Bibliography Abrams, M.H. The Mirror and the Lamp: Romantic Theory and the Critical Tradition. New York: Oxford University Press, 1953. Adams, Thomas R., ed. Pietro Martire d’Anghiera et al. The history of travayle in the West and East Indies. 1577. Delmar, NY: Scholars’ Facsimiles & Reprints, 1992. Adler, Judith. ‘Origins of Sightseeing.’ Annals of Tourism Research 16 (1989): 7–29. Agrippa, Henry Cornelius. Three Books of Occult Philosophy. London, 1650. Anderson, Benedict. Imagined Communities: Reflections on the Origin and Spread of Nationalism. London: Verso Editions, 1983. Anon. ‘A stately tragedy containing the ambitious life and death of the great Cham. c. 1590.’ MS. X.d.259. Folger Shakespeare Library. Anon. ‘Letter from Henry, prince of Purpoole, to the Great Turk [manuscript], 1594? December 27.’ MS. V.a.190. Folger Shakespeare Library. Anon. Merrie conceited iests of George Peele Gentleman, sometimes a student in Oxford Wherein is shewed the course of his life how he liued: a man very well knowne in the Citie of London and elsewhere. London, 1607. Aravamudan, Srinivas. Tropicopolitans: Colonialism and Agency, 1688–1804. Durham: Duke University Press, 1999. Arber, Edward, ed. A Transcript of the Registers of the Company of Stationers of London, 1554–1640 A.D. 5 vols. London: privately printed, 1875–94. Ardila, J.A.G. ‘The Influence and Reception of Cervantes in Britain, 1607–2005.’ The Cervantean Heritage: Reception and Influence of Cervantes in Britain. Ed. J.A.G. Ardila. London: Legenda (MHRA), 2009. 2–31. Argyll, Archibald Campbell, Marquis of. ‘Chapter V. Of travel.’ Instructions to a son by Archibald, late Marquis of Argyle; written in the time of his confinement. London, 1661. 69–78. Aristotle. Ethics. Trans. J.A.K. Thomson. Harmondsworth: Penguin, 1976. Ascham, Roger. The scholemaster or plaine and perfite way of teachyng children, to vnderstand, write, and speake, the Latin tong but specially purposed for the priuate brynging vp of youth in ientlemen and noble mens houses, and commodious also for all such, as haue forgot the Latin tonge ... By Roger Ascham. London, 1570. Astington, John H. English Court Theatre, 1558–1642. Cambridge: Cambridge University Press, 1999. Bach, Rebecca Ann. ‘Ben Jonson’s “Civil Savages”.’ Studies in English Literature, 1500–1900 37 (1997): 277–93. –––. Colonial Transformations: The Cultural Production of the New Atlantic World, 1580–1640. New York: Palgrave, 2000. Barber, C.L. Shakespeare’s Festive Comedy. Princeton: Princeton University Press, rpt. 1972. Barbour, Richmond. Before Orientalism: London’s Theatre of the East, 1576–1626. Cambridge: Cambridge University Press, 2003. Barczyk-Barakonska, Liliana. ‘“Never to go forth of the limits”: Space and Melancholy in Robert Burton’s Library Project.’ Journal of European Studies 33.3–4 (December 2003): 213–26. 214 Bibliography 215 Barnes, Barnabe. The Devil’s Charter. Ed. Nick de Somogyi. London: Nick Hern Books, 1999. Bartels, Emily C. Spectacles of Strangeness: Imperialism, Alienation, and Marlowe. Philadelphia: University of Pennsylvania Press, 1993. Bate, Jonathan. ‘The Elizabethans in Italy.’ Travel and Drama in Shakespeare’s Time. Ed. Jean-Pierre Maquerlot and Michèle Willems. Cambridge: Cambridge University Press, 1996. 55–74. Bawcutt, N.W., ed. The Control and Censorship of Caroline Drama: The Records of Sir Henry Herbert, Master of the Revels. Oxford: Clarendon Press, 1996. Beaumont, Francis. The Knight of the Burning Pestle. Ed. Sheldon P. Zitner. Revels Plays. Manchester: Manchester University Press, 1984, rpt. 2004. Behn, Aphra. The Widow Ranter: or, The History of Bacon in Virginia. Ed. Aaron R. Walden. New York: Garland, 1993. ——. Oroonoko and Other Writings. Ed. Paul Salzman. Oxford: Oxford University Press, 1994, rpt. 1998. Belsey, Catherine. The Subject of Tragedy. London: Methuen, 1985. Berek, Peter. ‘Tamburlaine’s Weak Sons: Imitation as Interpretation before 1593.’ Renaissance Drama n.s. 13 (1982): 55–82. Birringer, Johannes H. ‘Marlowe’s Violent Stage: “Mirrors” of Honor in Tamburlaine.’ ELH 51.2 (1984): 219–39. Blount, Thomas. Glossographia, or, A dictionary interpreting all such hard words of whatsoever language now used in our refined English tongue with etymologies, defini- tions and historical observations on the same: also the terms of divinity, law, physick, mathematicks and other arts and sciences explicated. London, 1661. Blundeville, Thomas. A briefe description of vniuersal mappes and cardes, and of their vse…. London, 1589. Brome, Richard. A Jovial Crew. Ed. Ann Haaker. Regents Renaissance Drama Series. London: Edward Arnold, 1968. ——. The Antipodes. Three Renaissance Travel Plays. Ed. Anthony Parr. The Revels Plays Companion Library. Manchester: Manchester University Press, 1995. Brown, Theodore M. ‘Descartes, Dualism, and Psychosomatic Medicine.’ The Anatomy of Madness: Essays in the History of Psychiatry. Ed. W.F. Bynum, Roy Porter, and Michael Shepherd. London: Tavistock Publications, 1985. 40–63. Burnett, Mark Thornton. ‘Tamburlaine: An Elizabethan Vagabond.’ Studies in Philology 84 (1987): 308–23. Burton, Robert. The Anatomy of Melancholy. 1621. Ed. Holbrook Jackson. New York: New York Review Books, 2001. Busino, Horatio. The Journals of Two Travellers in Elizabethan and Early Stuart England: Thomas Platter and Horatio Busino. Ed. Peter Razzell. London: Caliban Books, 1995. Cain, Tom, ed. The Poetry of Mildmay Fane, Second Earl of Westmorland: From the Fulbeck, Harvard and Westmorland Manuscripts. Manchester: Manchester University Press, 2001. Campbell, Mary B. The Witness and the Other World: Exotic European Travel Writing, 400–1600. Ithaca: Cornell University Press, 1988. Canfield, J. Douglas. ‘The Ideology of Restoration Tragicomedy.’ ELH 51.3 (1984): 447–64. Carey, Daniel. Continental Travel and Journeys Beyond Europe in the Early Modern Period: An Overlooked Connection. London: Hakluyt Society, 2009. 216 Bibliography ——. ‘Hakluyt’s Instructions: The Principal Navigations and Sixteenth-Century Travel Advice.’ Studies in Travel Writing 13.2 (2009): 167–85. Cartelli, Thomas. Marlowe, Shakespeare, and the Economy of Theatrical Experience. Philadelphia: University of Pennsylvania Press, 1991. ——. ‘Marlowe and the New World.’ Christopher Marlowe and English Renaissance Culture. Ed. Darryll Grantley and Peter Roberts. Aldershot: Scolar Press, 1996. 110–18. Cawley, Robert Ralston. The Voyagers and Elizabethan Drama. Boston: Modern Languages Association, 1938. Chalk, Darryl. ‘Contagious Emulation: Antitheatricality and Theatre as Plague in Troilus and Cressida.’ This Earthly Stage: World and Stage in Late Medieval and Early Modern England. Ed. Brett D. Hirsch and Christopher Wortham. Cursor Mundi 13. Turnhout: Brepols, 2010. 75–101. Chambers, E.K. The Elizabethan Stage. 4 vols. Oxford: Oxford University Press, 1923, rpt. 1974. Chapman, George. The Gentleman Usher. All Fools and The Gentleman Usher. Ed. Thomas Marc Parrott. Boston: D.C. Heath & Co, 1907. ——, Ben Jonson, and John Marston. Eastward Ho. ed. R.W. Van Fossen. The Revels Plays. Manchester: Manchester University Press, 1979, rpt. 1999. Chua, Brandon. ‘The Politics of Cowardice: Fear, Interest, and Security in Aphra Behn’s The Widdow Ranter.’ antiTHESIS 20 (2010): 173–93. Clare, Janet. ‘The Production and Reception of Davenant’s “Cruelty of the Spaniards in Peru”.’ Modern Language Review 89 (1994): 832–41. ——, ed. Drama of the English Republic, 1649–60. The Revels Plays Companion Library. Manchester: Manchester University Press, 2002. Clark, Ira. Professional Playwrights: Massinger, Ford, Shirley, & Brome. Lexington: University Press of Kentucky, 1992. Clode, Charles M., ed. Memorials of the Guild of Merchant Taylors of the Fraternity of St. John the Baptist, in the City of London: and of its associated charities and institutions. London, 1875. Colahan, Clark. ‘Shelton and the Farcical Perception of Don Quixote in Seventeenth-Century Britain.’ The Cervantean Heritage: Reception and Influence of Cervantes in Britain. Ed. J.A.G. Ardila. London: Legenda (MHRA), 2009. 61–5. Cole, Richard G. ‘Sixteenth-Century Travel Books as a Source of European Attitudes toward Non-White and Non-Western Culture.’ Proceedings of the American Philosophical Society 116.1 (1972): 59–67. Cope, Kevin L. ‘The Glory that WAS Rome – and Grenada, and Rhodes, and Tenochtitlan: Pleasurable Conquests, Supernatural Liaisons, and Apparitional Drama in Interregnum Entertainments.’ Studies in the Literary Imagination 32.2 (1999): 1–17. Coryate, Thomas. Coryats Crudities. London, 1611. ——. The Odcombian banquet. London, 1611. ——. Thomas Coriate Traueller for the English Wits. London, 1616. Corye, John. The generous enemies, or, The ridiculous lovers a comedy. London, 1672. Courtland, Joseph. A Cultural Studies Approach to Two Exotic Citizen Romances by Thomas Heywood. New York: Peter Lang Publishing, 2001. Craik, Katharine A. ‘Reading Coryats Crudities (1611).’ Studies in English Literature 1500–1900 44.1 (2004): 77–96. Bibliography 217 Creaser, John W., ed. Ben Jonson. Volpone, or The Fox. London Medieval and Renaissance Series. London: Hodder and Stoughton, 1978. Cromwell, Otelia. Thomas Heywood: A Study of the Elizabethan Drama of Everyday Life. Yale Studies in English. New Haven: Yale University Press, 1928. Cunningham, Peter, ed. Revels at Court: Being Extracts from the Revels Accounts of the Reigns of Queen Elizabeth and James I. To Which is Added Tarlton’s Jests and Tarlton’s News Out of Purgatory. Vol. 7. Piccadilly: The Shakespeare Society, 1853. Cunningham, William.