Report 2017 PSB audience opinions annex Published July 2017 1 Contents Slide Section 3 Background 8 Overview of PSB television 24 Overall satisfaction with PSB 32 Nations’ and regions’ news 40 Children’s PSB 46 Individual PSB channel summaries 56 PSB website use and online viewing 62 Demographics 2 Background 3 Background and objectives PSB tracker overview • Ofcom developed a range of PSB purposes and characteristics in its first PSB review in 2005*, based on the public service purposes presented in the 2003 Communications Act. The PSB channels (BBC One, BBC Two, BBC Three, BBC Four, ITV1, Channel 4, Channel 5, BBC News, S4C and BBC Alba) are expected together to fulfil the purposes and characteristics, although it is also acknowledged that each PSB channel has a specific remit. • The PSB tracker asks respondents to rate specific TV channels on each of the PSB purposes and characteristics relevant to that channel. • The PSB purposes and characteristics were put into everyday language for the PSB Tracker survey, which asked respondents to give their opinions on the PSB statements, both in terms of their importance, and their delivery by the PSB channels (see slides below). • Regular viewers of each channel were asked to rate the channel on the statements, using a ten-point scale. Within this report a rating of 7, 8, 9 or 10 has been taken as a positive response, indicating that a viewer sees the channel/channels as delivering against this purpose/characteristic. • The survey reports the opinions of self-defined ‘regular viewers’ of each PSB channel, on the delivery of that channel’s PSB purposes and characteristics. -
The Future of Public Service Broadcasting
House of Commons Digital, Culture, Media and Sport Committee The future of public service broadcasting Sixth Report of Session 2019–21 Report, together with formal minutes relating to the Report Ordered by the House of Commons to be printed 17 March 2021 HC 156 Published on 25 March 2021 by authority of the House of Commons The Digital, Culture, Media and Sport Committee The Digital, Culture, Media and Sport Committee is appointed by the House of Commons to examine the expenditure, administration and policy of the Department for Digital, Culture, Media and Sport and its associated public bodies. Current membership Julian Knight MP (Conservative, Solihull) (Chair) Kevin Brennan MP (Labour, Cardiff West) Steve Brine MP (Conservative, Winchester) Alex Davies-Jones MP (Labour, Pontypridd) Clive Efford MP (Labour, Eltham) Julie Elliott MP (Labour, Sunderland Central) Rt Hon Damian Green MP (Conservative, Ashford) Rt Hon Damian Hinds MP (Conservative, East Hampshire) John Nicolson MP (Scottish National Party, Ochil and South Perthshire) Giles Watling MP (Conservative, Clacton) Heather Wheeler MP (Conservative, South Derbyshire) Powers The Committee is one of the departmental select committees, the powers of which are set out in House of Commons Standing Orders, principally in SO No. 152. These are available on the internet via www.parliament.uk. Publication © Parliamentary Copyright House of Commons 2021. This publication may be reproduced under the terms of the Open Parliament Licence, which is published at www.parliament.uk/site-information/copyright-parliament/. Committee Reports are published on the Committee’s website at www.parliament.uk/dcmscom and in print by Order of the House. -
Kantar Media Would Like to Group People Into Groups of Urban and Rural Dwellers
Job Number 451210007 Name of survey Ofcom BBC iPlayer Project Questionnaire Version Final No. Author Charlie Gordon, Ayanda Dlamini Telephone 02071605633 Methodology Online Questionnaire CAWI Duration 20 minutes Sample Size 4,000 Internet Users Sample Description 16+ England, Scotland, Wales, NI adults Sex, approx: Quotas Male – 50% Female – 50% Age, approx.: 16-24 – 14% 25-34 – 17% 35-44 – 16% 45-54 – 18% 55-64 – 15% 65+ – 20% Households with children aged under 16 – 28% Social Grade, approx.: ABC1 – 56% C2DE – 44% Urban and Rural Split Urban – 83% Rural – 17% Ethnicity White – 86% BAME –14% Platform Provider: Sky – 35% Virgin – 13% Freeview only – 42% Any Freeview – 64% Several targets? Gender, age, age & gender, SEG, rural/urban Fieldwork dates March 2019 GDPR1. This survey asks about sensitive topics such as ethnicity, whether you have children, or political opinion. By selecting the Yes button you are consenting for these questions to be asked. Please proceed if you are happy to participate Yes No - SCREEN OUT SHOW TO ALL First, we’d like to ask a couple of questions about yourself to ensure we interview a good cross- section of the population. ASK ALL SINGLE CHOICE DemQ1. Please select your gender. 1. Male 2. Female 3. Other (please specify) 4. Prefer not to say IF CODE 1,3 CODE AS MALE FOR QUOTAS IF CODE 2,4 CODE AS FEMALE FOR QUOTAS ASK ALL SINGLE CHOICE RANGE FROM 1 TO 100 SCREENOUT IF BELOW 16 DemQ2. Please type in your age dAge - FOR QUOTAS 1. 16-24 2. 25-34 3. 35-44 4. -
Inclusion and Diversity 3,000 9.9% 15.7% 85% 76% 995M 22.2M 54
FACTS Channel 4 Factsheet December 2020 We are Creators TV. Channel 4: Film. We are Digital. We are Channel 4 is a unique and distinctive part of the UK. Publicly owned but entirely commercial and self-sufficient, our public-service Challengers Champions remit mandates us to take risks and offer alternative programming, Voicing alternative views. Youth. commissioning all of our programmes externally. Experimenting and taking risks. Diversity. Provoking genuine debate and change. Education. Shaping culture. Talent. We’re a network of 12 television channels plus the UK’s biggest Telling today’s full story. Creativity. streaming service, All 4. We have the youngest-skewing PSB channel in the UK – and we reach more 16-34-year-olds than any other commercial broadcaster across TV and streaming. Through Film4, we back creative We are excellence and invest in British filmmakers, to huge critical acclaim – Film4 films have produced 138 Oscar nominations and 35 wins in our Commercial 38-year history. We act commercially in order to deliver our social impact. Our purpose is to create change through entertainment and we do this by representing unheard voices, challenging with purpose and reinventing entertainment. Key stats (2019): TV Digital Social Financials 9.9% 995m 1st £660m viewing share programme views on All 4 biggest channel on Facebook globally total content spend 15.7 % £ m viewing share among 16-34-year- 22.2m 71% 492 originated content spend olds – the only PSB to have greater viewers registered on All 4 of UK 18-24s are reached on share -
Statement of Media Content Policy 2016.Pdf
14 CHANNEL 4 ANNUAL REPORT 2016 REMIT PERFORMANCE 2016 PARALYMPICS Channel 4’s remit to stand up for diversity and inspire change in people’s lives drives us to take on creative risk and challenges that others wouldn’t. The Rio 2016 Paralympics exemplifies the kind of creative alchemy that our remit can trigger. YES I CAN AWARDED: CAMPAIGN MAGAZINE’S CAMPAIGN OF THE YEAR SHOTS MAGAZINE’S GLOBAL AD OF THE YEAR CHANNEL 4 ANNUAL REPORT 2016 15 2/3 48% OF OUR ON-AIR PRESENTING OF THE UK POPULATION TEAM WERE DISABLED. REACHED WITH OUR PARALYMPIC COVERAGE London 2012 was a watershed moment for Paralympic sport, and the Rio 2016 Paralympics went even further in raising >40m 1.8m the profile of disability sport and positively VIEWS ACROSS ALL SOCIAL APPEARING IN HALF OF THE PLATFORMS. UK’S FACEBOOK FEEDS AND improving public perceptions of disability in WITH OVER 1.8 MILLION SHARES, the UK and around the world. ‘YES I CAN’ WAS THE MOST SHARED OLYMPIC/PARALYMPIC It also established a new international AD GLOBALLY THIS YEAR. benchmark for Paralympics coverage. The UK is now considered an exemplar for its approach to the Games by the International Paralympic Committee and Channel 4 has shared this success story with broadcasters around the world since the 2012 Games. Preparing for Rio 2016 following the success of London 2012 was no small order, however we saw it as more of an opportunity than a risk – because taking creative risks pushes The result was a three-minute film featuring OUR RIO COVERAGE boundaries in the pursuit of positive change, 140 disabled people with a band specifically Taking on the ratings challenge of an away which is part of Channel 4’s DNA. -
Annual Report 2018
Channel Four Television Corporation Report and Financial Statements 2018 Incorporating the Statement of Media Content Policy Presented to Parliament pursuant to Paragraph 13(1) of Schedule 3 to the Broadcasting Act 1990 Channel 4 Annual Report 2018 Contents OVERVIEW FINANCIAL REPORT AND STATEMENTS Chair’s Statement 4 Strategic Report Chief Executive’s Statement 8 Financial review and highlights 156 The heart of what we do 13 Our principal activities 159 Remit 38 Key performance indicators 160 At a glance 40 People and corporate annualreport.channel4.com social responsibility 162 STATEMENT OF MEDIA CONTENT POLICY Risk management 164 Strategic and financial outlook 2018 programme highlights 42 and Viability statement 167 4 All the UK 46 Please contact us via our website (channel4.com/corporate) if you’d like this in an alternative Governance format such as Braille, large print or audio. Remit performance The Channel 4 Board 168 Investing in content 48 © Channel Four Television Corporation copyright 2019 Printed in the UK by CPI Colour on Report of the Members 172 Innovation 56 FSC® certified paper. CPI Colour’s Corporate governance 174 The text of this document may be reproduced free environmental management Young people 64 of charge in any format or medium provided that it is Audit Committee Report 179 system is certified to ISO 14001, reproduced accurately and not in a misleading context. Inclusion and diversity 70 and is accredited to FSC® chain of Members’ Remuneration Report 183 The material must be acknowledged as Channel Four custody scheme. CPI Colour is a Supporting creative businesses 78 ® Television Corporation copyright and the document certified CarbonNeutral company Talent 84 Consolidated financial statements title specified. -
Automating Freeview Play Device Certification Easymirko Nedeljković, CSO How It All Started
Automating Freeview Play device certification easyMirko Nedeljković, CSO How it all started Test automation idea – born in July 2014 No test automation tools available – had to build it ourselves Initial 2 concepts failed – 3rd attempt was a success using self-built hardware Suitest publicly presented in May 2015 and later that year at the HbbTV Symposium 3 In the mean time Massively improved and increased feature set – device management, platform support Tizen, webOS, Android TV, Apple TV, Xbox One, Roku etc. Working with Digital UK since 2016 – test automation for Freeview Play (FVP) apps Idea for a new use case - automated easymanufacturer self-certification of devices tes for FVP apps What does 50+ device certifications in Europe alone certification mean for manufacturers? Certification effort example for one manufacturer per year – up to 4 months using 3 to 4 people for full UK certification of 1-2 platforms (LG releases 3-4 platforms per year). 2-3 test cycles including bug fixing for each content player Freeview Play and BBC certifications – highly complex and time-consuming Digital UK – provides spreadsheets with test scenarios How is FVP player that must pass certification done today? Content provider (CP) player tests - Freeview Explore, CBS, CBS - Horror Bites, UKTV Play, STV Player, All 4, ITV hub and Channel 5 Manufactures – execute tests manually, check results visually, manual result collection Bugs found b testing – bug iing process, re-testing manually Test scenarios passed – spreadsheets are sent to Digital UK 15-20 -
BBC Iplayer Competition Assessment Research Report Prepared for Ofcom June 2019 Contents
BBC iPlayer Competition Assessment Research Report Prepared for Ofcom June 2019 Contents 1 Background and methodology 3 2 Executive summary 9 3 The TV and VOD landscape 12 4 The scenarios 23 5 Impression of BBC changes 58 6 Infrequent/Non-internet users 62 7 Appendix 64 2 1 Background and methodology Research objectives Ofcom is seeking to better understand the potential impact of the BBC’s proposed changes on the consumption of other video-on-demand (VOD) services and linear TV channels Developing a picture of the Assessing the potential current media and viewing Understanding the attitude behavioural changes caused by a consumption of internet users in towards the proposed changes new BBC iPlayer offer the UK 4 Our recommended approach was to gather the views of internet users and those not online/online infrequently separately This allowed us to use the most efficient, and most cost effective, methods to reach each group within the desired timings. Internet Users Those not online/online infrequently Reached through N = 4,000 UK weekly F2F Kantar internet users (16+) CAPI Omnibus Online N = 2,060 UK Questionnaire adults (16+) per survey Internet users were asked detailed Infrequent/Non-internet users were asked a shorter, questions about their TV and VOD usage more targeted survey to ensure their views about as well as 3 scenarios to gauge their the proposed BBC iPlayer changes were captured reaction to the proposed BBC iPlayer without putting them through a lengthy survey on a changes service they might not be familiar with 5 Questionnaire