<<

Bibliography

Abrams, M.H. The Mirror and the Lamp: Romantic Theory and the Critical Tradition. New York: Oxford University Press, 1953. Adams, Thomas R., ed. Pietro Martire d’Anghiera et al. The history of travayle in the West and East Indies. 1577. Delmar, NY: Scholars’ Facsimiles & Reprints, 1992. Adler, Judith. ‘Origins of Sightseeing.’ Annals of Tourism Research 16 (1989): 7–29. Agrippa, Henry Cornelius. Three Books of Occult Philosophy. London, 1650. Anderson, Benedict. Imagined Communities: Reflections on the Origin and Spread of Nationalism. London: Verso Editions, 1983. Anon. ‘A stately tragedy containing the ambitious life and death of the great Cham. c. 1590.’ MS. X.d.259. Folger Shakespeare Library. Anon. ‘Letter from Henry, prince of Purpoole, to the Great Turk [manuscript], 1594? December 27.’ MS. V.a.190. Folger Shakespeare Library. Anon. Merrie conceited iests of George Peele Gentleman, sometimes a student in Oxford Wherein is shewed the course of his life how he liued: a man very well knowne in the Citie of London and elsewhere. London, 1607. Aravamudan, Srinivas. Tropicopolitans: Colonialism and Agency, 1688–1804. Durham: Duke University Press, 1999. Arber, Edward, ed. A Transcript of the Registers of the Company of Stationers of London, 1554–1640 A.D. 5 vols. London: privately printed, 1875–94. Ardila, J.A.G. ‘The Influence and Reception of Cervantes in Britain, 1607–2005.’ The Cervantean Heritage: Reception and Influence of Cervantes in Britain. Ed. J.A.G. Ardila. London: Legenda (MHRA), 2009. 2–31. Argyll, Archibald Campbell, Marquis of. ‘Chapter V. Of travel.’ Instructions to a son by Archibald, late Marquis of Argyle; written in the time of his confinement. London, 1661. 69–78. Aristotle. Ethics. Trans. J.A.K. Thomson. Harmondsworth: Penguin, 1976. Ascham, Roger. The scholemaster or plaine and perfite way of teachyng children, to vnderstand, write, and speake, the Latin tong but specially purposed for the priuate brynging vp of youth in ientlemen and noble mens houses, and commodious also for all such, as haue forgot the Latin tonge ... By Roger Ascham. London, 1570. Astington, John H. English Court Theatre, 1558–1642. Cambridge: Cambridge University Press, 1999. Bach, Rebecca Ann. ‘’s “Civil Savages”.’ Studies in English Literature, 1500–1900 37 (1997): 277–93. –––. Colonial Transformations: The Cultural Production of the New Atlantic World, 1580–1640. New York: Palgrave, 2000. Barber, C.L. Shakespeare’s Festive Comedy. Princeton: Princeton University Press, rpt. 1972. Barbour, Richmond. Before Orientalism: London’s Theatre of the East, 1576–1626. Cambridge: Cambridge University Press, 2003. Barczyk-Barakonska, Liliana. ‘“Never to go forth of the limits”: Space and Melancholy in Robert Burton’s Library Project.’ Journal of European Studies 33.3–4 (December 2003): 213–26.

214 Bibliography 215

Barnes, Barnabe. The Devil’s Charter. Ed. Nick de Somogyi. London: Nick Hern Books, 1999. Bartels, Emily C. Spectacles of Strangeness: Imperialism, Alienation, and Marlowe. Philadelphia: University of Pennsylvania Press, 1993. Bate, Jonathan. ‘The Elizabethans in Italy.’ Travel and Drama in Shakespeare’s Time. Ed. Jean-Pierre Maquerlot and Michèle Willems. Cambridge: Cambridge University Press, 1996. 55–74. Bawcutt, N.W., ed. The Control and Censorship of Caroline Drama: The Records of Sir Henry Herbert, Master of the Revels. Oxford: Clarendon Press, 1996. Beaumont, Francis. The Knight of the Burning Pestle. Ed. Sheldon P. Zitner. Revels Plays. Manchester: Manchester University Press, 1984, rpt. 2004. Behn, Aphra. The Widow Ranter: or, The History of Bacon in Virginia. Ed. Aaron R. Walden. New York: Garland, 1993. ——. Oroonoko and Other Writings. Ed. Paul Salzman. Oxford: Oxford University Press, 1994, rpt. 1998. Belsey, Catherine. The Subject of Tragedy. London: Methuen, 1985. Berek, Peter. ‘Tamburlaine’s Weak Sons: Imitation as Interpretation before 1593.’ Renaissance Drama n.s. 13 (1982): 55–82. Birringer, Johannes H. ‘Marlowe’s Violent Stage: “Mirrors” of Honor in Tamburlaine.’ ELH 51.2 (1984): 219–39. Blount, Thomas. Glossographia, or, A dictionary interpreting all such hard words of whatsoever language now used in our refined English tongue with etymologies, defini- tions and historical observations on the same: also the terms of divinity, law, physick, mathematicks and other arts and sciences explicated. London, 1661. Blundeville, Thomas. A briefe description of vniuersal mappes and cardes, and of their vse…. London, 1589. Brome, Richard. . Ed. Ann Haaker. Regents Renaissance Drama Series. London: Edward Arnold, 1968. ——. . Three Renaissance Travel Plays. Ed. Anthony Parr. The Revels Plays Companion Library. Manchester: Manchester University Press, 1995. Brown, Theodore M. ‘Descartes, Dualism, and Psychosomatic Medicine.’ The Anatomy of Madness: Essays in the History of Psychiatry. Ed. W.F. Bynum, Roy Porter, and Michael Shepherd. London: Tavistock Publications, 1985. 40–63. Burnett, Mark Thornton. ‘Tamburlaine: An Elizabethan Vagabond.’ Studies in Philology 84 (1987): 308–23. Burton, Robert. The Anatomy of Melancholy. 1621. Ed. Holbrook Jackson. New York: New York Review Books, 2001. Busino, Horatio. The Journals of Two Travellers in Elizabethan and Early Stuart : Thomas Platter and Horatio Busino. Ed. Peter Razzell. London: Caliban Books, 1995. Cain, Tom, ed. The Poetry of Mildmay Fane, Second Earl of Westmorland: From the Fulbeck, Harvard and Westmorland Manuscripts. Manchester: Manchester University Press, 2001. Campbell, Mary B. The Witness and the Other World: Exotic European Travel Writing, 400–1600. Ithaca: Cornell University Press, 1988. Canfield, J. Douglas. ‘The Ideology of Restoration Tragicomedy.’ ELH 51.3 (1984): 447–64. Carey, Daniel. Continental Travel and Journeys Beyond Europe in the Early Modern Period: An Overlooked Connection. London: Hakluyt Society, 2009. 216 Bibliography

——. ‘Hakluyt’s Instructions: The Principal Navigations and Sixteenth-Century Travel Advice.’ Studies in Travel Writing 13.2 (2009): 167–85. Cartelli, Thomas. Marlowe, Shakespeare, and the Economy of Theatrical Experience. Philadelphia: University of Pennsylvania Press, 1991. ——. ‘Marlowe and the New World.’ Christopher Marlowe and English Renaissance Culture. Ed. Darryll Grantley and Peter Roberts. Aldershot: Scolar Press, 1996. 110–18. Cawley, Robert Ralston. The Voyagers and Elizabethan Drama. Boston: Modern Languages Association, 1938. Chalk, Darryl. ‘Contagious Emulation: Antitheatricality and Theatre as Plague in Troilus and Cressida.’ This Earthly Stage: World and Stage in Late Medieval and Early Modern England. Ed. Brett D. Hirsch and Christopher Wortham. Cursor Mundi 13. Turnhout: Brepols, 2010. 75–101. Chambers, E.K. The Elizabethan Stage. 4 vols. Oxford: Oxford University Press, 1923, rpt. 1974. Chapman, George. The Gentleman Usher. All Fools and The Gentleman Usher. Ed. Thomas Marc Parrott. Boston: D.C. Heath & Co, 1907. ——, Ben Jonson, and John Marston. Eastward Ho. ed. R.W. Van Fossen. The Revels Plays. Manchester: Manchester University Press, 1979, rpt. 1999. Chua, Brandon. ‘The Politics of Cowardice: Fear, Interest, and Security in ’s The Widdow Ranter.’ antiTHESIS 20 (2010): 173–93. Clare, Janet. ‘The Production and Reception of Davenant’s “Cruelty of the Spaniards in Peru”.’ Modern Language Review 89 (1994): 832–41. ——, ed. Drama of the English Republic, 1649–60. The Revels Plays Companion Library. Manchester: Manchester University Press, 2002. Clark, Ira. Professional Playwrights: Massinger, Ford, Shirley, & Brome. Lexington: University Press of Kentucky, 1992. Clode, Charles M., ed. Memorials of the Guild of Merchant Taylors of the Fraternity of St. John the Baptist, in the City of London: and of its associated charities and institutions. London, 1875. Colahan, Clark. ‘Shelton and the Farcical Perception of Don Quixote in Seventeenth-Century Britain.’ The Cervantean Heritage: Reception and Influence of Cervantes in Britain. Ed. J.A.G. Ardila. London: Legenda (MHRA), 2009. 61–5. Cole, Richard G. ‘Sixteenth-Century Travel Books as a Source of European Attitudes toward Non-White and Non-Western Culture.’ Proceedings of the American Philosophical Society 116.1 (1972): 59–67. Cope, Kevin L. ‘The Glory that WAS Rome – and Grenada, and Rhodes, and Tenochtitlan: Pleasurable Conquests, Supernatural Liaisons, and Apparitional Drama in Interregnum Entertainments.’ Studies in the Literary Imagination 32.2 (1999): 1–17. Coryate, Thomas. Coryats Crudities. London, 1611. ——. The Odcombian banquet. London, 1611. ——. Thomas Coriate Traueller for the English Wits. London, 1616. Corye, John. The generous enemies, or, The ridiculous lovers a comedy. London, 1672. Courtland, Joseph. A Cultural Studies Approach to Two Exotic Citizen Romances by . New York: Peter Lang Publishing, 2001. Craik, Katharine A. ‘Reading Coryats Crudities (1611).’ Studies in English Literature 1500–1900 44.1 (2004): 77–96. Bibliography 217

Creaser, John W., ed. Ben Jonson. Volpone, or The Fox. London Medieval and Renaissance Series. London: Hodder and Stoughton, 1978. Cromwell, Otelia. Thomas Heywood: A Study of the Elizabethan Drama of Everyday Life. Yale Studies in English. New Haven: Yale University Press, 1928. Cunningham, Peter, ed. Revels at Court: Being Extracts from the Revels Accounts of the Reigns of Queen Elizabeth and James I. To Which is Added Tarlton’s Jests and Tarlton’s News Out of Purgatory. Vol. 7. Piccadilly: The Shakespeare Society, 1853. Cunningham, William. The Cosmographical Glasse, conteining the pleasant Principles of Cosmographie, Geographie, Hydrographie, or Nauigation. London, 1559. Dallington, Robert. A Method for Trauell. Shewed by taking the view of France. London, 1605[?]. Danson, Lawrence. ‘Henry V: King, Chorus, and Critics.’ Shakespeare Quarterly 34 (1983): 27–43. Davenant, William. The First Days Entertainment at Rutland-House. London, 1655. ——. The Playhouse to be Let. The works of Sr William D’avenant Kt consisting of those which were formerly printed, and those which he design’d for the press: now published out of the authors originall copies. London, 1673. ——. The Cruelty of the Spaniards in Peru. Drama of the English Republic, 1649–60. Ed. Janet Clare. The Revels Plays Companion Library. Manchester: Manchester University Press, 2002. ——. The History of Sir Francis Drake. Drama of the English Republic, 1649–60. Ed. Janet Clare. The Revels Plays Companion Library. Manchester: Manchester University Press, 2002. Davis, Joe Lee. ‘Richard Brome’s Neglected Contribution to Comic Theory.’ Studies in Philology 40 (1943): 520–8. Day, John, William Rowley, and George Wilkins. The Travels of the Three English Brothers. Three Renaissance Travel Plays. Ed. Anthony Parr. The Revels Plays Companion Library. Manchester: Manchester University Press, c.1995; rpt. 1999. Dee, John. ‘Preface.’ The elements of geometrie of the most auncient philosopher Euclide of Megara. Trans. Henry Billingsley. London. 1570. Dekker, Thomas. Old Fortunatus. The Dramatic Works of . Ed. Fredson Bowers. Vol. 1. Cambridge: Cambridge University Press, 1970. 105–206. Dekker, Thomas and John Webster. Westward Ho. The Dramatic Works of Thomas Dekker. Vol. 2. ed. Fredson Bowers. Cambridge: Cambridge University Press, 1955. De Laune, Thomas. Tropologia, or, A key to open Scripture metaphors the first book containing sacred philology, or the tropes in Scripture, reduc’d under their proper heads, with a brief explication of each. London, 1681. Des Maizeaux, Pierre. The Life of Monsieur de St. Evremond. London, 1714. Dessen, Alan C. ‘“The difference betwixt reporting and representing”: Thomas Heywood and the Playgoer’s Imagination.’ Acts of Criticism: Performance Matters in Shakespeare and His Contemporaries. Ed. Paul Nelsen and June Schlueter. Madison, NJ: Fairleigh Dickinson University Press, 2005. 46–57. Donaldson, Ian. ‘Jonson’s Italy: “Volpone” and Fr. Thomas Wright.’ Notes & Queries n.s. 19 (1972): 450–2. ——. Jonson’s Magic Houses: Essays in Interpretation. Oxford: Clarendon Press, 1997. 218 Bibliography

——. Ben Jonson: A Life. New York: Oxford University Press, 2011. Drayton, Michael. ‘To the Virginian Voyage.’ Renaissance Poetry Online. Ed. Ian Lancashire. Toronto: University of Toronto Libraries, 2009. http://rpo.library. utoronto.ca/poems/ode-virginian-voyage. Dryden, John. ‘A Defence of an Essay of Dramatique Poesie, being an Answer to the Preface of The Great Favourite, or the Duke of Lerma’. The Works of . Vol. 9. Ed. John Loftis and Vinton A. Dearing. Berkeley: University of California Press, 1966. ——. The Indian Emperour. The Works of John Dryden. Vol. 9. Ed. John Loftis and Vinton A. Dearing. Berkeley: University of California Press, 1966. ——. ‘An Essay of Dramatick Poesie.’ [1668.] Prose 1668–1691: An Essay of Dramatick Poesie and Shorter Works. The Works of John Dryden. Vol. 17. Ed. Samuel Holt Monk, A.E. Wallace Maurer, and Vinton A. Dearing. Berkeley: University of California Press, 1971. 2–81. ——. ‘Of Heroique Playes. An Essay.’ Conquest of Granada, Part I. The Works of John Dryden. Vol. 11. Ed. John Loftis, David Stuart Rodes, and Vinton A. Dearing. Berkeley: University of California Press, 1978. ——. and Sir Robert Howard. . The Works of John Dryden. Vol. 8. Ed. John Harrington Smith, Dougald MacMillan, and Vinton A. Dearing. Berkeley: University of California Press, 1962. Edelman, Charles, ed. The Stukeley Plays: ‘The Battle of Alcazar’ by George Peele and ‘The Famous History of the Life and Death of Captain Thomas Stukeley’. Revels Plays Companion Library. Manchester: Manchester University Press, 2005. Eden, Richard, trans. A Briefe Collection and compendious extract of strau[n]ge and memorable thinges, gathered oute of the Cosmographye of Sebastian Munster… London, 1572. Elliott, J.H. The Old World and the New 1492–1650. Cambridge: Cambridge University Press, rpt. 1992. Elyot, Thomas. The Gouernour. London, 1531. ——. Bibliotheca Eliotae. London, 1542. The English Faust Book: A Critical Edition Based on the Text of 1592. Ed. John Henry Jones. Cambridge: Cambridge University Press, 1994. Essex, Robert Devereux, 2nd Earl of, Sir Philip Sidney, and Secretary William Davison. Profitable Instructions; Describing what special Obseruations are to be taken by Trauellers in all Nations, States and Countries; Pleasant and Profitable. London, 1633. Felltham, Owen. Resolves: Divine Moral and Political. 1623. London: Pickering, 1840. Ferguson, Margaret. ‘News from the New World: Miscegenous Romance in Aphra Behn’s Oroonoko and The Widow Ranter.’ The Production of English Renaissance Culture. Ed. David Lee Miller, Sharon O’Dair, and Harold Weber. Ithaca: Cornell University Press, 1994. 151–89. Feuillerat, Albert. The Composition of Shakespeare’s Plays: Authorship, Chronology. New Haven: Yale University Press, 1953. Firth, C.H. ‘Sir William Davenant and the Revival of the Drama during the Protectorate.’ English Historical Review 18 (1903): 319–32. Flatter, Richard. ‘The Dumb-Show in Macbeth.’ Times Literary Supplement, 23 March, 1951. 181. Fleay, Frederick Gard. A Chronicle History of the London Stage 1559–1642. New York: B. Franklin, 1964. Bibliography 219

Fletcher, John. The Island Princess. ed. Clare McManus. Arden Early Modern Drama. London: Methuen Drama/A&C Black Publishers Ltd., forthcoming. Floyd-Wilson, Mary. English Ethnicity and Race in Early Modern England. Cambridge: Cambridge University Press, 2003. Forde, Thomas. Virtus rediviva: a panegyrick on our late King Charles the I. &c. of ever blessed memory. Attended, with severall other pieces from the same pen. Viz. I. A theatre of wits: being a collection of apothegms. II. Fœnestra in pectore: or a cen- tury of familiar letters. III. Loves labyrinth: a tragi-comedy. IV. Fragmenta poetica: or poeticall diversions. Concluding, with a panegyrick on his sacred Majesties most happy return. London, 1661 [1660]. Franklin, Wayne. Discoverers, Explorers, Settlers: The Diligent Writers of Early America. Chicago: University of Chicago Press, 1979. Frohock, Richard. ‘Sir William Davenant’s American Operas.’ Modern Language Review 96 (2001): 323–33. ——. Heroes of Empire: The British Imperial Protagonist in America, 1596–1764. Newark: University of Delaware Press, 2004. Frow, John. ‘Tourism and the Semiotics of Nostalgia.’ October 57 (1991): 123–51. Frye, Northrop. Anatomy of Criticism. Princeton: Princeton University Press, 1990. Fuchs, Barbara. ‘Faithless Empires: Pirates, Renegadoes, and the English Nation.’ ELH 67 (2000): 45–69. Fussell, Paul. Abroad: British Literary Traveling Between the Wars. New York: Oxford University Press, 1980. Gerbier, Sir Balthazar. Subsidium Peregrinantibus. Or An Assistance to a traveller… Oxford, 1665. Gossett, Suzanne, and David Kay, eds. Eastward Ho. The Cambridge Edition of the Works of Ben Jonson. Vol. 2. Gen. Ed. David Bevington, Martin Butler, and Ian Donaldson. Cambridge: Cambridge University Press, 2012. 529–640. Gosson, Stephen. The schoole of abuse conteining a plesaunt [sic] inuectiue against poets, pipers, plaiers, iesters, and such like caterpillers of a co[m]monwelth; setting vp the hagge of defiance to their mischieuous exercise, [and] ouerthrowing their bul- warkes, by prophane writers, naturall reason, and common experience: a discourse as pleasaunt for gentlemen that fauour learning, as profitable for all that wyll follow virtue. By Stephan Gosson. Stud. Oxon. London, 1579. Graves, Thornton Shirley. The Court and the London Theatres During the Reign of Elizabeth: A Dissertation Submitted to the Faculty of the Graduate School of Arts and Literature in Candidacy for the Degree of Doctor of Philosophy (Department of English). Menasha, Wis.: The Collegiate Press, George Banta Publishing Co., 1913. Greenblatt, Stephen. Renaissance Self-Fashioning. Chicago: University of Chicago Press, 1980. ——. Marvelous Possessions: The Wonder of the New World. Oxford: Clarendon Press, 1991. Greene, Robert. Friar Bacon and Friar Bungay. Ed. Daniel Seltzer. Regents Renaissance Drama Series. Lincoln: University of Nebraska Press, 1963. Greg, W.W. Henslowe’s Diary, Part II: Commentary. London: A.H. Bullen, 1908. Guicciardini, Francesco. The historie of Guicciardin conteining the vvarres of Italie and other partes, continued for many yeares vnder sundry kings and princes, together with the variations and accidents of the same, deuided into twenty bookes: and also 220 Bibliography

the argumentes, vvith a table at large expressing the principall matters through the vvhole historie. Reduced into English by Geffray Fenton. London, 1579. Gurr, Andrew. The Shakespearean Stage, 1574–1642. 3rd edn. Cambridge: Cambridge University Press, 1994. ——, ed. Shakespeare. Henry V. New Cambridge Edition. Cambridge: Cambridge University Press, 2000 rpt. Haaker, Ann, ed. Richard Brome. The Antipodes. Regents Renaissance Drama Series. London: Edward Arnold, 1967. Hall, H. Gaston and Wallace Kirsop. ‘Introduction.’ Sir Politick Would-be. Ed. Wallace Kirsop. Plays, Poems, and Miscellaneous Writings associated with George Villiers, Second Duke of Buckingham. Ed. Robert D. Hume and Harold Love. Vol. 1. Oxford: Oxford University Press, 2007. 123–50. Hall, Joseph. Quo Vadis? A Just Censure of Travel. London, 1617. Harbage, Alfred. ‘Elizabethan and Seventeenth-Century Play Manuscripts.’ PMLA 50.3 (1935): 687–99. ——. Annals of English Drama 975–1700. Revised by S. Schoenbaum. Philadelphia: University of Pennsylvania Press, 1964. Harington, Sir John. ‘A Treatise on Playe.’ Nugæ Antiquæ. Vol. 1. London, 1804. Haslem, Lori Schroeder. ‘Tragedy and the Female Body: A Materialist Approach to Heywood’s A Woman Killed with Kindness and Webster’s The Duchess of Malfi.’ Approaches to Teaching English Renaissance Drama. Ed. Karen Bamford and Alexander Leggatt. New York: Modern Languages Assocation, 2002. 142–9. Haynes, Jonathan. The Social Relations of Jonson’s Theater. Cambridge: Cambridge University Press, 1992. Healy, Thomas. ‘Doctor Faustus.’ The Cambridge Companion to Christopher Marlowe. Ed. Patrick Cheney. Cambridge: Cambridge University Press, 2004. 174–92. Heaton, Gabriel and James Knowles. ‘“Entertainment Perfect”: Ben Jonson and Corporate Hospitality.’ Review of English Studies 54 (2003): 587–600. Henderson, Diana E. ‘Many Mansions: Reconstructing A Woman Killed with Kindness.’ Studies in English Literature, 1500–1900 26.2 (1986): 277–94. Hendricks, Margo. ‘Civility, Barbarism, and Aphra Behn’s The Widow Ranter.’ Women, ‘Race,’ and Writing in the Early Modern Period. Ed. Margo Hendricks and Patricia Parker. London: Routledge, 1994. 225–39. Henslowe, Philip. Henslowe’s Diary. Ed. R.A. Foakes. 2nd edn. Cambridge: Cambridge University Press, 2002. Herman, Peter C. ‘“We All Smoke Here”: Behn’s The Widdow Ranter and the Invention of American Identity.’ Envisioning an English Empire: Jamestown and the Making of the North Atlantic World. Ed. Robert Appelbaum and John Wood Sweet. Philadelphia: University of Pennsylvania Press, 2005. 254–323. Herrick, Robert. ‘A Country Life; To His Brother, M. Tho. Herrick.’ The Poetical Works of . Vol. 1. London: William Pickering, 1825. 46–51. Heywood, Thomas. The second part of, If you know not me, you know no bodie. VVith the building of the Royall Exchange: and the famous victorie of Queene Elizabeth, in the yeare 1588. London, 1606. ——. Troia Britannica: or, Great Britain’s Troy. London, 1609. ——. Apology for Actors. London, 1612. ——. The Fair Maid of the West, Parts I and II. Ed. Robert K. Turner, Jr. Regents Renaissance Drama Series. London: Edward Arnold (Publishers) Ltd., 1968. Bibliography 221

——. The English Traveller. Three Marriage Plays. Ed. Paul Merchant. The Revels Plays Companion Library. Manchester: Manchester University Press, 1996. ——. A Woman Killed with Kindness. Ed. Brian Scobie. New Mermaids. London: A&C Black, 2003 rpt. ——. and William Rowley. Fortune By Land and Sea. The Dramatic Works of Thomas Heywood. Vol. 6. [Ed. R.H. Shepherd.] London, 1874. Hibbert, Christopher. The Grand Tour. New York: Putnam, 1969. Hodgen, Margaret T. ‘Sebastian Muenster (1489–1552): A Sixteenth-Century Ethnographer.’ Osiris 11 (1954): 504–29. Holaday, Allan. ‘Thomas Heywood and the Low Countries.’ Modern Language Notes 66.1 (1951): 16–19. Holland, Norman N. Literature and the Brain. Gainesville: PsyArt Foundation, 2009. Holland, Peter. ‘“Travelling Hopefully”: The Dramatic Form of Journeys in English Renaissance Drama.’ Travel and Drama in Shakespeare’s Time. Ed. Jean- Pierre Maquerlot and Michèle Willems. Cambridge: Cambridge University Press, 1996. 160–78. Hollis, Gavin. ‘“He would not goe naked like the Indians, but cloathed just as one of our selves”: Disguise and “the Naked Indian” in Massinger’s The City Madam.’ Renaissance Drama 39 (2011): 129–62. Holyday, Barten. Technogamia, or The Marriages of the Arts. London, 1618. Homan, Sidney R., Jr. ‘Doctor Faustus, Dekker’s Old Fortunatus, and the Morality Plays.’ Modern Language Quarterly 26.4 (1965): 497–505. Hope, Quentin Manning. Saint-Evremond and His Friends. Geneva: Libraire Droz S.A., 1999. Hopkins, Lisa. ‘“And shall I die, and this unconquered?”: Marlowe’s Inverted Colonialism.’ Early Modern Literary Studies 2.2 (1996): 1.1–23. http://purl.oclc. org/emls/02-2/hopkmarl.html Horace. Satires, Epistles, and Ars Poetica. Trans. H. Rushton Fairclough. Cambridge, MA: Harvard University Press, 1926; rpt. 1991. Horodowich, Liz. ‘Armchair Travelers and the Venetian Discovery of the New World.’ Sixteenth Century Journal 36.4 (2005): 1039–62. Hosley, Richard. ‘The Gallery over the Stage in the Public Playhouse of Shakespeare’s Time.’ Shakespeare Quarterly 8.1 (1957): 15–31. Howard, Donald R. ‘The World of Mandeville’s Travels.’ The Yearbook of English Studies 1 (1971): 1–17. Howard, Jean E. ‘An English Lass Amid the Moors: Gender, Race, Sexuality, and National Identity in Heywood’s The Fair Maid of the West.’ Women, ‘Race,’ and Writing in the Early Modern Period. Ed. Margo Hendricks and Patricia A. Parker. London: Routledge, 1994. 101–17. ——. The Stage and Social Struggle in Early Modern England. London: Routledge, 1994. Howard, Sir Robert, and John Dryden. The Indian Queen. The Works of John Dryden. Vol. 8. Ed. John Harrington Smith, Dougald MacMillan, and Vinton A. Dearing. Berkeley: University of California Press, 1962. Howell, James. Instructions and Directions for Forren Travell. 1650. Hulme, Peter. Colonial Encounters: Europe and the native Caribbean 1492–1797. London: Methuen, 1986. Hutchins, Edwin. Cognition in the Wild. Cambridge, MA: MIT Press, 1995. 222 Bibliography

Hutchings, Mark. ‘The End of II Tamburlaine and the Beginning of King Lear.’ Notes & Queries 47.1 (2000): 82–6. ——. ‘“And almost to the very walles of Rome”: 2 Tamburlaine, II.i.9.’ Notes & Queries 52.2 (2005): 190–2. Hutner, Heidi. Colonial Women: Race and Culture in Stuart Drama. Oxford: Yale University Press, 2001. Iser, Wolfgang. ‘The Play of the Text.’ Languages of the Unsayable: The Play of Negativity in Literature and Literary Theory. Ed. Sanford Budick and Wolfgang Iser. New York: Columbia University Press, 1989. 325–39. Iwanisziw, Susan B. Troping Oroonoko from Behn to Bandele. Aldershot: Ashgate, 2004. Johnson, Samuel. The Major Works, including Rasselas. Ed. Donald Greene. Oxford: Oxford World’s Classics. Oxford University Press, 2000. Jones, Marion (review author). ‘Shakespearean Staging, 1599–1642, by T.J. King.’ Review of English Studies 23 (1972): 491–3. Jonson, Ben. Cynthia’s Revels (F1). The Workes of Beniamin Ionson. London, 1616. ——. Poems. Ed. Ian Donaldson. Oxford: Oxford University Press, 1975. ——. The Entertainment at Britain’s Burse. [1609.] Ed. James Knowles. Re-Presenting Ben Jonson: Text, History, Performance. Ed. Martin Butler. London: Macmillan, 1999. 132–51. ——. The Devil is an Ass. The Devil is an Ass and Other Plays. Ed. Margaret Jane Kidnie. Oxford World’s Classics. Oxford: Oxford University Press, 2000. ——. Every Man Out of His Humour. Ed. Helen Ostovich. The Revels Plays. Manchester: Manchester University Press, 2001. ——. Volpone. Ed. Robert N. Watson. 2nd edn. New Mermaids. London: A & C Black, 2003. ——. Bartholomew Fair. Ed. John Creaser. The Cambridge Edition of the Works of Ben Jonson. Vol. 4. Gen. Ed. David Bevington, Martin Butler, and Ian Donaldson. Cambridge: Cambridge University Press, 2012. 253–428. ——. Cynthia’s Revels (Q). Ed. Eric Rasmussen and Matthew Steggle. The Cambridge Edition of the Works of Ben Jonson. Vol. 1. Gen. Ed. David Bevington, Martin Butler, and Ian Donaldson. Cambridge: Cambridge University Press, 2012. 429–548. ——. Every Man In His Humour (Q). Ed. David Bevington. The Cambridge Edition of the Works of Ben Jonson. Vol. 1. Gen. Ed. David Bevington, Martin Butler, and Ian Donaldson. Cambridge: Cambridge University Press, 2012. 111–228. ——. The New Inn. Ed. Julie Sanders. The Cambridge Edition of the Works of Ben Jonson. Vol. 6. Gen. Ed. David Bevington, Martin Butler, and Ian Donaldson. Cambridge: Cambridge University Press, 2012. 165–309. Jowett, John. Shakespeare and Text. Oxford: Oxford University Press, 2007. Jowitt, Claire. Voyage Drama and Gender Politics, 1589–1642: Real and Imagined Worlds. Manchester: Manchester University Press, 2003. ——. ‘The Politics of Mandevillian Monsters in Richard Brome’s The Antipodes.’ A Knight’s Legacy: Mandeville and Mandevillian Lore in Early Modern England. Ed. Ladan Niayesh. Manchester Medieval Literature and Culture. Manchester: Manchester University Press, 2010. 195–212. Kames, Lord (Henry Home). Elements of Criticism. 1762. Vol. 1. London: A. Millar, 1765. Bibliography 223

Kaufmann, J. Richard Brome, Caroline Playwright. New York: Columbia University Press, 1961. Keck, David. ‘Marlowe and Ortelius’s Map.’ Notes & Queries 52.2 (2005): 189–90. Keith, William Grant. ‘The Designs for the First Movable Scenery on the English Public Stage (Continued).’ The Burlington Magazine for Connoisseurs 25.134 (May 1914): 85–98. Kirchner, Herman. An oration made by Hermannvs Kirchnervs… concerning this subiect. That young men ought to Trauell into forraine Countryes, and all those that desire the praise of Learning, and atchieuing worthy actions, both at home and abroad. Trans. Thomas Coryate. Coryates Crudities. London, 1611. Knolles, Richard. Generall Historie of the Turkes. London, 1603. Knutson, Roslyn L. The Repertory of Shakespeare’s Company, 1594–1613. Fayetteville: University of Arkansas Press, 1991. ——. ‘Marlowe Reruns: Repertorial Commerce and Marlowe’s Plays in Revival.’ Marlowe’s Empery: Expanding His Critical Contexts. Ed. Sara Munson Deats and Robert A. Logan. London: Associated University Presses, 2002. 25–42. ——. ‘Toe to Toe across Maid Lane: Repertorial Competition at the Rose and Globe, 1599–1600.’ Acts of Criticism: Performance Matters in Shakespeare and His Contemporaries. Ed. June Schlueter and Paul Nelsen. Madison, NJ: Fairleigh Dickinson University Press, 2005. 21–37. Lee, John. ‘On Reading The Tempest Autobiographically: Ben Jonson’s The New Inn.’ Shakespeare Studies (Japan) 34 (1996): 1–26. Leech, Clifford. ‘Three Times Ho and a Brace of Widows: Some Plays for the Private Theatre.’ The Elizabethan Theatre III. ed. David Galloway. London: Macmillan, 1973. 14–32. Leggatt, Alexander. Ben Jonson: His Vision and His Art. London: Methuen, 1981. Leigh, Edward. Three diatribes or discourses. First of travel, or a guide for travellers into forein parts. Secondly, of money or coyns. Thirdly, of measuring of the distance betwixt place and place. By Edward Leigh Esq; and Mr. of Arts of Magdalene-Hall in Oxford. London, 1671. Leinwand, Theodore B. The City Staged: Jacobean Comedy, 1603–1613. Madison: University of Wisconsin Press, 1986. Leslie, Marina. ‘Antipodal Anxieties: Joseph Hall, Richard Brome, Margaret Cavendish and the Cartographies of Gender.’ Genre 30.1 (1997): 51–78. Levin, Richard. ‘The Contemporary Perception of Marlowe’s Tamburlaine.’ Medieval and Renaissance Drama in England 1 (1984): 51–70. Levine, Laura. Men in Women’s Clothing: Anti-Theatricality and Effeminization, 1579–1642. Cambridge: Cambridge University Press, 1994. Lewcock, Dawn. Sir William Davenant, the Court Masque, and the English Seventeenth- Century Scenic Stage, c. 1605–c. 1700. Amherst: Cambria Press, 2008. Lewkenor, Samuel. A discovrse not altogether vnprofitable, nor vnpleasant for such as are desirous to know the situation and customes of forraine Cities without trauelling to see them. London, 1600. Lipsius, Justus. A Direction for Travailers. 1592. New Jersey: Walter J. Johnson, 1977. Lopez, Jeremy. Theatrical Convention and Audience Response in Early Modern Drama. Cambridge: Cambridge University Press, 2003. Lost Plays Database. Ed. Roslyn L. Knutson and David McInnis. Melbourne: University of Melbourne, 2009. http://www.lostplays.org/. 224 Bibliography

MacCannell, Dean. The Tourist: A New Theory of the Leisure Class. London: Macmillan, 1976. MacLean, Ian. The Renaissance Notion of Woman: A Study In the Fortunes of Scholasticism and the Medical Science In European Intellectual Life. Cambridge: Cambridge University Press, 1980, rpt.1995. Maclean, Marie. Narrative as Performance: The Baudelairean Experiment. London: Routledge, 1988. MacMillan, Dougald. ‘The Sources of Dryden’s “The Indian Emperour”.’ Huntington Library Quarterly 13.4 (1950): 355–70. Mandeville, Sir John. Mandeville’s Travels. Ed. M.C. Seymour. Oxford: Clarendon Press, 1967. Manley, Lawrence, and Sally-Beth MacLean. (Forthcoming study of Strange’s Men). MS. Maquerlot, Jean Pierre and Michèle Willems, eds. Travel and Drama in Shakespeare’s Time. Cambridge: Cambridge University Press, 2006 rpt. Mark, Jeffrey. ‘Dryden and the Beginnings of Opera in England.’ Music & Letters 5.3 (1924): 247–52. Marlowe, Christopher. Doctor Faustus A- and B-texts (1604, 1616). Ed. David Bevington and Eric Rasmussen. The Revels Plays. Manchester: Manchester University Press, 1993. ——. Tamburlaine: Parts One and Two. Ed. Anthony B. Dawson. 2nd edn. New Mermaids. London: A & C Black, 1997. Massinger, Philip. The Renegado. Ed. Michael Neill. Arden Early Modern Drama. London: Methuen Drama, 2010. Mayo, Arantza, and J.A.G. Ardila. ‘The English Translations of Cervantes’s Works across the Centuries.’ The Cervantean Heritage: Reception and Influence of Cervantes in Britain. Ed. J.A.G. Ardila. London: Legenda (MHRA), 2009. 54–60. McConachie, Bruce. Engaging Audiences: A Cognitive Approach to Spectating in the Theatre. New York: Palgrave Macmillan, 2008. McInnis, David. ‘The Golden Man and the Golden Age: The Relationship of English Poets and the New World Reconsidered.’ Early Modern Literary Studies 13.1 (May, 2007) 1.1–20. http://purl.oclc.org/emls/13-1/mcingold.htm. ——. ‘Lost Plays from Early Modern England: Voyage Drama, A Case Study.’ Literature Compass 8/8 (2011): 534–42. doi: 10.1111/j.1741-4113.2011.00817.x. ——. ‘Marlowe’s Influence and “The True History of George Scanderbeg”.’ Marlowe Studies: An Annual 2 (2012): forthcoming. McRae, Andrew. ‘“On the Famous Voyage”: Ben Jonson and Civic Space.’ Early Modern Literary Studies Special Issue 3 (September, 1998): 8.1–31. http://purl. oclc.org/emls/04-2/mcraonth.htm. Meyer, Albrecht. Certaine briefe, and speciall instructions for gentlemen, merchants, students, souldiers, marriners, &c. employed in seruices abrode, or anie way occa- sioned to conuerse in the kingdomes, and gouernementes of forren princes. Trans. Philip Jones. London, 1589. Miller, William E. ‘Periaktoi: Around Again.’ Shakespeare Quarterly 15 (1964): 61–5. Montrose, Louis. The Purpose of Playing: Shakespeare and the Cultural Politics of the Elizabethan Theatre. Chicago: University of Chicago Press, 1996. Moseley, C.W.R.D. ‘The Lost Play of Mandeville.’ Library. 5th Series. 25 (1970): 46–9. Bibliography 225

——. ‘The Metamorphoses of Sir John Mandeville.’ Yearbook of English Studies 4 (1974): 5–25. Mountfort, Walter. The Launching of the Mary, or The Seaman’s Honest Wife. 1632. Ed. J.H. Walter. Malone Society Reprints. Oxford: Oxford University Press, 1933 [1932]. Münster, Sebastian. Cosmographia. Trans. Richard Eden. London, 1572. Neale, Thomas. A treatise of direction, how to travell safely, and profitably into forraigne countries. London, 1643. Nell, Victor. Lost in a Book: The Psychology of Reading for Pleasure. New Haven: Yale University Press, 1988. Newman, Karen. ‘Armchair Travel.’ Crossing Boundaries: Attending to Early Modern Women. Ed. Jane Donawerth and Adele Seef. Newark: University of Delaware Press, 2000. 211–26. N.H. The ladies dictionary, being a general entertainment of the fair-sex a work never attempted before in English. London, 1694. Niayesh, Ladan. ‘Shakespeare’s Persians.’ Shakespeare (British Shakespeare Association) 4.2 (2008): 137–47. O’Callaghan, Michelle. The English Wits: Literature and Sociability in Early Modern England. Cambridge: Cambridge University Press, 2007. Orgel, Stephen. ‘The Poetics of Spectacle.’ New Literary History 2 (1971): 367–89. Orr, Bridget. Empire on the English Stage, 1660–1714. Cambridge: Cambridge University Press, 2001. Ortelius, Abraham. Quoted in Albrecht Meyer, Instructions for trauellers. Trans. Philip Jones. London, 1589. Ostovich, Helen, Mary V. Silcox, and Graham Roebuck, eds. The Mysterious and the Foreign in Early Modern England. Newark: University of Delaware Press, 2008. Pagden, Anthony. The Fall of Natural Man: The American Indian and the Origins of Comparative Ethnology. Cambridge: Cambridge University Press, 1982. Palmer, Thomas. An Essay of the Meanes how to make our Trauailes, into forraine Countries, the more profitable and honourable. London, 1606. Pangallo, Matteo. ‘“Mayn’t a Spectator Write Comedy?” Playwriting Playgoers in Early Modern Drama.’ Review of English Studies 63 (2012): Advance Access published April 6, 2012. doi:10.1093/res/hgs035. Parker, Brian, ed. Ben Jonson. Volpone, or The Fox. Rev. edn. The Revels Plays. Manchester: Manchester University Press, 1999. Parr, Anthony. ‘Thomas Coryat and the Discovery of Europe.’ Huntington Library Quarterly 55.4 (1992): 579–602. –––, ed. Three Renaissance Travel Plays. The Revels Plays Companion Library. Manchester: Manchester University Press, c. 1995; rpt. 1999. Pearson, Jacqueline. The Prostituted Muse: Images of Women and Women Dramatists, 1642–1737. New York: Harvester Wheatsheaf, 1988. Penrose, Boies. Travel and Discovery in the Renaissance. Cambridge, MA: Harvard University Press, 1952. Pepys, Samuel. The Shorter Pepys. Ed. Robert Latham. Berkeley: University of California Press, 1985. Platter, Thomas. Thomas Platter’s Travels in England 1599. Trans. Clare Williams. London: Jonathan Cape, 1937. Prynne, William. Histrio-mastix. London, 1633. 226 Bibliography

Pulsipher, Jenny Hale. ‘The Widow Ranter and Royalist Culture in Colonial Virginia.’ Early American Literature 39.1 (2004): 41–66. Rabkin, Norman. ‘Dramatic Deception in Heywood’s The English Traveller.’ Studies in English Literature, 1500–1900 1.2 (1962): 1–16. Ramsaram, J.A. ‘Sir Francis Drake in Contemporary Verse.’ Notes & Queries 202 (1957): 99–101. Rather, L.J. ‘“Thomas Fienus” (1567–1631): Dialectical Investigation of the Imagination as Cause and Cure of Bodily Disease.’ Bulletin of the History of Medicine 41 (1967): 349–67. Ravenscroft, Edward. Dame Dobson, or, The Cunning Woman. London, 1684. Rawlins, Thomas (attr.). Tunbridge-Wells: or, A Dayes Courtship. London, 1678. Razzell, Peter, ed. The Journals of Two Travellers in Elizabethan and Early Stuart England: Thomas Platter and Horatio Busino. London: Caliban Books, 1995. Rich, Julia A. ‘Heroic Tragedy in Southerne’s Oroonoko (1695): An Approach to a Split-Plot Tragicomedy.’ Philological Quarterly 62.2 (1983): 187–200. Robinson, H. A Geography of Tourism. London: Macdonald & Evans, 1976. Rosenthal, Laura J. ‘Owning Oroonoko: Behn, Southerne, and the Contingencies of Property.’ Renaissance Drama 23 (1992): 25–58. Rothstein, Eric. ‘“Ideal Presence” and the “Non Finito” in Eighteenth-Century Aesthetics.’ Eighteenth-Century Studies 9.3 (1976): 307–32. Rowland, Richard. Thomas Heywood’s Theatre, 1599–1639: Locations, Translations, and Conflict. Aldershot: Ashgate, 2010. Rubiés, Joan-Pau. Travellers and Cosmographers: Studies in the History of Early Modern Travel and Ethnology. Aldershot: Ashgate Variorum, 2007. Ryan, Marie-Laure. Narrative as Virtual Reality: Immersion and Interactivity in Literature and Electronic Media. Baltimore: Johns Hopkins University Press, 2003. Sacks, David Harris. ‘Richard Hakluyt’s Navigations in Time: History, Epic, and Empire.’ Modern Language Quarterly 67.1 (2006): 31–62. Saint-Évremond, Charles de Saint-Denis, Sieur de. Œvres meslées. 1705. ——. Sir Politick Would-be. Ed. Wallace Kirsop. Trans. H. Gaston Hall. Plays, Poems, and Miscellaneous Writings associated with George Villiers, Second Duke of Buckingham. Ed. Robert D. Hume and Harold Love. 2 vols. Oxford: Oxford University Press, 2007. Sales, Roger. Christopher Marlowe. Basingstoke: Macmillan, 1991. Sanders, Julie. ‘The Politics of Escapism: Fantasies of Travel and Power in Richard Brome’s The Antipodes and Ben Jonson’s The Alchemist.’ Writing and Fantasy. Ed. Ceri Sullivan and Barbara White. London: Longman, 1999. 137–50. Sanford, Rhonda Lemke. ‘The Antipodes. Richard Brome. Ed. David Scott Kastan and Richard Proudfoot. New York: Routledge, 2000.’ Review. Sixteenth Century Journal 33.2 (2002): 575–6. ——. Maps and Memory in Early Modern England: A Sense of Place. New York: Palgrave, 2002. Schlueter, June. The Album Amicorum and the London of Shakespeare’s Time. London: The British Library, 2012. Scott, Alison V. ‘Marketing Luxury at the New Exchange: Jonson’s Entertainment at Britain’s Burse and the Rhetoric of Wonder.’ Early Modern Literary Studies 12.2 (September, 2006): 5.1–19. http://purl.oclc.org/emls/12-2/scotluxu. htm Bibliography 227

Seaton, Ethel. ‘Marlowe’s Map.’ Essays and Studies 10 (1924): 13–35. Rpt. in Marlowe: A Collection of Critical Essays. Ed. Clifford Leech. New Jersey: Prentice- Hall, 1964. 36–56. Settle, Elkanah. Reflections on several of Mr. Dryden’s plays particularly the first and second part of The conquest of Granado. London, 1687. Seymour, M.C., ed. Mandeville’s Travels. Oxford: Clarendon Press, 1967. Shakespeare, William. Measure for Measure. Ed. J.W. Lever. Arden 2. London: Thomson Learning, 1965. ——. The Comedy of Errors. Ed. R.A. Foakes. Arden 2. London: , 1968. ——. A Midsummer Night’s Dream. Ed. Peter Holland. The Oxford Shakespeare. Oxford: Oxford University Press, 1994. ——. Macbeth. Ed. Kenneth Muir. Arden 2. London: Methuen & Co. Ltd., 1951; rpt. Thomson Learning 2001. ——. The Tempest. Ed. Virginia Mason Vaughan and Alden T. Vaughan. Arden 3. London: Thomson Learning, 1999, rpt. 2001. ——. Hamlet. Ed. Ann Thompson and Neil Taylor. Arden 3. London: Thomson Learning, 2006. ——. Othello. Ed. Michael Neill. The Oxford Shakespeare Oxford: Oxford University Press, 2006. Shapiro, James. Rival Playwrights: Marlowe, Jonson, Shakespeare. New York: Columbia University Press, 1991. Shaw, Catherine M. Richard Brome. Boston: Twayne, 1980. Schwenger, Peter. Fantasm and Fiction: On Textual Envisioning. Stanford: Stanford University Press, 1999. Shickman, Allan. ‘The “Perspective Glass” in Shakespeare’s Richard II.’ Studies in English Literature, 1500–1900 18.2 (1978): 217–28. Sidney, Philip. A Defence of Poetry. Ed. J.A. van Dorsten. Oxford: Oxford University Press, 1997. Skalitzky, Rachel I. ‘Horace on Travel (Epist. 1.11).’ Classical Journal 68.4 (1973): 316–21. Smith, D.K. The Cartographic Imagination in Early Modern England: Re-writing the World in Marlowe, Spenser, Raleigh and Marvell. Aldershot: Ashgate, 2008. Smith, John. The True Travels, Adventures, and Observations of Captaine Iohn Smith, In Europe, Asia, Affrica, and America, from Anno Domini 1593. to 1629. London, 1630. Snuggs, H.L. ‘Fynes Moryson and Jonson’s Puntarvolo.’ Modern Language Notes 51.4 (1936): 230–4. Southerne, Thomas. Oroonoko. The Works of . Vol. 2. Ed. Robert Jordan and Harold Love. Oxford: Clarendon, 1988. Spenser, Edmund. The Faerie Queene. Ed. Thomas P. Roche, Jr. Harmondsworth: Penguin, 1978. Spielman, David Wallace. ‘Sir Robert Howard, John Dryden, and the Attribution of The Indian Queen.’ Library 9.3, 7th series (2008): 334–48. Stagl, Justin. A History of Curiosity: The Theory of Travel 1550–1800. Studies in Anthropology and History. Chur: Harwood Academic Publishers, 1995. Steggle, Matthew. Richard Brome: Place and Politics on the Caroline Stage. Manchester: Manchester University Press, 2004. 228 Bibliography

——. Digital Humanities and the Lost Drama of Early Modern England: Ten Case Studies. Ashgate, forthcoming 2014. Stern, Tiffany. ‘Watching as Reading: The Audience and Written Text in Shakespeare’s Playhouse.’ How To Do Things with Shakespeare. Ed. Laurie Maguire. Malden: Blackwell Publishing, 2008. 136–59. ——. Documents of Performance in Early Modern England. Cambridge: Cambridge University Press, 2009. Stevens, Paul. ‘Paradise Lost and the Colonial Imperative.’ Milton Studies 34. Ed. Albert C. Labriola. Pittsburgh: University of Pittsburgh Press, 1996. 3–21. Sutton, John. ‘Porous Memory and the Cognitive Life of Things.’ Prefiguring Cyberculture: An Intellectual History. Ed. Darren Tofts, Annemarie Jonson, and Alessio Cavallaro. Cambridge, MA: MIT Press, 2002. 130–41. Taylor, Gary. ‘Hamlet in Africa 1607.’ Travel Knowledge: European ‘Discoveries’ in the Early Modern Period. Ed. Ivo Kamps and Jyotsna G. Singh. New York: Palgrave, 2001. 223–48. Theilmann, John M. ‘Medieval Pilgrims and the Origins of Tourism.’ Journal of Popular Culture 20.4 (2004): 93–102. Thurn, David. ‘Sights of Power.’ ELR 19.1 (1989): 3–21. Todd, Janet. The Secret Life of Aphra Behn. London: André Deutsch Ltd., 1996. Tomkis, Thomas. Lingva: Or, The Combat of the Tongue, and the fiue Senses For Superiority. London, 1607. Tribble, Evelyn B. ‘Distributing Cognition in the Globe.’ Shakespeare Quarterly 56.2 (2005): 135–55. ——. Cognition in the Globe: Attention and Memory in Shakespeare’s Theatre. New York: Palgrave, 2011. Tudor, Andrew. Monsters and Mad Scientists: A Cultural History of the Horror Movie. Oxford: Wiley-Blackwell, 1989. Turler, Jerome. The Traveiler. 1575. Gainesville, Florida: Scholars’ Facsimiles & Reprints, 1951. Turner, Robert K., Jr., ed. ‘Introduction’. Thomas Heywood, The Fair Maid of the West, Parts I and II. Regents Renaissance Drama Series. London: Edward Arnold, 1968. Tzanaki, Rosemary. Mandeville’s Medieval Audiences: A Study on the Reception of the Book of Sir John Mandeville (1371–1550). Aldershot: Ashgate, 2003. Ure, Peter. ‘The Dumb-Show in Macbeth.’ Times Literary Supplement. 6 April 1951. 213. Urry, John. The Tourist Gaze. London: Sage, 2002. Van Fossen, R.W., ed. Chapman, Jonson, and Marston. Eastward Ho. The Revels Plays. Manchester: Manchester University Press, 1979, rpt. 1999. Velte, Mowbray. The Bourgeois Elements in the Dramas of Thomas Heywood. New York: Haskell House, 1966. Verner, Lisa. The Epistemology of the Monstrous in the Middle Ages. New York: Routledge, 2005. Vincent, Thomas. Words of advice to young men delivered in two sermons at two conventions of young men, the one Decemb. 25, 1666, the other Decemb. 25, 1667. London, 1668. Visconsi, Elliott. ‘A Degenerate Race: English Barbarism in Aphra Behn’s Oroonoko and The Widow Ranter.’ ELH 69 (2002): 673–701. Bibliography 229

Vitkus, Daniel J. Three Turk Plays from Early Modern England: Selimus, A Christian Turned Turk, and The Renegado. New York: Columbia University Press, 2000. ——. ‘Travel Drama and Gender Politics, 1589–1642: Real and Imagined Worlds (book review).’ Medieval and Renaissance Drama in England 19 (2006): 330–1. Wade, Mike. ‘Ben Jonson’s love affair with Scotland (and his fling with Harry Ogle); mystery companion’s manuscript details famous playwright’s ribald and merry progress on foot from London to Edinburgh.’ The Times. 11 September 2009. Wake, Sir Isaac. Rex Platonicus. 1607. Trans. John R. Elliot Jr and Alan H. Nelson. Records of Early English Drama: Oxford 2, Editorial Apparatus. Toronto: University of Toronto Press, 2004. Wall, Wendy. Staging Domesticity: Household Work and English Identity in Early Modern Drama. Cambridge: Cambridge University Press, 2002. Walter, J.H., ed. Walter Mountfort. The Launching of the Mary, or The Seaman’s Honest Wife. 1632. Malone Society Reprints. Oxford: Oxford University Press, 1933 [1932]. Wiggins, Martin. Shakespeare and the Drama of his Time. Oxford: Oxford University Press, 2000. Williams, Clare. Thomas Platter’s Travels in England 1599. London: Jonathan Cape, 1937. Wilson, Richard. ‘Visible Bullets: Tamburlaine the Great and Ivan the Terrible.’ ELH 62 (1995): 47–68. Wilson-Okamura, David Scott. ‘Virgilian Models of Colonization in Shakespeare’s Tempest.’ ELH 70 (2003): 709–37. Wood, William. New England’s Prospect. London, 1634. Wright, Louis B. ‘Elizabethan Sea Drama and its Staging.’ Anglia-Zeitschrift für englische Philologie 51 (1927): 104–18. ——. Middle-Class Culture in Elizabethan England. London: Methuen, 1964 reprint. Wright, Thomas. The Passions of the Minde in Generall. London, 1604. Zacher, Christian K. Curiosity and Pilgrimage. Baltimore: Johns Hopkins University Press, 1976. Zouch, Richard. The Dove: or Passages of Cosmography. London, 1613. Index

active playgoer 2, 3, 42–4, 50, 60, Burton, Robert 35, 37–8, 46, 49, 158–9, 211 58–60, 62, 63, 65, 70, 127, 137, see also imagination, active 211 active reader 3, 32, 34, 49, 211 ‘Alba’ 156 Adler, Judith 15, 25, 26, 29 Busino, Horatio 87 Admiral’s Men 8, 10, 11, 64, 71, 72, 74, 155, 173 Campbell, Mary B. 139, 140 adultery, representations of 98, 105, Canfield, J. Douglas 190, 209 205–7 Carey, Daniel 20, 21, 25, 78 affectations of travellers 78, 83, Cartelli, Thomas 54, 55 85–7, 92–3, 97 Casas, Bartolomé Las 151 Alleyn, Edward 59, 71 censorship 119, 149, 181 Anderson, Benedict 114, 130 Chapman, George antitheatricalism 1, 92, 93, 210 Eastward Ho 9, 89, 162, 194 Aravamudan, Srinivas 196, 199, Charles I 147 202 Charles II 23, 150, 170, 173, 184 Aristotle 93, 174 chorus, role of 3, 9, 39–44, 47–9, 66, ars apodemica 19, 20–5, 26, 78, 85–6, 94, 114, 116, 118, 159, 211 87, 88, 91, 92, 94, 103, 106, 107, Chua, Brandon 183 166, 168–9 Clare, Janet 148, 149, 150, 151–2, 153, 155 Baker, Gulielmus 81, 135 Coleridge, Samuel Taylor 45, 179 Barbour, Richmond 32, 33 colonialism 2, 12, 53–4, 113, 147–8, Barnes, Barnabe 150–2, 182–209 The Devil’s Charter 177 conqueror plays 8, 52–7, 71–4 Bartels, Emily C. 67 Cope, Kevin L. 149, 160, 161 Beaumont, Francis Cortez, Hernando 11, 173, 174 Knight of the Burning Pestle 43 Coryate, Thomas 5, 6, 20, 31, 32, Behn, Aphra 182–208 33, 34, 70, 79, 81, 135, 165, 167 Oroonoko 172, 185, 193, 195, Corye, John 200–1, 202 The generous enemies, or The The Widow Ranter, or The History ridiculous lovers a comedy 157 of Bacon in Virginia 9, 182–3, cosmography 31, 54, 65–8, 129–30 184–93, 194, 195, 201, 203–8 court entertainments 3, 68–9, 145, Berek, Peter 52 149, 153–4, 155, 157 Birringer, Johannes H. 53 Cowley, Abraham 148 156 Craik, Katharine A. 138 Blount, Thomas 176 Creaser, John W. 86 Blundeville, Thomas 27 Cromwell, Oliver 147, 148, 150, Brome, Richard 151–2 The Antipodes 6, 8, 53, 67, 121, Cromwell, Richard 152 123–44, 199 cultural difference 8, 23, 94, 128, A Jovial Crew 29–30 132, 140

230 Index 231

Cunningham, Peter 69 East India Company 119–20 Cunningham, William 31, 54, 176 Eden, Richard 31, 129–30, 139, 140 Curtain Theatre 11, 116 Elizabeth I 111, 112 Elliott, J.H. 202 Dallington, Robert 21, 24, 70 Elyot, Sir Thomas 12, 30 Danson, Lawrence 40 English Faust Book 68, 69 Davenant, William 9, 11, 146, Englishness 93, 109, 113, 206 147–63, 164, 170, 172–3, 212 see also national identity The Cruelty of the Spaniards in Essex, 2nd Earl of (Robert Peru 9, 146, 147–9, 151–2, 153, Devereux) 21, 24, 111–12, 169 155, 159, 163, 172 experiential knowledge 87, 137 The First Days Entertainment at through travel 133, 134, 135, 141 Rutland-House 159 The History of Sir Francis Drake 9, Felltham, Owen 15, 29, 35, 59, 86, 146, 147–8, 152–3, 155, 161, 162, 169 163, 172 Ferguson, Margaret 183, 200, 203 The Playhouse to be Let 172 Feuillerat, Albert 74 Siege of Rhodes 159, 160, 161 Flatter, Richard 177 Day, John Floyd-Wilson, Mary 23 ‘The Conquest of the West Forde, Thomas Indies’ 11, 173, 190 Virtus rediviva: a panegyrick on our The Travels of the Three English late King Charles I 178 Brothers 8, 10, 113, 154, 176 Franklin, Wayne 132, 188, 192 Dekker, Thomas 50, 74 Frohock, Richard 147–8, 149, 150, Old Fortunatus 7, 8, 10, 42–3, 47, 151 63–4, 74–82, 79–82; 123, 159, 212 Frow, John 26 ‘Page of Plymouth’ 99 Fuchs, Barbara 108, 109, 112 Westward Ho 89 Fussell, Paul 14, 41, 43, 146, 163, Des Maizeaux, Pierre 164 212 Dessen, Alan C. 39, 40–1, 114, 117, 118, 161 genre 183 Devereux, Robert, see Essex, 2nd Earl of conqueror plays 8, 52–7, 71–4 Distributed Cognition 2, 20, 44–50, domestic tragedy 98–100, 183, 116–18, 121, 163, 211 203–8 domestic tragedy 98–100, 183, humoral comedies 99, 123–4, 125, 203–8 143 domesticity, representations of 83, moral entertainments 146, 148, 149 84, 98–9, 105, 107, 182–208 tragicomedies 183, 184, 190, 196 Donaldson, Ian 85, 90, 95 voyage drama 1–10 Drake, Sir Francis 150, 152 Gerbier, Sir Balthazar 21 Dryden John 170–80, 212, 213 Gossett, Suzanne 89 Conquest of Granada, Parts 1 & 2 Gosson, Stephen 10, 92, 93 201 Grand Tour 15, 21, 86, 146, 164, ‘Essay of Dramatick Poesie’ 16, 169, 170 158, 159 Greenblatt, Stephen 54, 57 The Indian Emperour 9, 146, 172, Greene, Robert 173, 174, 175, 179, 201 Alphonsus, King of Arragon 71 The Indian Queen (with Robert Friar Bacon and Friar Bungay 176 Howard) 9, 170–1, 172, 174, 201 Selimus (attributed) 71 232 Index

Guicciardini, Francesco 28 Horace 94, 132–4, 143, 144 Gurr, Andrew 38–9, 48, 157 Horodowich, Liz 12–13 Howard, Donald R. 139, 140 Hakluyt, Richard 13, 20, 21, 53, 112, Howard, Jean E. 92, 110, 113, 114 138, 139 Howard, Sir Robert 146, 172, 174, 196 Hall, Bishop Joseph 31, 124, 131, The Indian Queen (with Dryden) 9, 133, 134, 139, 141 170–1, 172, 174, 201 Harbage, Alfred 8, 73, 111 Howell, James 96–7, 104, 131, 132, Harington, Sir John 91 134, 135, 143–4 Haslem, Laurie Schroeder 205 humoral comedies 88, 90, 99, 123–4, Haughton, William 125, 143 ‘The Conquest of the West Indies’ humours, the 90, 107, 123–6, 137–8, 11, 173, 190 142, 143 Haynes, Jonathan 97–8 Hutchings, Mark 52–3, 62 Healy, Thomas 53, 70 Hutchins, Edwin 44, 48 Henderson, Diana E. 98–9 Hutner, Heidi 147, 170, 172–3, 183, Hendricks, Margo 183, 185, 203, 184, 187, 203, 204 204, 206 Henslowe, Philip ideal presence 19–20, 34–8, 41, 47, diary 10, 64, 72, 74 49, 61–2, 67, 178, 179, 182, 211 papers 67, 68–9, 71, 116, 155, 157, imagination, active 2–3, 5, 6, 9, 13, 173 28, 34–50, 52, 60, 61–3, 114, 117, Herbert, Sir Henry 119, 149 118, 121, 123, 145, 146, 153–4, Herrick, Robert 27 155, 157, 158, 159, 160–1, 162–3, Heywood, Thomas 3, 9, 71, 83–4, 172, 175, 177, 178–80, 211 85, 96–121, 123, 205, 212 Interregnum period 6, 9, 145–51, ‘Albere Galles’ 11 160, 212 Apology for Actors 83, 96, 98, 146, Iser, Wolfgang 3, 34, 42, 50, 211 148 Iwanisziw, Susan B. 197, 198 The English Traveller 3–4, 9, 83, 99–100, 101, 103, 107, 121 James I 177 Fair Maid of the West, Parts 1 & 2 James II 184 9, 83, 97, 99, 100, 107–8, 110–16, Johnson, Samuel 46 201 Jones, Inigo 85, 155, 156 Fortune by Land and Sea 9, 40, 83, Jonson, Ben 40, 79, 83–99, 104, 107, 99, 107–10, 115, 116, 117, 177, 116, 121, 123, 124–6, 132, 139, 194 143, 144, 164–5 If You Know Not Me, You Know Bartholomew Fair 89 Nobody 83 Cynthia’s Revels 86, 93 A Woman Killed With Kindness The Devil is an Ass 36–7, 69–70, 129 98–9, 101–2, 107, 204, 205, 207 Eastward Ho 9, 89, 162, 194 Holaday, Allan 96 The Entertainment at Britain’s Holland, Norman N. 47 Burse 139 Holland, Peter 41, 63, 67, 101, Epigrams 85 104–6, 115–16, 118, 124 Every Man In His Humour 88, 94 Holyday, Barten Every Man Out of His Humour 84, Technogamia, or The Marriages of the 88, 90, 94, 123–4, 125, 126 Arts 127–8 The New Inn 89, 139 Hopkins, Lisa 53, 60, 96 ‘Page of Plymouth’ 99 Index 233

Volpone 83, 86, 90, 94, 105, 123, ‘Stuhlweissenberg’ 11 164, 166, 169 ‘Tamar Cham, Parts 1 & 2’ 10, 64, Jowitt, Claire 7, 8, 109, 124, 138, 71–2, 73, 76 140, 210 ‘The Turkish Mahomet and Helen the Fair Greek’ 10 Kames, Lord (Henry Home) 19, 35, Lost Plays Database 11, 72–3, 98, 36, 37, 38, 46, 49, 178, 182, 211 156, 173, 190 Keck, David 58 Knutson, Roslyn L. 11, 64, 72–3, 76, MacCannell, Dean 5, 6, 16–17, 33, 155 49, 153, 171, 211 Mandeville, Sir John 10, 56, 57, 67, Lee, John 89, 95–6 81, 126, 127, 137, 138–44 Leech, Clifford 89 maps 12, 27, 28, 57–63, 65, 70, 135, Leigh, Edward 23, 24 211 Leslie, Marina 143 Maquerlot, Jean Pierre 7, 8 Levin, Richard 55 Mark, Jeffrey 149, 155 Levine, Laura 92, 93 markers Lipsius, Justus 20, 21, 24, 31–2, 33, sightseeing 5, 6, 16–17, 33–4, 49, 66, 92–3, 97, 106 153, 211 Lobb, Emmanuel, see Simons, Joseph theatrical 4, 6, 18, 49, 50, 153–4, Lodge, Thomas 150 155, 163, 171, 172, 179, 211–12 Wounds of the Civil War 71 Marlowe, Christopher 51–73, 76, 82, Lopez, Jeremy 40 84, 96, 123, 183, 211, 213 lost plays 10–11 Doctor Faustus 8, 51, 63–71, 72, ‘Ajax Flagellifer’ 156–7 74, 76, 77, 79, 82, 116, 123, 155 ‘Alba’ 156 The Jew of Malta 64, 74 ‘Albere Galles’ 11 Tamburlaine, Parts 1 & 2 7, 8, 9, ‘Belin Dun’ or ‘Bellendon’ 155 10, 31, 51–63, 64–5, 71, 72, 73, ‘The Blacksmith’s Daughter’ 10 74, 76, 82, 96, 163 ‘The Conquest of the West Marston, John Indies’ 11, 173, 190 Eastward Ho 9, 89, 162, 194 ‘Famous Tragicall history, of ye Massinger, Philip Tartarian Crippell Emperour of The Renegado 8, 9 Constantinople’ 72 Master of the Revels, see Herbert, ‘Fortunatus, Part 1’ 10, 74, 76 Sir Henry ‘The Four Sons of Aymon’ 98 McConachie, Bruce 42, 45 ‘Friar Francis’ 98–9 Merchant Taylors’ Hall 116, 118, 121 ‘History of Ferrar’ 68 Meyer, Albrecht 21–2, 26, 28 ‘Mahomet’ 10, 64 Miller, William E. 156 ‘The New World’s Tragedy’ 11, 64, mind-travelling 25–34, 133–5, 210–13 190 characters 81, 99–100, 123, ‘Page of Plymouth’ 99 129–35, 138–44 ‘The Plantation of Virginia’ 11, effects of scenery on 146–64 186, 190 in the theatre 38–50, 71, 114, ‘Scanderbeg’ 11 171–2, 179–80, 201–3, 210–13 ‘Sir John Mandeville Play’ 10 playwrights 57–63, 114 ‘A stately tragedy containing the see also travel, vicarious ambitious life and death of the Montrose, Louis 91, 96 great Cham’ 73, 75, 76 moral entertainments 146, 148, 149 234 Index morality playgoers and playgoing 85, 90, 91–2, 93–5, active imagination of 2–3, 5, 6, 9, 98, 110, 121, 136, 146, 148, 149, 13, 28, 34–50, 52, 60, 61–3, 114, 150, 210 117, 118, 121, 123, 145, 146, and sightseeing 164–80 153–4, 155, 157, 158, 159, 160–1, and travel 23, 24, 25, 19, 84–96, 162–3, 172, 175, 177, 178–80, 211 104–5, 121, 164–80, 210 knowledge of other countries 127 Moryson, Fynes 90 playgoing Mountfort, Walter 119 as departure from everyday 1, 15, The Launching of the Mary, or The 16, 39, 85, 91, 170, 210 Seaman’s Honest Wife 118–19 moral objections to 85, 90, 91–2, Münster, Sebastian 31, 129 93–5, 98, 110, 121, 136, 146, 148, 149, 150, 210 national identity 85–7, 109–111, playhouses 128–9, 131–2, 210 Blackfriars 156 native peoples, representations Cockpit 9, 149, 152, 153 of 11, 147, 148, 151, 155, 163, Curtain 11, 116 171, 172, 174, 184–7, 203–7 Globe 11 Neale, Thomas 168 King’s 172 negotium 91, 170, 210 Lincoln’s Inn Fields 172 Nell, Victor 101 Merchant Taylors’ Hall 116, 118, New World, the 11, 53, 54, 71, 121 89–90, 140, 150–4, 172, 173, 174, Red Bull 116 182–209 Rose 10, 116 Newman, Karen 12 Swan 120 Niayesh, Ladan 113 Theatre Royal 172 Nichols, Philip private theatres 116, 120, 154 Sir Francis Drake Revived 152 prospective glass 176–80, 212 Nixon, Anthony 154 Prynne, William 46, 136, 171 Northbrooke, John 92 public theatres 116, 118, 120, 145, 146, 153, 154, 155, 157, 170 Orgel, Stephen 46, 93, 156 Orr, Bridget 186 Rabkin, Norman 104, 105, 106 Ortelius, Abraham 26, 27, 28, 29, Raleigh, Sir Walter 111, 112, 203 57, 58, 59, 63, 169 Ramusio, Giovanni Battista 12–13 Ostovich, Helen 125 Rawlins, Thomas otium 90–1, 210 Tunbridge-Wells: or, A Dayes Courtship 158 Pagden, Anthony 201 real presence 13, 36, 67, 179, Palmer, Thomas 130–1 Revels Accounts 68–9 Pangallo, Matteo 41, 43 Rich, Julia A. 196, 198–9, 201 Parr, Anthony 7–8, 11, 23, 31, 127 Robinson, H. 14, 15 Pearson, Jacqueline 197, 199 Roe, William, 85, 86, 93, 95 Pepys, Samuel 172 Rosenthal, Laura J. 196 periaktoi 156–7 Rothstein, Eric 37, 61 perspective glass, see prospective glass Rowley, Samuel 173 piracy, representations of 108–110, Rowley, William, 108, 109 115 Fortune by Land and Sea 9, 40, 83, Platter, Thomas 66, 130, 131, 135, 174 99, 107, 108, 115, 117, 177, 194 Index 235

The Travels of the Three English Spenser, Edmund 56 Brothers 8, 10, 113, 154, 176 stage realism 1, 4, 38, 39, 48, 118, Rubiés, Joan-Pau 22, 23 159, 160–1 Ryan, Marie-Louise 46, 47 stage technologies 145, 155–61, 179 see also scenery; periaktoi; markers, Saint-Évremond, Sieur de (Charles de theatrical; chorus, role of Saint-Denis) staging travel 38–50, 107–21, 124 Sir Politick Would-be 146, 164–80 Stagl, Justin 22, 23 Sales, Roger 51, 54, 69 Stationers’ Register 10–11, 72, 173 Sanders, Julie 11–12, 46, 124 Steggle, Matthew 11 Sanford, Rhonda Lemke 12, 33, 143 Stern, Tiffany 153–4, 211 scenery 40, 46, 68–9, 146–64, 170–2, Strange’s Men 10, 71, 72 175, 179–80, 212 Sutton, John 3, 45, 117 Schwenger, Peter 60 Scott, Alison V. 139 Tanquam explorator 95 Seaton, Ethel 57–8 theatres, see playhouses Settle, Elkanah 175–6, 180 Theilmann, John M. 14 Shakespeare, William Thornton Burnett, Mark 54 The Comedy of Errors 128 Thurloe, Sir John 148, 151 Hamlet 98, 120, 147 Todd, Janet 184, 192, 194 Henry V 9, 39–41, 42, 43, 47 Tomkis, Thomas Macbeth 177 Lingva: Or, The Combat of the A Midsummer Night’s Dream 62 Tongue, and the fiue Senses For Othello 100, 200 Superiority 139 Romeo and Juliet 69, 147 tourism 13–18, 32, 49 The Tempest 9, 40, 43–4, 114, 154, in the early modern era 5, 66, 32, 192 33, 86, 145–6 Twelfth Night 192–3 as theatrical experience 16 Shapiro, James 51 tragicomedies 183, 184, 190, 196 Sidney, Sir Philip 21, 24, 38, 39, 40, travel 50, 94, 121 benefits of 22–3, 79, 96 sight markers 5, 6, 16, 33, 153, 211 corruptive potential of 23, 24, 25, sightseeing 5, 31–4, 66–9, 145–6 78, 131–2 and morality 164–80 desire to 52–7, 74, 77, 121, 134 scholarship of 13–18 in the early modern era 1–2, 5, Simons, Joseph 13–16, 20–5, 25–34, 66, 71, 130 Montezuma sive Mexici Imperii educative 15, 21, 22, 23, 26, 95, Occasus 173 103–4, 106, 170 slavery, representations of 196–9 as escape 83, 84, 96–107, 108, Smith, Wentworth 110, 121, 166 ‘Albere Galles’ 11 instructions for, see ars apodemica ‘The Conquest of the West knowledge through 21–2, 102–3, Indies’ 11, 173, 190 106, 133, 134 Snuggs, H.L. 90 morality and 19, 84–96, 104–5, Southerne, Thomas 121, 164–80, 210 Oroonoko 182, 195, 196–9, 200, 203 and national identity 85–7, Spain and the Spanish, 109–111, 131–2, 210 representations of 110–11, 115, pleasurable 2–3, 19, 24, 28, 29, 150, 151–2, 173, 174 31–3, 51, 66–9, 79 236 Index travel – continued Visconsi, Elliott 184 purposeful 20, 21–3, 32, 103, 104 secularisation of 23 Wake, Sir Isaac 156–7 staging 38–50, 107–21, 124 Walden, Aaron R. 188 therapeutic 123–44 wanderlust 53, 54, 65, 69, 81, 82, vicarious 11–13, 19, 20, 29, 31, 84, 121, 123, 125, 126, 127, 136 46, 53, 63, 67, 69, 76, 82, 112, Webb, John 159, 160 114, 125, 126, 133–4, 135, 170, Webster, John 179–80, 210, 212 Duchess of Malfi 98 see also mind-travelling Westward Ho 89 travellers, affectations of 19, 78, Whetstone, George 54 85–7, 92–3, 97 Wiggins, Martin 37, 52, 53, 69–70, travelling well 20–1, 78, 85–8, 92, 125 94–5, 109–10, 166 Wilkins, George see also ars apodemica The Travels of the Three English Tribble, Evelyn B. 44–5, 47, 48, 117, Brothers 8, 10, 113, 154, 176 118, 163 Willems, Michèle 7, 8 ‘Turk plays’ 10 Wilson, Richard 54 Turler, Jerome 29, 67, 134, 141 Wilson-Okamura, David Scott 23 Turner, Robert K. 100–1, 110, 111, 114 Wood, William 27, 59, 80, 211 Wright, Father Thomas 85 Ure, Peter 177 Wright, Louis B. 4, 22, 63, 112, Urry, John 1, 14, 15–16, 33, 39, 91 114–15, 117, 118, 119 vagari 22, 23, 91 Zacher, Christian K. 23, 141 Velte, Mowbray 100, 101, 107 Zouch, Richard 30 Vincent, Thomas 176–7 Zwicker, S. 22–3