Christian Worship
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Call for Papers LUTHERANISM & the CLASSICS VI: Beauty Concordia Theological Seminary, Fort Wayne, Indiana October 1-2, 2020
Call for Papers LUTHERANISM & THE CLASSICS VI: Beauty Concordia Theological Seminary, Fort Wayne, Indiana October 1-2, 2020 WHAT: From the Reformation onward, Lutherans have not only held the languages and literatures of the ancient Greeks and Romans in high regard, but also respected their theories of aesthetics and artistic sensibilities. While Martin Luther came to believe that beauty is found not in an Aristotelian golden mean but rather in God’s own self- giving in Christ Jesus under forms that may seem ugly to unbelief, he valued proportionality, aesthetics, music, and the visual arts as precious gifts of a generous Creator. Imaging is not only what the human heart does—whether concocting idols or honoring God—but also how the proclaimed word portrays Christ: primarily as divine gift. The conference organizers seek individual papers (or panels with at least three participants) on such topics as follow: Reformation-era Perspectives on Beauty in Plato and Aristotle Lucas Cranach and the Classical Artistic Tradition The Basilica and Church Architecture The Role of Images in the Early Church Beauty and Aesthetics as Understood by the Church Fathers Iconolatry and Iconoclasm The Strange Beauty of the Cross Luther’s Understanding of Beauty under its Apparent Opposite in Selected Psalms Luther on the Theology and Beauty of Music Lutheran Phil-Hellenism Beauty in Orthodoxy, Pietism, and Rationalism Baroque Beauty: Bach and Others Classical Rhetoric and Christian Preaching The Beauty of Holiness Luther’s Aesthetics in Contrast to Modern Views of Beauty How Might Christian Children Learn Aesthetics? Our subject is broadly conceived and considerable latitude will be given to cogent abstracts. -
©® 2002 Joe Griffin 02-10-13-A.CC02-42
©Ê 2002 Joe Griffin 02-10-13-A.CC02-42 / 1 Clanking Chains: Self-Righteous Arrogance: Unhappiness, Iconoclastic, Client Nation, 2 Peter 1:1-2 5) The Arrogance of Unhappiness. We have seen this expression of arrogance associated with Authority Arrogance. The unhappy person is also self-righteous and is preoccupied with self. If he finds himself in a circumstance that causes him to be fearful or angry or both, he has an intense desire to be free of these things. Fascism and Nazism caused the founders of the Frankfurt School to first be afraid and then to become angry. They were unable to evaluate the historical circumstances surrounding the Third Reich from establishment viewpoint let alone biblical viewpoint. Unable to analyze these historical events as the ultimate act of fallen men driven by self- righteous arrogance, they chose instead to analyze them from the viewpoint of the West’s corrupt culture and authoritarian traditions with Christian theology being one of the major contributors. Fearful of a future repeat performance of fascism, the Frankfurt philosophers switched over to anger in their search for a solution. Implacability is locked-in anger that leads to bitterness. Bitterness is an expression of self-pity which expresses frustration that they can find no solution to their unhappy circumstance. Frustrated, self-righteous people never see their own faults but only the faults of others. These perceived faults may be real or imagined. And the Frankfurt fellows imagined that the causes of their frustrations were Western culture and Christian theology. This entangled them in: 6) Iconoclastic Arrogance. -
The Slow Integration of Instruments Into Christian Worship
Musical Offerings Volume 8 Number 1 Spring 2017 Article 2 3-28-2017 From Silence to Golden: The Slow Integration of Instruments into Christian Worship Jonathan M. Lyons Cedarville University, [email protected] Follow this and additional works at: https://digitalcommons.cedarville.edu/musicalofferings Part of the Christianity Commons, Fine Arts Commons, Liturgy and Worship Commons, Musicology Commons, and the Music Performance Commons DigitalCommons@Cedarville provides a publication platform for fully open access journals, which means that all articles are available on the Internet to all users immediately upon publication. However, the opinions and sentiments expressed by the authors of articles published in our journals do not necessarily indicate the endorsement or reflect the views of DigitalCommons@Cedarville, the Centennial Library, or Cedarville University and its employees. The authors are solely responsible for the content of their work. Please address questions to [email protected]. Recommended Citation Lyons, Jonathan M. (2017) "From Silence to Golden: The Slow Integration of Instruments into Christian Worship," Musical Offerings: Vol. 8 : No. 1 , Article 2. DOI: 10.15385/jmo.2017.8.1.2 Available at: https://digitalcommons.cedarville.edu/musicalofferings/vol8/iss1/2 From Silence to Golden: The Slow Integration of Instruments into Christian Worship Document Type Article Abstract The Christian church’s stance on the use of instruments in sacred music shifted through influences of church leaders, composers, and secular culture. Synthesizing the writings of early church leaders and church historians reveals a clear progression. The early musical practices of the church were connected to the Jewish synagogues. As recorded in the Old Testament, Jewish worship included instruments as assigned by one’s priestly tribe. -
Islam and Christian Theologians
• CTSA PROCEEDINGS 48 (1993): 41-54 • ISLAM AND CHRISTIAN THEOLOGIANS Once upon a time an itinerant grammarian came to a body of water and enlisted the services of a boatman to ferry him across. As they made their way, the grammarian asked the boatman, "Do you know the science of grammar?" The humble boatman thought for a moment and admitted somewhat dejectedly that he did not. Not much later, a growing storm began to imperil the small vessel. Said the boatman to the grammarian, "Do you know the science of swimming?" On the eve of the new millennium too much of our theological activity remains shockingly intramural. Instead of allowing an inherent energy to launch us into the larger reality of global religiosity, we insist on protecting our theology from the threat of contamination. If we continue to resist serious engagement with other theological traditions, and that of Islam in particular, our theology may prove as useful as grammar in a typhoon. But what would swimming look like in theological terms? In the words of Robert Neville, "One of the most important tasks of theology today is to develop strategies for determining how to enter into the meaning system of another tradition, not merely as a temporary member of that tradition, but in such a way as to see how they bear upon one another."1 I propose to approach this vast subject by describing the "Three M's" of Muslim-Christian theological engagement: Models (or methods from the past); Method (or a model for future experimentation); and Motives. I. -
Paganism and Idolatry in Near Eastern Christianity
Durham E-Theses 'The Gods of the Nations are Idols' (Ps. 96:5): Paganism and Idolatry in Near Eastern Christianity NICHOLS, SEBASTIAN,TOBY How to cite: NICHOLS, SEBASTIAN,TOBY (2014) 'The Gods of the Nations are Idols' (Ps. 96:5): Paganism and Idolatry in Near Eastern Christianity, Durham theses, Durham University. Available at Durham E-Theses Online: http://etheses.dur.ac.uk/10616/ Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in Durham E-Theses • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full Durham E-Theses policy for further details. Academic Support Oce, Durham University, University Oce, Old Elvet, Durham DH1 3HP e-mail: [email protected] Tel: +44 0191 334 6107 http://etheses.dur.ac.uk 2 Sebastian Toby Nichols ‘The Gods of the Nations are Idols’ (Ps. 96:5): Paganism and Idolatry in Near Eastern Christianity This thesis will explore the presentation in Christian literature of gentile religious life in the Roman Near East in the first few centuries AD. It will do so by performing a close study of three sources – the Syriac Oration of Meliton the Philosopher, the Syriac translation of the Apology of Aristides, and the Greek Address to the Greeks of Tatian. -
Principles of Worship and Liturgy
Perspective Digest Volume 16 Issue 1 Winter Article 3 2011 Principles of Worship and Liturgy Fernando Canale Follow this and additional works at: https://digitalcommons.andrews.edu/pd Part of the Liturgy and Worship Commons Recommended Citation Canale, Fernando (2011) "Principles of Worship and Liturgy," Perspective Digest: Vol. 16 : Iss. 1 , Article 3. Available at: https://digitalcommons.andrews.edu/pd/vol16/iss1/3 This Article is brought to you for free and open access by the Adventist Theological Society at Digital Commons @ Andrews University. It has been accepted for inclusion in Perspective Digest by an authorized editor of Digital Commons @ Andrews University. For more information, please contact [email protected]. Canale: Principles of Worship and Liturgy Worship and liturgy should reflect something far more than culture or personal preference. By Fernando Canale Many church members are bewildered by the multiplicity of Christian styles of worship. Usually, when believers are talking about these feelings, the conversation ends when someone asserts that the reasons for disliking a form of worship are cultural. Culture shapes taste. Thus, the reasoning follows, if the new style is accepted, with time it will become liked. Are worship styles1 a matter of taste or a matter of principle? Is corporate taste a reliable principle to shape our corporate worship style? Are there principles that can be used to help shape worship and to choose what to include in it? Page 1 of 26 Published by Digital Commons @ Andrews University, 2011 1 Perspective Digest, Vol. 16 [2011], Iss. 1, Art. 3 Many believers have worshiped God since their early youth. -
The Magazine of the Prayer Book Society
ANGLICAN WAY The magazine of the Prayer Book Society Volume 40 Number 1 Winter 2017 IN THIS ISSUE Reflections from 2 the Editor’s Desk From the President: 3 Incarnation and Image The New and Old 5 Learning and the Reformation in England Society Outreach in the 8 Anglican Province of Tanzania Christian Marriage in 10 the Book of Common Prayer (1662) Obergefell and the End 13 of Marriage Finding Pipe 16 Organs for Small Congregations Evelyn Underhill and 17 the BCP 20 Germany Retrospective 22 An Epiphany Sermon Reflections FROM THE Editor’s Desk Roberta Bayer, Ph.D., Assistant Professor, Patrick Henry College, Purcellville, Virginia We need your n this issue Fr. Edward Rix, Vice-President of the I have included a seasonal sermon by Fr. William gifts in order to Prayer Book Society writes about his missionary Martin, a former member of our board and priest trip to Tanzania on our behalf. He gave a sermon in the Anglican Province of America. Finally, Jared carry out your Ion marriage at a youth conference, the text of which Tomlinson has sent a report on the recent trip to mandate to is reprinted here, and had many interesting conver- Germany by the choir of St. Andrew’s Academy in defend the sations with bishops and other church leaders. Dur- Lake Almanor, California. St. Andrew’s is a boarding ing one conversation, Fr. Rix learned of their need school in the Anglican tradition. The school worships 1928 Book of for more copies of the 1954 Kiswahili Book of Com- with the traditional Book of Common Prayer and is Common Prayer. -
Principles for Worship
Principles for Worship Evangelical Lutheran Church in America Published by Augsburg Fortress RENEWING WORSHIP 2 Principles for Worship This resource has been prepared by the Evangelical Lutheran Church in America for provisional use. Copyright © 2002 Evangelical Lutheran Church in America. Published by Augsburg Fortress, Publishers. All rights reserved. Except for brief quotations in critical articles or reviews and for uses described in the following paragraph, no part of this book may be reproduced in any manner without prior written permission from the publisher. Contact: Permissions, Augs- burg Fortress, Box 1209, Minneapolis MN 55440-1209, (800) 421-0239. Permission is granted to reproduce the material on pages i- 154 for study and response, provided that no part of the re- production is for sale, copies are for onetime local use, and the following copyright notice appears: From Principles for Worship, copyright © 2002, administered by Augsburg Fortress. May be reproduced by permission for use only be- tween June 1, 2002 and December 31, 2005. Scripture quotations, unless otherwise noted, are from the New Revised Standard Version Bible © 1989 Division of Christ- ian Education of the National Council of Churches of Christ in the United States of America. Used by permission. Prayers and liturgical texts acknowledged as LBW are copyright © 1978 Lutheran Book of Worship and those acknowledged as With One Voice are copyright © 1995 Augsburg Fortress. The Use of the Means of Grace: A Statement on the Practice of Word and Sacrament, included as the appendix in this volume, was adopted for guidance and practice by the Fifth Biennial Churchwide Assembly of the Evangelical Lutheran Church in America, August 19, 1997. -
Global Christian Worship the Sign of the Cross
Global Christian Worship The Sign of the Cross http://globalworship.tumblr.com/post/150428542015/21-things-we-do-when-we-make-the- sign-of-the-cross 21 Things We Do When We Make the Sign of the Cross - for All Christians! Making ‘the sign of the cross’ goes back to the Early Church and belongs to all Christians. It’s a very theologically rich symbolic action! And did you know that Bonhoffer, practically a saint to Protestant Christians, often made the sign of the cross? (See below.) I grew up “thoroughly Protestant” and did not really become aware of “making the sign of the cross” in a thoughtful way until a few years ago, when I joined an Anglican church. Now it’s become a helpful act of devotion for me …. especially after I found this article by Stephen 1 Beale a few years ago (published online in November 2013) at http://catholicexchange.com/21-things-cross There is rich theology embedded in this simple sign, and as a non-Roman Catholic I appreciate all of the symbolism, and it does indeed deepen my spirituality and devotion. The history of making the symbolic motion goes back to the Early Church, more than a millennia before Protestants broke away in the Reformation. So when a Christian act has that long of a history, I believe that I can claim it for myself as a contemporary Christian no matter what denominations use it or don’t use it now. “Around the year 200 in Carthage (modern Tunisia, Africa),Tertullian wrote: ‘We Christians wear out our foreheads with the sign of the cross’ … By the 4th century, the sign of the cross involved other parts of the body beyond the forehead.” https://en.wikipedia.org/wiki/Sign_of_the_cross So, here is a reposting of Stephen’s list, with additional resources at the end. -
Christian Worship and Cultural Diversity: a Missiological Perspec
Bauer: Christian Worship and Cultural Diversity: A Missiological Perspec Christian Worship and Cultural Diversity: A Missiological Perspective I will begin with a couple of def- initions. First, worship is defined By Bruce L. Bauer as reverence or devotion for a deity, religious homage or venera- tion (Webster’s New World Diction- This article will look at two ary 1984, s.v. “worship”). The vast topics that engender a lot of de- majority of the words for worship bate and disagreement—worship in English Bibles are translated and culture. There are several from the Hebrew word shachah important questions that need to and the Greek word proskuneo. be addressed. How can worship Both words mean to bow down remain biblical and still be cultur- or prostrate oneself before a su- ally relevant? What are some of perior or before God (Seventh-day the biblical principles that should Adventist Bible Dictionary 1979, guide people in all cultures in s.v. “worship”). When I lived in their expression of worship? How Japan people bowed to show re- has American culture dominated spect and the deeper the bow the Adventist worship forms? Why is more respect that was intended. it important to worship God in Bowing in worship is an external culturally relevant ways rather form revealing an inner attitude than having a one size fits all of a desire to show honor. approach to worship? In other Second, culture is defined words, can Adventist worship be as “the more or less integrated expressed in a diversity of ways systems of ideas, feelings, and and still be biblical? values” (Hiebert 1985:30). -
Liturgy and Anglican Identity, Prague, 2005
Liturgy and Anglican Identity A Statement and Study Guide by the International Anglican Liturgical Consultation Prague 2005 Contents: • Overview • Anglican Ethos, Elements, what we value in worship • Some Anglican emphases, trends and aspirations . Bernard Mizeki Anglican Church - South Africa . St Mary’s Anglican Church - England . St Mark’s Anglican Church - Australia . St John’s Anglican Church -Japan • Suggestions for Study Overview We believe that Anglican identity is expressed and formed through our liturgical tradition of corporate worship and private prayer, holding in balance both word and sacramental celebration. Specifically, our tradition is located within the broad and largely western stream of Christian liturgical development but has been influenced by eastern liturgical forms as well. The importance of the eucharist and the pattern of daily prayer were re-focused through the lens of the Reformation, making both accessible to the people of God through simplification of structure and text and the use of vernacular language. Through the exchanges and relationships between the Provinces of the Anglican Communion the legacy of these historic principles continues to inform the on-going revision of our rites and their enactment in the offering to God of our worship. Each Province of the Anglican Communion has its own story to tell, and although within the Communion we are bound together by a common history, what really unites us, as with all Christians, is our one-ness in Christ through baptism and the eucharist. Our unity in baptism and at the table of the Lord is both a gift and a task. We celebrate our unity in Christ and seek to realize that unity through the diversity of backgrounds and cultures within the compass of the world-wide Anglican Communion. -
An Order for the Christian Worship of God for the Inperson Service April
An Order for the Christian Worship of God For the Inperson Service 4th Lesson: John 18:19-24 April 2, 2021 Good Friday Liturgical Color: Purple 5th Lesson: John 18:25-27 6th Lesson: John 18:28-32 A Service of Tenebrea During this powerful service recalling the arrest, trial, and 7th Lesson: John 18:33-38a crucifixion of Jesus Christ, fifteen candles will be lit on the Communion Table. An extended meditation on the Passion of 8th Lesson: John 18:38b-40 Christ will be read. One candle will be extinguished at the conclusion of each reading, until the service concludes in 9th Lesson: John 19:1-11 darkness. Praise Interlude “O Sacred Head Now Wounded” WE GATHER Welcome and Announcements Rev. Alex Stevenson 10th Lesson: John 19:12-16 Prelude “O Sacred Head Now Wounded” Nannette Carnes 11th Lesson: John 19:17-22 The Prayer 12th Lesson: John 19:23-24 Almighty God, your Son Jesus Christ was lifted high upon the cross so that he might draw the whole world to himself. 13th Lesson: John 19:25-27 Grant that we, who glory in this death for our salvation may also glory in his call to take up our cross and follow him; 14th Lesson: John 19:28-30 through Jesus Christ our Lord. Amen Anthem “When Jesus Wept” Opening Praise “O Love Divine, What Hast Thou Done” Elizabeth Payton, Cheri King, David King, John Austin King WE HEAR GOD’S WORD AND RESPOND 15th Lesson: John 19:31-37 The Passion of Jesus Christ Tenebrea Service 16th Lesson: John 19:38-42 The service of tenebrae or “darkness” is an ancient Christian form of worship which uses light and darkness to symbolize the death Sealing of the Tomb: of Jesus.