Gayle Forman DISCUSSION GUIDE
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Black Storytellers in Ruth Mcenery Stuart's "Blink" (1893) and Charles W
Swarthmore College Works English Literature Faculty Works English Literature 2002 Command Performances: Black Storytellers In Ruth McEnery Stuart's "Blink" (1893) And Charles W. Chesnutt's "The Dumb Witness" (1899) Peter Schmidt Swarthmore College, [email protected] Follow this and additional works at: https://works.swarthmore.edu/fac-english-lit Part of the English Language and Literature Commons Let us know how access to these works benefits ouy Recommended Citation Peter Schmidt. (2002). "Command Performances: Black Storytellers In Ruth McEnery Stuart's "Blink" (1893) And Charles W. Chesnutt's "The Dumb Witness" (1899)". Southern Literary Journal. Volume 35, Issue 1. 70-96. DOI: 10.1353/slj.2003.0013 https://works.swarthmore.edu/fac-english-lit/25 This work is brought to you for free by Swarthmore College Libraries' Works. It has been accepted for inclusion in English Literature Faculty Works by an authorized administrator of Works. For more information, please contact [email protected]. Command Performances: Black Storytellers in Stuart's "Blink" and Chesnutt's "The Dumb Witness" Author(s): Peter Schmidt Source: The Southern Literary Journal, Vol. 35, No. 1, Nineteenth Century Southern Writers (Fall, 2002), pp. 70-96 Published by: University of North Carolina Press Stable URL: http://www.jstor.org/stable/20078350 Accessed: 20-11-2017 17:05 UTC JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. -
PDF of the Princess Bride
THE PRINCESS BRIDE S. Morgenstern's Classic Tale of True Love and High Adventure The 'good parts' version abridged by WILLIAM GOLDMAN one two three four five six seven eight map For Hiram Haydn THE PRINCESS BRIDE This is my favorite book in all the world, though I have never read it. How is such a thing possible? I'll do my best to explain. As a child, I had simply no interest in books. I hated reading, I was very bad at it, and besides, how could you take the time to read when there were games that shrieked for playing? Basketball, baseball, marbles—I could never get enough. I wasn't even good at them, but give me a football and an empty playground and I could invent last-second triumphs that would bring tears to your eyes. School was torture. Miss Roginski, who was my teacher for the third through fifth grades, would have meeting after meeting with my mother. "I don't feel Billy is perhaps extending himself quite as much as he might." Or, "When we test him, Billy does really exceptionally well, considering his class standing." Or, most often, "I don't know, Mrs. Goldman; what are we going to do about Billy?" What are we going to do about Billy? That was the phrase that haunted me those first ten years. I pretended not to care, but secretly I was petrified. Everyone and everything was passing me by. I had no real friends, no single person who shared an equal interest in all games. -
Sleeping Ugly by Jane Yolen
Sleeping Ugly by Jane Yolen Parts (7): Narrator 1 Narrator 2 Miserella Jane Fairy Prince Jojo <><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><> Narrator 1: Princess Miserella was a Miserella: beautiful princess Narrator 2: if you counted her eyes (Miserella indicates eyes, nose, mouth and toes.) nose and mouth and all the way down to her Miserella: toes. Narrator 1: But inside, where it was hard to see, she was the meanest Narrator 2: wickedest, Narrator 1: and most worthless Narrator 2: princess around. She liked Miserella: stepping on dogs! (Miserella makes such foot movements) Narrator 1: She kicked kittens. (Miserella makes kicking actions) Narrator 2: She threw pies Miserella: in the cooks face, Tee Hee Hee. Narrator 1: And she never, (Miserella shakes head back and forth) not even once, said "Thank you," or "Please." Narrator 2: Now, in that very same kingdom, in the middle of the woods, lived a poor orphan (Jane turns in) named Jane: Plain Jane! Narrator 1: And plain she certainly was! Her hair was Jane: short Narrator 2: and turned down. Her nose was Jane: long Narrator 2: and turned up. And even if they had been the other way around, whe would not have been a Jane: great beauty. Narrator 1: But, she loved animals! And, she was always kind to strange old ladies. (Jane turns Back to Audience as Miserella turns in) Narrator 2: One day, Princess Miserella rode her horse out of the palace gates in a big huff. (Miserella mimes riding horse.) She rode and rode and rode, Miserella: looking beautiful, as always Narrator 1: even with her hair in tangles. -
Heaven's Wager, Thunder of Heaven, and When Heaven Weeps PDF by Ted Dekker PDF Online Free
Download The Heaven Trilogy: Heaven's Wager, Thunder of Heaven, and When Heaven Weeps PDF by Ted Dekker PDF Online free Download The Heaven Trilogy: Heaven's Wager, Thunder of Heaven, and When Heaven Weeps PDF by Ted Dekker PDF Online free The Heaven Trilogy: Heaven's Wager, Thunder of Heaven, and When Heaven Weeps He is known for stories that combine adrenaline-laced plots with incredible confrontations between good and evil. Twitter @TedDekker, facebook/#!/teddekker . He is known for stories that combine adrenaline-laced plots with incredible confrontations between good and evil. Ted Dekker is the New York Times best-selling author of more than 25 novels. He lives in Texas with his wife and children. About the AuthorTed Dekker is the New York Times best-se The book The Heaven Trilogy: Heaven's Wager, Thunder of Heaven, and When Heaven Weeps written by Ted Dekker consist of 1072 pages. It published on 2014-07-08. This book available on paperback format but you can read it online or even download it from our website. Just follow the simple step. 1 / 5 Download The Heaven Trilogy: Heaven's Wager, Thunder of Heaven, and When Heaven Weeps PDF by Ted Dekker PDF Online free Read [Ted Dekker Book] The Heaven Trilogy: Heaven's Wager, Thunder of Heaven, and When Heaven Weeps Online PDF free The Violent Decade: A Foreign Correspondent in Europe and the Middle East, 1935-1945 BEAUTY FLASH YOU Rule! Take Charge of Your Health and Life: A Healthy Lifestyle Guide for Teens Nanosciences: The Invisible Revolution Knights of the Blood (Knights of Blood) -
Pretty Princess Day
Pretty Princess Day Rebecca Dietsch __________________Cast of Characters _________CHRISTINA: hopelessly in love with Michael, bridesmaid of Heather ____GREY: head of catering, has a crush on Heather. _______MICHAEL: ex-groom. ______TAYLOR: best friend of Heather. Loyal, steadfast, hates Michael _______HEATHER: bride. 1. SCENE_______ 1 HEATHER'S apartment. HEATHER is putting things in a box for MICHAEL. MICHAEL I can't remember which forks were yours. HEATHER Yeah, they're all kind of just silver. You can take them all. MICHAEL What am I going to do with forty forks? HEATHER I can donate them? MICHAEL You need some forks. HEATHER I still have the blue set from the shower. MICHAEL Heather, you have to return those. HEATHER Um- MICHAEL You have to send back all the gifts. HEATHER I hear you. MICHAEL I can do it, if that's easier. HEATHER No need. MICHAEL Right. I think that's the last of it. Thanks for letting me take the futon. HEATHER I'm going to redecorate anyways. The old furniture didn't really go. Oh wait. She hands him a ring box. Created using Celtx 2. MICHAEL Keep that. HEATHER I don't really want to. MICHAEL You could sell it. HEATHER I don't really want to go to different pawn shops trying to sell an old engagement ring. MICHAEL The internet? HEATHER That's a depressing listing to write. MICHAEL I can sell it and send you a check. HEATHER No thanks. MICHAEL You want to get lunch or something? HEATHER I have to see Grey. MICHAEL The color? HEATHER The caterer. -
Icaeyeblinkmetrics() Version 3.2
Documentation for: icaeyeblinkmetrics() Version 3.2 This EEGLAB toolbox is designed for automated/semi-automated selection of ICA components associated with eye- blink artifact using time-domain measures. The toolbox is based on the premises that 1) an ICA component associated with eye blinks should be more related to the recorded eye blink activity than other ICA components, and 2) removal of the ICA component associated with eye blinks should reduce the eye blink artifact present within the EEG following back projection. Other than the EEG input, the only required input for the function is specification of the channel that exhibits the artifact (in most cases the VEOG electrode). This can either be stored within the EEG.data matrix or within EEG.skipchannels. It will then identify eye-blinks within the channel to be used for computation of the metrics listed below. If you are not sure what channel to choose, you can let the function determine the channel where the artifact maximally presents but this does slow the function down. The toolbox does not change the data in any way, it only provides an output stored in ‘EEG.icaquant’ providing: 1. Metrics: a. The correlation between the measured artifact in the artifact channel and each ICA component. (i.e. how similar the ICA component is to the eye blink) b. The adjusted normalized convolution of the ICA component activity with the measured artifact in the artifact channel. (i.e., how well does the ICA component overlap with the eye blink) c. The percent reduction in the artifact present in the EEG for each ICA component if it was removed. -
Characteristic Alpha Reflects Predictive Anticipatory Activity (PAA)
Characteristic Alpha Reflects Predictive Anticipatory Activity (PAA) in an Auditory-Visual Task Julia A. Mossbridge1,2(&) 1 Institute of Noetic Sciences, Petaluma, USA [email protected] 2 Department of Psychology, Northwestern University, Evanston, USA Abstract. Several lines of evidence suggest that humans can predict events that seem to be unpredictable through ordinary sensory means. After reviewing the literature in this controversial field, I present an exploratory EEG study that addresses this hypothesis. I used a pattern classification algorithm drawing on EEG data prior to stimulus presentation to successfully predict upcoming motor responses that were constrained by the upcoming stimulus. Both the phase of peak alpha activity and overall amplitude at *550 ms prior to the presentation of the stimulus were useful in predicting the upcoming motor response. Although these results support the idea that brain activity may reflect precog- nitive processes in certain situations, due to the exploratory nature of this study, additional pre-registered confirmatory experiments are required before the results can be considered solid. Implications for creating a closed-loop predic- tive system based on human physiology are discussed. Keywords: Predictive anticipatory activity Á Presentiment Á Precognition Á Prospection Á EEG Á Alpha Á Auditory-visual 1 Introduction Many organisms can use associations from past experiences to help predict future ones. For instance, planarian worms that have been trained to expect electrical shock fol- lowing a light burst will demonstrate a conditioned response to the light alone [1]. Here we discuss some neurophysiological correlates of a different kind of prediction – one that does not seem to be based on inferences from past experiences. -
PDF Download the Controversial Princess Pdf Free Download
THE CONTROVERSIAL PRINCESS PDF, EPUB, EBOOK Jodi Ellen Malpas | 400 pages | 07 Jun 2018 | Everafter Romance | 9780996781824 | English | New York, United States The Controversial Princess PDF Book The backlash would be catastrophic. I take in the picture of me getting out of a car outside the Royal Opera House, being shielded by Damon, my driver and head of security. I loved her tenacity! The lowest-priced, brand-new, unused, unopened, undamaged item in its original packaging where packaging is applicable. Then there is Josh — I am not sure I can get a clear picture of him yet. With disapproval, and like he is mentally plotting their disappearance from my life. Aug 15, Jen rated it it was amazing Shelves: favorites , forbidden , series-book , erotic-romance , contemporary-romance , kindle-own , royalty , august I step forward, forcing her to crane her neck back to keep me in her sights. And never has a man had my blood pulse with excitement. We use cookies to ensure that we give you the best experience on our website. We keep those bastards well away. LOADS of chemistry. I tilt my head, thoughtful. My father. And it would have been even before I knew the lying cheat was making amends with Mrs. Utter perfection! Home 1 Books 2. As the story moves on Adeline gets more desperate by the minute her life is not only a cage - it becomes a prison, the walls are closing in on her and her few ways to escape are shut down one after the other — and her desperation feels very real. -
The Books of Mortals Ted Dekker
The Books of Mortals SOVEREIGN TED DEKKER AND TOSCA LEE New York Boston Nashville Sovereign_HCtextF1.indd iii 3/12/13 10:33:59 PM This book is a work of fiction. Names, characters, places, and incidents are the product of the authors’ imagination or are used fictitiously. Any resemblance to actual events, locales, or persons, living or dead, is coincidental. Copyright © 2013 by Ted Dekker All rights reserved. In accordance with the U.S. Copyright Act of 1976, the scanning, uploading, and electronic sharing of any part of this book without the permission of the publisher is unlawful piracy and theft of the author’s intellectual property. If you would like to use material from the book (other than for review purposes), prior written permission must be obtained by contacting the publisher at [email protected]. Thank you for your support of the author’s rights. FaithWords Hachette Book Group 237 Park Avenue New York, NY 10017 faithwords.com Printed in the United States of America RRD-C First Edition: June 2013 10 9 8 7 6 5 4 3 2 1 FaithWords is a division of Hachette Book Group, Inc. The FaithWords name and logo are trademarks of Hachette Book Group, Inc. The Hachette Speakers Bureau provides a wide range of authors for speaking events. To find out more, go to www.hachettespeakersbureau.com or call (866) 376-6591. The publisher is not responsible for websites (or their content) that are not owned by the publisher. Library of Congress Cataloging-in-Publication Data Dekker, Ted, 1962– Sovereign : the Books of Mortals / Ted Dekker and Tosca Lee.—First Edition. -
Blink of an Eye: Material Nature Captured in the Momentary Now a Radical 1St Person Perspective
Blink of an Eye: Material Nature Captured in the Momentary Now A radical 1st person perspective To Ula Dwight Holbrook Blink of an Eye: Material Nature Captured in the Momentary Now A radical 1st person perspective Also by Dwight Holbrook: The Wickham Claim: Being an Inquiry into the Attainder of Parker Wickham, the factual account of a legally contested Revolutionary War confiscation in 1779. The book brought about a legal claim credited with blocking the development of Robins Island in the Peconic Bay of Long Island. ABSTRACT. Holbrook, Dwight. Blink of an Eye: Material Nature Captured in the Momentary Now. A radical 1st person perspective. Faculty of English. Adam Mickiewicz University. Poznań 2018. Pp. 215. ISBN 978-83-944926-3-2. Text in English. Blurring the border between science and the humanities, this book scrutinizes the relation between material nature and ourselves, doing so by means of a 1st person approach to time. It takes as primordial starting point the now’s immediacy – that is, the experiential imme- diacy of one’s awakenness to, and contact with, the world and our surroundings, a moment- ness of time that matches and aligns with the immediate presentness of the world we’re in touch with and lucidly aware of. The primordiality of such alignment of time is brought out by the fact that without it there could be no communication, no con-temporaneous society, no knowledge, all of which hinge on this synchronicity of immediate time. Such a perspec- tive entails the overturning of the all but universal bedrock presumption of sequential time, the before and after of extended time. -
Red Deer Cervus Elaphus Blink More in Larger Groups 2 3 Zeke W
bioRxiv preprint doi: https://doi.org/10.1101/2020.08.11.245837; this version posted January 30, 2021. The copyright holder for this preprint (which was not certified by peer review) is the author/funder, who has granted bioRxiv a license to display the preprint in perpetuity. It is made available under aCC-BY 4.0 International license. 1 Red deer Cervus elaphus blink more in larger groups 2 3 Zeke W. Rowe*, Joseph H. Robins* and Sean A. Rands† 4 5 School of Biological Sciences, University of Bristol, Life Sciences Building, Tyndall Avenue, 6 Bristol BS8 1TQ, United Kingdom 7 8 ORCID: ZWR: 0000-0002-9617-5539 9 JHR: 0000-0001-8980-8150 10 SAR: 0000-0002-7400-005X 11 12 * JR and ZR are considered as joint first authors 13 14 † author for correspondence: [email protected] 15 16 17 ABSTRACT 18 19 Most animals need to spend time being vigilant for predators, at the expense of other 20 activities such as foraging. Group-living animals can benefit from the shared vigilance effort 21 of other group members, with individuals reducing personal vigilance effort as group size 22 increases. Behaviours like active scanning or head lifting are usually used to quantify 23 vigilance, but may not be accurate measures as the individual could be conducting them for 24 other purposes. We suggest that measuring an animal’s blinking rate gives a meaningful 25 measure of vigilance: increased blinking implies reduced vigilance, as the animal cannot 26 detect predators when its eyes are closed. We demonstrate that as group size increases in 27 red deer, individuals increase their blink rate, confirming the prediction that vigilance should 28 decrease. -
Subversive Theology in John Milton's Paradise Lost and Philip Pullman's His Dark Materials
Trinity College Trinity College Digital Repository Senior Theses and Projects Student Scholarship Spring 2017 God the Father or Mother Divine? : Subversive Theology in John Milton's Paradise Lost and Philip Pullman's His Dark Materials Jordan Pace Trinity College, Hartford Connecticut, [email protected] Follow this and additional works at: https://digitalrepository.trincoll.edu/theses Part of the Biblical Studies Commons, Catholic Studies Commons, Children's and Young Adult Literature Commons, Christianity Commons, Comparative Methodologies and Theories Commons, Comparative Philosophy Commons, Feminist Philosophy Commons, History of Christianity Commons, Literature in English, British Isles Commons, New Religious Movements Commons, Other Feminist, Gender, and Sexuality Studies Commons, Practical Theology Commons, Religious Thought, Theology and Philosophy of Religion Commons, and the Women's Studies Commons Recommended Citation Pace, Jordan, "God the Father or Mother Divine? : Subversive Theology in John Milton's Paradise Lost and Philip Pullman's His Dark Materials". Senior Theses, Trinity College, Hartford, CT 2017. Trinity College Digital Repository, https://digitalrepository.trincoll.edu/theses/620 TRINITY COLLEGE Senior Thesis God the Father or Mother Divine? : Subversive Theology in John Milton’s Paradise Lost and Philip Pullman’s His Dark Materials submitted by Jordan Pace 2017 In Partial Fulfillment of Requirements for the Degree of Bachelor of Arts 2017 Director: Professor Sarah Bilston Reader: Professor Chloe Wheatley