Flag and Symbol Usage in Early New England
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Kenshinkai Mon (Emblem)
KEN SHIN KAI MON (EMBLEM) Based on a leaf of a paulownia tree (kiri), as used within the mon of the SHOGUN Hideyoshi Toyotomi and his family. It used to be used only by the Imperial Family. The paulownia, i.e., kiri was the most popular of Japanese crest motifs. According to Chinese legend, the mythical phoenix alights only in the branches of the paulownia tree when it comes to earth and eats only the seed of the bamboo. As an explicitly imperial crest, the paulownia ranks only slightly behind the chrysanthemum, and both are usually taken as the dual emblems of the Japanese throne. Hideyoshi, who was born a commoner, after adopting it as his own crest also gave out the motif to some of his most loyal supporters. By the late feudal period nearly 20% of the warrior class wore it as their own personal crest. Farmers once planted kiri trees upon the birth of a daughter because it was so fast growing that by the time she was ready to marry the tree could be cut down and made into a tansu or chest. The name kiri came from the kiru (to cut) as it was believed that the tree would grow better and quicker when it was cut down often. It can grow to more than 30' in height and has fragrant purplish blossoms in April or May. Toyotomi Hideyoshi (1536 – 1598) One of the most remarkable men in Japanese history, Toyotomi Hideyoshi was born a peasant and yet rose to finally end the Sengoku Period. -
Ballistic Protective Properties of Material Representative of English Civil War Buff-Coats and Clothing
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by UWE Bristol Research Repository International Journal of Legal Medicine (2020) 134:1949–1956 https://doi.org/10.1007/s00414-020-02378-x ORIGINAL ARTICLE Ballistic protective properties of material representative of English civil war buff-coats and clothing Brian May1 & Richard Critchley1 & Debra Carr1,2 & Alan Peare1 & Keith Dowen3 Received: 19 March 2020 /Accepted: 15 July 2020 / Published online: 21 July 2020 # The Author(s) 2020 Abstract One type of clothing system used in the English Civil War, more common amongst cavalrymen than infantrymen, was the linen shirt, wool waistcoat and buff-coat. Ballistic testing was conducted to estimate the velocity at which 50% of 12-bore lead spherical projectiles (V50) would be expected to perforate this clothing system when mounted on gelatine (a tissue simulant used in wound ballistic studies). An estimated six-shot V50 for the clothing system was calculated as 102 m/s. The distance at which the projectile would have decelerated from the muzzle of the weapon to this velocity in free flight was triple the recognised effective range of weapons of the era suggesting that the clothing system would provide limited protection for the wearer. The estimated V50 was also compared with recorded bounce-and-roll data; this suggested that the clothing system could provide some protection to the wearer from ricochets. Finally, potential wounding behind the clothing system was investigated; the results compared favourably with seventeenth century medical writings. Keywords Leather . Linen . Wool . Behind armour blunt trauma . -
Kilts & Tartan
Kilts & Tartan Made Easy An expert insider’s frank views and simple tips Dr Nicholas J. Fiddes Founder, Scotweb Governor, Why YOU should wear a kilt, & what kind of kilt to get How to source true quality & avoid the swindlers Find your own tartans & get the best materials Know the outfit for any event & understand accessories This e-book is my gift to you. Please copy & send it to friends! But it was a lot of work, so no plagiarism please. Note my copyright terms below. Version 2.1 – 7 November 2006 This document is copyright Dr Nicholas J. Fiddes (c) 2006. It may be freely copied and circulated only in its entirety and in its original digital format. Individual copies may be printed for personal use only. Internet links should reference the original hosting address, and not host it locally - see back page. It may not otherwise be shared, quoted or reproduced without written permission of the author. Use of any part in any other format without written permission will constitute acceptance of a legal contract for paid licensing of the entire document, at a charge of £20 UK per copy in resultant circulation, including all consequent third party copies. This will be governed by the laws of Scotland. Kilts & Tartan - Made Easy www.clan.com/kiltsandtartan (c) See copyright notice at front Page 1 Why Wear a Kilt? 4 Celebrating Celtic Heritage.................................................................................................. 4 Dressing for Special Occasions.......................................................................................... -
LESSON NUMBER ONE : How to Run a Govern- Ment. (Anybody out There Not Listening Who Should Be Listening?) You Gather the Consul
British Museum. The Oxus Treasure yielded beautiful golden jewels. Too much has been lost. Extra bonus info. The palace of Perse- LESSON NUMBER lem—liberator of the polis was constructed using gold ONE : Hebrew captives in from Sardis and Bactia. Lapis-lazuli How to run a govern- Babylon. and carnelian came from Sogdiana. ment. (Anybody out Turquoise came from Choransmia. there not listening who It was the time when Silver and ebony ... Egypt. Ivory ... should be listening?) gold reigned. Zoro- Ethiopia. The goldsmiths of the day You gather the consul astrianism came into were Medes and Egyptians. Final together and invite being. Aramaic became test ... Sunday. them all to a great the official language. birthday feast. They’ll And Cyrus the Great Some of you may think jewelry probably be serving created an army called started with Van Cleef and Cartier loin of scorpion and the Immortals. You and maybe even with Benjamin minced camel pie but want to talk about high Mark. Not so dear souls. It started that matters not a whit. aspirations? ... or was at least enhanced—in a What matters is that large part—with the Persians and at the end of the meal they will defy comprehension by even Which brings us to the Vexilloid. the Achaemenid Empire. Chorans- have desserts and wine. Lots of the most erudite ... to the Oxus Anyone know what this is? You? mia. Silver and ebony ... Egypt. Ivory wine. Scads of wine. Barrels and Treasure. This treasure consists of You? No? Maybe a Vexilloid is a ... Kegs and Decanters of wine. -
Pinjarra Park Printable Form Guide
FREE printable form guides from www.punters.com.au Pinjarra Park Tuesday 25th April 2017 Race 1 PINJARRA RSL MAIDEN 1600m 1:09 pm Race 2 SOUND TELEGRAPH HANDICAP 1500m 1:44 pm Race 3 AURORA LANDSCAPING MAIDEN 1200m 2:19 pm Race 4 PINJARRA REAL ESTATE MAIDEN 1200m 2:54 pm Race 5 WORK CLOBBER MANDURAH MAIDEN 1000m 3:29 pm Race 6 SIGN STRATEGY HANDICAP 1000m 4:04 pm Race 7 WAROONA RURAL SERVICES HANDICAP 2000m 4:34 pm Race 8 RENEW IPL HANDICAP 1300m 5:10 pm Produced for free by Punters.com.au, thanks to William Hill Punters.com.au is your ultimate racing website. Social networking, free form guides, odds comparison, betting deals, the latest news, photos and a revolutionary tipping system allowing punters to buy and sell their horse racing tips. Visit www.punters.com.au for more information. © 2017 Punters Paradise Pty Ltd. If you're reading this copyright notice you're probably thinking of printing lots of copies. Go for it. Give a copy to your mates, your mum and some strangers at the TAB. We want people to have our free form guides. Just don't sell them, alter, change or reproduce parts of this form guide as it's strictly prohibited. While Punters.com.au takes all care in the preparation of information we accept no responsibility nor warrants the accuracy of the information displayed. © 2017 Racing Australia Pty Ltd (RA) (and other parties working with it). Racing materials, including fields, form and results are subject to copyright which is owned by RA and other parties working with it. -
The Story of the Stars & Stripes
The Story of the Stars & Stripes By the US Marine Corps The story of the origin of our national flag parallels the story of the origin of our country. As our country received its birthright from the peoples of many lands who were gathered on these shores to found a new nation, so did the pattern of the Stars and Stripes rise from several origins back in the mists of antiquity to become emblazoned on the standards of our infant Republic. The star is a symbol of the heavens and the divine goal to which man has aspired from time immemorial; the stripe is symbolic of the rays of light emanating from the sun. Both themes have long been represented on the standards of nations, from the banners of the astral worshippers of ancient Egypt and Babylon to the 12-starred flag of the Spanish Conquistadors under Cortez. Continuing in favor, they spread to the striped standards of Holland and the West Indian Company in the 17th century and to the present patterns of stars and stripes on the flags of several nations of Europe, Asia, and the Americas. The first flags adopted by our Colonial forefathers were symbolic of their struggles with the wilderness of a new land. Beavers, pine trees, rattlesnakes, anchors, and various like insignia with mottoes such as “Hope”, “Liberty”, “Appeal to Heaven” or “Don’t Tread on Me” were affixed to the different banners of Colonial America. The first flag of the colonists to have any resemblance to the present Stars and Stripes was the Grand Union flag, sometimes referred to as the “Congress Colors”. -
Vexillum, June 2018, No. 2
Research and news of the North American Vexillological Association June 2018 No. Recherche et nouvelles de l’Association nord-américaine de vexillologie Juin 2018 2 INSIDE Page Editor’s Note 2 President’s Column 3 NAVA Membership Anniversaries 3 The Flag of Unity in Diversity 4 Incorporating NAVA News and Flag Research Quarterly Book Review: "A Flag Worth Dying For: The Power and Politics of National Symbols" 7 New Flags: 4 Reno, Nevada 8 The International Vegan Flag 9 Regional Group Report: The Flag of Unity Chesapeake Bay Flag Association 10 Vexi-News Celebrates First Anniversary 10 in Diversity Judge Carlos Moore, Mississippi Flag Activist 11 Stamp Celebrates 200th Anniversary of the Flag Act of 1818 12 Captain William Driver Award Guidelines 12 The Water The Water Protectors: Native American Nationalism, Environmentalism, and the Flags of the Dakota Access Pipeline Protectors Protests of 2016–2017 13 NAVA Grants 21 Evolutionary Vexillography in the Twenty-First Century 21 13 Help Support NAVA's Upcoming Vatican Flags Book 23 NAVA Annual Meeting Notice 24 Top: The Flag of Unity in Diversity Right: Demonstrators at the NoDAPL protests in January 2017. Source: https:// www.indianz.com/News/2017/01/27/delay-in- nodapl-response-points-to-more.asp 2 | June 2018 • Vexillum No. 2 June / Juin 2018 Number 2 / Numéro 2 Editor's Note | Note de la rédaction Dear Reader: We hope you enjoyed the premiere issue of Vexillum. In addition to offering my thanks Research and news of the North American to the contributors and our fine layout designer Jonathan Lehmann, I owe a special note Vexillological Association / Recherche et nouvelles de l’Association nord-américaine of gratitude to NAVA members Peter Ansoff, Stan Contrades, Xing Fei, Ted Kaye, Pete de vexillologie. -
H. B. Graves Behavior and Ecology of Wild and Feral Swine (Sus Scrofa
Behavior and Ecology of Wild and Feral Swine (Sus Scrofa) H. B. Graves J Anim Sci 1984. 58:482-492. The online version of this article, along with updated information and services, is located on the World Wide Web at: http://jas.fass.org www.asas.org Downloaded from jas.fass.org by on March 4, 2010. BEHAVIOR AND ECOLOGY OF WILD AND FERAL SWINE (SUS SCROFA) 1'2'3 H. B. Graves 4 The Pennsylvania State University, University Park 16802 Summary stomach and paraxonic foot with only the An overview of wild and feral swine behavior forward pairs of toes (the third and fourth) is presented. In spite of their success as a bearing weight. The first digit is absent in living domesticated animal in the New World, swine members. Other ungulates have a mesaxonic are relative newcomers to the Americas. Feral foot with the axis through the third toe. The swine, i.e., domesticated stocks which have astragalus, the most characteristic Artiodactyl reentered the wild habitat, apparently became bone, has rolling pulley surfaces above and established after early 'stocking' by Spanish below, allowing great freedom of motion to explorers, and wild stocks stem from much the ankle for flexion and extension of the limb more recent imports. The function, or adaptive but limiting movement to fore and aft direc- significance, of the behavior of wild and feral tions. Dentition, which was complete in early swine is usually readily apparent when studied types, is reduced in most living Artiodactyls but within an ecological context, and such studies remains complete in the Suids. -
ICV20 Tomlinson.Pub
The virtual battle: Flags in Georgian marine paintings Barbara Tomlinson Abstract The 18th century saw the development of an English school of marine painting following the example of the Dutch in the previous century. When representing naval battles, artists needed to handle numerous technical details including the depiction of British squadronal colours, distin- guishing flags and signal flags. This paper examines selected actions painted by Samuel Scott (1701/2-1772), Nicholas Pocock (1741-1821), Thomas Whitcombe (c.1752-1827) and William Anderson (1757-1837) and ask - how accurate were these artists, how did they research their paintings, how did they display flags for dramatic effect and who was their intended audience? The resources of the National Maritime Museum’s collections used to illustrate this subject in- clude prints, drawings and documents. The British maritime victories of the sailing navy era were immortalized by contemporary artists. Originally a Dutch genre, by the middle of the 18th century, marine pictures were also produced by British painters who specialised in these scenes. I would like to consider the relationship between the reality and the representation with particular reference to the way the artist shows British flags, concentrating on some of the less well-known battles. One painter who took considerable pains to include accurate detail was Nicholas Po- cock. A sketchbook survives compiled by Pocock during the Battle of the Glorious 1st of June when he was able to observe the action directly from the frigate Pegasus. These small and indistinct views remind us that in contrast to the way vessels are shown in marine paintings, in reality, everything would have been much more spread out and much further away. -
The Colours of the Fleet
THE COLOURS OF THE FLEET TCOF BRITISH & BRITISH DERIVED ENSIGNS ~ THE MOST COMPREHENSIVE WORLDWIDE LIST OF ALL FLAGS AND ENSIGNS, PAST AND PRESENT, WHICH BEAR THE UNION FLAG IN THE CANTON “Build up the highway clear it of stones lift up an ensign over the peoples” Isaiah 62 vv 10 Created and compiled by Malcolm Farrow OBE President of the Flag Institute Edited and updated by David Prothero 15 January 2015 © 1 CONTENTS Chapter 1 Page 3 Introduction Page 5 Definition of an Ensign Page 6 The Development of Modern Ensigns Page 10 Union Flags, Flagstaffs and Crowns Page 13 A Brief Summary Page 13 Reference Sources Page 14 Chronology Page 17 Numerical Summary of Ensigns Chapter 2 British Ensigns and Related Flags in Current Use Page 18 White Ensigns Page 25 Blue Ensigns Page 37 Red Ensigns Page 42 Sky Blue Ensigns Page 43 Ensigns of Other Colours Page 45 Old Flags in Current Use Chapter 3 Special Ensigns of Yacht Clubs and Sailing Associations Page 48 Introduction Page 50 Current Page 62 Obsolete Chapter 4 Obsolete Ensigns and Related Flags Page 68 British Isles Page 81 Commonwealth and Empire Page 112 Unidentified Flags Page 112 Hypothetical Flags Chapter 5 Exclusions. Page 114 Flags similar to Ensigns and Unofficial Ensigns Chapter 6 Proclamations Page 121 A Proclamation Amending Proclamation dated 1st January 1801 declaring what Ensign or Colours shall be borne at sea by Merchant Ships. Page 122 Proclamation dated January 1, 1801 declaring what ensign or colours shall be borne at sea by merchant ships. 2 CHAPTER 1 Introduction The Colours of The Fleet 2013 attempts to fill a gap in the constitutional and historic records of the United Kingdom and the Commonwealth by seeking to list all British and British derived ensigns which have ever existed. -
Top 10 Birds for Raising Backyard Chickens
Top 10 Birds for Raising Backyard Chickens (According to Chickenreview.com) When you’re picking your first flock, there are a few key things to look for: 1. The breed should be a recognized breed, and should be easy to find in most hatcheries. 2. The breed should have a reputation for docility, friendliness, and general tameness. 3. The breed should be fairly low-maintenance without too many care issues. You should decide whether you’re raising chickens for table meat or just eggs. If you want eggs, choose a breed that excels at laying. If you want meat, make sure to pick birds that gain weight quickly. The great thing about chickens is there are a few breeds that meet these criteria, making them excellent birds for the average backyard flock. Some of these birds are good layers and some are good layers and meat birds also! We’ve put together a list of our ten favorite chicken breeds for Urban or backyard flocks. Each of the breeds on our list meets most of the items to look for we’ve mentioned, and are very good birds for a beginner. 1: Rhode Island Red: The Best Dual-Purpose Bird: Easy to care for and a good layer! They are a popular choice for backyard flocks because of their egg laying abilities and hardiness. Although they can sometimes be stubborn, healthy hens can lay up to 5–6 eggs per week depending on their care and treatment. Rhode Island Red hens lay many more eggs than an average hen if provided plenty of quality feed 2: Buff Orpington: The Best Pet Chicken: The one caution on this breed is that their docile nature will often make them a target for bullying from other birds. -
An Argument from Design
Raising the Standard: An Argument from Design Tony Burton Abstract The creative process and principles informing the design of some special purpose and other flags lead to conclusions for flag design in general. The dynamics of metaphor and shape- shifting are considered. The scope for greater pageantry and innovation in flag design is explored. Current national flags of complex or awkward design present a challenge. Possible remedies are suggested. To paraphrase a famous utterance, the known delivers the unknown, and as at least one national flag of recent vintage demonstrates, the unknown can lead to an unforeseen, but serendipitous result. Among the many instances of how not to design a flag, how to is more worthwhile. Vexillologists have higher standards. Proceedings of the 24th International Congress of Vexillology, Washington, D.C., USA 1–5 August 2011 © 2011 North American Vexillological Association (www.nava.org) 83 RAISING THE STANDARD: AN ARGUMENT FROM DESIGN Tony Burton Flags Australia Tony Burton—Raising the Standard 84 Proceedings of the 24th International Congress of Vexillology—2011 RAISING THE STANDARD: AN ARGUMENT FROM DESIGN INTRODUCTION FLAG DESIGN REALITIES GUIDELINES SOME CONGRESS FLAGS ICV 24 ICV 26 SHAPE-SHIFTING ICV 8 OTHER FLAGS CANADA BANGLADESH SURINAM(E) SOUTH AFRICA DESIGN CHANGE POSSIBILITIES MOZAMBIQUE CYPRUS DOMINICA ST VINCENT AND THE GRENADINES DESIGN ECONOMY AND A FUTURE FLAG AUSTRALIA EUREKA A CONSERVATIVE APPROACH RADICAL ORIGAMI A PARAGON OF DESIGN PRACTICAL GUIDELINES THE EUREKA MOMENT —A THEORETICAL FRAMEWORK NOTES BIBLIOGRAPHY APPENDIX A BANNER OF THE 26TH ICV SYDNEY 2015 APPENDIX B CANADA’S FLAG DESIGN QUEST Tony Burton—Raising the Standard 85 Proceedings of the 24th International Congress of Vexillology—2011 RAISING THE STANDARD: AN ARGUMENT FROM DESIGN INTRODUCTION Flags have evolved in many ways from the medieval models paraphrased in the title slide— and not always with their clarity and flair.