June Activity Highlights

Total Page:16

File Type:pdf, Size:1020Kb

June Activity Highlights June Activity Highlights Mon 1 Summer Challenge Starts Today! Come to the Aquatic Center to sign up for the Summer Challenge and pick up your packet which includes a T shirt, Pedometer, Water Bottle, Progress Card, and Brain Games Packet. Challenge yourself to be more active and enjoy our beautiful community. $7.50 per person. Mon 1 State Capital Museum presents The People of Cascadia ~ A lecture on Native Americans in this area, given by author Heidi Bohan, who wrote the book The People of Cascadia. Limit 10, $3.00, BL 11:00AM. Mon 1 Bette Midler (Seattle Key Arena) ~ Midler’s “Divine Intervention” tour will feature material from the singer’s iconic career as well as songs from her critically acclaimed new album, “It’s The Girls!” - a glorious tribute to girl groups through the ages. “It’s The Girls!” features the swinging sounds of WWII-era Andrews Sisters, to 60’s super-groups like the Supremes and the Shirelles, to 90’s hit makers TLC. To purchase tickets call 1-800-745-3000 or go online to www.ticketmaster.com. $20.00, BL 5:00PM. Tue 2 Watercolor with Anita Ellison ~ An ongoing class to learn new techniques, improve on skills, and create new paintings. Anita advises on color, brushwork, and technique. Supply list available at activity desk. Beginners will also find a complete supply list in the standing wall file outside the QAS. (Tuesdays June 2, 9, 16, and 23) Sign up at Activity Desk –personal checks only; payable to Anita Ellison $40.00, 10:00AM-12:00PM, QAS. Tue 2 The Great Courses presents Understanding Great Opera (Audio) ~ Bring a lunch and enjoy the lectures and musical brilliance of Mozart’s operas. 11:00AM-12:30PM, PAL. Tue 2 Jamming with Strings ~ Join your friends and bring a musical instrument or just sing-a-long! It’s fun! 3:30PM, PAG. Tue 2 Walk the Loop Group Starts Today. 6:30 PM, check in at the Entrance of the Aquatic Center. Walk around half-mile Circle Loop. Scooters, wheelchairs, walkers, canes and canines welcome! Continues every Tuesday all Summer. Call Kris at 5992 or Melissa at 7772 with any questions. Wed 3 Hymn Sing ~ Join us in singing the old favorite hymns along with a no-host breakfast. 9:30AM-10:30AM, GR. Wed 3 Quinault Art Studio presents Portrait Group Open Studio ~ Join our creative Panorama Residents as they open the Quinault Art Studio Every Wednesday to illustrate different types of portraits. All Panorama Residents are welcome. 1:00PM-4:00PM, QAS. Wed 3 National Geographic’s presents Kingdom of Apes: Class of Kings ~ The dynastic struggles of a gorilla clan led by Titus and his sons as they challenge his power; breathtaking photography. 1:30PM-2:30PM, PAT. Wed 3 Evening Concert presents South Puget Sound Community Orchestra ~ a multi-generational orchestra made up of community musicians playing traditional classical music. Call reception for your seat on the 6:15PM shuttle. 7:00 PM, PAT. Thu 4 Community Wellness Lecture Series presents Energy Healing~ Join us as Yoga instructor, Deborah Barnes-Allen goes over how energy healing contributes to a healthier lifestyle. Call reception for your seat on the 12:45PM shuttle.1:30 PM, CH. Thu 4 Doc Martin ~ He used to be a surgeon and now, as a small town Doc, he is brilliant, unpredictable, irritating, and always involved in an intriguing story. Don’t miss this installment. 2:30PM-4:15PM, PAT. Fri 5 Private Glassblowing Workshop at Central GlassWorks in Centralia. You will be introduced to the entire glass blowing studio hot shop, from the furnace to the annealing oven. You will be making your own glass piece; please wear closed toed shoes. Cost includes transportation, glass piece, and boxed lunch. Limit of 10. $54.00, BL 9:15 AM; return approximately 3:00PM. Fri 5 Movie presents American Sniper (2014) Oscar Nomination for Bradley Cooper Based on the true story of Chris Kyle, the military’s most effective sniper. With multiple tours in Iraq, the film explores the secretive world of Special Ops and the cost of battle to one of our military combatants. Powerful, raw, gripping and sad; please be advised the film’s content contains graphic violence and adult language as well as powerful images of the human cost of war. Rated R. 1:30PM-3:45PM, PAT. Sat 6 Mary Poppins (Kitsap Forest Theatre) ~ Based on the timeless books of P.L. Travers and complete with all the beloved songs from the Academy Award-winning Disney film, this magical stage musical tells the inspirational tale of the amazing flying nanny who’s practically perfect in every way. This is an outdoor venue in Bremerton, assistance is available to walk the path to the outdoor seating- please bring cushion, and dress for the weather. No-host dinner at the Boat Shed. To purchase tickets call (206) 542-7815 or go online to www.foresttheater.com/tickets. $20.00, BL 11:30AM. Sat 6 The Buddy Holly Story (Tacoma Musical Playhouse) ~ Before the Beatles, The Beach Boys or The Rolling Stones ever played a note, Rock ‘n’ Roll was forever changed by Buddy Holly, a 19-year-old kid from Texas. This is a true story of Buddy’s meteoric rise to fame, from the moment in 1957 when “That’ll Be The Day” hit the airwaves until his tragic death less than two years later. Cost includes ticket and transportation. $41.00, BL 12:30PM. Sun 7 Seattle Symphony presents A Tribute to Ray Charles ~ Don’t miss this soulful tribute to Ray Charles, featuring Ellis Hall, a former protégé of the late singer-songwriter. $20.00, BL 11:00 AM. Mon 8 Panorama’s Annual Fourth of July Picnic Tickets GO ON SALE ~ There will be music provided by the No Inhibition Jazz Band, a fantastic Americana barbeque buffet picnic, lawn games and more! Invite your family and friends. Buy your tickets at the activity desk (ticket purchase prior to picnic is encouraged). $10.00 per person (adult), $5.00 per person (children 6-12), Free (5 and under). Mon 8 All Fitness Classes Start today ~ Class Schedules are available for pick up in Pan Hall and the Aquatic Center. Mon 8 Monday Walkers: Woodard Bay Trail (Olympia) ~ We will be exploring the newly redone Woodard Bay Trails in North Olympia. This will be a 3-mile walk on uneven, unpaved terrain. Rated: Moderate, Limit 16. $10.00, BL 10:00AM. Sign up begins on Wednesday, May 27th. Mon 8 The Great Courses presents Metropolitan Museum of Art, Parts 13 & 14 ~ European sculpture including Bernini and Canova; and The Arts of Africa and Oceania– masks, intricately carved objects and sculpted figures from Africa. 1:30PM- 2:30PM, PAT. Tue 9 Free Hearing Screening and Hearing Aid Cleaning ~ Join us for a free hearing screening and hearing aid cleaning in the Executive Conference Room in Panorama Hall. Bring your friends! 9:30AM-12:00PM. Tue 9 Birthday Dinner tickets on sale today and tomorrow (6/10); remember tickets are available for non-birthday guests as well! (Advance tickets are required for Birthday Dinner on Thursday, June 18) Questions, call Ruth 5786 or Dottie 5726. $18.01 per person, 9:30AM-12:00PM, Pan Hall. Tue 9 The Great Courses present Fundamentals of Music (Audio) ~ The emotional impact of music in our lives and how it is constructed to move us emotionally and stimulate us intellectually. Bring a bag lunch and savor this beautiful music! 11:00PM-12:30PM, PAL. Wed 10 Seattle Shopping ~ Enjoy shopping with your friends in downtown Seattle. Drop off and pick up will be at the Westlake Mall; lunch is on your own. $20.00, BL 9:00AM, re-board 2:30PM. Thu 11 Quinault Fitness Room Orientation ~ Join Fitness Coordinator Melissa Thoemke as she shows you how to use the new equipment in the remodeled Quinault Fitness Area. 1:00PM, QFR. Thu 11 Capital Museum presents Ancient Places: People and Landscape in the Emerging Northwest with Jack Nisbet ~ Jack Nisbet uncovers touchstones across the Pacific Northwest that reveal the symbiotic relationship of people and place in this corner of the world. $3.00, BL 6:15PM. Fri 12 Movie presents McFarland (2015) Starring Kevin Costner, this touching and inspirational sports film. A controversial coach of an all Latino team discovers incredible running abilities in his athletes. His struggle, in the social atmosphere of the 1980’s, is to train and encourage this team to a Track Competition and the respect of the townspeople and sports world. Will he be able to do this and change some lives along the way? Rated PG 13. 1:30PM-3:45PM, PAT. Fri 12 KPAN Live Radio presents Tribute to Prairie Home Companion ~ Live resident performance that Garrison Keillor and Prairie Home Companion has graciously permitted Panorama’s KPAN Players to present many of their vintage radio moments. Join us for this memorable tribute to a radio program that has touched so many of our lives through the years. Call reception for your seat on the 6:15PM shuttle. 7:00 PM, PAT. Sat 13 Introduction to Yoga and Meditation ~ For people who are new to yoga/meditation and want to learn more about our classes and the basics of what we teach. Come learn about the many benefits and how it can enhance your quality of life. Panorama residents are thriving on their yoga and meditation classes - safe, fun, effective, taught by seniors for seniors. Call for more information, Charles Kasler at 5634 or Connie Ruhl at 5104.
Recommended publications
  • Category Swainsboro Statesboro Augusta
    ALUMNI SPOTLIGHT DUKES WINS MALE VOCALIST OF THE YEAR Justin Dukes, 2015 graduate of East Georgia State Col- lege, was awarded Male Vocalist of the Year during the GA Music Awards on August 15, 2015. The ceremony was held East Georgia State College at the Buckhead Theatre in Atlanta. Dukes, 21, earned his degree in business management 1 from EGSC. He is a country music singer/SESAC affiliate songwriter from Vidalia. He has been singing and perform- ing since the age of eight, and was the lead singer of the GA Music Country Band of the Year 2014. He was also nominated for the Georgia-Country Male Artist of the Year Award for 2015. Dukes has opened for artists such as Vince Gill, Char- lie Daniels, Craig Campbell, John Michael Montgomery, Shenandoah, David Nail and Joshua Scott Jones. He has a unique voice like no other in country music and his writing ability reaches all ages in the country music genre. LOVELADY DRAFTED BY KANSAS CITY ROYALS Richard Lovelady, a left-handed pitcher from Hinesville, grad- uated from East Georgia State College in May of 2015 after play- ing Bobcat Baseball under former Head Coach Chuck Lusted and current Head Coach Matthew Passauer. He continued his baseball career at Kennesaw State University and finished the 2016 season ranked inside the top three in the NCAA in appearances and ranked second in KSU Division 1 program history for most appearances in a single season (with 37). Lovelady was the first Bobcat to go on to play D-1 ball, and the dedication to his craft paid off on Friday, June 10, 2016, when he learned that he was drafted by the Kansas City Royals in the 10th round of the Major League Baseball draft pick.
    [Show full text]
  • Will You Love Me Tomorrow? (1960) the Shirelles
    MUSC-21600: The Art of Rock Music Prof. Freeze Will You Love Me Tomorrow? (1960) The Shirelles LISTEN FOR • Latin rhythm • Interplay of lead and backing voices • String arrangement, AABA form recall Tin Pan Alley • Harmonic intensifier on third line of each verse CREATION Songwriters Gerry Goffin, Carole King Label, Record Scepter 1211 Musicians Shirelles: Shirley Owens (lead), Doris Cole, Addie “Micki” Harris, Beverly Lee; unidentified studio musicians (guitar, bass, drums, strings, percussion) Arranger Carole King Producer Luther Dixon Recording Bell Sound Studios (New York City); October 1960; mono Charts Pop 1, R&B 2 MUSIC Genre Girl-group pop Form AABA with partial reprise Key C major Meter 4/4 LISTENING GUIDE Time Form Lyric Cue Listen For 0:00 Intro (4) • Latin groove in bass; “heartbeat” rhythm on snare ([1] 2 & [3] 4); sixteenth-note figure in cellos. • Background instruments reinforce the groove; single electric guitar strum on downbeat of every other bar. MUSC-21600 Listening Guide Freeze “Will You Love Me Tomorrow?” (The Shirelles, 1960) Time Form Lyric Cue Listen For 0:08 A (16) “Tonight you’re mine” • Lyrics describe a situation. 0:21 “Tonight the light” • Harmonic intensifier (E7 chord) adds urgency; backing voices enter singing long notes; cellos switch to long notes. 0:28 Refrain “But will you” • All voices sing lyrics. 0:35 A (16) “Is this a lasting” • Lyrics shift to questioning; cellos return to rhythmic figure doubled by backing voices; violins answer lead vocal phrases. 0:49 “Can I believe” • Harmonic intensifier; cellos and backing voices switch to long notes. 0:56 Refrain “Will you still” 1:03 B (16) “Tonight with words” • Bass moves to high register; violins become more active; mid-range texture thins; backing voices out.
    [Show full text]
  • Rolling Stone Magazine's Top 500 Songs
    Rolling Stone Magazine's Top 500 Songs No. Interpret Title Year of release 1. Bob Dylan Like a Rolling Stone 1961 2. The Rolling Stones Satisfaction 1965 3. John Lennon Imagine 1971 4. Marvin Gaye What’s Going on 1971 5. Aretha Franklin Respect 1967 6. The Beach Boys Good Vibrations 1966 7. Chuck Berry Johnny B. Goode 1958 8. The Beatles Hey Jude 1968 9. Nirvana Smells Like Teen Spirit 1991 10. Ray Charles What'd I Say (part 1&2) 1959 11. The Who My Generation 1965 12. Sam Cooke A Change is Gonna Come 1964 13. The Beatles Yesterday 1965 14. Bob Dylan Blowin' in the Wind 1963 15. The Clash London Calling 1980 16. The Beatles I Want zo Hold Your Hand 1963 17. Jimmy Hendrix Purple Haze 1967 18. Chuck Berry Maybellene 1955 19. Elvis Presley Hound Dog 1956 20. The Beatles Let It Be 1970 21. Bruce Springsteen Born to Run 1975 22. The Ronettes Be My Baby 1963 23. The Beatles In my Life 1965 24. The Impressions People Get Ready 1965 25. The Beach Boys God Only Knows 1966 26. The Beatles A day in a life 1967 27. Derek and the Dominos Layla 1970 28. Otis Redding Sitting on the Dock of the Bay 1968 29. The Beatles Help 1965 30. Johnny Cash I Walk the Line 1956 31. Led Zeppelin Stairway to Heaven 1971 32. The Rolling Stones Sympathy for the Devil 1968 33. Tina Turner River Deep - Mountain High 1966 34. The Righteous Brothers You've Lost that Lovin' Feelin' 1964 35.
    [Show full text]
  • Sh-Boom« Die Gesangsgruppen
    15. »Sh-Boom« Die Gesangsgruppen Martin Pfleiderer In den USA gab es bereits im 19. Jahrhundert professionelle Gesangsgrup- pen. So reisten etwa im Rahmen von Minstrelsy und Vaudeville zahlreiche singende Familiengruppen, insbesondere von Immigranten aus Deutsch- land und Österreich, durchs Land (vgl. Friedman/Gribin 2013: 3–9). Im 20. Jahrhundert veränderten sich die Traditionen des Gruppengesangs aufgrund der fortschreitenden Professionalisierung und der neuen Me- dientechnologien, aber auch aufgrund gesamtkultureller Veränderungen. Im Folgenden sollen einige der stilistischen Entwicklungen des populären Gruppengesangs in den USA zwischen 1900 und 1960 dargestellt werden. Die zentrale Fragestellung richtet sich auf die Art und Weise, wie die ver- schiedenen Gesangsstimmen einer Vokalgruppe zusammenwirken. Diese Gestaltungsweisen, ihr Auftreten in verschiedenen Musikgenres und ihre historischen Veränderungen sollen exemplarisch anhand von einflussrei- chen Aufnahmen und Vokalgruppen dargestellt werden. Gegenstand sind Vokalgruppen mit einer Besetzung von drei bis sechs Sängerinnen oder Sängern mit oder ohne zusätzliche Instrumental begleitung, die unter ei- nem gemeinsamen Gruppennamen aufgetreten sind. Vokalensembles, die als Background-Bands für einen Gesangsstar fungieren, werden dagegen nur am Rande thematisiert, ebenso wie größere Vokalensembles und Chö- re. Historischer Ausgangspunkt sind Praktiken und Gestaltungsweisen des Gruppengesangs, wie sie in frühen Aufnahmen des Hillbilly bezie- hungsweise Folk und Country und der afroamerikanischen
    [Show full text]
  • Scepter Records Discography
    Scepter Records 1958-1961 The Scepter Records story does not really start with Tiara Records. Lew Conetta created Tiara several years before Scepter, and Tiara continued to release records after Scepter began. However, one person working for Tiara – and by all accounts a co-owner of the company – is the well-known instrument for bringing about the vision for Scepter Records. That was Florence Greenberg. By early 1958, Greenberg was 44 years old – she would turn 45 in September. Over the past two years, she had learned as much about music publishing and about the managing of a record company as she could. She had approached the revived Tiara with a song for which her son, Stan, had co-written the music. Murry Shaff recorded the song, and Tiara had released it – with little success. After that, she had set up her own publishing company, Scepter Music, in late 1957, to publish the Shirelles’ first song, “I Met Him on a Sunday.” Throughout 1958, Scepter Music continued to publish Shirelles’ songs (when they were on Decca) as well as songs that John Bowden wrote for the Vestelles (also on Decca), plus some songs for which Tiara released the records. In November 1958, Greenberg parted ways with Tiara Records for a new venture. As Lew Conetta had plans for Tiara, and since Greenberg had enough confidence in the Shirelles to put them out on her own after their contract with Decca expired, on December 1, 1958, Florence Greenberg and Terry Ryan announced the formation of Scepter Records. Ryan was an artists and repertoire person; he would occupy the role that Hy Grill had fulfilled at Tiara, helping to recruit new artists to the label.
    [Show full text]
  • Lamp Records Singles Discography
    Lamp Records by Frank Daniels On June 12, 1954, Aladdin Records announced that they were preparing to open a subsidiary label – appropriately named Lamp. Instead of being spread across the genres of R&B and Jazz, Lamp was going to focus exclusively on Rhythm & Blues. Lamp Records sent out its first promotional releases near the end of June, and at the beginning of July, four Lamp singles appeared on the commercial marketplace. Within a month, Aladdin opened an office in New York City, and Lamp Records took New York as its base of operations. Over the next six months, the new label released several batches of singles in two series. These were the 8000 series of R&B singles and two discs in the 9000 series, which was devoted to gospel music. Then, as suddenly as the label opened, Lamp closed its doors … temporarily. The matrix numbering at this time followed the system that Aladdin used more broadly, featuring a prefix indicating the recording place (e.g., TEX- for Texas or SF- for San Francisco) and a four-digit sequence number. Although the trade magazines did not always agree with their choice, Aladdin used the suffix “X” to mark the A-side of the single and a “Q” to indicate the B-side. Lamp Singles, 8000 & 9000 Series Lamp 8001 “When the Sun Goes Down”/ “Tryin’ to Fool Me” Leonard Lee First Mentioned in Trade Magazines: July 3, 1954 78 RPM single above; 45 RPM single below. Lamp 8001 “When the Sun Goes Down”/ “Tryin’ to Fool Me” Leonard Lee Leonard Lee was the “second half” of the Aladdin duo, Shirley & Lee.
    [Show full text]
  • Songwriters by TONY FLETCHER
    AHMET ERTEGUN AWARD Songwriters BY TONY FLETCHER he truly flourished, as a house writer, arranger, and producer (and the only black man on the payroll). Bringing to bear his four decades of valuable experience, he helped veer Atlantic away from its initial obsession with jazz toward something more danceable. “The only thing that was missin’ from the stuffwe were recordingwas the rhythm,” he told Nick Tosches for the opening profile of the book Unsung Heroes ofRoc\ ’n Roll; Stone claimed to have corrected that absence by creating the bass line at the heart of many an Atlantic recording. Stone’s compositions combined that inveterate swing with an impish humor, as in the debut single for Clyde McPhatter’s Drifters, who took “Money Honey” to the top of the R6s?B charts in 1953. Stone also wrote for Atlantic legends Ray Charles (“Losing Hand”), Ruth Brown (‘A s Long as I’m Moving”), and LaVern Baker (“Soul on Fire”), but he truly left his mark with “Shake, Rattle and Roll.” A familiar battle cry from craps nights, and written specifically for his old Kansas City friend Big Joe Turner, “Shake, Rattle and Roll” popularized a number of ribald references to the sexual act, most famously that of “a one-eyed cat peepin’ in a seafood store. It also rocked like nothing before. Turner’s version was Jesse Stone an R6s?B sensation; the 1954 recording later by Bill Haley and the Comets then helped break the newly labeled “rock 5 ? roll” music among white audiences. Perhaps no other American popular-music composer strad- Stone followed up with “Flip Flop and Fly” for Turner died the twentieth century quite like Jesse Stone, and not (and Haley), “Your Cash Ain ’t Nothin’ but Trash” for the Clo­ only because he witnessed its every single year.
    [Show full text]
  • Biography -- Printable Version
    Biography -- Printable Version Peter Wolf's Historical Biography Written & Researched by Bryan Wiser, and Sheila Warren with Mimi Fox. Born in New York City, Peter grew up in the Bronx during the mid-1950's in a small, three-room apartment where he lived with his parents, older sister, two cats, dog and parakeet. For some time, Peter lived with his grandmother, an actress in New York City's Yiddish Theater. She and Peter had a strong bond, and she affectionately named him "Little Wolf" for his energetic and rambunctious ways. His father was a musician, vaudevillian and singer of light opera. Like Peter did years later, his father left home at age fourteen to join the Schubert Theater Touring Company with which he traveled the country performing light operas such as The Student Prince and Merry Widow. He had his own radio show called The Boy Baritone, which featured new songs from Tin Pan Alley, and was a member of the Robert Shaw Chorale. As a result of such artistic pursuits, Peter's father underwent long periods of unemployment that created a struggle to make financial ends meet. Peter's mother was an elegant and attractive woman who taught inner-city children in the South Bronx for 27 years. A political activist, union organizer and staunch civil rights advocate, she supported racial equality by attending many of the southern "freedom rides" and marches. Peter's older sister was also a teacher as well as a photographer who now works as an advocate for persons with disabilities. She continues her mother's tradition, often marching on Washington to support the rights of the disabled.
    [Show full text]
  • Wilson Pickett, New York City, 1981; Swamp Dogg; Aretha Franklin, New York City, 1982; Fred Wesley, 2011; Dr
    HYTHM AND LUES From left top and clockwise: Wilson Pickett, New York City, 1981; Swamp Dogg; Aretha Franklin, New York City, 1982; Fred Wesley, 2011; Dr. Mable John. Photos: © Fredrich Cantor; Courtesy of Swamp Dogg; © Fredrich Cantor; Mark Puryear, Smithsonian Institution; Courtesy of Stax Museum of American Soul Music Right side: The Dixie Cups® began performing rhythm and blues music in 1963; the group now includes original members Barbara A. Hawkins (right) and Rosa L. Hawkins (left), joined by Athelgra Neville. Photo by Richard Strauss, Smithsonian Institution Rhythm and Blues 53 Tell It Like It Is by Mark Puryear In 1964 The Dixie Cups®, a female vocal trio from New Orleans, crooned out a cheerful version of “Chapel of Love” and knocked the Beatles from their number one spot on the pop charts. A year later, the trio released “Iko Iko,” a song first released in 1954 by James “Sugar Boy” Crawford as “Jock-A-Mo,” whose lyrics recount the meeting of two groups of Mardi Gras Indians. Since then, this song has been cov- ered by artists from the Grateful Dead to Cyndi Lauper, and continues to move new generations with its infectious New Orleans rhythms. The career of The Dixie Cups, and their direct and indirect roles in carrying rhythm and blues (R&B) into mainstream consciousness, speaks to the enduring pow- er of this music to transcend region and musical category and become a representative sound of the country. Musical Crossroads by Dwandalyn Reece The National Museum of African American History of musical genres, highlighting musical innovations, and Culture (NMAAHC) was established by an act of significant time periods and events along with Congress in 2003 making it the nineteenth museum historic performances to capture the music’s impact of the Smithsonian Institution.
    [Show full text]
  • An Examination of Essential Popular Music Compact Disc Holdings at the Cleveland Public Library
    DOCUMENT RESUME ED 435 403 IR 057 553 AUTHOR Halliday, Blane TITLE An Examination of Essential Popular Music Compact Disc Holdings at the Cleveland Public Library. PUB DATE 1999-05-00 NOTE 94p.; Master's Research Paper, Kent State University. Information Science. Appendices may not reproduce adequately. PUB TYPE Dissertations/Theses (040) EDRS PRICE MF01/PC04 Plus Postage. DESCRIPTORS *Audiodisks; Discographies; *Library Collection Development; *Library Collections; *Optical Disks; *Popular Music; *Public Libraries; Research Libraries; Tables (Data) IDENTIFIERS *Cleveland Public Library OH ABSTRACT In the 1970s and early 1980s, a few library researchers and scholars made a case for the importance of public libraries' acquisition of popular music, particularly rock music sound recordings. Their arguments were based on the anticipated historical and cultural importance of obtaining and maintaining a collection of these materials. Little new research in this direction has been performed since then. The question arose as to what, if anything, has changed since this time. This question was answered by examining the compact disc holdings of the Cleveland Public Library, a major research-oriented facility. This examination was accomplished using three discographies of essential rock music titles, as well as recent "Billboard" Top 200 Album charts. The results indicated a strong orientation toward the acquisition of recent releases, with the "Billboard" charts showing the largest percentages of holdings for the system. Meanwhile, the holdings vis-a-vis the essential discographies ran directly opposite the "Billboard" holdings. This implies a program of short-term patron satisfaction by providing current "hits," while disregarding the long-term benefits of a collection based on demonstrated artistic relevance.
    [Show full text]
  • “Sh-Boom” and the Bomb: a Postwar Call and Response
    1 “Sh-Boom” and the Bomb: A Postwar Call and Response Raging fire balls, vaporized islands, ear-splitting clamor, mushroom clouds, shock waves, moral abomination, massive guilt, backyard bomb shelters, and thinking the unthinkable—all of these were part of the psychological and emotional Zeitgeist of Postwar America. Test Able, the first atom-bomb test off Bikini in the Marshall Islands, took place in the summer of 1946. At that time, many Americans feared the consequences. Some believed gravity would be destroyed, or that the ocean would turn to gas, or perhaps an underwater explosion would blow a hole in the bottom of the sea and cause it to run completely out. Others expected earthquakes, tidal waves, or radioactive waves that would, a Portland, Oregon taxi driver feared, “peel his skin like a banana.”1 None of these suspicions materialized, though the site of the explosion became the name of a woman’s two-piece bathing suit. In Homeward Bound, Elaine Tyler May links the photograph of Hollywood sex symbol Rita Hayworth that was physically attached to the bomb to the “name for the abbreviated swimsuit the female ‘bombshells’ would wear. The designer of the revealing suit,” she says, “chose the name ‘bikini’ four days after the bomb was dropped to suggest the swimwear’s explosive potential.”2 William O’Neill, the author of American High, points out that nuclear weaponry at that time was a concern so frightening that “popular culture absorbed and trivialized” it.3 Looking back, it seems excessive to have worried so about a fission bomb.
    [Show full text]
  • 1960S America Music
    1960s America Music Kaleigh Coffey 8th December 2018 Abstract This is a downloadable document outlining the content, images, andref- erences used in the Music section of the WordPress site. This document will cover the content of the Music top-level page and its three children pages—Woodstock Music Festival, American Folk Music, and Girl Groups and Girl Bands of the 1960s. Contents Contents i List of Figures ii 1 Music Homepage 1 2 Woodstock Music Festival 1 2.1 Woodstock Overview ........................ 1 2.2 Musical Acts ............................. 3 2.3 Cultural Significance ........................ 3 3 American Folk Music 7 3.1 American Folk Music Revival of the 1960s ............ 7 4 Girl Groups and Bands of the 1960s 9 4.1 Introduction to Girl Groups and Bands .............. 9 4.2 Formation of Girl Groups and Bands . 10 4.3 Popular Girl Groups of the 1960s . 11 4.4 Popular Girl Bands of the 1960s . 12 References 14 i List of Figures 1 Woodstock Opening Ceremony .................... 2 2 Guitar stock image ............................ 2 3 The Supremes in 1970 .......................... 3 4 Promotional image of the Jimi Hendrix Experience .......... 4 5 The Who Band photographed in 1972 ................. 5 6 Joplin in 1970 ............................... 6 7 Woodstock Redmond Crowd ...................... 6 8 Two Hippies at Woodstock ....................... 7 9 Joan Baez and Bob Dylan ........................ 8 10 Joan Baez photograph .......................... 9 11 The Dandy Girls ............................. 10 12 The Shirelles ............................... 12 13 The Liverbirds .............................. 13 ii 1 Music Homepage Undoubtedly, the 1960s was a decade of immense social change for the United States.1 Although this transformation is immeasurable, it was marked by sig- nificant events and ideologies.
    [Show full text]