ARCHIPELAGO an International Journal of Literature, the Arts, and Opinion

Total Page:16

File Type:pdf, Size:1020Kb

ARCHIPELAGO an International Journal of Literature, the Arts, and Opinion ARCHIPELAGO An International Journal of Literature, the Arts, and Opinion www.archipelago.org Vol. 3, No. 4 Winter 2000 Fictions: G. HULL from B Testimony: ‘HECUBA’ The Trojan Women Poem: SÁNDOR KÁNYÁDI All Soul’s Day in Vienna tr. from the Hungarian by PAUL SOHAR Photography: STELLA SNEAD in India Portfolio and Essay by the Photographer Letter from Surrey : GEORGE RAFAEL ‘There’s a Small Hôtel: Talleyrand and Mme. de Staël Fiction: D. F. LEWIS Small Fry Fiction: LEONCE GAITER Live at Storyville Marvel: HYDRA A An image from the Chandra X-Ray Observatory Endnotes: The Double Recommended Reading: K. Callaway on Simone Weil Printed from our Download (pdf) Edition ARCHIPELAGO An International Journal of Literature, the Arts, and Opinion www.archipelago.org Vol. 3, No. 4 Winter 2000 Contents G. Hull from B 6 ‘Hecuba’ The Trojan Women 12 Sándor Kányádi All Soul’s Day in Vienna tr. from the Hungarian by Paul Sohar 36 Stella Snead in India Prelude to Photography and Then Some 46 George Rafael ‘There’s a Small Hôtel: Talleyrand and Mme. de Staël 57 D. F. Lewis Small Fry 61 Leonce Gaiter Live at Storyville 68 Endnotes: The Double 77 Masthead 3 Contributors 3 Recommended Reading: K. Callaway on Simone Weil 82 Recources 84 ARCHIPELAGO 2 Vol. 3, No. 4 Winter 2000 Masthead/Contributors ARCHIPELAGO www.archipelago.org Editor and Publisher Katherine McNamara [email protected] Contributing Editors K. Callaway Production design and formatting John Casey Debra Weiss < [email protected]) > Benjamin Cheever < [email protected] > Edith Grossman Odile Hellier < [email protected]> Larry Woiwode Assistant Editor Board of Directors Ann Marie Fallon <[email protected]> Susan Garrett Editorial Assistants Katherine McNamara Carol Merica, Matthew Franklin Sandler, Carol Troxell Jane Rothrock Shippen. Letters to the Editor are welcomed, by post or via the Internet. All submissions must be typed and double- ARCHIPELAGO spaced and sent by post with SASE or envelope and Box 2485 International Reply Coupon. An e-mail address is Charlottesville, Va. 22902-2485 USA appreciated. No electronic submissions will be E-mail: [email protected] accepted unless Editor is queried beforehand. We encourage Readers to download and distribute this journal in our Download edition, a pdf file, which can be saved and read off-line and printed. Instructions for use - including access to the freeware Adobe Reader - appear on the Download page of the on-line edition. All previous issues are available in the Download/pdf editions. All individual articles are available on-line at Index. Subscription by e-mail to the Download edition is available through our web site. The authors published herein retain copyright and the right to be acknowledged as the moral authors of their work. No original part of this issue may appear in another publication, either electronic or in print, except identified as part of Archipelago and with permission from Archipelago. ©1999/2000 Archipelago. Acknowledgements/permissions: Leonce Gaiter, “Live at Storyville”: "I Cover The Waterfront (Heyman, Green) ©1933 Warner Bros. Inc. &&&&&& Contributors Leonce Gaiter graduated from Harvard and lives in California. His essays have appeared in The Washington Post, The New York Times, The Los Angeles Times, The New York Times Magazine, FEED <http://www.feedmag.com/html/feedline/98.01gaiter/98.01gaiter_master.html >, salon.com < http://www.salon.com/june97/21st/cool970605.htm >, and elsewhere. Gerry Hull resides in Georgia. Other excerpts from B appear in American Letters and Commentary and Dirigible. ‘Hecuba’ is a Bosnian woman who lives with her family in the U.SA. Sándor Kányádi was born in 1929 in Transylvania, Rumania. His parents belonged to the sizeable Hungarian minority, among whom he received his education and has spent his working life as a writer, poet, and editor of Hungarian-language publications. His volumes of poetry and translations (from Rumanian, German, and French) exceed two dozens. His poetry has appeared in translation in every Scandinavian country and in Germany, France, and Austria. In 1995 he was given the Herder Prize in Vienna. At present, he travels among Hungarian populations and gives readings to school children for the love of poetry; his book for children will appear in English (Holnap Publishing, Budapest; tel. 361 365-6624). Other poems may be read at Zimmerzine < http://www.nhi.clara.net/z59.htm >, and a portrait of ARCHIPELAGO 3 Vol. 3, No. 4 Winter 2000 Contributors the poet seen at < http://www.btk.elte.hu/irolap/miem/kanyadi/index.html >. “All Soul’s Day in Vienna” is considered his masterpiece; its appearance in Archipelago is the first in an English-language publication. DF Lewis < [email protected] >was born 1948 in Walton-on-Naze, Essex. Between 1966 and 1969 he was at Lancaster University, where he formed the Zeroist Group. Since 1987, more than 1200 of his stories have been published in books and magazine. For five consecutive years his work appeared in YEAR'S BEST HORROR STORIES; he has published stories, as well, in a number of journals, such as Stand, Orbis, Iron, Panurge and London Magazine; and in THE BEST NEW HORROR, Vols. 1, 2 & 8. He is the author of a novella AGRA ASKA. He is married and has two grown-up children. George Rafael is a part-time writer and full-time wage slave. His work can be found in salon.com < http://www.salon.com > and Art Review (UK; http://www.art-review.co.uk ). Under his full name he has published biographies of Salvador Dali and Miles Davis. He is at work on an essay about La Rochefoucauld. Stella Snead was born in England in 1910. She studied with Ozenfant and Henry Moore and for fifteen years was known as a Surrealist painter whose works were said to be “amongst the most interesting of the strong surrealist movement in [England] in the 1930s and 1940s.” During that period she had eleven solo exhibitions. She migrated to America, living in New York, then Taos; and in 1956, began photography, while traveling in the Americas, Asia, the Middle East, Africa, and Greenland. She lived in India for eleven years. She has exhibited in a great number of galleries, including the Institute of Contemporary Art, London; Kodak House, London; Lincoln Center, New York; Donnell Library, New York; Gallery Chemould, Bombay. Photographs by her are in the permanent collections of the Victoria and Albert Museum, the International Center of Photography, and Harvard University Archive. She has published eight books: DROWNING CAN BE FUN? A Nonsense Book (Pont La Vue Press, New York, 1992); ANIMALS IN FOUR WORLDS: SCULPTURES FROM INDIA, texts by Wendy Doniger and George Michell (University of Chicago Press, 1989); BEACH PATTERNS (Clarkson Potter, 1975); SHIVA’S PIGEONS, text by Rumer Godden (Chatto and Windus, London/Viking Press, NY, 1972); CHILDREN OF INDIA (Lothrop, Lee & Shephard, NY, 1971); THE TALKATIVE BEASTS (Lothrop, Lee & Shepard, 1969); SEVEN SEVEN (Folder Editions, NY, 1965); RUINS IN JUNGLE (Hamish Hamilton, London, 1962). She lives in New York. A retrospective of her existing paintings was shown at CFM Gallery < [email protected] >, 112 Greene St., New York, from April 8 to May 9, 1999; a catalog is available from the gallery. The retrospective will open at Galérie Minsky, 46, rue de l’Université, Paris 75007, on January 13, 2000. “Early Cabbage” appeared in Archipelago, Vol. 1, No. 3, and a retrospective of her paintings in Vol. 3, 1. Paul Sohar was born in Hungary and educated in the U.S., and works full-time as a literary translator. His poetry and translations can be read in Chelsea, Hunger, Long Shot, Malahat Review, Seneca Review, etc.; and will appear in Antigonish Review, Kenyon Review, Many Mountains Moving, Sonora Review. etc. He is preparing a book for children by the Transylvanian Hungarian poet Sándor Kányádi for publication in English (Holnap Publishing, Budapest; tel. 361 365-6624). His translations of ten Hungarian poets, including Béla Marko; Aladar Laszloffy; Árpád Farkas, are collected in an anthology. A selection of his translations of Kányádi and Farkas is to appear in Peer Poetry Review, England; his own poems will appear in a later issue. His translations of poems by Kányádi appear in Zimmerzine < http://www.nhi.clara.net/z59.htm >. &&&&&& We note changes for two of our staff members. In December, Ann Fallon moves to Seattle, where she will become editor-at-large of Archipelago for the West Coast. Jane Shippen, in Buenos Aires as a Fulbright Fellow as of February, will be our correspondent in the Southern Hemisphere. ARCHIPELAGO 4 Vol. 3, No. 4 Winter 2000 Contributors &&&&&& Emergency Money for Writers Professional writers and dramatists facing financial emergencies are encouraged to apply for assistance to the Authors League Fund, founded in 1917 and supported with charitable contributions. The writer may apply directly to the Fund, or a friend or relative may apply on behalf of a writer who urgently needs money to pay medical bills, rent, or other living expenses. Though the money is a loan, it is interest- free and there is no pressure to repay it. The applicant must be a professional writer with a record of publications and a U.S. citizen. For an application or more information, contact the Authors League Fund, 330 W. 42 St. New York, N.Y. 10036-6902. Telephone: 212 268-1208; fax 212 564-8363. Poets In Need, Inc. This organization in California is devoted to helping poets and writers who find themselves in need of fiscal assistance because of health problems (many writers cannot afford health insurance) or other unusual circumstances. Checks should be made out to Poets In Need and mailed to: 2000 Highway 1, Pacifica, Ca. 94044 The Board of Directors consists of Norman Fischer, Leslie Scalapino and Michael Rothenberg < [email protected] >.
Recommended publications
  • Published Sheet Music from the Rudy Vallee Collection
    Published Sheet Music from the Rudy Vallee Collection The Rudy Vallee collection contains almost 30.000 pieces of sheet music (about two thirds published and the rest manuscripts); about half of the titles are accessible through a database and we are presenting here the first ca. 2000 with full information. Song: 21 Guns for Susie (Boom! Boom! Boom!) Year: 1934 Composer: Myers, Richard Lyricist: Silverman, Al; Leslie, Bob; Leslie, Ken Arranger: Mason, Jack Song: 33rd Division March Year: 1928 Composer: Mader, Carl Song: About a Quarter to Nine From: Go into Your Dance (movie) Year: 1935 Composer: Warren, Harry Lyricist: Dubin, Al Arranger: Weirick, Paul Song: Ace of Clubs, The Year: 1926 Composer: Fiorito, Ted Arranger: Huffer, Fred Song: Ace of Diamonds, The Year: 1926 Composer: Fiorito, Ted Arranger: Huffer, Fred Song: Ace of Spades, The Year: 1926 Composer: Fiorito, Ted Arranger: Huffer, Fred K. Song: Actions (speak louder than words) Year: 1931 Composer: Vallee, Rudy; Himber, Richard; Greenblatt, Ben Lyricist: Vallee, Rudy; Himber, Richard; Greenblatt, Ben Arranger: Prince, Graham Song: Adios Year: 1931 Composer: Madriguera, Enric Lyricist: Woods, Eddie; Madriguera, Enric(Spanish translation) Arranger: Raph, Teddy Song: Adorable From: Adorable (movie) Year: 1933 Composer: Whiting, Richard A. Lyricist: Marion, George, Jr. Arranger: Mason, Jack; Rochette, J. (vocal trio) Song: African Lament (Lamento Africano) Year: 1931 Composer: Lecuona, Ernesto Lyricist: Gilbert, L. Wolfe Arranger: Katzman, Louis Song: African Lament (Lamento Africano)
    [Show full text]
  • Billboard 1966-07-23
    JULY 23, 1966 SEVENTY- SECOND YEAR 60 CENTS The International Music -Record Newsweekly Drive Pegged to Give Boot To Background Bootlegging LOS ANGELES -A campaign to halt bootlegging Merrimac's sales manager Neal Ames initiated the of American recording in the background music indus- campaign by sending a registered letter to nine manu- try is being launched by Merrimac music industry, a facturers and Rosell Hyde, the FCC's new chairman, Beverly Hills firm owned by a former major Canadian alleging heavy traffic in bootleg music. rack jobber, Don MacMillian. Ames warned that unless he hears from these manu- facturers to the contrary he would duplicate any or all of their products on master tape and provide this service to whoever wants to buy it. RMR Starts Rack Addressed to RCA, Columbia, Decca, Dot, Liberty, United Artists, A &M, London and Verve, it pointed to a brochure by a West Coast company which freely advertises its products as being dubbed onto tapes Research Service for lease to radio stations. The letter also states: "We NEW YORK -The national field force of Bill- are also aware that this same supplier supplies a back- board's Record Market Research Division went into ground music service for which it charges a fee, action on Monday (18) to start production of data to utilizing their products. Since this company advertises provide continuing reports of record sales through the most blatantly and most thoroughly, we can only nation's rack -serviced retail outlets. infer one of two things: (1) that their practice is illegal; More hits more often," proclaim the Warner Bros.
    [Show full text]
  • Journalism 375/Communication 372 the Image of the Journalist in Popular Culture
    JOURNALISM 375/COMMUNICATION 372 THE IMAGE OF THE JOURNALIST IN POPULAR CULTURE Journalism 375/Communication 372 Four Units – Tuesday-Thursday – 3:30 to 6 p.m. THH 301 – 47080R – Fall, 2000 JOUR 375/COMM 372 SYLLABUS – 2-2-2 © Joe Saltzman, 2000 JOURNALISM 375/COMMUNICATION 372 SYLLABUS THE IMAGE OF THE JOURNALIST IN POPULAR CULTURE Fall, 2000 – Tuesday-Thursday – 3:30 to 6 p.m. – THH 301 When did the men and women working for this nation’s media turn from good guys to bad guys in the eyes of the American public? When did the rascals of “The Front Page” turn into the scoundrels of “Absence of Malice”? Why did reporters stop being heroes played by Clark Gable, Bette Davis and Cary Grant and become bit actors playing rogues dogging at the heels of Bruce Willis and Goldie Hawn? It all happened in the dark as people watched movies and sat at home listening to radio and watching television. “The Image of the Journalist in Popular Culture” explores the continuing, evolving relationship between the American people and their media. It investigates the conflicting images of reporters in movies and television and demonstrates, decade by decade, their impact on the American public’s perception of newsgatherers in the 20th century. The class shows how it happened first on the big screen, then on the small screens in homes across the country. The class investigates the image of the cinematic newsgatherer from silent films to the 1990s, from Hildy Johnson of “The Front Page” and Charles Foster Kane of “Citizen Kane” to Jane Craig in “Broadcast News.” The reporter as the perfect movie hero.
    [Show full text]
  • Glenn Miller Archives
    Glenn Miller Archives ARTIE SHAW INDEX Prepared by: Reinhard F. Scheer-Hennings and Dennis M. Spragg In Cooperation with the University of Arizona Updated December 11, 2020 Table of Contents 2.1 Recording Sessions 3 2.2 Broadcasts (Recordings) 4 2.3 Additional Broadcasts (Data Only) 8 2.4 Personal Appearances 13 2.5 Music Library 16 2.6 On The Record 82 2.6.1 Analog Media 83 2.6.2 Digital Media 143 2.7 Glenn Miller Archives 162 2.7.1 Analog Media 163 RTR Edward Burke Collection 163 2.7.2 Digital Media 164 EHD Columbia Broadcasting System (CBS) 164 EHD Mutual Broadcasting System (MBS) 165 EHD National Broadcasting Company (NBC) 165 2.8 Star Spangled Radio Hour 167 Cover: Artie Shaw 1940 Paramount Publicity Photo P-2744-6 (Glenn Miller Archives) 2 2.1 Recording Sessions 38-07-24 Bluebird Recording Session, Victor Studio #2, New York 38-09-27 Bluebird Recording Session, Victor Studio #2, New York 38-11-17 Bluebird Recording Session, Victor Studio #2, New York 38-11-28 Vitaphone Melody Master (Film), Warner Brothers, New York 38-12-19 Bluebird Recording Session, Victor Studio #2, New York 39-01-17 Bluebird Recording Session, Victor Studio #2, New York 39-01-23 Bluebird Recording Session, Victor Studio #2, New York 39-01-31 Bluebird Recording Session, Victor Studio #2, New York 39-03-00 Vitaphone Melody Master (Film), Warner Brothers, New York 39-03-12 Bluebird Recording Session, Victor Studio #2, New York 39-03-17 Bluebird Recording Session, Victor Studio #2, New York 39-03-19 Bluebird Recording Session, Victor Studio #2, New York 39-06-05 Bluebird Recording Session, Victor Studio, Hollywood 39-06-12 Bluebird Recording Session, Victor Studio, Hollywood 39-06-22 Bluebird Recording Session, Victor Studio, Hollywood 39-06-00 Paramount Headliner (Film), Paramount Studios, Hollywood 39-07-15 MGM Prerecording Session, MGM Studio, Culver City, Cal.
    [Show full text]
  • Artie Shaw 1938-1939
    Glenn Miller Archives ARTIE SHAW 1938-1939 Prepared by: Reinhard F. Scheer-Hennings and Dennis M. Spragg In Cooperation with the University of Arizona Updated December 11, 2020 1 Table of Contents I. 1938 ................................................................................................................... 3 June 1938 ............................................................................................................... 3 July 1938 ................................................................................................................ 4 August 1938 ......................................................................................................... 12 September 1938 ................................................................................................... 15 October 1938 ........................................................................................................ 32 November 1938 .................................................................................................... 37 December 1938 .................................................................................................... 60 II. 1939 ............................................................................................................... 101 January 1939 ...................................................................................................... 101 February 1939 .................................................................................................... 131 March 1939 ........................................................................................................
    [Show full text]
  • Guide to the Fletcher and Horace Henderson Music and Photographs
    Guide to the Fletcher and Horace Henderson Music and Photographs NMAH.AC.0797 Grace Chiang 2014 Archives Center, National Museum of American History P.O. Box 37012 Suite 1100, MRC 601 Washington, D.C. 20013-7012 [email protected] http://americanhistory.si.edu/archives Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Arrangement..................................................................................................................... 5 Scope and Contents........................................................................................................ 3 Biographical / Historical.................................................................................................... 1 Names and Subjects ...................................................................................................... 5 Container Listing ............................................................................................................. 6 Series 1: Horace and Fletcher Henderson Music, 1954 - 1955............................... 6 Series 2: Photographs.......................................................................................... 217 Series 3: Horace and Fletcher Henderson's Personal Papers............................. 218 Series 4: Horace Henderson Audio Tapes.........................................................
    [Show full text]
  • RCA Victor LPV 500 Series
    RCA Discography Part 23 - By David Edwards, Mike Callahan, and Patrice Eyries. © 2018 by Mike Callahan RCA Victor LPV 500 Series This series contains reissues of material originally released on Bluebird 78 RPM’s LPV 501 – Body and Soul – Coleman Hawkins [1964] St. Louis Shuffle/Wherever There's A Will, Baby/If I Could Be With You/Sugar Foot Stomp/Hocus Pocus/Early Session Hop/Dinah/Sheikh Of Araby/Say It Isn't So/Half Step Down, Please/I Love You/Vie En Rose/Algiers Bounce/April In Paris/Just Friends LPV 502 – Dust Bowl Ballads – Woody Guthrie [1964] Great Dust Storm/I Ain't Got No Home In This World Anymore/Talkin' Dust Bowl Blues/Vigilante Man/Dust Cain't Kill Me/Pretty Boy Floyd/Dust Pneumonia Blues/Blowin' Down This Road/Tom Joad/Dust Bowl Refugee/Do Re Mi/Dust Bowl Blues/Dusty Old Dust LPV 503 – Lady in the Dark/Down in the Valley: An American Folk Opera – RCA Victor Orchestra [1964] Lady In The Dark: Glamour Music Medley: Oh Fabulous One, Huxley, Girl Of The Moment/One Life To Live/This Is New/The Princess Of Pure Delight/The Saga Of Jenny/My Ship/Down In The Valley LPV 504 – Great Isham Jones and His Orchestra – Isham Jones [1964] Blue Prelude/Sentimental Gentleman From Georgia/(When It's) Darkness On The Delta/I'll Never Have To Dream Again/China Boy/All Mine - Almost/It's Funny To Everyone But Me/Dallas Blues/For All We Know/The Blue Room/Ridin' Around In The Rain/Georgia Jubilee/You've Got Me Crying Again/Louisville Lady/A Little Street Where Old Friends Meet/Why Can't This Night Go On Forever LPV 505 – Midnight Special – Leadbelly [1964] Easy Rider/Good Morning Blues/Pick A Bale Of Cotton/Sail On, Little Girl, Sail On/New York City/Rock Island Line/Roberta/Gray Goose/The Midnight Special/Alberta/You Can't Lose-A Me Cholly/T.B.
    [Show full text]
  • How to Use This Songfinder
    as of 3.14.2016 How To Use This Songfinder: We’ve indexed all the songs from 26 volumes of Real Books. Simply find the song title you’d like to play, then cross-reference the numbers in parentheses with the Key. For instance, the song “Ac-cent-tchu-ate the Positive” can be found in both The Real Book Volume III and The Real Vocal Book Volume II. KEY Unless otherwise marked, books are for C instruments. For more product details, please visit www.halleonard.com/realbook. 01. The Real Book – Volume I 10. The Charlie Parker Real Book (The Bird Book)/00240358 C Instruments/00240221 11. The Duke Ellington Real Book/00240235 B Instruments/00240224 Eb Instruments/00240225 12. The Bud Powell Real Book/00240331 BCb Instruments/00240226 13. The Real Christmas Book – 2nd Edition Mini C Instruments/00240292 C Instruments/00240306 Mini B Instruments/00240339 B Instruments/00240345 CD-ROMb C Instruments/00451087 Eb Instruments/00240346 C Instruments with Play-Along Tracks BCb Instruments/00240347 Flash Drive/00110604 14. The Real Rock Book/00240313 02. The Real Book – Volume II 15. The Real Rock Book – Volume II/00240323 C Instruments/00240222 B Instruments/00240227 16. The Real Tab Book – Volume I/00240359 Eb Instruments/00240228 17. The Real Bluegrass Book/00310910 BCb Instruments/00240229 18. The Real Dixieland Book/00240355 Mini C Instruments/00240293 CD-ROM C Instruments/00451088 19. The Real Latin Book/00240348 03. The Real Book – Volume III 20. The Real Worship Book/00240317 C Instruments/00240233 21. The Real Blues Book/00240264 B Instruments/00240284 22.
    [Show full text]
  • Artie Shaw, 1940-1941
    Glenn Miller Archives ARTIE SHAW January 1940 – March 1941 “The West Coast Band” Prepared by: Reinhard F. Scheer-Hennings and Dennis M. Spragg In Cooperation with the University of Arizona Updated December 11, 2020 Table of Contents January 1940 ..................................................................................................................... 3 February 1940 .................................................................................................................... 9 March 1940....................................................................................................................... 16 April 1940 ......................................................................................................................... 22 May 1940 .......................................................................................................................... 24 June 1940 ........................................................................................................................ 29 July 1940 .......................................................................................................................... 34 August 1940 ..................................................................................................................... 42 September 1940 ............................................................................................................... 53 October 1940 ..................................................................................................................
    [Show full text]
  • Lucia Stavros - Harps Songlist
    LUCIA STAVROS - HARPS SONGLIST Bach, J.S. "Andante" From Violin Sonata No 2 CLASSICAL Bach, J.S. "Bourrée" From Violin Partita No 1 Bach, J.S. "Fugue" From Violin Sonata No 1 Salzedo Ballade Salzedo Chanson Dans La Nuit Debussy Clair De Lune Mozart Concerto For Flute And Harp Ginastera Concerto For Harp Handel Concerto In Bb Major Renie, H. Contemplation Debussy Danses Sacreé Et Profane Saint-Saens Fantasie For Harp And Violin Grandjany Fantasie On A Theme Of Haydn Desenclos Fantasie Pour Harpe Debussy First Arabesque Salzedo Flight Bach, J.S. French Suite No 6 In E Major Satie Gymnopedie No.1 Faure Impromptu Pierne Impromptu Caprice Ravel Introduction Et Allegro Salzedo Introspection Debussy La Cathedrale Engloutie Debussy La Fille Aux Cheveux De Lin Hasselmans La Source Saint-Saens Le Cyne Presle, J De La Le Jardin Mouille Liszt Liebestraume No 3 Salzedo Mirage Handel Passacaglia Ravel Pavane Pour Une Infante Défunte Watkins Petite Suite Prokofiev Prelude For Harp Rota Sarabande Et Toccata Salzedo Scintillation Persichetti Serenade No 10 Bax Sonata For Flute And Harp Bach, C.P.E. Sonata In G Major Houdy Sonata Pour Harpe Hindemith Sonate Fur Harfe Tournier Sonatine Britten Suite For Harp Damase Tango For Harp Debussy Trio For Flute Harp And Viola Liszt Un Sospiro Lucia Stavros - Harps Songlist 1 of 7 Night Shift Entertainment, LLC. www.nightshiftent.com [email protected] 800 465 1917 Russia Ah! See The Old Pear-Tree (Zéléna Grusha) FOLK Wales All Through The Night (Ar Hyd Y Nos) Germany All's The Same To Me ('S Ist Mir Alles
    [Show full text]
  • The American Mercury April 1939
    II&ee! A Nickel Lelt lar Candy" OYS, lamp bulbs, or bathtubs-when­ The same has been true of hundreds of T ever the cost of an article is lowered other manufactured articles. Because the through economies in production, more scientists, engineers, and workmen of indus­ people can buy it. And those who can buy try have developed hundreds of new prod­ the article anyway have money left to buy ucts, have improved them, have learned other things. how to make them less expensive, more Take the case of the elect~ic refrigerator. millions of people have been able to buy In 1927, when the average model cost about them. And by this process, industry has been $350, only 375,000 people bought refriger­ able to provide the American people with the ators. Ten years later, when improvements highest standard of living in the world. in manufa turing had brought the price In this progress, General Electric, by down to $170, six times as marry people bought applying electricity to the wheels of industry, them. And thousands who, perhaps, could has played an important part. By contin­ have paid the higher price, were able to uing these efforts, it is helping today to use the difference to purchase other comforts provide for America still MORE GOODS and conveniences. FOR MORE PEOPLE AT LESS COST. G·E research and engineering hafle saped the public from ten to one hundred dollars for every dollar they have earned for General Electric GENEBAL~ELECTRIC NEW YORK - VISIT THE G-E "HOUSE OF MAGIC" AT THE FAIRS - SAN FRANCISCO Curr@nt History WiDe AMERICA IN MIDPASSAGE of by CHARLES A.
    [Show full text]
  • Smithsonian Jazz Oral History Interview with Chico Hamilton in His Home on 45Th Street in New York City
    1 Funding for the Smithsonian Jazz Oral History Program NEA Jazz Master interview was provided by the National Endowment for the Arts. FORESTSTORN “CHICO” HAMILTON NEA Jazz Master (2004) Interviewee: Foreststorn “Chico” Hamilton (September 21, 1921 – November 25, 2013) Interviewer: Dr. Anthony Brown with recording engineer Ken Kimery Date: January 9-10, 2006 Repository: Archives Center, National Museum of American History Description: Transcript 150 pp. Brown: Today is January 9, 2006. This is the official Smithsonian Jazz Oral History interview with Chico Hamilton in his home on 45th Street in New York City. This is a partnership with the National Endowment for the Arts Jazz Masters program. Good afternoon, Chico Hamilton. If we could begin by you stating your full name and your date and place of birth, please. Hamilton: Oh, I’m not going to tell you that, man. Okay, my name is Foreststorn Chico Hamilton, aka Chico Hamilton. I was born in LA in 1921, September the 21st or 23rd, 1921. Brown: 21st through the 23rd? Hamilton: Well it was either the 21st or 23rd, but I go for the 21. It’s easier to remember, 21. Brown: Why is there a discrepancy of the date? Hamilton: Well there was a discrepancy at that time in LA. You know, I don’t know whether you can remember that far back but because I guess my ethnic background in For additional information contact the Archives Center at 202.633.3270 or [email protected] 2 regards to that being from sort of a multi race family, you know, mixed, so, you know, but anyway – Brown: Were you born in a hospital? Hamilton: I was born upstairs by the kitchen sink and you’re supposed to ask me how do I know, I heard the water running.
    [Show full text]