Locating Biographies Within a National Encyclopedia Jock Phillips
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
A Survey of Recent New Zealand Writing TREVOR REEVES
A Survey of Recent New Zealand Writing TREVOR REEVES O achieve any depth or spread in an article attempt• ing to cover the whole gamut of New Zealand writing * must be deemed to be a New Zealand madman's dream, but I wonder if it would be so difficult for people overseas, particularly in other parts of the Commonwealth. It would appear to them, perhaps, that two or three rather good poets have emerged from these islands. So good, in fact, that their appearance in any anthology of Common• wealth poetry would make for a matter of rather pleasurable comment and would certainly not lower the general stand• ard of the book. I'll come back to these two or three poets presently, but let us first consider the question of New Zealand's prose writers. Ah yes, we have, or had, Kath• erine Mansfield, who died exactly fifty years ago. Her work is legendary — her Collected Stories (Constable) goes from reprint to reprint, and indeed, pirate printings are being shovelled off to the priting mills now that her fifty year copyright protection has run out. But Katherine Mansfield never was a "New Zealand writer" as such. She left early in the piece. But how did later writers fare, internationally speaking? It was Janet Frame who first wrote the long awaited "New Zealand Novel." Owls Do Cry was published in 1957. A rather cruel but incisive novel, about herself (everyone has one good novel in them), it centred on her own childhood experiences in Oamaru, a small town eighty miles north of Dunedin -— a town in which rough farmers drove sheep-shit-smelling American V-8 jalopies inexpertly down the main drag — where the local "bikies" as they are now called, grouped in vociferous RECENT NEW ZEALAND WRITING 17 bunches outside the corner milk bar. -
Course Code : Course Title
English Programme Faculty of Humanities and Social Sciences School of English, Film, Theatre, & Media Studies Te Kura Tānga Kōrero Ingarihi, Kiriata, Whakaari, Pāpāho ENGL 234 New Zealand Literature Trimester 2 2013 15 July to 17 November 2013 20 Points TRIMESTER DATES Teaching dates: 15 July to 18 October 2013 Mid-Trimester break: 26 August to 8 September 2013 Study week: 21 to 25 October 2013 Examination/Assessment period: 25 October to 16 November 2013 Note: Students who enrol in courses with examinations are expected to be able to attend an examination at the University at any time during the formal examination period. WITHDRAWAL DATES Refer to www.victoria.ac.nz/home/admisenrol/payments/withdrawalsrefunds If you cannot complete an assignment or sit a test or examination (aegrotats), refer to www.victoria.ac.nz/home/study/exams-and-assessments/aegrotat CLASS TIMES AND LOCATIONS Lectures Mon, Tue, Wed 10.00 – 10.50am Hugh Mackenzie LT105 Tutorials Tutorials begin in WEEK 2. Please register for tutorials via the ENGL 234 site on Blackboard: go to “Tutorials” and then follow the instructions under the “SCubed - Tutorial Enrolment Instructions” link. Please read the instructions carefully. Tutorial rooms will be listed on S-Cubed, Blackboard and on the bulletin board in the Level 3 corridor of the Hugh Mackenzie Building. NAMES AND CONTACT DETAILS Staff Email Phone Room Office Hours Mark Williams (MW) [email protected] 463 6810 vZ 911 Wed 11.00 Jane Stafford (JS) [email protected] 463 6816 vZ 901 TBA Tina Makereti (TM) [email protected] TBA TBA Lydia Wevers (LW) [email protected] 463 6334 Stout Centre COMMUNICATION OF ADDITIONAL INFORMATION This course uses Blackboard for all important information and announcements, as well as running a discussion board, and encourages you to check it regularly. -
The New Zealand Memorial 11 November 2006
THE NEW ZEALAND MEMORIAL 11 NOVEMBER 2006 A LONG-DISTANCE RELATIONSHIP 4 WHERE BRITAIN STANDS, WE STAND 10 ORDER OF SERVICE 14 A PLACE TO STAND 16 A NEW SYMBOL OF NATIONHOOD 18 A MONUMENTAL TASK 20 ARTISTS’ PROFILES 22 ACKNOWLEDGEMENTS 24 RT HON HELEN CLARK PRIME MINISTER OF NEW ZEALAND FOREWORD This memorial At the heart of an historic London landmark, the commemorates the enduring New Zealand Memorial offers a place for expatriates and bonds between New Zealand visitors to celebrate days of signifi cance to our people: and the United Kingdom, Waitangi Day, on which we mark our bicultural and our shared sacrifi ce nationhood, and Anzac Day, on which we remember during times of war. It is those who have served New Zealand in wartime. a symbol both of our One of the strongest bonds between New Zealand and common heritage, and of the United Kingdom is that forged by shared sacrifi ces. New Zealand’s distinct This memorial is a place where we can gather to pay national identity. tribute to New Zealand men and women who have The New Zealand answered the call to serve alongside Britain in confl icts Memorial is to be dedicated by Her Majesty The Queen of the twentieth century. at a ceremony in London on 11 November 2006. The The spirit of co-operation between our nations is memorial celebrates the strength of the long-standing exemplifi ed in the completion of this memorial project. relationship between New Zealand and the United It has been a hugely successful partnership between Kingdom. -
Christchurch Writers' Trail
The Christch~rch Writers' Trail I The Christchurch c 3 mitersy&ai1 Page 1 Introduction 2 Writers Biographies Lady Barker e Canterbury Settlement, right from 1850, was notable for its exalted ideals. The @settlement's early colonists lugged ashore libraries, musical instruments, paints, Samuel Butler William Pember Reeves easels and plans for a grammar school and university. Within the first decade they Edith Grossmann started a newspaper, founded choral and orchestral societies, staged plays and Jessie Mackay started a public library. A surprising number of these pioneers were competent Arnold Wall writers. The published memoirs, letters, journals and poetry left by Charlotte Godley, Blanche Bau han Edward and Crosbie Ward, James FitzGerald, Henry Sewell, Sarah Courage, Laurence Johannes An 8ersen Kennaway, Lady Barker, Samuel Butler and other "pilgrims" established a robust Mary Ursula Bethell literary tradition in Canterbury, particularly in non-fiction and poetry. From the Alan Mulgan 1930s to the early 1950s, during Denis Glover's association with The Caxton Press, Esther Glen Oliver Duff Christchurch was indisputably the focal point of New Zealand's artistic life. The N~aioMarsh town's cultural and literary importance - about 280 writers are listed in this booklet D Arcy Cresswell in a record which is by no means definitive - continues to this day. Monte Holcroft James Courage The Canterbury Branch of the New Zealand Society of Authors has, with generous Allen Curnow assistance from The Community Trust, now laid 32 writers' plaques in various parts Essie Summers of Christchurch. It is hoped that the process begun in 1997 of thus honouring the Denis Glover literary talent of our town and province, will long continue. -
Get Outside Your Comfort Zone: Reflections of New Zealand Historians”
UNIVERSITY OF CANTERBURY “Get Outside Your Comfort Zone: Reflections of New Zealand Historians” Neve Duston Category One Dissertation Supervisor: Associate Professor Lyndon Fraser This dissertation is submitted in part fulfilment of the requirements for the degree of BA Honours in History at the University of Canterbury. This dissertation is the result of my own work. Material from the published or unpublished work of other historians used in the dissertation is credited to the author in the footnote references. The dissertation is approximately 9, 999 words in length. HIST480 2019 Table of Contents Abstract ............................................................................................................................................. 3 Introduction ...................................................................................................................................... 4 Chapter One: Historians’ Interactions with Te Ao Māori ......................................................... 13 Chapter Two: Public and Academic Historians, their Frameworks, and Digitisation ............ 23 Chapter Three: “‘Ka mua, ka muri’ – we move forward into the future by looking back into our past”1 ................................................................................................................................... 36 Conclusion ....................................................................................................................................... 49 Bibliography Primary Sources .......................................................................................................................... -
Allegory in the Fiction of Janet Frame
Copyright is owned by the Author of the thesis. Permission is given for a copy to be downloaded by an individual for the purpose of research and private study only. The thesis may not be reproduced elsewhere without the permission of the Author. ALLEGORY IN THE FICTION OF JANET FRAME A thesis in partial fulfIlment of the requirements for the degree of Doctor of Philosophy in English at Massey University. Judith Dell Panny 1991. i ABSTRACT This investigation considers some aspects of Janet Frame's fiction that have hitherto remained obscure. The study includes the eleven novels and the extended story "Snowman, Snowman". Answers to questions raised by the texts have been found within the works themselves by examining the significance of reiterated and contrasting motifs, and by exploring the most literal as well as the figurative meanings of the language. The study will disclose the deliberate patterning of Frame's work. It will be found that nine of the innovative and cryptic fictions are allegories. They belong within a genre that has emerged with fresh vigour in the second half of this century. All twelve works include allegorical features. Allegory provides access to much of Frame's irony, to hidden pathos and humour, and to some of the most significant questions raised by her work. By exposing the inhumanity of our age, Frame prompts questioning and reassessment of the goals and values of a materialist culture. Like all writers of allegory, she focuses upon the magic of language as the bearer of truth as well as the vehicle of deception. -
Processes of Pakeha Change in Response To
http://waikato.researchgateway.ac.nz/ Research Commons at the University of Waikato Copyright Statement: The digital copy of this thesis is protected by the Copyright Act 1994 (New Zealand). The thesis may be consulted by you, provided you comply with the provisions of the Act and the following conditions of use: Any use you make of these documents or images must be for research or private study purposes only, and you may not make them available to any other person. Authors control the copyright of their thesis. You will recognise the author’s right to be identified as the author of the thesis, and due acknowledgement will be made to the author where appropriate. You will obtain the author’s permission before publishing any material from the thesis. PROCESSES OF PAKEHA CHANGE IN RESPONSE TO THE TREATY OF WAITANGI A thesis submitted for the degree of Doctor of Philosophy University of Waikato by Ingrid Huygens 2007 DEDICATION To my father the labourer‐philosopher who pondered these things as he drove his tractor i ACKNOWLEDGMENTS My most respectful and loving acknowledgments to my peer study group of Mitzi and Ray Nairn, Rose Black and Tim McCreanor. Their combined experience spanned a depth and breadth of Pakeha Treaty work that framed my research project. Their academic, emotional and practical support during times of ill-health and scant resources made this thesis possible. To my colleagues, the Treaty and decolonisation educators who shared with me their reflections, their dreams and their ways of working. It was a privilege to visit each group in their home area, and my year of travelling around the country will always stand out as one of warmth, colour and generosity. -
Our Finest Illustrated Non-Fiction Award
Our Finest Illustrated Non-Fiction Award Crafting Aotearoa: Protest Tautohetohe: A Cultural History of Making Objects of Resistance, The New Zealand Book Awards Trust has immense in New Zealand and the Persistence and Defiance pleasure in presenting the 16 finalists in the 2020 Wider Moana Oceania Stephanie Gibson, Matariki Williams, Ockham New Zealand Book Awards, the country’s Puawai Cairns Karl Chitham, Kolokesa U Māhina-Tuai, Published by Te Papa Press most prestigious awards for literature. Damian Skinner Published by Te Papa Press Bringing together a variety of protest matter of national significance, both celebrated and Challenging the traditional categorisations The Trust is so grateful to the organisations that continue to share our previously disregarded, this ambitious book of art and craft, this significant book traverses builds a substantial history of protest and belief in the importance of literature to the cultural fabric of our society. the history of making in Aotearoa New Zealand activism within Aotearoa New Zealand. from an inclusive vantage. Māori, Pākehā and Creative New Zealand remains our stalwart cornerstone funder, and The design itself is rebellious in nature Moana Oceania knowledge and practices are and masterfully brings objects, song lyrics we salute the vision and passion of our naming rights sponsor, Ockham presented together, and artworks to Residential. This year we are delighted to reveal the donor behind the acknowledging the the centre of our influences, similarities enormously generous fiction prize as Jann Medlicott, and we treasure attention. Well and divergences of written, and with our ongoing relationships with the Acorn Foundation, Mary and Peter each. -
Sailing in a New Direction ■■Page 5
SEPTEMBER 2017 The University of Auckland News for Staff Vol 46/ Issue 07 /September 2017 SAILING IN A NEW DIRECTION ■ PAGE 5 INSIDE A 700-plus page biography and Collected Poems of New Zealand literary heavyweight Allen Curnow, pictured above, by the late Emeritus Professor Terry Sturm is being launched this month by Auckland University Press. PAGE 5 COUNTING THE VOTES THE TAX QUESTION TOURIST IN HER OWN Just like Brexit and the 2016 US election, in the None of our political parties are dealing with COUNTRY upcoming General Election on 23 September the basic inequities of the current tax system, This month’s My Story, Samantha Perry, is every vote will definitely count, writes political says tax specialist Mark Keating. looking forward to going back to her family’s scientist Jennifer Lees-Marshment. roots in Sri Lanka in September. PAGE 12 PAGE 9 PAGE 6 SNAPSHOT CONTENTS TOP PRIZE FOR WATERCOLOUR WHAT’S NEW ............................ 3 In 1999 a generous bequest to create a IN BRIEF .................................... 4 scholarship to ‘foster interest in New Zealand COVER STORY ............................. 5 watercolour’ established the country’s largest art prize for the medium, the Henrietta and Lola DID YOU KNOW? ......................... 7 Anne Tunbridge Scholarship, worth $10,000. Awarded annually to an Elam School of Fine Arts WHAT’S ON CAMPUS .................. 7 student, this year the prize was jointly shared RESEARCH IN FOCUS .................. 8 between undergraduate Honor Hamlet and postgraduate Scarlett Cibilich from dozens of WHAT AM I DISCOVERING ............ 9 entries. The Tunbridge’s foresight continues to strengthen the medium’s appeal. Right, detail IN THE SPOTLIGHT ..................... -
The Sinking of the Rainbow Warrior: Responses to an International Act of Terrorism
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by NECTAR Journal of Postcolonial Cultures and Societies ISSN No. 1948-1845 (Print); 1948-1853 (Electronic) The sinking of the rainbow warrior: Responses to an international act of terrorism Janet Wilson Introduction: the Rainbow Warrior Affair The Rainbow Warrior affair, an act of sabotage against the flagship of the Greenpeace fleet, the Rainbow Warrior, when berthed at Marsden wharf in Auckland harbour on 10th July 1985, dramatised in unprecedented ways issues of neo-imperialism, national security, eco-politics and postcolonialism in New Zealand. The bombing of the yacht by French secret service agents effectively prevented its participation in a Nuclear Free Pacific campaign in which it was to have headed the Pacific Fleet Flotilla to Moruroa atoll protesting French nuclear testing. Outrage was compounded by tragedy: the vessel’s Portuguese photographer, Fernando Pereira, went back on board to get his camera after the first detonation and was drowned in his cabin following the second one. The evidence of French Secret Service (Direction Generale de la Securite Exterieure or DGSE) involvement which sensationally emerged in the following months, not only enhanced New Zealand’s status as a small nation and wrongful victim of French neo-colonial ambitions, it dramatically magnified Greenpeace’s role as coordinator of New Zealand and Pacific resistance to French bomb-testing. The stand-off in New Zealand –French political relations for almost a decade until French bomb testing in the Pacific ceased in 1995 notwithstanding, this act of terrorism when reviewed after almost 25 years in the context of New Zealand’s strategic and political negotiations of the 1980s, offers a focus for considering the changing composition of national and regional postcolonial alliances during Cold War politics. -
Treaty Ill History 2020 AI.Indd
BRIDGET WILLIAMS information sheet BOOKS The Treaty of Waitangi | Te Tiriti o Waitangi An Illustrated History (new edition) Claudia Orange Claudia Orange’s writing on the Treaty has contributed to New Zealanders’ understanding of this history for over thirty years. In this new edition of her popular illustrated history, Dr Orange brings the narrative of Te Tiriti/Treaty up to date, covering major developments in iwi claims and Treaty settlements – including the ‘personhood’ established for the Whanganui River and Te Urewera, applications for customary title in the foreshore and seabed, and critical matters of intellectual property, language and political partnership. New Zealand’s commitment to the Treaty claims process has far-reaching implications for this country’s future, and this clear account provides readers with invaluable insights into an all-important history. The Treaty of Waitangi by Claudia Orange was fi rst published in 1987 to national acclaim, receiving the Goodman Fielder Wattie Award. This widely respected history has since advanced through several new editions. The Treaty of Waitangi/Te Tiriti o Waitangi: An Illustrated History is the most comprehensive RRP: $49.99 | paperback | 215 x 265mm account yet, presented in full colour and drawing on 488 pages | over 300 illustrations Dr Orange’s recent research into the nine sheets of the ISBN 9781988587189 Treaty and their signatories. Publication: 8 December 2020 Distributor: David Bateman Ltd PO Box 100 242, North Shore Mail Centre, Auckland 0745 | (09) 415 7664 extn 0 [email protected] Sales Manager: Bryce Gibson (09) 415 7664 extn 811 | [email protected] Sales Representatives: KEY POINTS Murray Brown – Waikato, Bay of Plenty, Coromandel , Auckland, Northland • A comprehensive and beautifully illustrated history 021 278 6396 | [email protected] of the Treaty that is accessible to the general reader. -
A Dictatorship of Taste
A Dictatorship of Taste Cultural Nationalism and the Function of the Critic 1947-1961 A Thesis Submitted in Partial Fulfilment of The Requirements for the Degree of Masters of Arts in English in the University of Canterbury By Anne-Maree Mills University of Canterbury 2009 In terms of some green myth, sailing or drowning, Each day makes clear a statement to the next; But to make out our tomorrow from its motives Is pure guessing, yesterday’s were so mixed. Sailing or drowning, the living and the dead, Less than the gist of what has just been said. (‘Sailing or Drowning’, Allen Curnow, 1940). Criticism is much criticised. But this logically establishes its title to exist. Criticism never decides anything. It is an argument. The argument goes on. (W. W. Robson, 1982:56) For New Zealand, then, these islands in the south-west Pacific, the growth of national feeling has meant a double exploration of the independence, in the region of politics – in the widest sense – and in the region of the mind. In either case, within the broad stream of the British tradition, the history of the country has been the history of its discovery – a discovery continuing still – of a tradition of its own. (‘The Development of New Zealand Nationality’, J. C. Beaglehole, 1954:122) i Contents Acknowledgements ii. Abstract iii. Introduction 1 Chapter One: An Absurd Ambition 12 1. Bread and butter criticism: ‘Bookmen’ and culture critics 2. Cultural Antennae: Phoenix and Tomorrow 3. The Centennial 4. Cultural authority and the professionalization of Librarianship 5. Heenan 6.