University of Cambridge Faculty of English Department of Anglo-Saxon, Norse & Celtic Pre-Christian Characters in Medieval I
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View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Apollo University of Cambridge Faculty of English Department of Anglo-Saxon, Norse & Celtic Pre-Christian Characters in Medieval Irish Literature: An Examination of Fástini Airt meic Cuind , De Suidigud Tellaig Temra , Aided Chonchobair and Aided Echach maic Maireda Helen Martha Burns Imhoff Newnham College This dissertation is submitted for the degree of Doctor of Philosophy July 2009 DECLARATION This dissertation is the result of my own work and includes nothing which is the outcome of work done in collaboration except where specifically indicated in the text. The dissertation does not exceed the regulation length, including footnotes, references and appendices but excluding the bibliography. I have used the stylesheet of Cambridge Studies in Anglo-Saxon England and the ASNC stylesheet. SUMMARY Pre-Christian Characters in Medieval Irish Literature: An Examination of Fástini Airt meic Cuind, De Suidigud Tellaig Temra, Aided Chonchobair and Aided Echach maic Maireda Helen Imhoff This dissertation consists of an analysis of the representation of the pre-Christian protagonists of the four medieval Irish tales Fástini Airt meic Cuind , De Suidigud Tellaig Temra , Aided Chonchobair and Aided Echach maic Maireda . In examining the portrayal of pre-Christian characters, I have addressed a particularly characteristic feature of medieval Irish literature. The four tales discussed here have, for the most part, not previously been studied in detail. For this reason, the dissertation is divided into two parts. Part I (chs. 1–3) focuses on questions of date, literary context and manuscript transmission of three of the tales ( Fástini Airt , De Suidigud and Aided Chonchobair ) and it serves as background to the thematic analysis of all four tales in Part II (chs. 4–8). In the thematic discussion, the bible is shown to have been an important influence on the depiction of the pre-Christian period and its relationship with the Christian present (ch. 4). In addition, biblical characters, God and Christ served as models for the representation of the tales’ protagonists (ch. 5). In Fástini Airt and Aided Echach , saintly characteristics are applied to the protagonists, highlighting the extent to which Christian and pre-Christian ages were presented as part of a continuum (ch. 6). This view was not, however, universally shared, as the poem A chloch thall in Aided Chonchobair shows (ch. 6). In Fástini Airt and De Suidigud , kingship is seen to derive its authority both from the pre-Christian past and from Christian ideas (ch. 7), both tales perhaps illustrating the relevance medieval tales could have to contemporary developments. Finally, the pre-Christians’ salvation in these four tales is in accordance with the teaching of the bible and theological authorities, as all four protagonists have faith in God (ch. 8). A number of aspects emerge as common to the representation of the pre- Christian past in these four tales. The most important of these are the use of the bible as a model, the idea of continuity from the pre-Christian past to the Christian present and the possibility of acquiring Christian faith in pre-Christian times. ACKNOWLEDGMENTS I would like to thank the Studienstiftung des deutschen Volkes, the Domestic Research Studentship Scheme, the Le Bas Trust Fund, the Cambridge European Trust, Newnham College, the British Association for Irish Studies, the Training Fund of the Department of Anglo-Saxon, Norse, and Celtic, the Scandinavian Studies Fund and the H. M. Chadwick Fund for the financial support they have given me since I began this PhD dissertation. I am very grateful to my supervisor, Dr Máire Ní Mhaonaigh, who has patiently answered many questions and has provided help and encouragement throughout. I would also like to thank Prof. Erich Poppe for making it possible for me to spend a semester at the Philipps-Universität Marburg. Many people have provided references, advice and encouragement and have made secondary literature available to me, in particular Dr Elizabeth Boyle, Denis Casey, Dr Richard Dance, Eric Denton, Dr Rosalind Love, Anna Matheson, Dr Geraldine Parsons, Dr Judy Quinn, Dr Paul Russell, Dr Dagmar Schlüter and Dr Sheila Watts, and along with others too numerous to mention. Dr Feargal Ó Béarra kindly sent me his PhD thesis and Dr Pam Hirsch helped solve initial funding problems. Dr Helen Foxhall Forbes read a chapter of this dissertation and Dr Antonia Ruppel offered advice on Latin translations. They and Jane Rowan have been good friends and given much encouragement. Elliott Lash has read sections of my dissertation and has been generally supportive. He and Dharshanie Mahadeva have provided practial help and cheerfulness along the way. My greatest thanks are to my family. My parents made it possible for me to undertake the work for this dissertation in the first place, and they and my sister, Jenny, have done everything they can to support me. I am extremely grateful for their patience, interest, encouragement and help. TABLE OF CONTENTS Abbreviations and Conventions i Introduction 1 The Tales 3 The Texts in Lebor na hUidre 3 Aided Chonchobair and De Suidigud Tellaig Temra 6 Structure of the Dissertation 7 PART I: BACKGROUND 9 Chapter 1: Fástini Airt Meic Cuind 10 Language and Date 10 Prose 10 Phonology 10 Morphology 11 Verse 12 Phonology 12 Morphology 14 Textual Tradition 17 Fástini Airt and Related Texts 17 Caith Mhaighe Mochruimhe and Fástini Airt 19 Thematic Structure 22 The Monastery of Treóit: Fástini Airt ’s Place of Origin? 32 Treóit in the Written Sources 33 Treóit’s Political Affiliations 36 Conclusion 38 Chapter 2: De Suidigud Tellaig Temra 39 Literary Context 39 Fintan in Medieval Irish Literature 39 Fintan’s Association with Irish Place-name Lore 42 Trefuilngid and the Trees 44 The Setting of De Suidigud Tellaig Temra 47 The Structure of De Suidigud Tellaig Temra 49 Poems Marking the Resolution of a Problem 50 The Subtales and Poems 3, 5 and 6 54 Conclusion 59 Chapter 3: Aided Chonchobair 60 The Manuscripts and their Textual Relationship 60 Meyer’s Version A 61 Meyer’s Versions B, C and D 65 The Distribution of Narrative Elements 72 Conclusion 79 PART II: THEMES 80 Chapter 4: Past and Present in the Tales 81 The Old Testament and the Pre-Christian Past 82 Explicit Reference to The Crucifixion 89 “Christian” and “Pre-Christian” Sections in De Suidigud Tellaig Temra 89 Ignorance and Enlightenment in Aided Chonchobair 91 The New-Testament Setting of Aided Chonchobair in N 93 Conclusion 95 Chapter 5: Parallels with Biblical and Christian Characters 97 Parallels with Biblical Characters 99 De Suidigud Tellaig Temra and the Old Testament 99 Lí Ban and the New Testament 103 Parallels with God and Christ 106 Art, God and Christ 107 Aided Chonchobair and Parallels with Christ 109 Conchobar’s Poem – Suffering with Christ 110 A Thematically Related Text: Síaburcharpat Con Culaind 117 Conclusion 119 Chapter 6: Saints and Relics 121 Pre-Christian Saints? Lí Ban and Art mac Cuinn 121 ‘Ferta 7 mirmaili’: Hagiographical Elements in Aided Echach 122 ‘Mo thasi for coí bád masi la Día’: Art and his Grave 125 Description of Treóit and of Art’s Grave 126 Art’s Saint-Like Characteristics 129 Saints’ Burial Places and Relics 136 Mess Gegra’s Brain in Pre-Christian and Christian Times 138 Conclusion: Pre-Christian Saints and Sinners 146 Chapter 7: Christian Kingship and the Pre-Christian Past 148 The Basis of Kingship and Royal Authority in Fástini Airt and De Suidigud Tellaig Temra 148 Divinely Derived Tradition and Legal Aspects in De Suidigud Tellaig Temra 148 Law and the Pre-Christian Past 150 Christian Kingship and Ancestral Authority in Fástini Airt 153 Inauguration and Symbols of Kingship 156 Ecclesiastical Involvement in Royal Inauguration 156 Trees as Symbols of Kingship 159 Tara and the Kingship of Ireland in De Suidigud Tellaig Temra 162 Contemporary Concerns in Fástini Airt ? 168 Conclusion 171 Chapter 8: Salvation 173 Pre-Christian Faithful 173 The Bible, the Fathers and Medieval Theologians 173 The New Testament 174 The Fathers and Medieval Theologians 176 Divine Revelation in Medieval Irish Texts 179 Faith and Suffering 184 Suffering and the Crucifixion 188 Suffering, Self-Denial and Endurance 190 Baptism 192 Other Forms of Baptism 196 Baptism and Grace in Fástini Airt? 198 Conclusion 199 Conclusion 201 Bibliography 206 ABBREVIATIONS AND CONVENTIONS The following list of abbreviations includes primary sources the title of which is not identical to that of the editions in which they are found. A chloch thall ed. and trans. K. Meyer, The Death-Tales of the Ulster Heroes , Todd Lecture Series 15 (Dublin, 1906), pp. 18–21 AC Aided Chonchobair ; ed, and trans. K. Meyer, The Death-Tales of the Ulster Heroes , Todd Lecture Series 15 (Dublin, 1906), pp. 2–21 AE Aided Echach maic Maireda ; ed. LU , 2925–3134 AFM The Annals of the Four Masters; ed. and trans. J. O’Donovan, Annala Rioghachta Eireann: Annals of the Kingdom of Ireland, by the Four Masters, from the Earliest Period to the Year 1616 , 7 vols., 2nd ed. (Dublin, 1856) AI The Annals of Inisfallen; ed. and trans. S. Mac Airt, The Annals of Inisfallen (MS. Rawlinson B. 503) (Dublin, 1951) Amra Choluim Chille ed. and trans. T. O. Clancy and G. Márkus, ed. and trans., Iona: The Earliest Poetry of a Celtic Monastery (Edinburgh, 1995), pp. 96–128 ATig The Annals of Tigernach; ed. and trans. W. Stokes, ‘The Annals of Tigernach’, Revue celtique 16 (1895), 374–419; 17 (1896), 6–33, 119–263, 337– 420; 18 (1897), 9–59, 150–97, 267–303; reprinted as The Annals of Tigernach , 2 vols. (Felinfach, 1993) (references in the footnotes are to the reprint) AU The Annals of Ulster; ed.