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M - jN-- - lfr S- - M -- SHE NATlUJSAi IKIBUJXIS WASHINGTON D a THURSDAY JANUARY 31 1907 force of setting a nail and pounding it New Mexico Speaker Cannon and Sen- ¬ satisfied with him Mr Shonts retained NEW BLOOD IN SENATE gently day by day year by year till he THE ISTHMIAN CANAL ¬ ME got ators Frye Halefrnd Blackburn were his Presidency of the Clover Leaf Rail How the Deaf it in to the head Curtis is not a members of tW House when he was road which the President did not alto ¬ full blooded Indian as has been said He declined a third election to Con ¬ gether approve Furthermore Mr but is thi son of the late Capt Curtis gress from New Mexico He was a Chief Shontss idea of digging the canal seem ¬ Are -- Engineer Sfaontss Resignation Wel Made That August Body Undergoing Some Striking Changes Result a veteran of the war of the rebellion member tlR Republican ed Washington to Hear an Indian of National to be a life of ease in and mother His mothers Committee for 121 years from 1875 to comedHe was Not Wholly Satisfac- ¬ for the Commission Chairman with cf the Elections So Far 1S87 and he conducted the Blaine cam- ¬ plenty of society for his wife and yuSSer from defective hearing paign In 1884 tory to the President and Secretary write to GEO P WAY of Detroit who Tiln 192 he was made daughters Mrs Shonts and the two lor twenty flve years was so deaf Secretary of Wan by President Harri- ¬ Misses Shonts from Europe a no was Dractlrtiiv it t that Taft Fnjineer Stevens More Accept ¬ returned son serving In thaiCabinet to the close few months ago -
Wavelength (November 1984)
University of New Orleans ScholarWorks@UNO Wavelength Midlo Center for New Orleans Studies 11-1984 Wavelength (November 1984) Connie Atkinson University of New Orleans Follow this and additional works at: https://scholarworks.uno.edu/wavelength Recommended Citation Wavelength (November 1984) 49 https://scholarworks.uno.edu/wavelength/49 This Book is brought to you for free and open access by the Midlo Center for New Orleans Studies at ScholarWorks@UNO. It has been accepted for inclusion in Wavelength by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. I I ~N0 . 49 n N<MMBER · 1984 ...) ;.~ ·........ , 'I ~- . '· .... ,, . ----' . ~ ~'.J ··~... ..... 1be First Song • t "•·..· ofRock W, Roll • The Singer .: ~~-4 • The Songwriter The Band ,. · ... r tucp c .once,.ts PROUDLY PR·ESENTS ••••••••• • • • • • • • •• • • • • • • • • • • • • • • ••••••••• • • • • • • • •• • • • • • • • • • • • • • •• • • • • • • • • • • • ••••••••••• • •• • • • • • • • ••• •• • • • • • •• •• • •• • • • •• ••• •• • • •• •••• ••• •• ••••••••••• •••••••••••• • • • •••• • ••••••••••••••• • • • • • ••• • •••••••••••••••• •••••• •••••••• •••••• •• ••••••••••••••• •••••••• •••• .• .••••••••••••••••••:·.···············•·····•••·• ·!'··············:·••• •••••••••••• • • • • • • • ...........• • ••••••••••••• .....•••••••••••••••·.········:· • ·.·········· .....·.·········· ..............••••••••••••••••·.·········· ............ '!.·······•.:..• ... :-=~=···· ····:·:·• • •• • •• • • • •• • • • • • •••••• • • • •• • -
Unprocessed Materials
BID# 09ITB12346B-BR UNPROCESSED MATERIALS Vision People Families Neighborhoods Mission To serve, protect and govern in concert with local municipalities Values People Customer Services Ethics Resource Management Innovation Equal Opportunity REQUEST FOR INVITATION TO BID NO. 09ITB12346B-BR UNPROCESSED MATERIALS For THE LIBRARY DEPARTMENT BID DUE DATE AND TIME: December 30, 2008, 11:00 A.M. BID ISSUANCE DATE: November 21, 2008 PURCHASING CONTACT: Brian Richmond at 404-612-7915 E-MAIL: [email protected] All bids must be mailed to: LOCATION: FULTON COUNTY DEPARTMENT OF PURCHASING & CONTRACT COMPLIANCE 130 PEACHTREE STREET, S.W., SUITE 1168 ATLANTA, GA 30303 1 BID# 09ITB12346B-BR UNPROCESSED MATERIALS COMPANY NAME: ___________________________________________ ADDRESS: ___________________________________________ CITY: ________________________ STATE: ________________________ ZIP CODE: ________________________ CONTACT PERSON: ________________________ TELEPHONE NUMBER: ________________________ FAX NUMBER: ________________________ EMAIL ADDRESS: ________________________ Note: All vendors submitting a bid must complete this page. If you are submitting a bid, please submit the original and five copies. Vendors have up to 2:00 P.M. Monday, December 15, 2008 to email any questions that you may have. All bids should be sealed and mailed to the following address: The Fulton County Department of Purchasing and Contract Compliance 130 Peachtree Street S.W. Suite 1168 Atlanta Georgia 30303 Attn: Brian Richmond 2 BID# 09ITB12346B-BR UNPROCESSED -
Mining Wars: Corporate Expansion and Labor Violence in the Western Desert, 1876-1920
UNLV Theses, Dissertations, Professional Papers, and Capstones 2009 Mining wars: Corporate expansion and labor violence in the Western desert, 1876-1920 Kenneth Dale Underwood University of Nevada Las Vegas Follow this and additional works at: https://digitalscholarship.unlv.edu/thesesdissertations Part of the Latin American History Commons, Social History Commons, and the United States History Commons Repository Citation Underwood, Kenneth Dale, "Mining wars: Corporate expansion and labor violence in the Western desert, 1876-1920" (2009). UNLV Theses, Dissertations, Professional Papers, and Capstones. 106. http://dx.doi.org/10.34917/1377091 This Dissertation is protected by copyright and/or related rights. It has been brought to you by Digital Scholarship@UNLV with permission from the rights-holder(s). You are free to use this Dissertation in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. This Dissertation has been accepted for inclusion in UNLV Theses, Dissertations, Professional Papers, and Capstones by an authorized administrator of Digital Scholarship@UNLV. For more information, please contact [email protected]. MINING WARS: CORPORATE EXPANSION AND LABOR VIOLENCE IN THE WESTERN DESERT, 1876-1920 by Kenneth Dale Underwood Bachelor of Arts University of Southern California 1992 Master -
The Left Front : Radical Art in the "Red Decade," 1929-1940
LEFT FRONT EVENTS All events are free and open to the public Saturday, January 18, 2pm Winter Exhibition Opening with W. J. T. Mitchell Wednesday, February 5, 6pm Lecture & Reception: Julia Bryan-Wilson, Figurations Wednesday, February 26, 6pm Poetry Reading: Working Poems: An Evening with Mark Nowak Saturday, March 8, 2pm Film Screening and Discussion: Body and Soul with J. Hoberman Saturday, March 15, 2pm Guest Lecture: Vasif Kortun of SALT, Istanbul Thursday, April 3, 6pm Gallery Performance: Jackalope Theatre, Living Newspaper, Edition 2014 Saturday, April 5, 5pm Gallery Performance: Jackalope Theatre, Living Newspaper, Edition 2014 Wednesday, April 16, 2014, 6pm Lecture: Andrew Hemingway, Style of the New Era: THE LEFT FRONT John Reed Clubs and Proletariat Art RADICAL ART IN THE "RED DECADE," 1929-1940 Mary and Leigh Block Museum of Art Northwestern University 40 Arts Circle Drive, Evanston, IL, 60208-2140 www.blockmuseum.northwestern.edu Generous support for The Left Front is provided by the Terra Foundation for American Art, as well as the Terra Foundation on behalf of William Osborn and David Kabiller, and the MARY AND LEIGH BLOCK MUSEUM OF ART Myers Foundations. Additional funding is from the Carlyle Anderson Endowment, Mary and Leigh Block Endowment, the Louise E. Drangsholt Fund, the Kessel Fund at the NORTHWESTERN UNIVERSIty Block Museum, and the Illinois Arts Council, a state agency. theleftfront-blockmuseum.tumblr.com January 17–June 22, 2014 DIRECTOR'S FOREWORD The Left Front: Radical Art in the “Red Decade”, 1929–1940 was curated by John Murphy undergraduate seminar that focused on themes in the exhibition and culminated in and Jill Bugajski, doctoral candidates in the Department of Art History at Northwestern student essays offering close examinations of particular objects from the show. -
View This Year's Acquisitions
Yale University Art Gallery Bulletin 2017 Recent Acquisitions online supplement Within these lists, objects in the Circa (ca.) is used to denote that a Acquisitions departments of American Decorative work was executed sometime within or July 1, 2016– Arts, American Paintings and Sculpture, around the date given. For all objects, Asian Art, European Art, Modern and principal medium is given first, followed June 30, 2017 Contemporary Art, Photography, and by other media in order of prevalence. Prints and Drawings are alphabetized Dimensions are given in inches followed by artist, then ordered by date, then by centimeters in parentheses; height alphabetized by title, then ordered by precedes width. For three-dimensional accession number. Objects in the sculpture and most decorative objects, departments of African Art, Ancient such as furniture, height precedes Art, Art of the Ancient Americas, Indo- width precedes depth. For drawings, Pacific Art, and Numismatics are ordered dimensions are of the sheet; for relief chronologically, then alphabetized by and intaglio prints, the matrix; and for title, then ordered by accession number. screenprints, planographic prints, and photographs, the image, unless otherwise noted. For coins and medals, weight is given in grams, axis in clock hours, and diameter in millimeters. If an object is shaped irregularly, maximum measure- ments are given. 2 African Art Unidentified Sapi artists Unidentified Vai artist Unidentified Dan artists 3 figures Female Ancestral Mask (Ndoli Jowi/Nòwo) 3 necklaces Sierra Leone, 14th–15th century Liberia, 19th to mid-20th century Liberia, late 19th–early 20th century Stone, ranging from 3 x 1½ x 2⅝ in. Wood, 18 x 9½ x 13 in. -
Rackstraw Downes
RACKSTRAW DOWNES 1939 Born in Kent, England 1961 BA in English Literature, Cambridge University, England 1961-62 English-Speaking Union Traveling Fellowship 1963-64 BFA and MFA in Painting, Yale University, New Haven, Connecticut 1964-65 Post-Graduate Fellowship. University of Pennsylvania 1967-79 Teaches painting at the University of Pennsylvania 1969 Marjorie Heilman Visiting Artist, Swarthmore College, Swarthmore, Pennsylvania 1971 Yaddo Residence Fellowship 1974 Ingram Merrill Fellowship 1978 CAPS 1980 National Endowment for the Arts Grant 1989 Academy-Institute Award, American Academy and Institute of Arts and Letters 1998 John Simon Guggenheim Memorial Fellowship 1999 Inducted into the American Academy and Institute of Arts and Letters 2009 Delivered Ninth Annual Raymond Lecture for the Archives of American Art 2009 The John D. and Catherine T. MacArthur Foundation Fellowship The artist lives and works in New York City and Presidio, Texas Solo Exhibitions 2018 Rackstraw Downes, Betty Cuningham Gallery, New York, NY, Sept 5-Oct 14 2014 Rackstraw Downes, Betty Cuningham Gallery, New York, NY, April 3- May 3 2012 Rackstraw Downes, Betty Cuningham Gallery, New York, NY, Oct. 11 – Nov. 24 2010-11 Rackstraw Downes: Onsite Paintings, 1974–2009, The Parrish Art Museum, Southampton, New York; travels to: Portland Museum of Art, Portland, ME; Weatherspoon Art Museum, Greensboro, NC Rackstraw Downes: Under the Westside Highway, The Aldrich Contemporary Art Museum, Ridgefield, CT 2010 Rackstraw Downes: A Selection of Drawings 1980-2010, Betty -
Eye to I: Self-Portraits from the National Portrait Gallery on View June 12 to September 12
MASTERWORKS SPONSORSHIP OPPORTUNITIES Eye to I: Self-Portraits from the National Portrait Gallery On view June 12 to September 12. Drawing from the National Portrait Gallery’s vast collection, Eye to I will examine how artists in the United States have chosen to portray themselves since the beginning of the last century. The exhibition has been organized by the Smithsonian's National Portrait Gallery, Washington, D.C. and supported in part by Mr. and Mrs. Michael H. Podell. ALBUQUERQUE MUSEUM FOUNDATION To sponsor a MasterWork call Elaine Richardson 505.677.8491 or email [email protected] MASTERWORKS SPONSORSHIP OPPORTUNITIES Featured MasterWorks $1,000 – Pages 1-4 Paintings $500 – Pages 5-16 Prints, Photography, Drawings, and Watercolors $250 – Pages 17-60 ALBUQUERQUE MUSEUM FOUNDATION To sponsor a MasterWork call Elaine Richardson 505.677.8491 or email [email protected] MASTERWORKS FEATURED WORK• $1,000 Robert Rauschenberg 1925 Port Arthur, Texas – 2008 Captiva, Florida Autobiography 1968 offset lithograph National Portrait Gallery, Smithsonian Institution; the Ruth Bowman and Harry Kahn Twentieth-Century American Self- Portrait Collection NPG.2002.313 ALBUQUERQUE MUSEUM FOUNDATION To sponsor a MasterWork call Elaine Richardson 505.677.8491 or email [email protected] Page 1 MASTERWORKS FEATURED WORK • $1,000 Roger Shimomura born 1939 Seattle, Washington; lives Lawrence, Kansas Shimomura Crossing the Delaware 2010 acrylic on canvas National Portrait Gallery, -
NGA | 2017 Annual Report
N A TIO NAL G ALL E R Y O F A R T 2017 ANNUAL REPORT ART & EDUCATION W. Russell G. Byers Jr. Board of Trustees COMMITTEE Buffy Cafritz (as of September 30, 2017) Frederick W. Beinecke Calvin Cafritz Chairman Leo A. Daly III Earl A. Powell III Louisa Duemling Mitchell P. Rales Aaron Fleischman Sharon P. Rockefeller Juliet C. Folger David M. Rubenstein Marina Kellen French Andrew M. Saul Whitney Ganz Sarah M. Gewirz FINANCE COMMITTEE Lenore Greenberg Mitchell P. Rales Rose Ellen Greene Chairman Andrew S. Gundlach Steven T. Mnuchin Secretary of the Treasury Jane M. Hamilton Richard C. Hedreen Frederick W. Beinecke Sharon P. Rockefeller Frederick W. Beinecke Sharon P. Rockefeller Helen Lee Henderson Chairman President David M. Rubenstein Kasper Andrew M. Saul Mark J. Kington Kyle J. Krause David W. Laughlin AUDIT COMMITTEE Reid V. MacDonald Andrew M. Saul Chairman Jacqueline B. Mars Frederick W. Beinecke Robert B. Menschel Mitchell P. Rales Constance J. Milstein Sharon P. Rockefeller John G. Pappajohn Sally Engelhard Pingree David M. Rubenstein Mitchell P. Rales David M. Rubenstein Tony Podesta William A. Prezant TRUSTEES EMERITI Diana C. Prince Julian Ganz, Jr. Robert M. Rosenthal Alexander M. Laughlin Hilary Geary Ross David O. Maxwell Roger W. Sant Victoria P. Sant B. Francis Saul II John Wilmerding Thomas A. Saunders III Fern M. Schad EXECUTIVE OFFICERS Leonard L. Silverstein Frederick W. Beinecke Albert H. Small President Andrew M. Saul John G. Roberts Jr. Michelle Smith Chief Justice of the Earl A. Powell III United States Director Benjamin F. Stapleton III Franklin Kelly Luther M. -
Esperanza Cortes Exhibition Guide
CANTAR DE CIEGOS / SONG OF THE BLIND E S P E R A N Z A C O R T É S S E P T E M B E R 4 , 2 0 2 0 - F E B R U A R Y 6 , 2 0 2 1 M A Y E R G A L L E R Y T C V A . O R G CONTENT 1 CONTENT 2 - 5 ABOUT THE ARTIST 6 ARTIST STATEMENT 7 EXHIBITION STATEMENT 8 - 15 WORKS IN EXHIBIT 16 BEHIND THE SCENES 17 PROMPTS AND ACTIVITIES 18 THANK YOU PAGE 1 about the artist Cortés is a recipient of awards including: The John Simon Guggenheim Memorial Fellowship; BRIC Media Arts Fellowship; Lower Manhattan Cultural Council Creative Engagement Grant; Joan Mitchell Foundation Painters & Sculptors Grant; U.S. DEPARTMENT OF STATE: Art in Embassies Program; Puffin Foundation Project Grant; Bronx Museum of the Art, AIM Program; New York State Biennial; Robert Esperanza Cortés is a Colombian born Rauchenberg Foundation, Change contemporary multidisciplinary artist Grant; New York Foundation for the based in New York City. Cortés has Arts and Sustained Achievement in exhibited in the United States in solo the Visual Arts Award. and group exhibitions in venues including Smack Mellon Gallery, Cortés’s is a recipient of residencies Neuberger Museum of Art, Bronx including: McColl Center for Arts + Museum of Art, Queens Museum, El Innovation: Museum of Arts and Museo Del Barrio, MoMA PS1, Socrates Design Artist Studio Residency; BRIC Sculpture Park and White-box Gallery Workspace Program; The Caldera in New York City. -
Collection 1880S–1940S, Floor 5 Checklist
The Museum of Modern Art Fifth Floor, 1880s-1940s 5th Fl: 500, Constantin Brancusi Constantin Brâncuși Bird in Space 1928 Bronze 54 x 8 1/2 x 6 1/2" (137.2 x 21.6 x 16.5 cm) Given anonymously 153.1934 Fall 19 - No restriction Constantin Brâncuși Fish Paris 1930 Blue-gray marble 21 x 71 x 5 1/2" (53.3 x 180.3 x 14 cm), on three-part pedestal of one marble 5 1/8" (13 cm) high, and two limestone cylinders 13" (33 cm) high and 11" (27.9 cm) high x 32 1/8" (81.5 cm) diameter at widest point Acquired through the Lillie P. Bliss Bequest (by exchange) 695.1949.a-d Fall 19 - No restriction Constantin Brâncuși Mlle Pogany version I, 1913 (after a marble of 1912) Bronze with black patina 17 1/4 x 8 1/2 x 12 1/2" (43.8 x 21.5 x 31.7 cm), on limestone base 5 3/4 x 6 1/8 x 7 3/8" (14.6 x 15.6 x 18.7 cm) 17 1/4 × 8 1/2 × 12 1/2" (43.8 × 21.6 × 31.8 cm) Other (bronze): 17 1/4 × 8 1/2 × 12 1/2" (43.8 × 21.6 × 31.8 cm) 5 3/4 × 6 1/8 × 7 3/8" (14.6 × 15.6 × 18.7 cm) Other (approx. weight): 40 lb. (18.1 kg) Acquired through the Lillie P. Bliss Bequest (by exchange) 2.1953 Fall 19 - No restriction Constantin Brâncuși Maiastra 1910-12 White marble 22" (55.9 cm) high, on three-part limestone pedestal 70" (177.8 cm) high, of which the middle section is Double Caryatid, c. -
GUGGENHEIM FOUNDATION and ITS GLOBAL NETWORK a Thesis
GUGGENHEIM FOUNDATION AND ITS GLOBAL NETWORK A Thesis Presented to The Graduate Faculty of The University of Akron In Partial Fulfillment of the Requirements for the Degree Masters of Arts Xingyu Hai December, 2012 GUGGENHEIM FOUNDATION AND ITS GLOBAL NETWORK Xingyu Hai Thesis Approved: Accepted: _________________________________ _________________________________ Advisor School Director Mr. Durand Pope Dr. Ann Usher _________________________________ _________________________________ Committee Member Dean of the College Mr. Rod Bengston Dr. Chand Midha _________________________________ _________________________________ Committee Member Dean of the Graduate School Mr. Neil Sapienza Dr. George R. Newkome _________________________________ Date ii ABSTRACT This work deals with the Guggenheim Foundation’s “Global Museum Network” and its international collaborations with a variety of partners. It also includes a look at the global business management model that has been developed by the Guggenheim Foundation administrators. The main purpose of this work is to examine the “branding system” which was created and utilized by the Guggenheim Foundation and to analyze the system’s advantages and disadvantages within their global operation. The Guggenheim brand system depends on the multination art policies, the development of foreign funding sources, and dealing with international partners and sponsors. iii TABLE OF CONTENTS Page CHAPTER I. INTRODUCTION……………………………………………….…....1 II. CULTURE LEGACY OF AMERICAN PHILATHOPIST…………..3 III. BRAND, BRANDING