Revised Gender Dynamics in the Select Novels Of
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Gender Violence in Chimamanda Ngozi Adichie's
GENDER VIOLENCE IN CHIMAMANDA NGOZI ADICHIE’S PURPLE HIBISCUS AND HALF OF A YELLOW SUN BY FASHAKIN, FOLASHADE YEMISI DEPARTMENT OF ENGLISH AND LITERARY STUDIES FACULTY OF ARTS, AHMADU BELLO UNVERSITY, ZARIA NIGERIA. JUNE, 2015 i GENDER VIOLENCE IN CHIMAMANDA NGOZI ADICHIE’S PURPLE HIBISCUS AND HALF OF A YELLOW SUN BY FASHAKIN, FOLASHADE YEMISI MA/ARTS/02080/2008-2009 A THESIS SUBMITTED TO THE SCHOOL OF POSTGRADUATE STUDIES. AHMADU BELLO UNIVERSITY, ZARIA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE AWARD OF MASTER OF ARTS DEGREE IN LITERATURE DEPARTMENT OF ENGLISH AND LITERARY STUDIES FACULTY OF ARTS, AHMADU BELLO UNIVERSITY, ZARIA JUNE, 2015 ii DECLARATION I declare that this thesis is my original work. It is submitted for the degree of Master of Arts degree in Literature, at the Ahmadu Bello University Zaria. It has not been submitted before for any other degree or examination at any other university. All quotations and information used and their sources are acknowledged by means of references. FASHAKIN YEMISI FOLASHADE ………………………………… ……………. …………… Name of Student Signature Date iii CERTIFICATION This Study titled Gender Violence in Chimamanda Ngozi Adichie’s Purple Hibiscus and Half of a Yellow Sun by Fashakin, Folashade Yemisi MA/ARTS/02080/2008-2009 of the Department of English and Literary Studies has been carefully examined and approved by the committee of supervisors under whose auspices, was carried as meeting the regulations governing the Award of a Master Degree in Literature of Ahmadu Bello University, Zaria. ………………………. ………………….. Professor Tanimu Abubakar Date Chairman, Supervisory Committee .……………………… ………………………. Professor Sani Abba Date Member, Supervisory Committee …………………………. ………………………… Dr. Abubakar A Liman Date Head of Department ………………………… …………………………. -
Americanah Und Seine Deutsche Übersetzung
„I only became black when I came to America.“ Chimamanda Ngozi Adichies postkolonialer Roman Americanah und seine deutsche Übersetzung M a s t e r a r b e i t zur Erlangung des akademischen Grades Master of Arts (MA) an der Karl-Franzens-Universität Graz vorgelegt von Teresa Anna SCHICHO, BA am Institut für Theoretische und Angewandte Translationswissenschaft Begutachterin: Ao. Univ.-Prof. Maga. Drin. Michaela Wolf Graz, Mai 2019 Inhaltsverzeichnis Einleitung ............................................................................................................................. 8 1. Postkolonialismus ....................................................................................................... 10 1.1. Postkoloniale Literatur .......................................................................................... 11 1.2. Sprachwahl und Schreibstrategien in postkolonialer Literatur ............................. 12 2. Postkoloniale afrikanische Literatur und ihre Entwicklung .................................. 15 2.1. Die mündliche Erzähltradition .............................................................................. 18 2.2. Postkoloniale afrikanische Literatur: Nigeria als Fallbeispiel .............................. 18 2.2.1. Sprachverwendung in postkolonialer nigerianischer Literatur ......................... 20 2.2.2. The New Nigerian Novel des 21. Jahrhunderts ................................................. 23 3. Postkolonialismus und Translation .......................................................................... -
Igbo Women Writers and Contemporary Nigeria
Out of the Silence: Igbo Women Writers and Contemporary Nigeria Shalini Nadaswaran School of the Arts and Media, Faculty of Arts and Social Sciences University of New South Wales NSW, Australia A thesis submitted in fulfillment of the degree Doctor of Philosophy. February 13th, 2013. Abstract Despite the substantive research on individual Nigerian Igbo women writers, little is known on the growth and transition of their writing from the first generation of writers to the present contemporary third-generation. The overall image that emerges from the literature is that Nigerian Igbo women’s works redress stereotypical images of female characters in male writings. This thesis analyses the changing woman subject in family and the nation in the works of eight Nigerian Igbo women, from first generation Flora Nwapa, second generation Buchi Emecheta and Ifeoma Okoye, and third generation Akachi Ezeigbo, Chimamanda Ngozi Adichie, Unoma Azuah, Chika Unigwe and Adaobi Tricia Nwaubani. An analysis of selected novels reveals the female subject in each generation changing within the family and nation to be more pronounced and strong-willed than in the writings of the generation before. Female characters are no longer depicted in archetypal images of victims but rather portrayed playing active roles within their family and nation. Womanist theory is applied to expound the female characters’ quests for self-determination and agency within these spheres. In the domestic realm of the family a distinct progression can be detected in the concerns and themes of the novels; but in the representation of nationalism in the Biafran War, the corruption and criminality that followed the war, and the spread of sex trafficking, the three generations are in strong agreement. -
From the Nigerian Literary Pioneers to Its Present Day Custodians. NICC's Gallerial Hall Presents
NICC’s Gallerial Hall Presents From the Nigerian Literary Pioneers to its Present day custodians. .Name : Olaudah Equiano Olaudah Equiano (Other Name: Gustavus Vassa) .Date & Place of birth: 1745, Present day Anambra State, Nigeria (Disputed by some Scholars). .Died: March 31,1797, Middlesex. .Education & Qualification: .Profession: Explorer, Author, Businessman, Abolitionist. .Poetry Written / Literary works : (Among others): . Autobiography:The Narrative of the Life of Olaudah Equino(1789) .Awards/Recognition/ Nomination (Among Others) . A Leading and Influential Figure during the British Abolitionists Period. .Name : Samuel Ajayi Crowther .Date & Place of birth: 1809, Osogun, Egba, Abeokuta Ogun State, Nigeria. .Died: December 31,1891. .Education & Qualification: St Mary’s Church,Islington, England .CMS College,London. Greek, Latin & Temne at Fourah Bay College, Freetown, Sierra – Leone. .Profession: Clergy, Author & Professor. .Poetry Written / Literary works : (Among others): .Translated the English Bible to Yoruba .A grammar Book .Yoruba Version of the Book of Common Prayer .A vocabulary of Yoruba Language(1852) .Assisted by an Igbo interpreter Simon Jonas, S.A Crowther Translated a Premier for the Igbo Language(1857) .Vocabulary of Nupe Language (1864) .Awards/Recognition/ Nomination (Among Others) .Ordained the First African Bishop of the Anglican Church (1864) .Doctor of Divinity (University of Oxford) .Name : Daniel Olorunfemi Fagunwa (OBE) .Date & Place of birth: 1903, in Oke Igbo,Ondo State Nigeria. .Education & Qualification: -
Contemporary Nigerian Writing, Father-Surveillance Criticism and Kindred Economies of Othering
African Studies Quarterly | Volume 20, Issue 2| May 2021 Canons and Margins: Contemporary Nigerian Writing, Father-Surveillance Criticism and Kindred Economies of Othering YOMI OLUSEGUN-JOSEPH Abstract: Prominent within debates focusing on the imaginative site of contemporary Nigerian writing is an impasse that derives from locating this new literary trend within canonical identification. In a number of cases, the contemporary Nigerian writer is treated as relatively inferior to writers of older generations, despite their novel and revisionist statements on ethnicity, nation, nationalism, gender, place, home, exile, and postcolony. On the one hand, this paper contests this questionable critical persuasion as biased and symptomatic of an essentialist mode of reading it refers to as “father- surveillance criticism.” On the other hand, it interrogates certain new institutional and ideological practices that tend to bifurcate contemporary Nigerian writing along categories that privilege the migrant version at the expense of the home-grown stock. Thus, the paper reads contemporary Nigerian writing as a revolutionary site of several imaginative, thematic, and discursive possibilities which problematizes familiar orientations of canonizing and therefore compels a democratizing and reviewing of the idea of the Nigerian literary canon. KEY WORDS: Canon, Margin, African Literature/Writing, Contemporary Nigerian Writing, Father-Surveillance Criticism. Introduction: The Discourse of the Canon and Acts of Differing Attempting to determine the “definitive” -
UGC Approved Quarterly International Refereed Journal of English Language, Literature and Criticism UGC Approved Under Arts and Humanities Journal No
www.literaryendeavour.org ISSN 0976-299X LITERARY ENDEAVOUR UGC Approved Quarterly International Refereed Journal of English Language, Literature and Criticism UGC Approved Under Arts and Humanities Journal No. 44728 VOL. X SPECIAL ISSUE FEBRUARY 2019 Chief Editor Dr. A. Ramasubbiah Registered with the Registrar of Newspaper of India vide MAHENG/2010/35012 ISSN 0976-299X ISSN 0976-299X www.literaryendeavour.org LITERARY ENDEAVOUR UGC Approved Under Arts and Humanities Journal No. 44728 INDEXED IN GOOGLE SCHOLAR EBSCO PUBLISHING Owned, Printed and published by Sou. Bhagyashri Ramesh Chougule, At. Laxmi Niwas, House No. 26/1388, Behind N. P. School No. 18, Bhanunagar, Osmanabad, Maharashtra – 413501, India. LITERARY ENDEAVOUR ISSN 0976-299X A Quarterly International Refereed Journal of English Language, Literature and Criticism UGC Approved Under Arts and Humanities Journal No. 44728 VOL. X : SPECIAL ISSUE : FEBRUARY, 2019 Editorial Board Editorial... Editor-in-Chief Writing in English literature is a global phenomenon. It represents Dr. A. Ramasubbiah ideologies and cultures of the particular region. Different forms of literature Assistant Professor of English, like drama, poetry, novel, non-fiction, short story etc. are used to express Mannar Thirumalai Naicker College, Madurai one's impressions and experiences about the socio-politico-religio-cultural Co-Editor and economic happenings of the regions. The World War II brings vital Dr. R. Dhanalakshmi changes in the outlook of authors in the world. Nietzsche's declaration of death Assistant Professor of English, of God and the appearance of writers like Edward Said, Michele Foucault, Homi Mannar Thirumalai Naicker College, Madurai Bhabha, and Derrida bring changes in the exact function of literature in Members moulding the human life.