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Wavelength (November 1984)
University of New Orleans ScholarWorks@UNO Wavelength Midlo Center for New Orleans Studies 11-1984 Wavelength (November 1984) Connie Atkinson University of New Orleans Follow this and additional works at: https://scholarworks.uno.edu/wavelength Recommended Citation Wavelength (November 1984) 49 https://scholarworks.uno.edu/wavelength/49 This Book is brought to you for free and open access by the Midlo Center for New Orleans Studies at ScholarWorks@UNO. It has been accepted for inclusion in Wavelength by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. I I ~N0 . 49 n N<MMBER · 1984 ...) ;.~ ·........ , 'I ~- . '· .... ,, . ----' . ~ ~'.J ··~... ..... 1be First Song • t "•·..· ofRock W, Roll • The Singer .: ~~-4 • The Songwriter The Band ,. · ... r tucp c .once,.ts PROUDLY PR·ESENTS ••••••••• • • • • • • • •• • • • • • • • • • • • • • • ••••••••• • • • • • • • •• • • • • • • • • • • • • • •• • • • • • • • • • • • ••••••••••• • •• • • • • • • • ••• •• • • • • • •• •• • •• • • • •• ••• •• • • •• •••• ••• •• ••••••••••• •••••••••••• • • • •••• • ••••••••••••••• • • • • • ••• • •••••••••••••••• •••••• •••••••• •••••• •• ••••••••••••••• •••••••• •••• .• .••••••••••••••••••:·.···············•·····•••·• ·!'··············:·••• •••••••••••• • • • • • • • ...........• • ••••••••••••• .....•••••••••••••••·.········:· • ·.·········· .....·.·········· ..............••••••••••••••••·.·········· ............ '!.·······•.:..• ... :-=~=···· ····:·:·• • •• • •• • • • •• • • • • • •••••• • • • •• • -
Unprocessed Materials
BID# 09ITB12346B-BR UNPROCESSED MATERIALS Vision People Families Neighborhoods Mission To serve, protect and govern in concert with local municipalities Values People Customer Services Ethics Resource Management Innovation Equal Opportunity REQUEST FOR INVITATION TO BID NO. 09ITB12346B-BR UNPROCESSED MATERIALS For THE LIBRARY DEPARTMENT BID DUE DATE AND TIME: December 30, 2008, 11:00 A.M. BID ISSUANCE DATE: November 21, 2008 PURCHASING CONTACT: Brian Richmond at 404-612-7915 E-MAIL: [email protected] All bids must be mailed to: LOCATION: FULTON COUNTY DEPARTMENT OF PURCHASING & CONTRACT COMPLIANCE 130 PEACHTREE STREET, S.W., SUITE 1168 ATLANTA, GA 30303 1 BID# 09ITB12346B-BR UNPROCESSED MATERIALS COMPANY NAME: ___________________________________________ ADDRESS: ___________________________________________ CITY: ________________________ STATE: ________________________ ZIP CODE: ________________________ CONTACT PERSON: ________________________ TELEPHONE NUMBER: ________________________ FAX NUMBER: ________________________ EMAIL ADDRESS: ________________________ Note: All vendors submitting a bid must complete this page. If you are submitting a bid, please submit the original and five copies. Vendors have up to 2:00 P.M. Monday, December 15, 2008 to email any questions that you may have. All bids should be sealed and mailed to the following address: The Fulton County Department of Purchasing and Contract Compliance 130 Peachtree Street S.W. Suite 1168 Atlanta Georgia 30303 Attn: Brian Richmond 2 BID# 09ITB12346B-BR UNPROCESSED -
The Left Front : Radical Art in the "Red Decade," 1929-1940
LEFT FRONT EVENTS All events are free and open to the public Saturday, January 18, 2pm Winter Exhibition Opening with W. J. T. Mitchell Wednesday, February 5, 6pm Lecture & Reception: Julia Bryan-Wilson, Figurations Wednesday, February 26, 6pm Poetry Reading: Working Poems: An Evening with Mark Nowak Saturday, March 8, 2pm Film Screening and Discussion: Body and Soul with J. Hoberman Saturday, March 15, 2pm Guest Lecture: Vasif Kortun of SALT, Istanbul Thursday, April 3, 6pm Gallery Performance: Jackalope Theatre, Living Newspaper, Edition 2014 Saturday, April 5, 5pm Gallery Performance: Jackalope Theatre, Living Newspaper, Edition 2014 Wednesday, April 16, 2014, 6pm Lecture: Andrew Hemingway, Style of the New Era: THE LEFT FRONT John Reed Clubs and Proletariat Art RADICAL ART IN THE "RED DECADE," 1929-1940 Mary and Leigh Block Museum of Art Northwestern University 40 Arts Circle Drive, Evanston, IL, 60208-2140 www.blockmuseum.northwestern.edu Generous support for The Left Front is provided by the Terra Foundation for American Art, as well as the Terra Foundation on behalf of William Osborn and David Kabiller, and the MARY AND LEIGH BLOCK MUSEUM OF ART Myers Foundations. Additional funding is from the Carlyle Anderson Endowment, Mary and Leigh Block Endowment, the Louise E. Drangsholt Fund, the Kessel Fund at the NORTHWESTERN UNIVERSIty Block Museum, and the Illinois Arts Council, a state agency. theleftfront-blockmuseum.tumblr.com January 17–June 22, 2014 DIRECTOR'S FOREWORD The Left Front: Radical Art in the “Red Decade”, 1929–1940 was curated by John Murphy undergraduate seminar that focused on themes in the exhibition and culminated in and Jill Bugajski, doctoral candidates in the Department of Art History at Northwestern student essays offering close examinations of particular objects from the show. -
View This Year's Acquisitions
Yale University Art Gallery Bulletin 2017 Recent Acquisitions online supplement Within these lists, objects in the Circa (ca.) is used to denote that a Acquisitions departments of American Decorative work was executed sometime within or July 1, 2016– Arts, American Paintings and Sculpture, around the date given. For all objects, Asian Art, European Art, Modern and principal medium is given first, followed June 30, 2017 Contemporary Art, Photography, and by other media in order of prevalence. Prints and Drawings are alphabetized Dimensions are given in inches followed by artist, then ordered by date, then by centimeters in parentheses; height alphabetized by title, then ordered by precedes width. For three-dimensional accession number. Objects in the sculpture and most decorative objects, departments of African Art, Ancient such as furniture, height precedes Art, Art of the Ancient Americas, Indo- width precedes depth. For drawings, Pacific Art, and Numismatics are ordered dimensions are of the sheet; for relief chronologically, then alphabetized by and intaglio prints, the matrix; and for title, then ordered by accession number. screenprints, planographic prints, and photographs, the image, unless otherwise noted. For coins and medals, weight is given in grams, axis in clock hours, and diameter in millimeters. If an object is shaped irregularly, maximum measure- ments are given. 2 African Art Unidentified Sapi artists Unidentified Vai artist Unidentified Dan artists 3 figures Female Ancestral Mask (Ndoli Jowi/Nòwo) 3 necklaces Sierra Leone, 14th–15th century Liberia, 19th to mid-20th century Liberia, late 19th–early 20th century Stone, ranging from 3 x 1½ x 2⅝ in. Wood, 18 x 9½ x 13 in. -
Eye to I: Self-Portraits from the National Portrait Gallery on View June 12 to September 12
MASTERWORKS SPONSORSHIP OPPORTUNITIES Eye to I: Self-Portraits from the National Portrait Gallery On view June 12 to September 12. Drawing from the National Portrait Gallery’s vast collection, Eye to I will examine how artists in the United States have chosen to portray themselves since the beginning of the last century. The exhibition has been organized by the Smithsonian's National Portrait Gallery, Washington, D.C. and supported in part by Mr. and Mrs. Michael H. Podell. ALBUQUERQUE MUSEUM FOUNDATION To sponsor a MasterWork call Elaine Richardson 505.677.8491 or email [email protected] MASTERWORKS SPONSORSHIP OPPORTUNITIES Featured MasterWorks $1,000 – Pages 1-4 Paintings $500 – Pages 5-16 Prints, Photography, Drawings, and Watercolors $250 – Pages 17-60 ALBUQUERQUE MUSEUM FOUNDATION To sponsor a MasterWork call Elaine Richardson 505.677.8491 or email [email protected] MASTERWORKS FEATURED WORK• $1,000 Robert Rauschenberg 1925 Port Arthur, Texas – 2008 Captiva, Florida Autobiography 1968 offset lithograph National Portrait Gallery, Smithsonian Institution; the Ruth Bowman and Harry Kahn Twentieth-Century American Self- Portrait Collection NPG.2002.313 ALBUQUERQUE MUSEUM FOUNDATION To sponsor a MasterWork call Elaine Richardson 505.677.8491 or email [email protected] Page 1 MASTERWORKS FEATURED WORK • $1,000 Roger Shimomura born 1939 Seattle, Washington; lives Lawrence, Kansas Shimomura Crossing the Delaware 2010 acrylic on canvas National Portrait Gallery, -
NGA | 2017 Annual Report
N A TIO NAL G ALL E R Y O F A R T 2017 ANNUAL REPORT ART & EDUCATION W. Russell G. Byers Jr. Board of Trustees COMMITTEE Buffy Cafritz (as of September 30, 2017) Frederick W. Beinecke Calvin Cafritz Chairman Leo A. Daly III Earl A. Powell III Louisa Duemling Mitchell P. Rales Aaron Fleischman Sharon P. Rockefeller Juliet C. Folger David M. Rubenstein Marina Kellen French Andrew M. Saul Whitney Ganz Sarah M. Gewirz FINANCE COMMITTEE Lenore Greenberg Mitchell P. Rales Rose Ellen Greene Chairman Andrew S. Gundlach Steven T. Mnuchin Secretary of the Treasury Jane M. Hamilton Richard C. Hedreen Frederick W. Beinecke Sharon P. Rockefeller Frederick W. Beinecke Sharon P. Rockefeller Helen Lee Henderson Chairman President David M. Rubenstein Kasper Andrew M. Saul Mark J. Kington Kyle J. Krause David W. Laughlin AUDIT COMMITTEE Reid V. MacDonald Andrew M. Saul Chairman Jacqueline B. Mars Frederick W. Beinecke Robert B. Menschel Mitchell P. Rales Constance J. Milstein Sharon P. Rockefeller John G. Pappajohn Sally Engelhard Pingree David M. Rubenstein Mitchell P. Rales David M. Rubenstein Tony Podesta William A. Prezant TRUSTEES EMERITI Diana C. Prince Julian Ganz, Jr. Robert M. Rosenthal Alexander M. Laughlin Hilary Geary Ross David O. Maxwell Roger W. Sant Victoria P. Sant B. Francis Saul II John Wilmerding Thomas A. Saunders III Fern M. Schad EXECUTIVE OFFICERS Leonard L. Silverstein Frederick W. Beinecke Albert H. Small President Andrew M. Saul John G. Roberts Jr. Michelle Smith Chief Justice of the Earl A. Powell III United States Director Benjamin F. Stapleton III Franklin Kelly Luther M. -
Minna Citron: a Socio-Historical Study Of
The Pennsylvania State University The Graduate School Department of Art History MINNA CITRON: A SOCIO-HISTORICAL STUDY OF AN ARTIST’S FEMINIST SOCIAL REALISM IN THE 1930S A Thesis in Art History by Jennifer L. Streb © 2004 Jennifer L. Streb Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy December 2004 The thesis of Jennifer L Streb was reviewed and approved* by the following: Sarah K. Rich Assistant Professor of Art History Thesis Advisor Chair of Committee Craig Zabel Associate Professor of Art History Head of the Department of Art History Joyce Henri Robinson Curator, Palmer Museum of Art Affiliate Associate Professor, Department of Art History Nan E. Woodruff Professor of History * Signatures are on file in the Graduate School ABSTRACT Minna Citron (1896-1991) was a lifelong self-proclaimed feminist, a divorced mother and an artist who believed in individual expression. One of her main artistic interests, particularly early in her career, was the way feminist concerns related to her dual roles as wife/mother and professional artist. She struggled to make a name for herself in the male-dominated art world between the 1930s and 1950s, beginning during a decade in which social roles for women increasingly tended towards domesticity. By the late 1960s, however, Citron’s interest in feminism was renewed by a new generation of women. The course upon which she set herself, in many ways, was uncharted and her concern with women’s issues and the challenges faced by women perhaps resonate more clearly with us today than while she was alive. -
Carl Zigrosser Papers Ms
Carl Zigrosser papers Ms. Coll. 6 Finding aid prepared by Felicia McMahon. Last updated on April 06, 2020. University of Pennsylvania, Kislak Center for Special Collections, Rare Books and Manuscripts 1991 Carl Zigrosser papers Table of Contents Summary Information...................................................................................................................................4 Biography/History.........................................................................................................................................4 Scope and Contents.......................................................................................................................................7 Administrative Information...........................................................................................................................8 Controlled Access Headings......................................................................................................................... 8 Other Finding Aids note................................................................................................................................9 Collection Inventory................................................................................................................................... 10 General Correspondence....................................................................................................................... 10 Family Correspondence....................................................................................................................... -
BOOKS ABOUT ARTISTS Catalogue 72 – January 2013
BOOKS ABOUT ARTISTS Catalogue 72 – January 2013 1. (Aaltonen, Waino). WAINO AALTONEN by Onni Okkonen. Finland, 1945. 4to., boards, DJ, 31pp. text, 96 illustrations of sculpture in photogravure. Text in Swedish and Finnish. VG/VG $12.50 2. (Adam, Robert). ROBERT ADAM & HIS BROTHERS - Their Lives, Work & Influence by John Swarbrick. Scribners, NY, 1915. 4to., 316pp., t.e.g., illustrated. An important reference on one the leading British architect/designers of the 18th Century. A near fine copy. $125.00 3. (Albers, Josef). THE PRINTS OF JOSEF ALBERS - A CATALOGUE RAISONNE1915-1976 by Brenda Danilowitz. Hudson Hills Press, NY, 2001. 4to., cloth, DJ, 215pp. illustrated. Fine in Fine DJ. $75.00 4. (Albright, Ivan). IVAN ALBRIGHT by Michael Croydon. Abbeville, NY, 1978. Folio, cloth, DJ, 308pp., 170 illustrations, 83 in color. F/F $100.00 5. Ali. BEYOND THE BIG TOP. Godine/Pucker Safrai, Boston, 1988. Obl. 4to., cloth, DJ, text and 97 works illustrated, mostly in color. Fine/Fine. $10.00 6. (Allemand, Louis-Hector). LOUIS-HECTOR ALLEMAND - PEINTRE GRAVEUR LYONNAIS 1809-1886 by Paul Proute et al. Paris, 1977. 4to., wraps, 82 prints pictured and described. Fine. $25.00 7. (Allori et al, Allessandro). FROM STUDIO TO STUDIOLO - FLORENTINE DRAFTSMANSHIP UNDER THE FIRST MEDICI GRAND DUKES by Larry J. Feinberg. Oberlin, 1991. 4to., wraps, 211pp, 60 items catalogued and illustrated. Fine. $17.50 8. (Allston, Washington). "A MAN OF GENIUS" - THE ART OF WASHINGTON ALLSTON by Gerdts and Stebbins. MFA< boston, 1979. 4to., cloth, DJ, 256pp., 24 color plates, 162 b/w illustrations. Fine, DJ has white spots on back panel. -
Mcnay ART MUSEUM 2013 | 2015 Annual Report Visitors Enjoy a Free Family John and Peg Emley with Bill Chiego at the Margaritaville at the Day at the Mcnay
McNAY ART MUSEUM 2013 | 2015 Annual Report Visitors enjoy a free family John and Peg Emley with Bill Chiego at the Margaritaville at the day at the McNay. McNay Spring Party. Lesley Dill and René Paul Barilleaux, Chief Curator/Curator of Contemporary Art, at the Opening of Lesley Dill: Performance as Art. McNay Second Thursday band plays indie tunes on the Brown Sculpture Terrace. Visitors enjoy a free family day at the McNay. Emma and Toby Calvert at the 60th Sarah E. Harte and John Gutzler at the 60th Anniversary Celebration Anniversary Celebration Visitor enjoys field day activities during a free A local food truck serves up delicious dishes at McNay Second Suhail Arastu at the McNay Gala Hollywood Visions: Dressing the Part. family day at the McNay. Thursdays. Table of Contents Board of Trustees As of December 31, 2015 Letter from the President ................................................................................4 Tom Frost, Chairman Sarah E. Harte, President Letter from the Director ...................................................................................5 Connie McCombs McNab, Vice President Museum Highlights ...........................................................................................6 Lucille Oppenheimer Travis, Secretary Barbie O’Connor, Treasurer Notable Staff Accomplishments ...................................................................10 Toby Calvert Acquisitions ..........................................................................................................13 John W. Feik -
American Women Artists Since the Vote
American Women Artists Since the Vote Amendment XIX of the Constitution of the United States The right of citizens of the United States to vote shall not be denied or abridged by the United States or by any State on account of sex. Congress shall have power to enforce this article by appropriate legislation. his online exhibition presents works from the Museum’s collection by twenty- Tfive American women since 1920, the year of the ratification of the Nineteenth Amendment. These selections represent every decade of the past century and a range of media, including painting, printmaking, photography, sculpture, ceramics, textiles, and installation. The artists included here came from, lived in, and traveled to diverse regions of the United States and some even around the world, and they relate to a range of social and ethnic backgrounds and experiences. Their artworks indicate the engagement of American women in a variety of modes and styles of artmaking during this period, including their elevation of some practices that have been considered women’s work and, hence, less important than “fine” arts like painting and sculpture. This exhibition has a dual purpose: to celebrate the centennial of the Nineteenth Amendment and to consider its ramifications for the American women it was intended to enfranchise. Certainly, it was a boon—agonizingly hard-won—for the women of this country finally to have the right to vote. However, the language of the amendment made the extension of the right to vote limited and allowed states, counties, and municipalities to continue inhibiting voting rights on other accounts, including age, ethnicity, literacy in English, and ability to pay poll taxes. -
FYE 2006 Annual Report
ANNUAL REPORT JULY 1, 2005 — JUNE 30, 2006 MISSION STATEMENT The Ball State University Museum of Art cultivates lifelong learning and recreation in the visual arts through its collection of original works of art, engaging exhibitions, and educational programs for the university community and other diverse audiences. I ANNUAL REPORT 2006 CONTENTS ON THE COVER DIRECTOR’S REPORT 1 EXHIBITIONS 4 EVENTS AND EdUCATION PROGRAMS 6 ACQUISITIONS 8 PAINTINGS 9 SCULPTURE 9 WORKS ON PAPER 11 DECORATIVE ARTS 15 ASIAN ART 15 Chandelle, 1966 ETHNOGRAPHIC ART 16 Norman Bluhm American, 1921-1999 oil on canvas Gift of the family of Norman Bluhm LOANS TO THE COLLECTION 17 2005.010 LOANS FROM THE COLLECTION 18 ENDOWED FUNDS 19 CONTRIBUTORS 20 RESTRICTED GIFTS 20 UNRESTRICTED GIFTS 20 IN-KIND CONTRIBUTIONS 21 MUSEUM OF ART BOARD AND STAff MEMBERS 22 ANNUAL REPORT 2006 II DIRECTOR’S REPORT Peter F. Blume, Director THE MUSEUM OF ART’S STRATEGIC PLAN HAS American Watercolor; European Modernist TWO MAIN INITIATIVES: AwARENESS AND Printed Pictures”, “The Passion of Christ: Twelve ACCESS. SIGNIFICANT PROGRESS WAS MADE IN Paintings by Jules-Claude Zeigler,” from the BOTH AREAS IN THE PAST YEAR. collection of John and Janice Fisher was an unusual opportunity to see a complete decorative SPECIAL EXHIBITIONS program by an important 19th century French muralist. Exhibitions are the most visible part of the museum’s program frequently driving audiences THE COLLECTION and education programs. Outstanding among a lively and diverse schedule of exhibitions was The Ancient and Asian Gallery was reinstalled to “Collecting Modernism: European Masterworks emphasize several recent acquisitions of Chinese from the Munson-Williams-Proctor Arts sculpture including a Qi Dynasty Bodhisattva, Institute.” These twenty-four masterpieces by and to allow a linear presentation of the growing many of the principal innovators in the visual arts collection of Chinese ceramics.