Bruce Springsteen, Tracy Chapman, Peter Gabriel, Sting

Total Page:16

File Type:pdf, Size:1020Kb

Bruce Springsteen, Tracy Chapman, Peter Gabriel, Sting Bruce Springsteen Untitled mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Non Music Album: Untitled Country: UK Released: 1991 Style: Interview MP3 version RAR size: 1201 mb FLAC version RAR size: 1259 mb WMA version RAR size: 1621 mb Rating: 4.8 Votes: 920 Other Formats: WMA MPC AAC MIDI ADX TTA VOX Tracklist A Untitled B Untitled Notes The recording is taken from the Amnesty International press conference for the Human Rights Now! tour of 1988 featuring Bruce Springsteen, Tracy Chapman, Peter Gabriel & Sting which has been used unofficially. There is no connection to either Amnesty International or the many different artists images that have been used. The KLF 'created' the artwork by sending in a copy of their T-speaker White Room ad. It was rejected. Other versions Category Artist Title (Format) Label Category Country Year Sting, Bruce Sting, Bruce Springsteen, Peter BSAPC + Springsteen, Gabriel, Tracy Amnesty BSAPC + UK Unknown 7-1 Peter Gabriel, Chapman - Amnesty International 7-1 Tracy Chapman International Press Conference (7", Pic) Bruce Springsteen, Bruce Tracy Chapman, Springsteen, Peter Gabriel, Sting - BSAP6-7-1 Tracy Chapman, Not On Label BSAP6-7-1 UK 1991 Amnesty International Peter Gabriel, Press Conference (7", Sting Pic, Unofficial) Bruce Springsteen, Bruce Tracy Chapman, Springsteen, BSAPC + Peter Gabriel, Sting - BSAPC + Tracy Chapman, Not On Label UK 1991 7-1 Amnesty International 7-1 Peter Gabriel, Press Conference (7", Sting Pic, Unofficial) Bruce Springsteen, Bruce Tracy Chapman, Springsteen, BSAPC + Peter Gabriel, Sting - BSAPC + Tracy Chapman, Not On Label UK 1991 7-1 Amnesty International 7-1 Peter Gabriel, Press Conference (7", Sting Pic, Unofficial) Bruce Springsteen, Bruce Tracy Chapman, Springsteen, BSAPC Peter Gabriel, Sting - BSAPC Tracy Chapman, Not On Label Europe Unknown +7-1 Amnesty International +7-1 Peter Gabriel, Press Conference (7", Sting Pic, Unofficial) Related Music albums to Untitled by Bruce Springsteen Bruce Springsteen - Bruce Springsteen - Lucky People Everywhere Bruce Springsteen - Live On The Born In The USA Tour Various - The Paris Concert For Amnesty International The Struggle Continues… The Orb - Amnesty International Press Conference Bruce Springsteen - The lost masters IV Various - Le Concert De Paris Pour Amnesty International Le Combat Continue… Bruce Springsteen - Bruce Springsteen & The E Street Band Live/1975-85.
Recommended publications
  • AC/DC You Shook Me All Night Long Adele Rolling in the Deep Al Green
    AC/DC You Shook Me All Night Long Adele Rolling in the Deep Al Green Let's Stay Together Alabama Dixieland Delight Alan Jackson It's Five O'Clock Somewhere Alex Claire Too Close Alice in Chains No Excuses America Lonely People Sister Golden Hair American Authors The Best Day of My Life Avicii Hey Brother Bad Company Feel Like Making Love Can't Get Enough of Your Love Bastille Pompeii Ben Harper Steal My Kisses Bill Withers Ain't No Sunshine Lean on Me Billy Joel You May Be Right Don't Ask Me Why Just the Way You Are Only the Good Die Young Still Rock and Roll to Me Captain Jack Blake Shelton Boys 'Round Here God Gave Me You Bob Dylan Tangled Up in Blue The Man in Me To Make You Feel My Love You Belong to Me Knocking on Heaven's Door Don't Think Twice Bob Marley and the Wailers One Love Three Little Birds Bob Seger Old Time Rock & Roll Night Moves Turn the Page Bobby Darin Beyond the Sea Bon Jovi Dead or Alive Living on a Prayer You Give Love a Bad Name Brad Paisley She's Everything Bruce Springsteen Glory Days Bruno Mars Locked Out of Heaven Marry You Treasure Bryan Adams Summer of '69 Cat Stevens Wild World If You Want to Sing Out CCR Bad Moon Rising Down on the Corner Have You Ever Seen the Rain Looking Out My Backdoor Midnight Special Cee Lo Green Forget You Charlie Pride Kiss an Angel Good Morning Cheap Trick I Want You to Want Me Christina Perri A Thousand Years Counting Crows Mr.
    [Show full text]
  • Best-Selling American Instrumental Artist & Grammy Award® Winner Chris Botti Performs at the Kimmel Center Campus May 6, 2017
    Tweet it! Grammy-winning trumpeter @ChrisBotti performs swoon-worthy songs from his most recent album #Impressions at @KimmelCenter for one night only 5/6 Press Contact: Amanda Conte 215-790-5847 [email protected] BEST-SELLING AMERICAN INSTRUMENTAL ARTIST & GRAMMY AWARD® WINNER CHRIS BOTTI PERFORMS AT THE KIMMEL CENTER CAMPUS MAY 6, 2017 FOR IMMEDIATE RELEASE (Philadelphia, PA, March 23, 2017) –– The Kimmel Center for the Performing Arts, in association with BRE Presents, welcomes Grammy Award® winner and largest-selling American instrumental artist Chris Botti to the Merriam Theater for one night only on Saturday, May 6, 2017 at 8:00 p.m. Using creative expression to push the limits of any single genre, Botti will perform compositions from his repertoire of 10 studio albums, including his most recent album Impressions, which took home the 2013 Grammy Award® for Best Pop Instrumental Album. “Chris Botti is one of the most innovative and celebrated figures of the modern music era,” said Anne Ewers, President and CEO of the Kimmel Center for the Performing Arts. “His ability to flawlessly move from genre to genre shines through in his meticulously crafted performance, creating timeless arrangements that will leave music lovers of all ages in awe.” Over the past three decades, Botti has recorded and performed with some of the most iconic names in music, including Sting, Barbra Streisand, Tony Bennett, Lady Gaga, Josh Groban, Yo-Yo Ma, Michael Bublé, Paul Simon, Joni Mitchell, John Mayer, Andrea Bocelli, Joshua Bell, Aerosmith's Steven Tyler, and even Frank Sinatra. Hitting the road for as many as 300 days per year, the trumpeter has performed with some of the finest symphonies and at some of the world's most prestigious venues, from Carnegie Hall and the Hollywood Bowl to the Sydney Opera House and the Real Teatro di San Carlo in Italy.
    [Show full text]
  • News Archives the Buffalo News
    News Archives: The Buffalo News http://nl.newsbank.com/nl-search/we/Archives?p_action=doc&p_d... BuffaloNews.com Buffalo.com Mobile Sitemap ShopBuffalo Marketplace Jobs Cars Real Estate Rentals Classifieds ADVERTISER INDEX ADVERTISEMENT Forecast 62° Traffic City & Region Sports Entertainment Life Business Opinion Deaths Multimedia Reader Services The Buffalo News Archives Hamlisch, Klein, Arnaz prove irresistible Published on April 20, 2008 Author: Mary Kunz Goldman - NEWS CLASSICAL MUSIC CRITIC © The Buffalo News Inc. The best part of the mini-version of "They're Playing Our Song," the climax of Saturday's pops concert in Kleinhans Music Hall, was watching the back of Marvin Hamlisch's head. That was because comedian Robert Klein, in his irresistible yappy way, reminded us how the show, which was a success on Broadway a couple of decades ago, was based on Hamlisch's own romance with Carole Bayer Sager. So as we heard the songs from the show, it was hard not to look at Hamlisch, and think: This is all about him! What can it feel like, having your own personal feelings laid bare for this big sold-out Buffalo audience to see? Hamlisch, planted on the podium solid as an ox, didn't seem to mind. But still. The night was full of various kinds of drama. Klein got about 20 minutes to himself for stand-up comedy and song, and it was great fun, even if it was geared frankly toward an older crowd. His opening song, about colonoscopies, brought the house down. Lucie Arnaz, the daughter of Lucille Ball, was also endearing.
    [Show full text]
  • Bruce Springsteen & the E Street Band Beyoncé Coldplay Guns N
    Gross Average Average Total Average Cities Rank Millions Artist Ticket Price Tickets Tickets Gross Shows Agency 1 268.3 Bruce Springsteen & The E Street Band 111.48 36,464 2,406,591 4,064,939 66/76 BPB Consulting / Creative Artists Agency 2 256.2 Beyoncé 114.59 48,642 2,237,542 5,573,702 46/49 Creative Artists Agency 3 241.0 Coldplay 90.05 60,828 2,676,425 5,477,701 44/60 Paradigm Talent Agency / X-ray Touring 4 188.4 Guns N’ Roses 111.00 48,490 1,697,164 5,382,317 35/44 United Talent Agency / Int’l Talent Booking 5 167.7 Adele 109.59 34,777 1,530,196 3,811,364 44/107 WME / International Talent Booking 6 163.3 Justin Bieber 92.70 20,484 1,761,642 1,898,837 86/115 Creative Artists Agency 7 110.6 Paul McCartney 127.43 28,924 867,712 3,685,852 30/36 Marshall Arts / MPL Communications 8 97.0 Garth Brooks 69.29 56,000 1,400,000 3,880,000 25/102 WME 9 90.9 The Rolling Stones 122.33 74,343 743,425 9,094,136 10/14 AEG Live 10 85.5 Celine Dion 146.26 30,766 584,560 4,500,000 19/78 ICM Partners / CDA Productions / Solo Agency 11 84.3 Drake 112.08 19,793 752,141 2,218,421 38/56 WME 12 84.1 Luke Bryan 59.00 21,597 1,425,423 1,274,242 66/81 WME 13 82.2 Madonna 216.01 19,033 380,669 4,111,410 20/33 Live Nation Global Touring 14 76.6 Billy Joel 109.67 41,086 698,459 4,505,882 17/28 Artist Group International 15 73.9 Black Sabbath 77.29 14,940 956,139 1,154,688 64/65 CAA / International Talent Booking 16 69.5 Kenny Chesney 76.32 32,512 910,330 2,481,195 28/30 Dale Morris & Associates 17 66.6 Cirque du Soleil - “Toruk - The First Flight” 69.56 21,760 957,446 1,513,636 44/293 Cirque du Soleil 18 65.5 Muse 69.18 24,916 946,805 1,723,684 38/64 United Talent Agency 19 62.9 Iron Maiden 66.00 17,018 953,030 1,123,214 56/59 Creative Artists Agency / K2 Agency 20 61.4 Rihanna 85.63 12,153 717,038 1,040,678 59/64 WME 21 60.1 Maroon 5 68.88 22,373 872,531 1,541,026 39/42 WME / International Talent Booking / CAA 22 58.5 Elton John 110.61 8,530 528,885 943,548 62/92 Howard Rose Agency / Rocket Music Ent.
    [Show full text]
  • Artist Review: Revisiting Sting-An Under-Recognized Existentialist Song Writer1
    International Journal of Multidisciplinary Research and Growth Evaluation www.allmultidisciplinaryjournal.com International Journal of Multidisciplinary Research and Growth Evaluation ISSN: 2582-7138 Received: 01-05-2021; Accepted: 18-05-2021 www.allmultidisciplinaryjournal.com Volume 2; Issue 3; May-June 2021; Page No. 550-561 Artist review: Revisiting sting-an under-recognized Existentialist song writer1 Li Jia International College, Krirk University, Thanon Ram Intra, Khwaeng Anusawari, Khet Bang Khen, Krung Thep, Maha Nakhon10220, Thailand Corresponding Author: Li Jia Abstract Artistic expressions such as songs and poetry are examples of a solo artist but also helped him in communicating his free activities and are privileged modes of revealing what the thoughts and ideals to the world. His music, words and life world is about. Art’s power, in the case of existentialism, is are inextricably linked and this can be seen in many of Sting to a large extent devoted to expressing the absurdity of the ’s confessional songs that have connections to events in his human condition since for the existentialists, the world in no personal life. Existential characteristics have affected Sting longer open to the human desire of meaning and order. Sting both as a person and a musician. This paper calls for more is included in this pool of gifted artist and his talent in making researches on his music legacy that the world owned him for songs has not only paved the way for his successful career as a long time. Keywords: Sting, Existentialist, Song Writer Introduction Artistic expressions such as songs and poetry are examples of free activities and are privileged modes of revealing what the world is about.
    [Show full text]
  • Sting: My Songs the Las Vegas Residency Coming to the Colosseum at Caesars Palace
    April 24, 2019 Sting: My Songs The Las Vegas Residency Coming To The Colosseum At Caesars Palace Tickets Go on Sale Friday, May 3, 2019 Shows Begin Friday, May 22, 2020 LAS VEGAS, April 24, 2019 /PRNewswire/ -- The Cherrytree Music Company, Live Nation and Caesars Entertainment announce that 17-time GRAMMY Award winning musician Sting will headline a Las Vegas residency, "My Songs," set to open at The Colosseum at Caesars Palace Friday, May 22, 2020. The show will present a compendium of Sting's songs with dynamic, visual references to some of his most iconic videos and inspirations. Tickets will go on sale to the public Friday, May 3 at 10 a.m. PT. Sting.com fan club members will have first access to a presale beginning Thursday, April 25 at 10 a.m. PT through Thursday, May 2 at 10 p.m. PT. (For more information, please visit https://www.sting.com/subscribe.) Citi is the official presale credit card of Sting's "My Songs" residency at The Colosseum at Caesars Palace. As such, Citi cardmembers will have access to purchase presale tickets beginning Monday, April 29 at 10 a.m. PT until Thursday, May 2 at 10 p.m. PT through Citi EntertainmentSM. For complete presale details visit www.citientertainment.com. In addition, Caesars Rewards members, Caesars Entertainment's loyalty program, as well as Live Nation, Ticketmaster and SiriusXM customers will have access to a presale running Wednesday, May 1 at 10 a.m. PT through Thursday, May 2 at 10 p.m. PT. General ticket prices begin at $59, and a limited number of VIP meet & greet packages are also available for each show.
    [Show full text]
  • Child Sex Rings: a Behavioral Analysis for Criminal Justice Professionals Handling Cases of Child Sexual ~ Exploitation
    If you have issues viewing or accessing this file contact us at NCJRS.gov. NATIONAL CENTER FOR MISt.f9IN(. 1~"I"j('lrl'l~I) -----1.---' CHI L D R E N Child Sex Rings: A Behavioral Analysis For Criminal Justice Professionals Handling Cases of Child Sexual ~ Exploitation In cooperation with the Federal Bureau of Investigation ------------------ 149214 U.S. Department of Justice National Institute of Justice This document has been reproduced exactly as received from the person or organization originating it. Points of view or opinions stated in this document are those of the authors and do not necessarily represent the official position or policies of the National Institute of Justice. Permission to reproduce this copyrighted material has been grantedNaElona1 by • center f'or Mlsslng . & Exploited Chi1dren/DOJ/FBI to the National Criminal Justice Reference Service (NCJRS). Further reproduction outside of the NCJRS system requires permission of the copyright owner. Child Sex Rings: A Behavioral Analysis For Criminal Justice Professionals Handling Cases of Child Sexual Exploitation April 1992 Second Edition Kenneth V. Lanning Supervisory Special Agent Behavioral Science Unit Federal Bureau of Investigation FBI Academy Quantico, Virginia © National Center for Missing & Exploited Children Dedication This book is dedicated to the victims of child sex rings and to the memory of two FBI agents who devoted their professional lives to helping sexually exploited children. Leo E. Brunnick FBI Boston, Massachusetts Alan V. MacDonald FBI Boston, Massachusetts Contents Author's Preface v 1. Historical Overview 1 "Stranger Danger" 1 Intrafamilial Child Sexual Abuse 2 Return to "Stranger Danger" 2 The Acquaintance Molester 3 Satanism: A "New" Form of "Stranger Danger" 3 2.
    [Show full text]
  • AI50 50 Years of Working with Celebrities Comedy
    50 YEARS OF WORKING WITH CELEBRITIES: COMEDY As a form of expression in the face of adversity, comedy has long been connected to Amnesty International and its work. Comedy events, beginning with the launch of The Secret Policeman’s Ball in the UK and continuing with numerous other live events around the world, have promoted human rights issues to a wider environment. Gaining access to an audience that might otherwise remain unaware, these events continue to provide a forum where human rights concerns and individual cases can be highlighted. THE SECRET POLICEMAN’S BALL A series of hilarious, irreverent and groundbreaking benefit shows staged to raise funds for Amnesty International. Beginning in 1976, the comedy events featured the cream of Britain’s comedians and an astounding line-up of international musical talent. The shows have generated a plethora of off-shoots, all working to raise funds for Amnesty International. Movies, TV specials, home-videos, albums and books have taken the comedy of The Secret Policeman Ball events and distributed it worldwide, gaining considerable international impact. Musicians such as Bob Geldof , Bono , Sting and Peter Gabriel have credited the shows as inspiring benefit events such as Live Aid and Live 8 . They have remarked that Amnesty International’s work and related events inspired them to human rights activism and their subsequent construction of social organizations such as the Band Aid Trust, the Live Aid Foundation, the Witness human rights group, The Rainforest Foundation , the ONE Campaign , the Debt, AIDS & Trade in Africa DATA charity and the Global Elders . U2 ’s Bono told Rolling Stone magazine in 1986: "I saw 'The Secret Policeman’s Ball' and it became a part of me.
    [Show full text]
  • Meanings and Measures Taken in Concert Observation of Bruce Springsteen, September 28, 1992, Los Angeles
    UNLV Retrospective Theses & Dissertations 1-1-1996 Meanings and measures taken in concert observation of Bruce Springsteen, September 28, 1992, Los Angeles Thomas J Rodak University of Nevada, Las Vegas Follow this and additional works at: https://digitalscholarship.unlv.edu/rtds Repository Citation Rodak, Thomas J, "Meanings and measures taken in concert observation of Bruce Springsteen, September 28, 1992, Los Angeles" (1996). UNLV Retrospective Theses & Dissertations. 3215. http://dx.doi.org/10.25669/bgs9-fpv1 This Thesis is protected by copyright and/or related rights. It has been brought to you by Digital Scholarship@UNLV with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This Thesis has been accepted for inclusion in UNLV Retrospective Theses & Dissertations by an authorized administrator of Digital Scholarship@UNLV. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality' illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely afreet reproduction.
    [Show full text]
  • How Spotify Killed the Radio Star: an Analysis on How the Songwriter
    Cybaris® Volume 6 | Issue 1 Article 7 2015 How Spotify Killed the Radio Star: An Analysis on How the Songwriter Equity Act Could Aid the Current Online Music Distribution Market in Failing Artists Caitlin Kowalke Follow this and additional works at: http://open.mitchellhamline.edu/cybaris Part of the Entertainment, Arts, and Sports Law Commons, and the Intellectual Property Law Commons Recommended Citation Kowalke, Caitlin (2015) "How Spotify Killed the Radio Star: An Analysis on How the Songwriter Equity Act Could Aid the Current Online Music Distribution Market in Failing Artists," Cybaris®: Vol. 6: Iss. 1, Article 7. Available at: http://open.mitchellhamline.edu/cybaris/vol6/iss1/7 This Article is brought to you for free and open access by the Law Reviews and Journals at Mitchell Hamline Open Access. It has been accepted for inclusion in Cybaris® by an authorized administrator of Mitchell Hamline Open Access. For more information, please contact [email protected]. © Mitchell Hamline School of Law Kowalke: How Spotify Killed the Radio Star: An Analysis on How the Songwri Published by Mitchell Hamline Open Access, 2015 1 Cybaris®, Vol. 6, Iss. 1 [2015], Art. 7 HOW SPOTIFY KILLED THE RADIO STAR: AN ANALYSIS ON HOW THE SONGWRITER EQUITY ACT COULD AID THE CURRENT ONLINE MUSIC DISTRIBUTION MARKET IN FAILING ARTISTS CAITLIN KOWALKE† TABLE OF CONTENTS I. Introduction ............................................................................. 195 II. What Ownership Rights Are Songwriters Guaranteed Under Current Copyright Law? ........................................... 198 A. Mechanical Licenses ..................................................... 198 B. Compulsory Licenses ..................................................... 200 C. Section 114 Limitations ................................................. 204 III. Industry Limitations on Musical Copyright Today ............... 205 A. Emerging Technology as a Constant Threat to Copyright Protections ..................................................
    [Show full text]
  • Madonna of the Golden Eyes
    MADONNA OF THE GOLDEN EYES IGHT brings madness ; moonlight dips her N throat to madden us ; Love’s swift purpose darts, the flash of a striking adder. Love that kills and kisses dwells above to sadden us ; Dawn brings reason back and the violet eyes grows sadder. O Madonna of the Golden Eyes ! Swooned the deep sunlight above the summer stream ; Droned the sleepy dragon-fly by the water spring ; Stood we in the noontide in a misty dream, Fearful of our voices, of some sudden thing. O Madonna of the Golden Eyes ! Dared we whisper ? Dared we lift our eyes to see there In their desperate depth some mutual flame of treason ? Dared we move apart ? So glad were we to be there, Nothing in the world might change the constant season. O Madonna of the Golden Eyes ! Did a breath of wind disturb the lazy day ? Did a soul of fear flit phantom-wise across ? Suddenly we clasped and clave as spirit unto clay ; Suddenly love swooped to us as swoops the albatross. O Madonna of the Golden Eyes ! Did thy husband’s venom breathe on the trembling scale ? Did that voice corrupting cry across the midnight air ? What decided ? Gabriel may spin the foolish tale. What decided ? We were lovers—who should care ? O Madonna of the Golden Eyes ! How we clave together ! How we strained caresses ! How the swooning limbs sank fainting on the sward ! For the fiery dart raged fiercer ; in excesses Long restrained, it cried, “ Behold ! I am the Lord !” O Madonna of the Golden Eyes ! Yes, we sat with modest eyes and murmuring lips Downcast at the table, while the husband drank his wine.
    [Show full text]
  • Sting Bruce Springsteen Lady Gaga Bruno Mars Johnny Cash Dave Grohl Slash
    JOHN MELLENCAMP THE ROLLING STONES THE SMASHING PUMPKINS MELISSA ETHERIDGE LENNY KRAVITZ SKYNYRD LYNYRD BOB SEGER BOB SEGER PAUL MCCARTNEY PAUL BOB DYLAN SPEAKER INTRODUCTION: Millions of kids watched the Beatles on February 9th, 1964 on the Ed Sullivan show and wished that someday they could be on stage with the likes of Paul McCartney and Ringo Starr. RINGO STARR JON BON JOVI JON BON JOVI For one boy from a small town in New England, that fantasy and much more became a reality 50 years later. On the television program, “The Night That Changed America” – celebrating the fiftieth anniversary of the Beatles legendary appearance on CBS – McCartney and Starr thrilled the audience. The drummer behind them and many other artists on that monumental night was Kenny Aronoff. WAYLON JENNINGS WAYLON Kenny has entertained millions of people with his drumming all across the world, played on thousands of records, provided the beat of America’s culture for four decades, and has ELTON JOHN ELTON been the “go to” drummer for the biggest stars in music, ranging from John Mellencamp to Lady Gaga, Bob Dylan to The Smashing Pumpkins, and everyone in between! • Why has Kenny Aronoff become the industry’s most in-demand drummer for both live concerts and recording sessions? • How did he earn the trust and respect needed to lead the most elite musical acts on DON HENLEY the planet? BEYONCE • How has he maintained this reputation over such a long career in one of the most turbulent industries in the world? What Kenny Aronoff has learned in the process of making his dreams become his reality is the message of achievement and inspiration that he shares with you and audiences around GARTH BROOKS ERIC CLAPTON the world.
    [Show full text]