Vulgaria (2012) Le Tragicomiche Vicende Di Un Produttore Di Serie B Nel Confuso Mondo Del Cinma Di Hong Kong

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Vulgaria (2012) Le tragicomiche vicende di un produttore di serie B nel confuso mondo del cinma di Hong Kong. Un film di Pang Ho-Cheung con Dada Chan, Chapman To, Ronald Cheng, Kristal Tin, Simon Liu Yu-yeung, Siu Yam-Yam, Ip Shan-Ho. Genere Commedia nera durata 90 minuti. Produzione Hong Kong 2012. L'attore Chapman To, dopo la passata collaborazione in 'Isabella', torna a recitare in un film del dissacrante regista Pang Ho-Cheung. Emanuele Sacchi - www.mymovies.it Il produttore To Wai-cheung, invitato a esporre di fronte a degli studenti di cinema, svuota l'armadio dai suoi scheletri e comincia a raccontare le tragicomiche avventure nel cinema di serie B di Hong Kong, tra pornografia e compromessi con le Triadi. Nella sua poliedrica carriera da scavezzacollo Pang Ho-cheung ha attraversato tutti i generi, ma il fil rouge che accomuna buona parte delle sue commedie è quello dell'ammiccamento erotico, visto con gli occhi di un eterno adolescente, spesso non lontano per sensibilità dalla commedia italiana pecoreccia dei '70. Dopo il porno di 'AV', le gag scatologiche di 'Trivial Matters' e le scappatelle di 'Men Suddenly in Black', era tempo che Pang girasse il suo testamento definitivo sul lato più triviale del cinema di Hong Kong. Con in mente 'The Producers' di Mel Brooks, Pang fornisce la sua interpretazione della vita di un produttore cinematografico di serie B, affidandone la parte al suo interprete naturale, quel Chapman To ormai perennemente incastrato nelle maglie della commedia sexy demenziale. Sbeffeggiando il successo di 'Sex and Zen 3D' e delle bassezze commerciali che sottostanno a un cinema dominato da un'ipocrita pruderie, 'Vulgaria' potrebbe precipitare in ogni momento sotto il peso della sua grevità, ma una mano leggera e sapientemente cinefila - delizioso l'omaggio sotto mentite spoglie all'erotismo d'antan di Intimate 'Confessions of a Chinese Courtesan' di Chor Yuen - come quella di Pang riesce a stemperare anche eccessi come la sequenza della copula con le mule a cui i cineasti sono costretti dal gangster caricaturale e psicopatico Tyrannosaurus. Diviso tra una moglie che lo odia e attricette discinte disposte a tutto per una parte da protagonista, come la Popping Candy specializzata in fellatio indimenticabili, To Wai-cheung è un po' il simbolo di un cinema orgogliosamente cantonese perdente ma duro a morire (di fronte all'avanzata censoria della Cina) e soprattutto incapace di prendersi sul serio. Vulgaria è un atto d'amore disarmante per il cinema exploitation a cui si perdonano volentieri le approssimazioni di un instant script per la sincera e scurrile passione che vi è profusa. copyright© 2000- 2021 MYmovies.it® - Mo-Net S.r.l. - [email protected].

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Bibliography
BIBLIOGRAPHY An Jingfu (1994) The Pain of a Half Taoist: Taoist Principles, Chinese Landscape Painting, and King of the Children . In Linda C. Ehrlich and David Desser (eds.). Cinematic Landscapes: Observations on the Visual Arts and Cinema of China and Japan . Austin: University of Texas Press, 117–25. Anderson, Marston (1990) The Limits of Realism: Chinese Fiction in the Revolutionary Period . Berkeley: University of California Press. Anon (1937) “Yueyu pian zhengming yundong” [“Jyutpin zingming wandung” or Cantonese fi lm rectifi cation movement]. Lingxing [ Ling Sing ] 7, no. 15 (June 27, 1937): no page. Appelo, Tim (2014) ‘Wong Kar Wai Says His 108-Minute “The Grandmaster” Is Not “A Watered-Down Version”’, The Hollywood Reporter (6 January), http:// www.hollywoodreporter.com/news/wong-kar-wai-says-his-668633 . Aristotle (1996) Poetics , trans. Malcolm Heath (London: Penguin Books). Arroyo, José (2000) Introduction by José Arroyo (ed.) Action/Spectacle: A Sight and Sound Reader (London: BFI Publishing), vii-xv. Astruc, Alexandre (2009) ‘The Birth of a New Avant-Garde: La Caméra-Stylo ’ in Peter Graham with Ginette Vincendeau (eds.) The French New Wave: Critical Landmarks (London: BFI and Palgrave Macmillan), 31–7. Bao, Weihong (2015) Fiery Cinema: The Emergence of an Affective Medium in China, 1915–1945 (Minneapolis: University of Minnesota Press). Barthes, Roland (1968a) Elements of Semiology (trans. Annette Lavers and Colin Smith). New York: Hill and Wang. Barthes, Roland (1968b) Writing Degree Zero (trans. Annette Lavers and Colin Smith). New York: Hill and Wang. Barthes, Roland (1972) Mythologies (trans. Annette Lavers), New York: Hill and Wang. © The Editor(s) (if applicable) and The Author(s) 2016 203 G.
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