Profiling Online Social Network Platforms: Twitter Vs. Instagram
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Integrated Public Alert and Warning System Wireless Emergency Alerts Understand and Respond to Public Sentiment
Integrated Public Alert and Warning System Wireless Emergency Alerts Understand and Respond to Public Sentiment First Responders Group November 30, 2014 Integrated Public Alert and Warning System Wireless Emergency Alerts Understand and Respond to Public Sentiment HS HSSEDI™ Task HSHQDC-13-J-00097 Version 4.0 This document is a product of the Homeland Security Systems Engineering and Development Institute (HS HSSEDI™). ACKNOWLEDGEMENTS The Homeland Security Systems Engineering and Development Institute (hereafter “HS HSSEDI” or “HSSEDI”) is a federally funded research and development center established by the Secretary of Homeland Security under Section 305 of the Homeland Security Act of 2002. The MITRE Corporation operates HSSEDI under the Department of Homeland Security (DHS) contract number HSHQDC- 09-D-00001. HSSEDI’s mission is to assist the Secretary of Homeland Security, the Under Secretary for Science and Technology, and the DHS operating elements in addressing national homeland security system development issues where technical and systems engineering expertise is required. HSSEDI also consults with other government agencies, nongovernmental organizations, institutions of higher education and nonprofit organizations. HSSEDI delivers independent and objective analyses and advice to support systems development, decision making, alternative approaches and new insight into significant acquisition issues. HSSEDI’s research is undertaken by mutual consent with DHS and is organized by tasks in the annual HSSEDI Research Plan. This report presents the results of test planning conducted under HSHQDC-13-J-00097, Science and Technology Directorate (S&T) FEMA Integrated Public Alert and Warning System (IPAWS)/Wireless Emergency Alert (WEA) Test and Evaluation of HSSEDI’s Fiscal Year 2013 Research Plan. -
Do You Know Your Instagram from Your Tiktok, Twitter Or Tumblr?
Do you know your Instagram from your TikTok, Twitter or Tumblr? If not, we have created some basic Instagram tutorials on YouTube (see links be- low) to get your club onto Instagram and posting in no time! Why Instagram? • Great engagement with younger age group ie. 13-17 y/o compared to Face- book • Easy to post – take photos and videos on rally days, competitions and camps, or re-post your members photos. Some tips for using Instagram • Engagement is more important than followers - remember, it’s not a compe- tition! Instagram is a really great tool to keep connected with your younger members, and also reach potential new members • Having a business account will allow you to see your engagements, profile visits, audience demographics, and also when your audience is online the most (to help you to determine the best time to post) • Remember to adhere to the Pony Club NSW Social Media Policy, which can be found here. A good rule is if you are questioning whether it is appro- priate to post, it probably isn’t! • All Instagram users must be at least 13 years or older to have their own ac- count. • Don’t share photos posted on members pages without asking them for per- mission first, and make sure you credit them for use of their image. • Use a club email address to make your Instagram account, that way if the person looking after the account moves on from the club, the login details can be passed onto the new person responsible (succession planning). Instagram vs Facebook We have found at a state level, our Facebook followers are generally older than our Instagram followers, so we customise our approach depending on the plat- form. -
24 Hours of Vine: Big Data and Social Performance
Technological University Dublin ARROW@TU Dublin Conference Papers Fine Arts 2014 24 Hours of Vine: Big Data and Social Performance Conor McGarrigle Technological University Dublin, [email protected] Follow this and additional works at: https://arrow.tudublin.ie/aaschadpcon Part of the Art and Design Commons Recommended Citation McGarrigle, C. (2014) ‘24 Hours of Vine; Big Data and Social Performance’. In Digital Research in the Humanities and Arts . Greenwich University, London. This Conference Paper is brought to you for free and open access by the Fine Arts at ARROW@TU Dublin. It has been accepted for inclusion in Conference Papers by an authorized administrator of ARROW@TU Dublin. For more information, please contact [email protected], [email protected]. This work is licensed under a Creative Commons Attribution-Noncommercial-Share Alike 4.0 License 24 hours of Vine, big data and social performance Digital Research in the humanities and Arts Conference, 2014. Conor McGarrigle Emergent Digital Practices University of Denver Denver CO USA Abstract—24h Social is a generative a data-driven generative approached through a case study of the video sharing platform video installation that explores the social media phenomenon of Vine and this author's data art project 24h Social that Vine video as performances in data. The project is created from intervened to capture a day of Vine videos [2]. The project a database of appropriated Vine content, extracted from millions simultaneously celebrates Vine as a platform that facilitates of tweets, with each video shown at the time of its original succinct creative expressions whilst acknowledging that these creation. -
Twitter, Myspace and Facebook Demystified - by Ted Janusz
Twitter, MySpace and Facebook Demystified - by Ted Janusz Q: I hear people talking about Web sites like Twitter, MySpace and Facebook. What are they? And, even more importantly, should I be using them to promote oral implantology? First, you are not alone. A recent survey showed that 70 percent of American adults did not know enough about Twitter to even have an opinion. Tools like Twitter, Facebook and MySpace are components of something else you may have heard people talking about: Web 2.0 , a popular term for Internet applications in which the users are actively engaged in creating and distributing Web content. Web 1.0 probably consisted of the Web sites you saw back in the late 90s, which were nothing more than fancy electronic brochures. Web 1.5 would have been something like Amazon or eBay, sites on which one could buy, sell and leave reviews. What Web 3.0 will look like is anybody's guess! Let's look specifically at the three applications that you mentioned. Tweet, Tweet Twitter - "Twitter is like text messaging, only you can also do it from the Web," says Dan Tynan, the author of the Tynan on Technology blog. "Instead of sending a message to just one person, you can send it to thousands of people at once. You can choose to follow anyone's update (called "tweets") simply by clicking the Follow button on their profile, or vice-versa. The only rule is that each tweet can be no longer than 140 characters." Former CEO of Twitter Jack Dorsey once accepted an award for Twitter by saying, "We'd like to thank you in 140 characters or less. -
GOOGLE+ PRO TIPS Google+ Allows You to Connect with Your Audience in a Plethora of New Ways
GOOGLE+ PRO TIPS Google+ allows you to connect with your audience in a plethora of new ways. It combines features from some of the more popular platforms into one — supporting GIFs like Tumblr and, before Facebook jumped on board, supporting hashtags like Twitter — but Google+ truly shines with Hangouts and Events. As part of our Google Apps for Education agreement, NYU students can easily opt-in to Google+ using their NYU emails, creating a huge potential audience. KEEP YOUR POSTS TIDY While there isn’t a 140-character limit, keep posts brief, sharp, and to the point. Having more space than Twitter doesn’t mean you should post multiple paragraphs; use Twitter’s character limit as a good rule of thumb for how much your followers are used to consuming at a glance. When we have a lot to say, we create a Tumblr post, then share a link to it on Google+. REMOVE LINKS AFTER LINK PREVIEW Sharing a link on Google+ automatically creates a visually appealing link preview, which means you don’t need to keep the link in your text. There may be times when you don’t want a link preview, in which case you can remove the preview but keep the link. Whichever you prefer, don’t keep both. We keep link previews because they are more interactive than a simple text link. OTHER RESOURCES Google+ Training Video USE HASHTAgs — but be sTRATEGIC BY GROVO Hashtags can put you into already-existing conversations and make your Learn More BY GOOGLE posts easier to find by people following specific tags, such as incoming How Google+ Works freshmen following — or constantly searching — the #NYU tag. -
KNOW HOW to TALK with YOUR TEEN ABOUT INSTAGRAM: a PARENT’S GUIDE a Parent’S Guide to Instagram 3 a LETTER from the PARENTS of INSTAGRAM
KNOW HOW TO TALK WITH YOUR TEEN ABOUT INSTAGRAM: A PARENT’S GUIDE A Parent’s Guide to Instagram 3 A LETTER FROM THE PARENTS OF INSTAGRAM If you’re reading this, you’re probably a parent. That’s why we’ve created this guide. We know it We know from research that many parents have might feel daunting to have these conversations concerns about their teen’s safety online, and with your teens. We want to make sure you feel as parents who also work at Instagram, we want equipped with the tools you need to start the to address those concerns. It’s with our teens in dialogue and hope this guide will make things a mind that we go into work every day. Parenting is little easier. both an awesome responsibility and an amazing opportunity. For all of the incredible opportunities We feel a great responsibility to make sure parenting brings, there are some challenging Instagram is a supportive community for teens ones too — we’re raising the first generation of to connect and share, and we want to make sure digital natives, for whom the online world is just you as a parent feel informed and empowered to as important as the offline one. help guide them. We believe that the first step is understanding why they use Instagram, and what We know that as a parent it may be hard to tools are available to make sure their experience understand what your teen is doing online and is positive, intentional and safe. why they’re spending so much time on their phones. -
Effectiveness of Dismantling Strategies on Moderated Vs. Unmoderated
www.nature.com/scientificreports OPEN Efectiveness of dismantling strategies on moderated vs. unmoderated online social platforms Oriol Artime1*, Valeria d’Andrea1, Riccardo Gallotti1, Pier Luigi Sacco2,3,4 & Manlio De Domenico 1 Online social networks are the perfect test bed to better understand large-scale human behavior in interacting contexts. Although they are broadly used and studied, little is known about how their terms of service and posting rules afect the way users interact and information spreads. Acknowledging the relation between network connectivity and functionality, we compare the robustness of two diferent online social platforms, Twitter and Gab, with respect to banning, or dismantling, strategies based on the recursive censor of users characterized by social prominence (degree) or intensity of infammatory content (sentiment). We fnd that the moderated (Twitter) vs. unmoderated (Gab) character of the network is not a discriminating factor for intervention efectiveness. We fnd, however, that more complex strategies based upon the combination of topological and content features may be efective for network dismantling. Our results provide useful indications to design better strategies for countervailing the production and dissemination of anti- social content in online social platforms. Online social networks provide a rich laboratory for the analysis of large-scale social interaction and of their social efects1–4. Tey facilitate the inclusive engagement of new actors by removing most barriers to participate in content-sharing platforms characteristic of the pre-digital era5. For this reason, they can be regarded as a social arena for public debate and opinion formation, with potentially positive efects on individual and collective empowerment6. -
What Is Gab? a Bastion of Free Speech Or an Alt-Right Echo Chamber?
What is Gab? A Bastion of Free Speech or an Alt-Right Echo Chamber? Savvas Zannettou Barry Bradlyn Emiliano De Cristofaro Cyprus University of Technology Princeton Center for Theoretical Science University College London [email protected] [email protected] [email protected] Haewoon Kwak Michael Sirivianos Gianluca Stringhini Qatar Computing Research Institute Cyprus University of Technology University College London & Hamad Bin Khalifa University [email protected] [email protected] [email protected] Jeremy Blackburn University of Alabama at Birmingham [email protected] ABSTRACT ACM Reference Format: Over the past few years, a number of new “fringe” communities, Savvas Zannettou, Barry Bradlyn, Emiliano De Cristofaro, Haewoon Kwak, like 4chan or certain subreddits, have gained traction on the Web Michael Sirivianos, Gianluca Stringhini, and Jeremy Blackburn. 2018. What is Gab? A Bastion of Free Speech or an Alt-Right Echo Chamber?. In WWW at a rapid pace. However, more often than not, little is known about ’18 Companion: The 2018 Web Conference Companion, April 23–27, 2018, Lyon, how they evolve or what kind of activities they attract, despite France. ACM, New York, NY, USA, 8 pages. https://doi.org/10.1145/3184558. recent research has shown that they influence how false informa- 3191531 tion reaches mainstream communities. This motivates the need to monitor these communities and analyze their impact on the Web’s information ecosystem. 1 INTRODUCTION In August 2016, a new social network called Gab was created The Web’s information ecosystem is composed of multiple com- as an alternative to Twitter. -
Marketing and Communications for Artists Boost Your Social Media Presence
MARKETING AND COMMUNICATIONS FOR ARTISTS BOOST YOUR SOCIAL MEDIA PRESENCE QUESTIONS FOR KIANGA ELLIS: INTERNET & SOCIAL MEDIA In 2012, social media remains an evolving terrain in which artists and organizations must determine which platforms, levels of participation, and tracking methods are most effective and sustainable for their own needs. To inform this process, LMCC invited six artists and arts professionals effectively using social media to share their approaches, successes, and lessons learned. LOWER MANHATTAN CULTURAL COUNCIL (LMCC): Briefly describe your work as an artist and any other roles or affiliations you have as an arts professional. KIANGA ELLIS (KE): Following a legal career on Wall Street in derivatives and commodities sales and trading, I have spent the past few years as a consultant and producer of art projects. My expertise is in patron and audience development, business strategy and communications, with a special focus on social media and Internet marketing. I have worked with internationally recognized institutions such as The Museum of Modern Art, The Metropolitan Museum of Art, Sotheby’s, SITE Santa Fe, and numerous galleries and international art fairs. I am a published author and invited speaker on the topic of how the Internet is changing the business of art. In 2011, after several months meeting with artists in their studios and recording videos of our conversations, I began exhibiting and selling the work of emerging and international artists through Kianga Ellis Projects, an exhibition program that hosts conversations about the studio practice and work of invited contemporary artists. I launched the project in Santa Fe, New Mexico ⎯Kianga Ellis Projects is now located in an artist loft building in Bedford Stuyvesant, Brooklyn. -
Robôs-PP2-Inglês.Pdf
DIRETORIA DE ANÁLISE DE POLÍTICAS PÚBLICAS DA FUNDAÇÃO GETULIO VARGAS Policy Paper 2 • Bots, social networks and politics in Brazil • Interference of automated profiles and political actors in the Brazilian electoral debate Rio de Janeiro, Brazil FGV DAPP 2018 Bots, social networks and politics in Brazil 1 DIRETORIA DE ANÁLISE DE POLÍTICAS PÚBLICAS DA FUNDAÇÃO GETULIO VARGAS SUMMARY • 1. EXECUTIVE SUMMARY 4 2. GENERAL OVERVIEW 4 2.1 ANALYSIS RESULTS OF THE INFLUENCE OF AUTOMATED PROFILES ON THE 2014 ELECTIONS 6 2.2 ANALYSIS RESULTS OF THE INFLUENCE OF AUTOMATED PROFILES ON THE 2018 ELECTIONS 6 3. ANALYSIS OF THE INFLUENCE OF BOTNETS ON THE 2018 ELECTIONS PUBLIC DEBATE 7 3.1 PKTWEET GENERATOR 10 3.1.1 Analysis of the profiles 12 3.1.2 Pktweet in diffusion chains 16 3.1.2 Gran Polo Patriotico: another suspect generator 18 3.2. GENERATOR SEESMIC FOR BLUEBERRY 19 3.2.1 Analysis of profiles 20 3.2.2 Other Argentine generators 26 3.2.3 Seesmic for Blueberry in the diffusion chains 27 4. COMPARATIVE ANALYSIS 28 5. CONCLUSION 34 REFERENCES 35 EDITORIAL STAFF 36 Bots, social networks and politics in Brazil 2 DIRETORIA DE ANÁLISE DE POLÍTICAS PÚBLICAS DA FUNDAÇÃO GETULIO VARGAS 1. EXECUTIVE SUMMARY ● Bot activity in social networks has affected Latin America political contexts on a regular basis for years, similarly to its already proven interference in other countries such as France, Germany, the United Kingdom, and the United States. ● In Brazil, the activity of automated profiles on Twitter had already been found in post sharing during the electoral campaign of Aécio Neves, Marina Silva, and Dilma Rousseff, the main presidential candidates of 2014. -
Making Sense of Microposts (#Microposts2015) Big Things Come in Small Packages
Proceedings of the 5th Workshop on Making Sense of Microposts (#Microposts2015) Big things come in small packages at the 24th International Conference on the World Wide Web (WWW’15) Florence, Italy 18th of May 2015 edited by Matthew Rowe, Milan Stankovic, Aba-Sah Dadzie Preface #Microposts2015, the 5th Workshop on Making Sense of Microp- moment, breaking news, local and context-specific information and osts, was held in Florence, Italy, on the 18th of May 2015, during personal stories, resulted in an increased sense of community and (WWW’15), the 24th International Conference on the World Wide solidarity. Interestingly, in response to emergencies, mass demon- Web. The #Microposts journey started at the 8th Extended Se- strations and other social events such as festivals and conferences, mantic Web Conference (ESWC 2011, as #MSM, with the change when regular access to communication services is often interrupted in acronym from 2014), and moved to WWW in 2012, where it and/or unreliable, developers are quick to offer alternatives that end has stayed, for the fourth year now. #Microposts2015 continues to users piggyback on to post information. Line was born to serve highlight the importance of the medium, as we see end users appro- such a need, to provide an alternative communication service and priating Microposts, small chunks of information published online support emergency response during a natural disaster in Japan in with minimal effort, as part of daily communication and to interact 2011. Its popularity continued beyond its initial purpose, and Line with increasingly wider networks and new publishing arenas. has grown into a popular (regional) microblogging service. -
TOP TIPS and BEST PRACTICES Using Instagram and Tiktok for HIV Prevention and Sexual Health Education DATED April 16, 2020
TOP TIPS and BEST PRACTICES Using Instagram and TikTok for HIV Prevention and Sexual Health Education DATED April 16, 2020 INSTAGRAM OVERVIEW: According to Piper Jaffray’s 2019 Taking Stock With Teens consumer insights survey, 85% of teens say Instagram is their preferred social network (followed shortly by Snapchat). This is a massive jump from 2017 when a mere 24% said they preferred the site. And, 67% of 18 to 29 year olds use Instagram. Instagram content is high-res, polished; focused on storytelling; uses photo and video; both Gen Z and Millennials; tagline: This is Who I Am. Best Practices *Include a LINK in your bio; shout it out, “Link in bio” in your feed posts. *Be generous with your likes and mentions to gain followers. *Upgrade your account for free to use the platform analytics to measure impact. *Curate your feed with long-term content that shows who your organization is and what you stand for. Cross-promote your agency/organization’s programs in your feed. Keep the look-and- feel consistent: Logo, colors, font. *Curate stories with shorter-term content; use the Highlights feature for stories you want to showcase. Make sure your stories are engaging and have a Call to Action. Always use your campaign hashtag (#) in your posts. TIKTOK OVERVIEW: As of January 2020, users in their teens accounted for 37.2 percent of TikTok's active user accounts in the United States. According to App Ape, users aged 20 to 29 years were the second-largest user group, accounting for 26.3 percent of the video sharing app's user base on the Android platform.