Jeff SHORE 教授 研 究 業 績 2018 年 4 月 1 日現在
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Number 3 2011 Korean Buddhist Art
NUMBER 3 2011 KOREAN BUDDHIST ART KOREAN ART SOCIETY JOURNAL NUMBER 3 2011 Korean Buddhist Art Publisher and Editor: Robert Turley, President of the Korean Art Society and Korean Art and Antiques CONTENTS About the Authors…………………………………………..………………...…..……...3-6 Publisher’s Greeting…...…………………………….…….………………..……....….....7 The Museum of Korean Buddhist Art by Robert Turley…………………..…..…..8-10 Twenty Selections from the Museum of Korean Buddhist Art by Dae Sung Kwon, Do Kyun Kwon, and Hyung Don Kwon………………….….11-37 Korean Buddhism in the Far East by Henrik Sorensen……………………..…….38-53 Korean Buddhism in East Asian Context by Robert Buswell……………………54-61 Buddhist Art in Korea by Youngsook Pak…………………………………..……...62-66 Image, Iconography and Belief in Early Korean Buddhism by Jonathan Best.67-87 Early Korean Buddhist Sculpture by Lena Kim…………………………………....88-94 The Taenghwa Tradition in Korean Buddhism by Henrik Sorensen…………..95-115 The Sound of Ecstasy and Nectar of Enlightenment by Lauren Deutsch…..116-122 The Korean Buddhist Rite of the Dead: Yeongsan-jae by Theresa Ki-ja Kim123-143 Dado: The Korean Way of Tea by Lauren Deutsch……………………………...144-149 Korean Art Society Events…………………………………………………………..150-154 Korean Art Society Press……………………………………………………………155-162 Bibliography of Korean Buddhism by Kenneth R. Robinson…...…………….163-199 Join the Korean Art Society……………...………….…….……………………...……...200 About the Authors 1 About the Authors All text and photographs contained herein are the property of the individual authors and any duplication without permission of the authors is a violation of applicable laws. ALL RIGHTS RESERVED BY THE INDIVIDUAL AUTHORS. Please click on the links in the bios below to order each author’s publications or to learn more about their activities. -
Every Day Is a Fine Day” Calligraphy by Roshi Keido Fukushima from the World Wisdom Online Library: Www
“Every Day is a Fine Day” Calligraphy by Roshi Keido Fukushima From the World Wisdom online library: www. worldwisdom.com/public/library/default.aspx Every Day is a Fine Day It was a nasty day. It had been raining all day. I had been waiting to play golf all week, and now all plans for golf had to be can celled. I was in a bad mood. All I could think of was, “Why did it have to rain today?” Suddenly Gensho walked into the living room, all drenched with rain, and with a big smile shouted, “Every day is a fine day.” I remember that I said nothing to his exuberant comment. On the contrary—I was irritated, think ing, “How can it be a fine day when it’s raining cats and dogs and I can’t play golf.” This incident occurred in 1974 at Claremont. Ever since that day, on numerous occasions, I have heard Roshi Keido Fukushima use this phrase—“Every Day is a Fine Day”—in his talks on Zen. Now that I understand the Zen import of this phrase, I have often greeted my students in my classes on a cold, wintry day in Ohio with the remark, “Every day is a fine day.” It presents an opportunity for a good discussion. As for me, I can cancel a tee-time for a golf game without get ting a headache. So, what does Zen have to do with the weather? The Roshi explains that it was Ummon (864 - 949 C.E.), a T’ang dynasty Zen master in China, who was fond of using this phrase. -
Unborn Mind: the Teachings of Bankei Now You’Re Probably All Wondering What This Unborn Buddha Mind Is Like
Unborn Mind: the Teachings of Bankei Now you’re probably all wondering what this Unborn Buddha Mind is like. Today is Day 4 of this 7-day sesshin here in south- Well, while you’re sitting there facing me ern California in June, 2018, and I’d like to continue and trying to catch what it is I’m saying, sharing with you the teachings of Bankei Yotaku, if the bark of a dog or the cry of a street the 17th century Japanese Zen master, who taught vendor should find its way in here from famously of what he called The Unborn Mind. This, somewhere outside the temple walls, of course, is another word for our true nature, our thought you’re listening to me each of Buddha nature, or life essence, or, if you’re Chris- you would hear it though you had no tian or Jewish, God. Other religions have other intention at all to do so, thanks to the words for this which cannot be described. Over the workings of the Buddha mind which centuries, in Christianity at least, that word “God” hears and understands in the Unborn. has largely become frozen into an image. The Buddha mind, unborn and illuminat- ing all things with perfect clarity, is like The source of Bankei’s teachings this morning is a mirror standing clear and spotlessly a book called—surprise!—The Unborn MInd: Life polished. and Teachings of Zen Master Bankei. Specifical- ly, I’ll be sharing part of what was recorded during A mirror, as you know, reflects anything his teishos at Hosshin-ji, which of course is where that’s before it. -
Out of the Shadows: Socially Engaged Buddhist Women
University of San Diego Digital USD Theology and Religious Studies: Faculty Scholarship Department of Theology and Religious Studies 2019 Out of the Shadows: Socially Engaged Buddhist Women Karma Lekshe Tsomo PhD University of San Diego, [email protected] Follow this and additional works at: https://digital.sandiego.edu/thrs-faculty Part of the Buddhist Studies Commons, and the Religious Thought, Theology and Philosophy of Religion Commons Digital USD Citation Tsomo, Karma Lekshe PhD, "Out of the Shadows: Socially Engaged Buddhist Women" (2019). Theology and Religious Studies: Faculty Scholarship. 25. https://digital.sandiego.edu/thrs-faculty/25 This Book is brought to you for free and open access by the Department of Theology and Religious Studies at Digital USD. It has been accepted for inclusion in Theology and Religious Studies: Faculty Scholarship by an authorized administrator of Digital USD. For more information, please contact [email protected]. Section Titles Placed Here | I Out of the Shadows Socially Engaged Buddhist Women Edited by Karma Lekshe Tsomo SAKYADHITA | HONOLULU First Edition: Sri Satguru Publications 2006 Second Edition: Sakyadhita 2019 Copyright © 2019 Karma Lekshe Tsomo All rights reserved No part of this book may not be reproduced or utilized in any form or by any means, electronic or mechanical, or by any information storage or retreival system, without the prior written permission from the publisher, except in the case of brief quotations. Cover design Copyright © 2006 Allen Wynar Sakyadhita Conference Poster -
Empty Cloud, the Autobiography of the Chinese Zen Master Xu
EMPTY CLOUD The Autobiography of the Chinese Zen Master XU YUN TRANSLATED BY CHARLES LUK Revised and Edited by Richard Hunn The Timeless Mind . Undated picture of Xu-yun. Empty Cloud 2 CONTENTS Contents .......................................................................................... 3 Acknowledgements ......................................................................... 4 Introduction .................................................................................... 5 CHAPTER ONE: Early Years ............................................................ 20 CHAPTER TWO: Pilgrimage to Mount Wu-Tai .............................. 35 CHAPTER THREE: The Journey West ............................................. 51 CHAPTER FOUR: Enlightenment and Atonement ......................... 63 CHAPTER FIVE: Interrupted Seclusion .......................................... 75 CHAPTER SIX: Taking the Tripitaka to Ji Zu Shan .......................... 94 CHAPTER SEVEN: Family News ................................................... 113 CHAPTER EIGHT: The Peacemaker .............................................. 122 CHAPTER NINE: The Jade Buddha ............................................... 130 CHAPTER TEN: Abbot At Yun-Xi and Gu-Shan............................. 146 CHAPTER ELEVEN: Nan-Hua Monastery ..................................... 161 CHAPTER TWELVE: Yun-Men Monastery .................................... 180 CHAPTER THIRTEEN: Two Discourses ......................................... 197 CHAPTER FOURTEEN: At the Yo Fo & Zhen Ru Monasteries -
Zen Buddhism Profile
Zen Buddhism By Jason Barker Founder: Bodhidharma (sixth century AD) Official Publications: Lankavatara Sutra; Lotus Sutra; Heart Sutra; Diamond Sutra; Surangama Sutra; Platform Sutra; koans HISTORY The founding of Zen Buddhism is traditionally linked to a story about the “Flower Sermon” given by Gautama Buddha, in which the Buddha simply stared at a flower; a disciple named Mahakasyapa broke into a wide smile after also staring at the flower, thereby giving birth to the wordless wisdom of Zen (the earliest appearance of this story is in 1029 AD, roughly 1400 years after the event).1 Zen maintains that this wordless wisdom was then transmitted outside the doctrinal teaching of Buddhism through a series of patriarchs until Ch’an—the Chinese form of (and predecessor to) Zen—was firmly established in the sixth century. Buddhism was brought from India to China approximately 148 AD, although it did not begin to grow as a religion distinct from the native Taoism until early in the third century.2 The religion did not become firmly established until approximately 5203, when the 28th patriarch (and first Zen patriarch), Bodhidharma, traveled from India to northern China. Bodhidharma reportedly spent nine years meditating while facing a wall in the famed Shao-lin monastery—stories about these years include anecdotes about his legs falling off, and his tearing away his eyelids to prevent himself from sleeping.4 Hui-neng, the sixth Zen patriarch and considered to be the father of modern Zen, attracted thousands of disciples in the late 600s with his intense emphasis on non-duality and regaining the original enlightenment in which we are born through “no-thought,” or refusing to entertain or become attached to thoughts.5 Zen was carried to Vietnam (becoming Thien Buddhism) in the late sixth century, and Korea (becoming Seon Buddhism) in the seventh-ninth centuries. -
The Ocean of Zen
TThhee OOcceeaann ooff ZZeenn 金金 風風 禪禪 宗宗 Page 1 Page 2 The Ocean of Zen A Practice Guide to Korean Sŏn Buddhism Paul W. Lynch, JDPSN First Edition Before Thought Publications Los Angeles and Mumbai 2006 Page 3 BEFORE THOUGHT PUBLICATIONS 3939 LONG BEACH BLVD LONG BEACH, CA 90807 http://www.goldenwindzen.org/books ALL RIGHTS RESERVED. COPYRIGHT © 2008 PAUL LYNCH, JDPSN NO PART OF THIS BOOK MAY BE REPRODUCED OR TRANSMITTED IN ANY FORM OR BY ANY MEANS, GRAPHIC, ELECTRONIC, OR MECHANICAL, INCLUDING PHOTOCOPYING, RECORDING, TAPING OR BY ANY INFORMATION STORAGE OR RETRIEVAL SYSTEM, WITHOUT THE PERMISSION IN WRITING FROM THE PUBLISHER. PRINTED IN THE UNITED STATES OF AMERICA BY LULU INCORPORATION, MORRISVILLE, NC, USA COVER PRINTED ON LAMINATED 100# ULTRA GLOSS COVER STOCK, DIGITAL COLOR SILK - C2S, 90 BRIGHT BOOK CONTENT PRINTED ON 24/60# CREAM TEXT, 90 GSM PAPER, USING 12 PT. GARAMOND FONT Page 4 Epigraph Twenty-Seventh Case of the Blue Cliff Record A monk asked Chán Master Yúnmén Wényǎn1, “How is it when the tree withers and the leaves fall?” Master Yúnmén replied; “Body exposed in the golden wind.” Page 5 Page 6 Dedication This book is dedicated to our Dharma Brother – Glenn Horiuchi, pŏpsa–nim – who left this earthly realm before finishing the great work of life and death. We are confident that he will return to finish the great work he started. Page 7 Page 8 Foreword There is considerable underlying confusion for Western Zen students who begin to study the tremendous wealth of Asian knowledge that has been translated into English from China, Korea, Vietnam and Japan over the last seventy years. -
Running Head: the ART of LIVING MINDFULLY
Running head: The ART OF LIVING MINDFULLY Zen and the art of living mindfully: The health-enhancing potential of Zen aesthetics Journal of Religion and Health, 2017 T. Lomas Department of Psychology, University of East London, London e-mail: [email protected] N. Etcoff Department of Psychology, Harvard University, USA W. V. Gordon Centre for Psychological Research, University of Derby, Derbyshire E. Shonin Awake to Wisdom Centre for Meditation and Mindfulness Research, Ragusa, Italy Note: this paper may not match the final version in the Journal of Religion and Health. 2 Running head: The ART OF LIVING MINDFULLY Abstract Amidst the burgeoning enthusiasm for mindfulness in the West, there is a concern that the largely secular ‘de-contextualized’ way in which it is being harnessed is denuding it of its potential to improve health and wellbeing. As such, efforts are underway to ‘re-contextualize’ mindfulness, explicitly drawing on the wider framework of Buddhist ideas and practices in which it was initially developed. This paper aims to contribute to this, doing so by focusing on Zen Buddhism, and in particular on Zen aesthetic principles. It concentrates on the seven principles identified by Shin’ichi Hisamatsu (1971) in his classic text Zen and the Fine Arts: kanso (simplicity); fukinsei (asymmetry); koko (austere sublimity); shizen (naturalness); daisuzoku (freedom from routine); sei-jaku (tranquillity); and yūgen (profound grace). The presence of these principles in works of art is seen as reflecting and communicating insights that are central to Buddhism, such as non-attachment. Moreover, these principles do not only apply to the creation and appreciation of art, but have clear applications for treating health-related disorders, and improving quality of life more generally. -
Plum Mountain News
Volume 24.1 Spring 2017 Plum Mountain News Spring Sesshin 2017 Dear members and friends, I know it is spring in Seattle when I need to mow the lawn at least once a week. We have been receiving a lot of rain this season, but last week there were three sunny days in a row when I was able to bike ride down to Seward Park and back each day. Our Zen garden is sublime this time of year, so well tended by many Chobo-Ji gardeners, most especially our Zen resident Sally Zenka Metcalf, who provides inspiration and instruction. Spring Sesshin was steady and strong, with 21 participants. Everyone did his or her part to facilitate deep inquiry into our true nature. Anne Sendo Howells oversaw our structure and samu (work future spending priorities. You will hear May 27th. Rinzan has completed all the assignments) as our Shika (host/ more about this meeting in this issue appropriate steps to warrant this elevation and manager). Zenka was our Dai-Tenzo from our Board President, Chris Zenshin many of us will be going down to celebrate (Chief cook) and she was greatly Jeffries; also Zenshin has written a short with the No Rank sangha in Portland. I’m supported in her efforts by Rev. Tendo report to the sangha about former sexual also delighted that Sendo will do Tokudo Kirkpatrick and others who helped in the offenders wishing to train here. On (unsui ordination) at our upcoming Summer kitchen. Rev. Seiho Morris was our March 10th, I met with other inter-faith Sesshin. -
Transpacific Transcendence: the Buddhist Poetics of Jack Kerouac, Gary Snyder, and Philip Whalen
TRANSPACIFIC TRANSCENDENCE: THE BUDDHIST POETICS OF JACK KEROUAC, GARY SNYDER, AND PHILIP WHALEN BY Copyright 2010 Todd R. Giles Ph.D., University of Kansas 2010 Submitted to the graduate degree program in English and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy. ______________________________ Chair, Joseph Harrington ______________________________ Kenneth Irby ______________________________ Philip Barnard ______________________________ James Carothers ______________________________ Stanley Lombardo Date Defended: September 8, 2010 ii The Dissertation Committee for Todd R. Giles certifies that this is the approved version of the following dissertation: TRANSPACIFIC TRANSCENDENCE: THE BUDDHIST POETICS OF JACK KEROUAC, GARY SNYDER, AND PHILIP WHALEN Committee: ______________________________ Chair, Joseph Harrington ______________________________ Kenneth Irby ______________________________ Philip Barnard ______________________________ James Carothers ______________________________ Stanley Lombardo Date Approved: September 8, 2010 iii Abstract "Transpacific Transcendence: The Buddhist Poetics of Jack Kerouac, Gary Snyder, and Philip Whalen," directed by Joseph Harrington, examines the influence of East Asian literature and philosophy on post-World War II American poetry. Kerouac's "Desolation Blues," Snyder's "On Vulture Peak," and Whalen's "The Slop Barrel" were all written one year after the famous Six Gallery reading in San Francisco where Allen Ginsberg -
Lesson 2: What Is Zen?
Lesson 2: What is Zen? Zen- is a Japanese word derived from the Chinese word “Chan” which has its roots from India from the Sanskrit word “Dhyana” or in Pali it is called “Jhana”. In Vietnam it is called “Thien”. Dhyana – refers to meditation or meditative states. Dhyana refers to a practice which helps one separate illusion from reality to help attain the ultimate goal of Moksha. Moksha means ultimate release, to completely let go. It is the highest state of a meditative practice. How do you get to the highest state of meditative practice? By doing it! Zen in Buddhism is a school in one of the three main sect of Buddhism: The Mahayana Sect. The teachings of Zen are said to be the most direct method of attaining awakening and liberation within one’s life time by one’s own effort as taught by the Buddha. Zen transmission is said to stem from the Flower Sermon of the Buddha in which during a discourse he suddenly held up a flower in his hand and was silent. All the disciples of the Buddha at that time was bewildered about the Buddha’s actions and wondered what he meant. Only Mahakassapa smiled. The Buddha then said Mahakassapa is the only worthy successor who understood his teachings. Mahakassapa became the first Patriarch of Zen in India. The profound wisdom of understanding without words was then passed on from teacher to student from one generation to the next, to spread the teachings of the Buddha. Zen came to China and prospered through the 28 th Patriarch of India, the Boddhidharma, who is also the first Patriarch of Zen in China. -
Examining the Shaolin Fighting Lineage: History and Function of the East Asian Martial Arts Tradition
Examining the Shaolin Fighting Lineage: History and Function of the East Asian Martial Arts Tradition Introduction Fighting, and the fighting arts, have been practiced and explored by people in every part of the world, and the history of these martial styles is extensive. Various cultures develop different fighting styles, most of which come about for purposes which are purely practical. When looking at the fighting traditions originating in East Asia, it is clear that the overwhelming emphasis within these fighting styles was placed on practicality and application in real-world situations. However, at some point in China’s history, after the introduction of Buddhism around the 3rd century CE, a fighting style developed in the rural area around modern day Deng Feng city in Henan Province. Here, at the legendary Shaolin Temple, Buddhist monks developed a fighting style that was markedly different from other styles circulating at the time. While undeniably practical and applicable to real world situations, this fighting style also operated as a means of holistic exercise intended to give the monks a well- trained mind and body in preparation for seated meditation. Through the centuries, the martial arts practiced at Shaolin became increasingly more famous, and tales of the monks’ exploits spread throughout China. Ultimately the monks at Shaolin gained legendary status, and the stories associated with their Gongfu practice slowly 1 began to include elements of the supernatural, emphasizing both the monks’ martial prowess and their commitment to Buddhism. Tales began to circulate of unbeatable styles, or of unbeatable martial artists, who were able to become nearly invincible through their deep understanding of these mysterious practices.