Foundation-Diploma-Photography
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Still Photography
Still Photography Soumik Mitra, Published by - Jharkhand Rai University Subject: STILL PHOTOGRAPHY Credits: 4 SYLLABUS Introduction to Photography Beginning of Photography; People who shaped up Photography. Camera; Lenses & Accessories - I What a Camera; Types of Camera; TLR; APS & Digital Cameras; Single-Lens Reflex Cameras. Camera; Lenses & Accessories - II Photographic Lenses; Using Different Lenses; Filters. Exposure & Light Understanding Exposure; Exposure in Practical Use. Photogram Introduction; Making Photogram. Darkroom Practice Introduction to Basic Printing; Photographic Papers; Chemicals for Printing. Suggested Readings: 1. Still Photography: the Problematic Model, Lew Thomas, Peter D'Agostino, NFS Press. 2. Images of Information: Still Photography in the Social Sciences, Jon Wagner, 3. Photographic Tools for Teachers: Still Photography, Roy A. Frye. Introduction to Photography STILL PHOTOGRAPHY Course Descriptions The department of Photography at the IFT offers a provocative and experimental curriculum in the setting of a large, diversified university. As one of the pioneers programs of graduate and undergraduate study in photography in the India , we aim at providing the best to our students to help them relate practical studies in art & craft in professional context. The Photography program combines the teaching of craft, history, and contemporary ideas with the critical examination of conventional forms of art making. The curriculum at IFT is designed to give students the technical training and aesthetic awareness to develop a strong individual expression as an artist. The faculty represents a broad range of interests and aesthetics, with course offerings often reflecting their individual passions and concerns. In this fundamental course, students will identify basic photographic tools and their intended purposes, including the proper use of various camera systems, light meters and film selection. -
What Resolution Should Your Images Be?
What Resolution Should Your Images Be? The best way to determine the optimum resolution is to think about the final use of your images. For publication you’ll need the highest resolution, for desktop printing lower, and for web or classroom use, lower still. The following table is a general guide; detailed explanations follow. Use Pixel Size Resolution Preferred Approx. File File Format Size Projected in class About 1024 pixels wide 102 DPI JPEG 300–600 K for a horizontal image; or 768 pixels high for a vertical one Web site About 400–600 pixels 72 DPI JPEG 20–200 K wide for a large image; 100–200 for a thumbnail image Printed in a book Multiply intended print 300 DPI EPS or TIFF 6–10 MB or art magazine size by resolution; e.g. an image to be printed as 6” W x 4” H would be 1800 x 1200 pixels. Printed on a Multiply intended print 200 DPI EPS or TIFF 2-3 MB laserwriter size by resolution; e.g. an image to be printed as 6” W x 4” H would be 1200 x 800 pixels. Digital Camera Photos Digital cameras have a range of preset resolutions which vary from camera to camera. Designation Resolution Max. Image size at Printable size on 300 DPI a color printer 4 Megapixels 2272 x 1704 pixels 7.5” x 5.7” 12” x 9” 3 Megapixels 2048 x 1536 pixels 6.8” x 5” 11” x 8.5” 2 Megapixels 1600 x 1200 pixels 5.3” x 4” 6” x 4” 1 Megapixel 1024 x 768 pixels 3.5” x 2.5” 5” x 3 If you can, you generally want to shoot larger than you need, then sharpen the image and reduce its size in Photoshop. -
Invention of Digital Photograph
Invention of Digital photograph Digital photography uses cameras containing arrays of electronic photodetectors to capture images focused by a lens, as opposed to an exposure on photographic film. The captured images are digitized and stored as a computer file ready for further digital processing, viewing, electronic publishing, or digital printing. Until the advent of such technology, photographs were made by exposing light sensitive photographic film and paper, which was processed in liquid chemical solutions to develop and stabilize the image. Digital photographs are typically created solely by computer-based photoelectric and mechanical techniques, without wet bath chemical processing. The first consumer digital cameras were marketed in the late 1990s.[1] Professionals gravitated to digital slowly, and were won over when their professional work required using digital files to fulfill the demands of employers and/or clients, for faster turn- around than conventional methods would allow.[2] Starting around 2000, digital cameras were incorporated in cell phones and in the following years, cell phone cameras became widespread, particularly due to their connectivity to social media websites and email. Since 2010, the digital point-and-shoot and DSLR formats have also seen competition from the mirrorless digital camera format, which typically provides better image quality than the point-and-shoot or cell phone formats but comes in a smaller size and shape than the typical DSLR. Many mirrorless cameras accept interchangeable lenses and have advanced features through an electronic viewfinder, which replaces the through-the-lens finder image of the SLR format. While digital photography has only relatively recently become mainstream, the late 20th century saw many small developments leading to its creation. -
Co-453 Friedrich Wilhelm Von Egloffstein, the Ives
CO-453 FRIEDRICH WILHELM VON EGLOFFSTEIN, THE IVES-EXPEDITION TO THE GRAND CANYON (1857-58), AND THE FIRST RELIEF SHADED MAPS OF A PORTION OF THE UNITED STATES DEMHARDT I.J. University of Texas at Arlington, ARLINGTON, UNITED STATES By the mid of the nineteenth century, when the still young United States of America were about to expand rapidly from the banks of the Mississippi to the Pacific coast, increasing numbers of peasants and tradesmen with their families left from Europe for the New World following a mix of economic pressure and wanderlust. Among the immigrant “class of 1849” was also a German baronet destined to leave a prominent mark on the pioneering cartography of the American West by bringing along well nurtured talents in arts and topography. Friedrich Wilhelm von Egloffstein was born on May 18, 1824 in Altdorf in northern Bavaria. Being educated as engineering officer by the Prussian army, he left his home during the German revolution of 1848-49 to arrive as a bachelor in the United States early in 1849. Here he subsequently participated in several exploration expeditions into the West, served in the Civil War, and attempted a business career with a patented printing method (Krygier 1997; Rowan/Szostalo 2005). By 1852, two years after his arrival from Germany, von Egloffstein was working as a surveyor in St. Louis and published a detailed map of the area around Valley Park, Missouri along the Meramex River to promote the use of the Pacific Railroad (Rowan/Szostalo 2005). The emerging rapid westward expansion of the political and settlement frontier demanded the formation of the U.S. -
1/2-Inch Megapixel CMOS Digital Image Sensor
MT9M001: 1/2-Inch Megapixel Digital Image Sensor Features 1/2-Inch Megapixel CMOS Digital Image Sensor MT9M001C12STM (Monochrome) Datasheet, Rev. M For the latest datasheet, please visit www.onsemi.com Features Table 1: Key Performance Parameters Parameter Value • Array Format (5:4): 1,280H x 1,024V (1,310,720 active Optical format 1/2-inch (5:4) pixels). Total (incl. dark pixels): 1,312H x 1,048V Active imager size 6.66 mm (H) x 5.32 mm (V) (1,374,976 pixels) • Frame Rate: 30 fps progressive scan; programmable Active pixels 1,280 H x 1,024 V • Shutter: Electronic Rolling Shutter (ERS) Pixel size 5.2 m x 5.2 m • Window Size: SXGA; programmable to any smaller Shutter type Electronic rolling shutter (ERS) Maximum data rate/ format (VGA, QVGA, CIF, QCIF, etc.) 48 MPS/48 MHz • Programmable Controls: Gain, frame rate, frame size master clock Frame SXGA 30 fps progressive scan; rate (1280 x 1024) programmable Applications ADC resolution 10-bit, on-chip Responsivity 2.1 V/lux-sec • Digital still cameras Dynamic range 68.2 dB • Digital video cameras •PC cameras SNRMAX 45 dB Supply voltage 3.0 V3.6 V, 3.3 V nominal 363 mW at 3.3 V (operating); Power consumption General Description 294 W (standby) Operating temperature 0°C to +70°C The ON Semiconductor MT9M001 is an SXGA-format with a 1/2-inch CMOS active-pixel digital image sen- Packaging 48-pin CLCC sor. The active imaging pixel array of 1,280H x 1,024V. It The sensor can be operated in its default mode or pro- incorporates sophisticated camera functions on-chip grammed by the user for frame size, exposure, gain set- such as windowing, column and row skip mode, and ting, and other parameters. -
More About Digital Cameras Image Characteristics Several Important
More about Digital Cameras Image Characteristics Several important characteristics of digital images include: Physical Size How big is the image that has been captured, as measured in inches or pixels? File Size How large is the computer file that makes up the image, as measured in kilobytes or megabytes? Pixels All digital images taken with a digital camera are made up of pixels (short for picture elements). A pixel is the smallest part (sometimes called a point or a dot) of a digital image and the total number of pixels make up the image and help determine its size and its resolution, or how much information is included in the image when we view it. Generally speaking, the larger the number of pixels an image contains, the sharper it will appear, especially when it is enlarged, which is what happens when we want to print our photographs larger than will fit into small 3 1\2 X 5 inch or 5 X 7 inch frames. You will notice in the first picture below that the Grand Canyon is in sharp focus and there is a large amount of detail in the image. However, when the image is enlarged to an extreme level, the individual pixels that make up the image are visible--and the image is no longer clear and sharp. Megapixels The term megapixels means one million pixels. When we discuss how sharp a digital image is or how much resolution it has, we usually refer to the number of megapixels that make up the image. One of the biggest selling features of digital cameras is the number of megapixels it is capable of producing when a picture is taken. -
Reimagining the Black Body Through Portraiture: Interpreting the Functional and Societal Roles of Photography and the Reconstruc
Claremont Colleges Scholarship @ Claremont CMC Senior Theses CMC Student Scholarship 2021 Reimagining the Black Body through Portraiture: Interpreting the Functional and Societal Roles of Photography and the Reconstructive Power of Camera Technology and Photographic Images for African American Self Image Robert Cain Follow this and additional works at: https://scholarship.claremont.edu/cmc_theses Part of the African American Studies Commons, Photography Commons, and the Visual Studies Commons Recommended Citation Cain, Robert, "Reimagining the Black Body through Portraiture: Interpreting the Functional and Societal Roles of Photography and the Reconstructive Power of Camera Technology and Photographic Images for African American Self Image" (2021). CMC Senior Theses. 2692. https://scholarship.claremont.edu/cmc_theses/2692 This Open Access Senior Thesis is brought to you by Scholarship@Claremont. It has been accepted for inclusion in this collection by an authorized administrator. For more information, please contact [email protected]. Claremont McKenna College Reimagining the Black Body through Portraiture: Interpreting the Functional and Societal Roles of Photography and the Reconstructive Power of Camera Technology and Photographic Images for African American Self Image submitted to Professor Andrew Long and Professor James Morrison by Robert Cain Bachelor of Arts Applied Mathematics and Media Studies for Senior Thesis May 3, 2021 Abstract This thesis addresses the multiple ways in which the medium of photography, and specifically -
Oxnard Course Outline
Course ID: DMS R120B Curriculum Committee Approval Date: 04/25/2018 Catalog Start Date: Fall 2018 COURSE OUTLINE OXNARD COLLEGE I. Course Identification and Justification: A. Proposed course id: DMS R120B Banner title: AdobePhotoShop II Full title: Adobe PhotoShop II B. Reason(s) course is offered: This course provides the development of skills necessary to combine the use of Photoshop digital image editing software with Adobe LightRoom's expanded digital photographic image editing abilities. These skills will enhance a student’s ability to enter into employment positions such as web master, graphics design, and digital image processing. C. C-ID: 1. C-ID Descriptor: 2. C-ID Status: D. Co-listed as: Current: None II. Catalog Information: A. Units: Current: 3.00 B. Course Hours: 1. In-Class Contact Hours: Lecture: 43.75 Activity: 0 Lab: 26.25 2. Total In-Class Contact Hours: 70 3. Total Outside-of-Class Hours: 87.5 4. Total Student Learning Hours: 157.5 C. Prerequisites, Corequisites, Advisories, and Limitations on Enrollment: 1. Prerequisites Current: DMS R120A: Adobe Photoshop I 2. Corequisites Current: 3. Advisories: Current: 4. Limitations on Enrollment: Current: D. Catalog description: Current: This course will continue the development of students’ skills in the use of Adobe Photoshop digital image editing software by integrating the enhanced editing capabilities of Adobe Lightroom into the Adobe Photoshop workflow. Students will learn how to “punch up” colors in specific areas of digital photographs, how to make dull-looking shots vibrant, remove distracting objects, straighten skewed shots and how to use Photoshop and Lightroom to create panoramas, edit Adobe raw DNG photos on mobile device, and apply Boundary Wrap to a merged panorama to prevent loss of detail in the image among other skills. -
The Chiba System 千葉方式 : a Non Toxic Alternative to the Dichromate
The Chiba System 千葉方式 A Non Toxic Alternative to the Dichromate Processes January 2007 Halvor Bjoerngaard Graduate School of Science and Technology CHIBA UNIVERSITY (千葉大学学位申請論文) The Chiba System 千葉方式 : A Non Toxic Alternative to the Dichromate Processes or The Production of Photographic Prints in Permanent Pigments by Utilising the Sensitivity of the Ferric Salt to the Spectre and Employing the Polymerization of Colloids. 2007年1月 千葉大学大学院自然科学研究科 情報科学専攻画像科学 Halvor Bjørngård Abstract This study has the main purpose of presenting a non-toxic, or an alternative, printing system for the dichromate based pigment processes. The two methods presented in depth are modelled on first Carbon printing then Gum Printing. Achieving non-toxicity for these systems means replacing the dichromate sensitizer and secondly to avoid the practise of hardening the substrate. An alternative sensitizer is presented and hardening is avoided by using modified working methods. The chemistry utilised for this purpose is iron based, red-ox induced, free radical polymerization. The sensitizer is ammonium ferric citrate, using either hydrogen peroxide or ammonium persulphate as developer. For Carbon Printing a solution to both the need for hardeners and the problem of oxygen inhibition, which is usual for this kind of polymerisation, is achieved. This is done by using a covering layer of agar-agar that blocks oxygen and changes the transfer system, obsolescing the use of hardeners. For Gum Printing two methods are presented. One is based on gelatine, which allows the use of a hydrogen peroxide bath for development. The second method is with gum arabicum, which necessitates inclusion of ammonium persulphate in the coating as a developing agent. -
Three Phases of Change and Persistence in the Camera Industry
G Model RESPOL-3332; No. of Pages 12 ARTICLE IN PRESS Research Policy xxx (2016) xxx–xxx Contents lists available at ScienceDirect Research Policy journal homepage: www.elsevier.com/locate/respol Innovation and recurring shifts in industrial leadership: Three phases ଝ of change and persistence in the camera industry a b,∗ Hyo Kang , Jaeyong Song a Haas School of Business, University of California, 2220 Piedmont Avenue, Berkeley, CA 94720, USA b Graduate School of Business, Seoul National University, 1 Gwanak-ro, Gwanak-gu, Seoul 151-916, Korea a r t i c l e i n f o a b s t r a c t Article history: This study examines factors underlying three phases of change or persistence in industrial leadership Received 31 October 2013 in the sector of interchangeable-lens cameras over the past century. During this period there were two Received in revised form 31 August 2015 major phases of leadership change, both associated with the emergence of innovations involving major Accepted 2 January 2016 discontinuities in the industry’s core technologies. First, Japan won market leadership from Germany in Available online xxx the mid-1960s after commercializing the single-lens reflex (SLR) camera that replaced the previously dominant German rangefinder camera. Second, in the late-2000s, Japanese latecomer firms and a Korean JEL: firm developed Mirrorless cameras, which allowed them to capture the majority of market share from the N70 L63 incumbent Japanese leaders. We also examine the long period (about 60 years) between these two phases O33 of change, during which leading Japanese firms were able to sustain their market leadership despite the digital revolution from the 1980s to 1990s. -
Innovation and Recurring Shifts in Industrial Leadership: Three Phases of Change and Persistence in the Camera Industry*
Innovation and Recurring Shifts in Industrial Leadership: Three Phases of Change and Persistence in the Camera Industry* Hyo Kang† Jaeyong Song‡ Forthcoming in Research Policy 46(2), 2017 Abstract This study examines factors underlying three phases of change/persistence in industrial leadership in the segment of interchangeable-lens cameras over the past century. During this period there were two major phases of leadership change, both associated with the emergence of innovations involving major discontinuities in the industry’s core technologies. First, Japan won market leadership from Germany in the mid-1960s after commercializing the single-lens reflex (SLR) camera that replaced the previously dominant German rangefinder camera. Second, in the late-2000s, Japanese latecomer firms and a Korean firm developed Mirrorless cameras, which allowed them to capture the majority of market shares from the incumbent Japanese leaders. We also examine the long period (about 60 years) between these two phases of change, during which leading Japanese firms were able to sustain their market leadership despite the digital revolution from the 1980s to 1990s. This paper explores the factors influencing these contrasting experiences of change and persistence in industry leadership. The analysis integrates several aspects of sectoral innovation systems – i.e., windows of opportunity associated with technology, demand, and institution – as well as the strategies of incumbents and latecomer firms. The conclusions highlight the complex and diverse combinations and importance of the factors that help explain the patterns of leadership shift. Keywords: catch-up cycle; industrial leadership; innovation; interchangeable-lens camera JEL: N70, L63, O33 * This research has been supported by the Center for Global Business and Research, Seoul National University. -
Use and Analysis of Color Models in Image Processing
cess Pro ing d & o o T F e c f h o Sharma and Nayyer, J Food Process Technol 2015, 7:1 n l o a l n o DOI: 10.4172/2157-7110.1000533 r Journal of Food g u y o J Processing & Technology ISSN: 2157-7110 Perspective Open Access Use and Analysis of Color Models in Image Processing Bhubneshwar Sharma* and Rupali Nayyer Department of Electronics and Communication Engineering, S.S.C.E.T, Punjab Technical University, India Abstract The use of color image processing is divided by two factors. First color is used in object identification and simplifies extraction from a scene and color is powerful descriptor. Second, humans can use thousands of color shades and intensities. Color Image Processing is divided into two areas full color and pseudo-color processing. In this processing various color models are used that are based on color recognition, color components etc. A few papers on various applications such as lane detection, face detection, fruit quality evaluation etc based on these color models have been published. A survey on widely used models RGB, HSI, HSV, RGI, etc. is represented in this paper. Keywords: Image processing; Color models; RGB; HIS; HSV; RGI for matter surfaces, while ignoring ambient light, normalized RGB is invariant (under certain assumptions) to changes of surface orientation Introduction relatively to the light source. This, together with the transformation An image may be defined as a two dimensional function, f(x, y), simplicity helped this color space to gain popularity among the where x and y are spatial coordinates and the amplitude of f at any researchers [5-7] (Figure 1).