To Become a Comprehensive, World-Class Arts Institution

Total Page:16

File Type:pdf, Size:1020Kb

To Become a Comprehensive, World-Class Arts Institution 1 To become a comprehensive, world-class arts institution To develop the creativity and artistic potential of our students to become excellent art practitioners and to meet the needs of a knowledge-based economy Passion • Excellence • Care 8 Chairman’s Message BECOMING BESTING 10 President’s Message 29 Administration Division 58 Nafa Graduate 13 NAFA Patron and 36 Academic Division Employment Survey Board Committees 38 Department of 3D Design 60 Nafa Scholarship Recipients 14 NAFA Board Members 40 Department of Arts 63 NAFA Benefactors 16 NAFA Senior Management Management & Education 41 Department of Dance BEHOLD 43 Department of Design 19 About NAFA & Media 20 Partner Universities 46 Department of 22 Corporate Highlights Fashion Studies 24 Outstanding Students, 48 Department of Fine Art Alumni and Lecturers 50 Department of Music 52 Department of Theatre 54 School of Young Talents n alignment with the government’s objective to do well through the winning of numerous awards of establishing Singapore as a leading education and accolades when they participated in competitions, hub, NAFA continued to engage with and partner exhibitions and community engagement projects. renowned arts universities globally to offer degree courses in Singapore. Besides the launch in Singapore of The Academy welcomed Mr Wee Ee Cheong, the Bachelor of Music (Hons) degree course offered by Deputy Chairman and Chief Executive Officer of the Royal College of Music, London, the Academy also United Overseas Bank Limited as its new Patron with established partnerships with the University of Central effect from 1 January 2012. We would like to express Lancashire, the University of East London, and the our appreciation to Mr Chan Soo Sen for his invaluable University of Essex. contribution to the Academy while he was Patron from October 2002 to December 2011. These collaborations allow for those interested to pursue a career in the arts and design the added option As the Academy enters a new phase of development, of completing their arts degree studies in Singapore. new members were appointed to the NAFA Board to help steer its growth. Mr Goh Boon Teck, Ms Low Sin To remain relevant to the needs of the rapidly evolving Leng, Mr Hoong Bee Lok, Mr Leong Weng Kam and creative industries, the Academy embarked on an Mr Low Kin Kiong have joined the NAFA Board in-depth review of the NAFA curriculum. The revamp effective 1 January 2012. focussed on offering scope without sacrifice to depth of knowledge and skills; and offered modern perspectives We are grateful for the unstinting support of Mr Leslie alongside the rich arts heritage of Southeast Asia. The Fong, Professor Hong Hai, Dr Low Hwee Boon and streamlining of the syllabus to incorporate a balance Mr Thomas Yeo, even though they have stepped down between theoretical knowledge and practical skills was as board members. Their vast experience, dedication, made in consultation with the respective departments’ and insights have greatly helped the Academy during Curriculum Advisory Committee, a specialist committee their tenure. My fellow Board members have been a comprising leading arts professionals and practitioners. constant source of inspiration and a pleasure to work with and I greatly appreciate their service and devotion The enhanced curriculum will expose students to a to nurture NAFA. range of perspectives and practices which is central to the holistic approach toward arts education that I would also like to take this opportunity to thank our NAFA espouses. numerous supporters and stakeholders; the Ministry of Education Singapore, industry partners, the media, Despite the uncertain global economic outlook which donors and benefactors of the Academy, for having impacted upon employment prospects in general, rallied around NAFA and helped make 2011 another the employment rate for NAFA graduates in 2011 fruitful year. The management, staff and lecturers have remained encouraging at 85%. Similarly, the trend of done much and worked hard in the preceding year to the overwhelming majority of our graduates securing advance NAFA’s standing as the leading arts education employment within three months upon graduation is institution. I am confident that with continued and testimony of industry’s recognition of the calibre of concerted effort, the Academy can look forward to NAFA graduates. Students and alumni have continued another rewarding year ahead. 9 e are delighted to share with you a few Our efforts in providing students with best quality firsts achieved on both academic and teaching and extensive industry exposure have been corporate fronts. NAFA became the recognised by the industry, with renewed funding first private arts education institution support from various corporate and individual donors. in Singapore to receive the four-year EduTrust certification. It was also the first to launch a government-funded The year saw fashion bigwig F J Benjamin Holdings degree programme. and the Estate of Leong Yoon Pin supporting NAFA to give arts education a big boost. Hui Chun, the annual The strategic partnership with the Royal College of Music, fundraising event during Chinese New Year also garnered London (RCM) and the EduTrust certification have further unprecedented support from artists and art lovers. uplifted the Academy’s stance as the region’s premier arts education institution, while boosting the confidence of students and their parents in terms of both its teaching quality and its administrative systems. Our partnership with RCM also saw NAFA signing an MOU with the Central Conservatory of Music, Beijing, to offer a seven-week international placement module for Chinese instrumental students, as part of the RCM Bachelor of Music (Hons) degree course offered in Singapore. During this period, we also stepped up efforts to better The Academy continued to recruit and nurture a high- connect with our alumni. Besides alumni gatherings, quality faculty. The year saw celebrated home-grown exhibitions showcasing the artworks of outstanding conductor, Lim Yau joining NAFA. Lecturers were alumni such as Cultural Medallion recipients, encouraged to apply for the NAFA Postgraduate Study Chng Seok Tin, Wee Beng Chong and Tay Chee Toh, Sponsorship Programme to sharpen their technical and and up and coming artist Boo Sze Yang, were organised. pedagogical skills. In financial year 2011, another three academic staff benefitted from the programme, bringing I would like to thank Chairman Professor Cham Tao Soon the total number of beneficiaries to 38. and the Board of Directors for their insightful guidance, staff, students, parents and alumni for their unwavering Our students benefitted from a wide range of learning support. To stay ahead of the intense competition in a opportunities through our collaborations with industry rapidly evolving education and arts landscape, NAFA has partners and the community. Through national and to uphold its spirit of innovation and work relentlessly to international competitions, unique partnerships, as well chart new grounds. I am confident that, with a concerted as workshops and masterclasses by renowned artists effort and through working in tandem with the NAFA from all over the world, students were further exposed Board, the Academy will continue to be a pillar of to both traditional and contemporary arts practices. excellence for arts education. 11 Wee Ee Cheong EXECUTIVE CoMMITTEE ESTATES & ASSETS CoMMITTEE Chairman Chairman Prof Cham Tao Soon Hoong Bee Lok Members Members Hoong Bee Lok Lee Seng Suan Liew Shin Liat Liew Shin Liat Prof Lim Hock Low Kin Kiong Prof Phua Kok Khoo Poh Choon Ann FINANCE & AUDIT CoMMITTEE Chairman ACADEMIC CoMMITTEE Liew Shin Liat Chairman Members Prof Lim Hock Peter Lam* Members Lee Seng Suan Assoc Prof Chia Wei Khuan Poh Choon Ann Goh Boon Teck Prof Hew Choy Sin Arun Mahizhnan MARKETING & Som Bte Mohd Said SPONSORSHIP CoMMITTEE Chairman Poh Choon Ann ESTABLISHMENT CoMMITTEE Members Chairman Chiang Loo Fern Prof Phua Kok Khoo Goh-Tan Choo Leng Members Lee Seng Suan Prof Hew Choy Sin Leong Weng Kam Peter Lam* Liew Shin Liat Prof Lim Hock Low Sin Leng Low Sin Leng Dr Lucy Ooi *Replaced by Arthur Poh from 25 May 2012 13 Seated (from left): Standing (from left): (Not in picture) Director Director Director Director NAFA Patron Arthur Poh Heo Tat Low Kin Kiong Assoc Prof Chia Wei Khuan Dr Lucy Ooi Chiang Loo Fern Wee Ee Cheong (from 25 May 2012) Director (Infocomm Technology Head, Department of Visual & Medical Doctor Managing Director, Deputy Chairman and Chief Deputy Director, Higher Education, Services), Singapore Institute Performing Arts, National Institute CYC The Custom Shop Executive Officer, Ministry of Education of Management of Education Director United Overseas Bank Prof Lim Hock Director FORMER Directors CHAIRMAN VICE CHAIRMAN Director, Temasek Laboratories, Lee Seng Suan FORMER NAFA Patron OF NAFA Board Prof Cham Tao Soon Poh Choon Ann National University of Singapore Partner, Lee Seng Chan & Co (till 31 December 2011) (till 31 December 2011) Chancellor and Chairman, Chairman, Poh Tiong Choon Chan Soo Sen Leslie Fong Board of Trustees, SIM University Logistics Ltd Director Director Senior Executive Vice President, Som Bte Mohd Said Goh Boon Teck Directors Marketing Division, Singapore Director Director Founder/Artistic Director, Chief Artistic Director, Toy Factory Liew Shin Liat Press Holdings Ltd Hoong Bee Lok Goh-Tan Choo Leng Sri Warisan Said Performing Arts Ltd Productions Ltd President, LSL Partners Senior Director (Office of Campus Senior
Recommended publications
  • Associate Artistic Director, Theatreworks, Singapore Associate Artist, the Substation, Singapore
    Associate Artistic Director, Theatreworks, Singapore Associate Artist, The Substation, Singapore vertical submarine is an art collective from Singapore that consists of Joshua Yang, Justin Loke and Fiona Koh (in order of seniority). According to them, they write, draw and paint a bit but eat, drink and sleep a lot. Their works include installations, drawings and paintings which involve text, storytelling and an acquired sense of humour. In 2010, they laid siege to the Singapore Art Museum and displayed medieval instruments of torture including a fully functional guillotine. They have completed projects in Spain, Taiwan, Hong Kong, Korea, The Philippines, Mexico City, Australia and Germany. Collectively they have won several awards including the Credit Suisse Artist Residency Award 2009, The President’s Young Talents Award 2009 and the Singapore Art Show Judges’ Choice 2005. They have recently completed a residency at Gertrude Contemporary in Melbourne. MERITS 2009 President’s Young Talents 2009 Credit Suisse Art Residency Award 2005 Singapore Art Show 2005: New works, Judge’s Choice 2004 1st Prize - Windows @ Wisma competition, Wisma Atria creative windows display PROJECTS 2011 Incendiary Texts, Richard Koh Fine Art, Kuala Lumpur, Malaysia Dust: A Recollection, Theatreworks, Singapore Asia: Looking South, Arndt Contemporary Art, Berlin, Germany Postcards from Earth, Objectifs – Center for Photography and Filmmaking, Singapore Open Studios, Gertrude Contemporary, Melbourne, Australia Art Stage 2011, Marina Bay Sands, Singapore 2010 How
    [Show full text]
  • Sherman ONG (B
    Sherman ONG (b. 1971) Education 1995 National University of Singapore, LLB (Hons.), Singapore Selected Solo Exhibitions 2014 Spurious Stories from the Land and Water, Art Plural Gallery, Singapore 2010 ICON de Martell Photography Award, Institute of Contemporary Arts, Singapore Ticket Seller, Sikkema Jenkins & Co., New York, USA 2009 Sherman Ong, Contemporary Art Centre of South Australia, Australia 2008 Hanoi Monogatari (Hanoi Story), Zeit Foto Salon, Tokyo, Japan HanoiHaiku: Month of Photography Asia, 2902 Gallery, Singapore 2007 Missing You, Fukuoka Art Asian Museum, Fukuoka, Japan 2006 HanoiHaiku, Angkor Photography Festival, Siem Reap, Cambodia Selected Group Exhibitions 2014 Flux: Collective Exhibition, Art Plural Gallery, Singapore Lost in Landscape, MART – Museum of Contemporary Art of Ternto & Roverto, Italy The Disappearance, Centre for Contemporary Art, Singapore 2013 Asia Pacific Triennial of Contemporary Art (Cinema), Gallery of Modern Art, Brisbane, Australia. Cinema Encounters: Sherman Ong, Casa Asia, Barcelona & Madrid, Spain Migrants (in)visibles, Espace Khiasma, Paris, France Motherland - Xiao Jing, Open House (Marina), Singapore 2012 Little Sun by Olafur Eliasson, Tate Modern, London, United Kingdom Asia Serendipity, Teatro Fernando Gomez, Photo Espana Madrid, Spain Panorama, Singapore Art Museum, Singapore PIMP the TIMP Volume II, Galerie Lichtblick, 21st International Photoszene Cologne, Germany. Cross-Scape, GoEun Museum of Photography, Busan, Korea I want to remember, Rotterdam International Film Festival, Netherlands
    [Show full text]
  • Only a Fragment
    ONLY A FRAGMENT Eiffel Chong Minstrel Kuik May Sherman Ong 7 – 21 2015 Only a Fragment “A photograph Nowadays, we are constantly bombarded by the photo- and the strict visual structure, Eiffel is able to conjure a is only a graphed image, scattered everywhere in the urban breath of associations such as Color Field paintings to landscape, seducing us with their auratic quality, at the minimal abstraction. As in his other previous series, Eiffel fragment, same time attempting to sell something, while in cyber- considers the abstract concepts of life and death through an and with the space, the digital image mutate, grow, change via digital economical visual language, highlighting banal details such passage of time tools or disintegrate via sharing and usage. Furthermore, as soft clouds in the sky and the horizon line into delicate its moorings the act of taking a photograph has become an innate gesture textures. Furthermore their uniformed stillness links them to most people equipped with smartphones and mobile as one, and one is again reminded that all seas are actually come unstuck. digital devices. These photos captured anywhere using part of the same mass of water. Finally, there is a sense It drifts a mobile device could mean something for a moment of calmness fabricated by the images as one is given an away into a either as a way to document vital information or freeze opportunity to view nature before the intervention of man. soft abstract meaningful moments, but usually in time end up as hopeless digital relics forgotten in the phone's memory.
    [Show full text]
  • Wong Lip Chin Galtd
    WONG LIP CHIN GALTD Born in 1987, lives and works between Singapore & Shanghai. RELATED PROFESSIONAL EXPERIENCE Adjunct lecturer at LASALLE College of the Arts. www.lasalle.edu.sg (2014 - 2018) EDUCATION 2009 Bachelor of Art (Fine Art -Printmaking) with Honours LASALLE College of the Arts, Singapore SOLO EXHIBITIONS 2020 Sometimes I You Don‘t Dive Hard Enough. Yeo Workshop, Singapore 2015 Thousand Knives. Galerie Michael Janssen, Singapore 2009 Now You See. Marina Mandarin Hotel, Singapore GROUP EXHIBITIONS 2020 Strange Things, Singapore Arts Club, Singapore 2018 You don‘t need 100 editions, McNally School of Fine Arts, Singapore 2016 A Touch for the Now in Southeast Asia, Rarytas Art Foundation, Poznan, Poland Artling Pop Up, Artling, Singapore 2015 Plastic Myth. Asian Culture Centre Creation, Asian Culture Institute, GwangJu, Korea Asean 5. Wei-Ling Gallery at Victory Annexe, Penang, Malaysia Reflexion. Galerie Michael Janssen, Singapore 2014 The Drawing Show. Yeo Workshop, Singapore Two Man Show. Galerie Michael Janssen, Singapore 2013 Between Conversations. Yavuz Fine Art, Singapore Going Where. ShanghArt, Singapore 2009 RuckUs Rubix. Ng Eng Teng Gallery, NUS Museum, Singapore Art Fare. Housed in conjunction with Project Midas, Singapore 2007 27th Anniversary Exhibition of Printmaking Society. Singapore Tyler Print Institute, Singapore 2005 The HYPE Gallery. The Arts House, Singapore RELATED PROFESSIONAL ACTIVITIES (SELECTED) 2019 Twenty Twenty, Singapore Arts Club, Singapore 2016 ArtWeek at SAM. Exquisite Paradox. Front Lawn, Singapore Art Museum, Singapore Art Stage, Galerie Michael Janssen, Singapore 2015 Formosa Art Show, Art at Project, Taipei, Taiwan Art Stage, Galerie Michael Janssen, Singapore 2014 DRIVE, Gillman Barracks Public Art Project. “La Métamorphose Du Héros”, Galerie Michael Janssen, Singapore DRIVE, Gillman Barracks Public Art Project.
    [Show full text]
  • Artist Biography
    Artist Donna ONG ⺩美清 Born Singapore Works Singapore Artist Biography __________________ ___________________________________________________________________________________ Year Education 2011 - 2012 MA Fine Arts, LASALLE College of the Arts, Singapore 2003 BA (Hons) Fine Art, Goldsmiths College, University of London, UK 1999 B.Sc. Architecture Bartlett Centre, University College London (UCL), UK __________________ ___________________________________________________________________________________ Year Selected Exhibitions 2017 Singapore: Inside Out Sydney, The Old Clare Hotel, Sydney, Australia After Utopia: Revisiting the Ideal in Asian Contemporary Art, Anne and Gordon Samstag Museum of Art, Adelaide, Australia The Tree as An Art Object, Wälderhaus Museum, Hamburg, Germany Art Stage Jakarta, FOST Gallery, Indonesia Art Stage Singapore, FOST Gallery, Singapore 2016 The Sharing Game: Exchange in Culture and Society, Kulturesymposium Weimar 2016, Galerie Eigenheim, Weimar, Germany For An Image, Faster Than Light, Yinchuan Biennale 2016, MoCA Yinchuan, China Five Trees Make A Forest, NUS Museum, Singapore* My Forest Has No Name, FOST Gallery, Singapore* 2015 After Utopia, Singapore Art Museum, Singapore The Mechanical Corps, Hartware MedienKunstVerein, Dortmund, Germany Prudential Eye Awards, ArtScience Museum, Singapore Prudential Singapore Eye, ArtScience Museum, Singapore 2014 Da Vinci: Shaping the Future, ArtScience Museum, Singapore Modern Love, Institute of Contemporary Arts Singapore, Singapore Bright S’pore(s), Primo Marella Gallery,
    [Show full text]
  • ANNEX a Complete List of Featured Artists and a I Light Marina Bay 2012 9 March – 1 April Marina Bay Featured Artists And
    i Light Marina Bay 2012 9 March – 1 April Marina Bay ANNEX A Complete List of Featured Artists and Art Installations No Artist Gender Born Country of Birth Base 1 Aleksandra Stratimirovic * F 1968 Yugoslavia Sweden Andrew Daly F 1986 Australia Australia 2 Katherine Fife M 1990 Australia Australia 3 Angela Chong* F 1977 Singapore Singapore 4 Be Takerng Pattanopas* M 1965 Thailand Bangkok 5 BIBI M 1964 France France 6 Cornelia Erdmann* F 1976 Germany Hong Kong 7 Craig Walsh M 1966 Australia Australia 8 Dev Harlan M 1978 USA USA 9 Edwin Tan* M 1981 Singapore Singapore Groupe LAPS 10 Thomas Veyssiere (Director) M 1971 France France Hexogon Solution* 11 M 1976 Singapore Singapore Adrian Goh (Team Leader) 12 Li Hui M 1977 China China Light Collective* 13 Martin Lupton M 1969 UK UK Sharon Stammers F 1971 UK UK France, 14 Marine Ky* F 1966 Cambodia Cambodia, Australia Martin Bevz M 1986 Australia Australia 15 Kathryn Clifton F 1985 Australia Australia OCUBO* 16 Nuno Maya M 1978 Portugal Portugal Carolle Pumelle F 1964 Democratic Republic of Portugal Congo 17 Olivia d’Aboville* F 1986 Philippines Philippines 18 Olivia Lee* F 1985 Singapore Singapore 19 Ryf Zaini* M 1980 Singapore Singapore 20 Shinya Okuda M - Japan Singapore 21 StoryBox M 1975 New Zealand New Zealand Singapore Student 22 Showcase 1: - - - Singapore LASALLE College of the Arts 23 Singapore Student - - - Singapore Organised by Festival Direction by Held in i Light Marina Bay 2012 9 March – 1 April Marina Bay Showcase 2: School of the Arts Singapore 24 Takahiro Matsuo M 1979 Japan
    [Show full text]
  • Ng Joon Kiat B
    Ng Joon Kiat b. 1976, Singapore. Currently lives and works in Singapore Education 2002 Master of Arts (Fine Art) University of Kent at Canterbury (UK) 2001 Bachelor of Arts (Fine Art), with distinction Royal Melbourne Institute of Technology University 1997 Associate Diploma in Visual Art (Painting) LASALLE-SIA College of the Arts Solo Exhibitions 2013 Works by Ng Joon Kiat Osage Atelier, Hong Kong 2012 Works by Ng Joon Kiat Osage Atelier, Hong Kong 2010 Green City II: A Collective Memory of Moving Images in Contemporary Painting Jendela (Visual Art Space), Esplanade, Singapore 2008 Garden City: A Study of Landscape Painting in Singapore TAKSU Singapore, Singapore 2007 Imagining a Geographical Presence: A Study of the Horizon in Contemporary Painting National Museum of Singapore, Singapore 2003 Imagining Science: An Interdisciplinary Painting Exhibition Artfolio, Raffles Hotel, Singapore Selected Group Exhibitions 2014 2014 Busan Biennale Special Project Co-curated by Joleen Loh. Kiswire Factory, Busan, South Korea Nature, in Process Space Cottonseed, Singapore Market Forces – Erasure: From Conceptualism to Abstraction Curated by Charles Merewether, City University of Hong Kong, Hong Kong Art Basel Hong Kong 2014 Presented by Osage Gallery, Hong Kong Poetics of Materiality Curated by Charles Merewether, Osage Hong Kong, Hong Kong 2013 Singapore Biennale 2013 Singapore Art Museum, Singapore Local Futures Curated by Feng Boyi, He Xiangning Art Museum, Shenzhen, China Painting in Singapore Equator Art Projects, Gillman Barracks, Singapore
    [Show full text]
  • CHNG SEOK TIN Born 1946, Singapore
    CHNG SEOK TIN Born 1946, Singapore ARTIST STATEMENT A 1972 graduate in Western Painting from the Nanyang Academy of Fine Arts, Chng earned her Bachelor of Fine Arts (Honours) at Hull, UK in 1979, Master of Arts in 1983 from New Mexico State University, Las Cruces, USA and Master of Fine Arts from the University of Iowa, USA in 1985. Chng is also the recipient of the Lee Foundation Study Awards from 1976-1979, the Cultural Foundation Award for postgraduate studies at Hornsey College of Arts from the Ministry of Culture in 1980 and recently, Woman of the Year Award in 2001. SOLO EXHIBITIONS 2014 Gather & Disperse, Art-2 Gallery, Singapore Once Upon A Time, NUSS Guild House, Singapore 2011 Uncommon Wisdom, Nanyang Academy of Fine Arts, Singapore 2008 Before & After… , Tainan County Cultural Center, Taiwan 2007 Wonders of Golden Needles, Jendela Gallery, Esplanade-Theatres by the Bay, Singapore Passion for Art – 35 Years of Works by Visual Artist Chng Seok Tin, Museum of Fine Arts (Cultural Affairs Bureau of Hsinchu County) and the Cultural Affairs Bureau of Kinmen County, Taiwan 2006 Evolution of Kim-chiam: From Dried Lily Bud to Rolling Red Dust, Telok Kurau Studios Gallery, Singapore 2005 Reflections of Paris, Orita.Sinclair.Int’l – Front Room Gallery, Singapore Passage to… , UN Secretariat South Lounge, New York, USA Blossoming of the Pomegranate, p-10, Singapore 2004 Sound of Vermont, Art-2 Gallery, Singapore 2003 Frames, within and without, Utterly Art Gallery, Singapore 2001 Attachments and Detachments: A Chinese Obsession, Gallery Evason Hotel, Singapore Life, Like Chess, Sculpture Square, Singapore 1996 Metamorphosis, Singapore Festival of Arts 1996, Fort Canning Arts Centre, Singapore 1994 Life, Cosmos Gallery, Hong Kong 1993 Games, National Museum Art Gallery, Singapore 1992 Games, d.p.
    [Show full text]
  • Vertical Submarine Vertical Submarine Is an Art Collective From
    Raffles Hotel Arcade • Unit #01-21 • 328 North Bridge Road • Singapore 188719 t: +65 6338 1962 • e: [email protected] www.chanhampegalleries.com Vertical Submarine Vertical Submarine is an art collective from Singapore comprising of three members–Joshua Yang, Justin Loke and Fiona Koh. Their works include installations, drawings and paintings, which involve text, storytelling and an acquired sense of humour. The collective has participated in projects in Spain, Taiwan, Hong Kong, Korea, The Philippines, Mexico City, Australia and Germany. SELECT EXHIBITIONS 2015 Penetrations Chan Hampe Galleries, Singapore 2015 Residency and Research at Singapour en France – le festival Foundation La Roche Jacquelin, Anjou, France 2015 A View with a Room Musee d' art Contemporain (MAC) Lyon, Lyon, France 2015 Singapore Inside Out, Singapore Tourism Board (STB), SG50 Celebrations Beijing, London, New York, Singapore 2015 John Martin: The Butcher and The Surgeon Dialogic, Singapore 2015 Collective Form Objectifs – Center for Photography and Filmmaking, Singapore 2014 The Roving Eye: Contemporary Art from SE Asia ARTER (Vehbi Koc Foundation), Istanbul, Turkey 2014 Mirrors and Copulation Arter, Istanbul, Turkey 2014 Eville Singapore Night Festival 2014, artspace@222, Singapore 2014 Where have all the Tempinis gone? Coming Home, Passion Arts Month 2014, Singapore 2013 Sun Tzu’s Art of War Southeast Asia Pavilion, Beirut Art Fair, Beirut, Lebanon 2013 Hokkien Rhymes Esplanade, Singapore 2013 Wallflowers Gardens by the Bay Station, Thomson Line Art
    [Show full text]
  • Vertical Submarine CV
    ! 垂直潛⽔艇 Vertical Submarine An independent art group based in Singapore with three members - Joshua Yang, Justin Loke and Fiona Koh Formed in 2003 Live and work in Singapore ♧⦐⟃倞⸈㗗捀㛇㖒涸谁遯㕰넓歋♲⡙䧭㆞穉䧭:Joshua Yang, Justin Loke and Fiona Kohխխ 䧭用倴䎃խխխխխխ 植㹁㾀莅ⶾ⡲倴倞⸈㗗 獎項Awards 2011 Celeste Prize (Installation), organized by Celeste Foundation, New York Nominated for Signature Art Prize (Asia Pacific) 2011 2009 President’s Young Talents 2009 Credit Suisse Art Residency Award 2005 Singapore Art Show 2005: New works, Judge’s Choice 展覽紀錄Selected Exhibitions 2015 John Martin: the Butcher and the Surgeon, NUNU Fine Art, Taipei, Taiwan John Martin: The Butcher and The Surgeon, dialogic, Singapore Residency and Research at Foundation La Roche Jacquelin, Singapour en France – le festival, Anjou, France A View with a Room, Musee d' art Contemporain (MAC) Lyon,Singapore in France Festival, Organized by The National Heritage Board (NHB), France. Singapore: Inside Out , Singapore Tourism Board (STB), SG50 celebrations, Beijing, London, New York, Singapore. Collective Form, screening of short films that explore themes of space and identity, Objectifs, Singapore 2014 The Roving Eye: Contemporary Art from SE Asia, ARTER (Vehbi Koc Foundation), Istanbul Objects and Narrations for Project Lava 2014, co-organised by The National Arts Council and People’s Association, Singapore Mirrors and Copulation, Arter, Istanbul Eville, part of the Singapore Night Festival 2014, artspace@222, Singapore Where have all the Tempinis gone?, Part of Coming Home, Passion Arts Month 2014, A Collaboration with Tampines GRC Fool’s Gold for Urban Redevelopment Authority (URA), part of iLight at Marina Bay, Singapore 2013 Sun Tzu’s Art of War, Southeast Asia Pavilion, Beirut Art Fair, Beirut, Lebanon Hokkien Rhymes, Esplanade, Singapore ! ! Wallflowers (Gardens by the Bay Station), Thomson Line Art in Transit, Land Transport Authority, Singapore The Logbook of Public Ideas Vol.
    [Show full text]
  • Biography of Artist-Writer-Lyricist Hyphenate
    Name CHNG SEOK TIN Occupation Artist, Writer, Songwriter Birth Place Singapore Gender Female Citizenship Singapore Citizen Studio Address Studio 110, 91 Lorong J, Telok Kurau Road, Singapore 425985 Email [email protected] Homepage www.chngseoktin.com Biography of Artist-Writer-Lyricist Hyphenate Chng Seok Tin did her studies in art in Singapore, UK, France and USA, from 1971 to 1985; she obtained two master degrees from New Mexico State University and The University of Iowa, in USA, majoring in printmaking. From 1986 onwards, she taught printmaking at tertiary level for a decade in Singapore. Seok Tin never restricts her practice to creating prints; her creative works include drawing, painting, collage, mixed media, textile, photography, ceramic, sculpture and installation. In 1988, she had a fall which resulted in brain abscess a month later. She had to undergo major surgeries from which she emerged with near loss of vision. Thereafter Seok Tin focused more on mixed media and sculptural works. Her works deal with nature, social and human conditions. Seok Tin has held 30 solo exhibitions and participated in more than 120 group exhibitions in Singapore and abroad including Asia, Europe and USA. She was the first artist to receive the Woman of the Year 2001 awarded by Her World magazine, Singapore. In 2005, she was awarded highest artistic honour, the Cultural Medallion by the President, Singapore. In 2014, she was inducted into Singapore Women’s Hall of Fame in its inaugural year. As a writer, Seok Tin is also an established writer, her articles have appeared in the national Chinese newspaper and magazines since 1975 in Asia and China.
    [Show full text]
  • Weilengtay Chanhampe Cata
    Benjamin Hampe When Chan Hampe Galleries opened its doors in 2010, the gallery’s aim was to “create a platform for East-West cultural exchange by exhibiting and promoting contemporary art with a primary focus on Singapore”. As the gallery developed, the emphasis on “East-West” became less relevant. “East-West” was far too simplistic a description for the programme and the complex art practices it represented. Wei Leng Tay is one of many Singaporean artists working abroad, including Heman Chong, Ho Tzu Nyen, Suzann Victor, and Ming Wong, who represent Singapore in various biennales, exhibitions, and art fairs. The idea of a “Singaporean artist” is linked to a porous concept of “Singaporean-ness”, a principal characteristic of which is racial diversity. Many years ago, I had the pleasure of seeing Wei Leng’s Discordant Symmetries exhibition at the NUS Museum Baba House (Singapore, 2011). She approached this project, even though she had by then not lived in Singapore for more than a decade, from the perspective of a third-generation ethnic Chinese—born, bred and largely educated in Singapore. However, setting up base in Hong Kong, a place more ethnically homogenous and familiar, and yet less welcoming than her home country, had stirred deep-seated questions about difference and inclusion. This experience and the nuances behind these perceptions continue to inform Wei Leng’s practice. The issues and perspectives illuminated by Wei Leng for her show are very close to my heart as someone with mixed parentage. I constantly strive to understand myself and have come to embrace who I am as a “Millennium Child”, a term endearingly tagged onto me by my playwright friend, Bille Brown.
    [Show full text]