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CRITICAL THEORY and AUTHORITARIAN POPULISM Critical Theory and Authoritarian Populism
CDSMS EDITED BY JEREMIAH MORELOCK CRITICAL THEORY AND AUTHORITARIAN POPULISM Critical Theory and Authoritarian Populism edited by Jeremiah Morelock Critical, Digital and Social Media Studies Series Editor: Christian Fuchs The peer-reviewed book series edited by Christian Fuchs publishes books that critically study the role of the internet and digital and social media in society. Titles analyse how power structures, digital capitalism, ideology and social struggles shape and are shaped by digital and social media. They use and develop critical theory discussing the political relevance and implications of studied topics. The series is a theoretical forum for in- ternet and social media research for books using methods and theories that challenge digital positivism; it also seeks to explore digital media ethics grounded in critical social theories and philosophy. Editorial Board Thomas Allmer, Mark Andrejevic, Miriyam Aouragh, Charles Brown, Eran Fisher, Peter Goodwin, Jonathan Hardy, Kylie Jarrett, Anastasia Kavada, Maria Michalis, Stefania Milan, Vincent Mosco, Jack Qiu, Jernej Amon Prodnik, Marisol Sandoval, Se- bastian Sevignani, Pieter Verdegem Published Critical Theory of Communication: New Readings of Lukács, Adorno, Marcuse, Honneth and Habermas in the Age of the Internet Christian Fuchs https://doi.org/10.16997/book1 Knowledge in the Age of Digital Capitalism: An Introduction to Cognitive Materialism Mariano Zukerfeld https://doi.org/10.16997/book3 Politicizing Digital Space: Theory, the Internet, and Renewing Democracy Trevor Garrison Smith https://doi.org/10.16997/book5 Capital, State, Empire: The New American Way of Digital Warfare Scott Timcke https://doi.org/10.16997/book6 The Spectacle 2.0: Reading Debord in the Context of Digital Capitalism Edited by Marco Briziarelli and Emiliana Armano https://doi.org/10.16997/book11 The Big Data Agenda: Data Ethics and Critical Data Studies Annika Richterich https://doi.org/10.16997/book14 Social Capital Online: Alienation and Accumulation Kane X. -
In Conversation with Adam Curtis, Part III Will Take Place As a Live Interview at E-Flux, New York, on April 14Th
Since the early 1990s Adam Curtis has made a number of serial documentaries and films for the BBC using a playful mix of journalistic reportage and a wide range of avant-garde filmmaking techniques. The films are linked through their interest in using and reassembling the fragments of the past – recorded on film and video―to try 01/13 and make sense of the chaotic events of the present. I first met Adam Curtis at the Manchester International Festival thanks to Alex Poots, and while Curtis himself is not an artist, many artists over the last decade have become increasingly interested in how his films break down the divide between art and modern political reportage, opening up a dialogue between the Hans Ulrich Obrist two. ÊÊÊÊÊÊÊÊÊÊThis multi-part interview with Adam Curtis began in London last December, and is the most In Conversation recent in a series of conversations published by e-flux journal that have included Raoul Vaneigem, with Adam Julian Assange, Toni Negri, and others, and I am pleased to present the second part in this issue of Curtis, Part II the journal in conjunction with a solo exhibition I have curated of Curtis’s films from 1989 to the present day. The exhibition is designed by Liam Gillick, and will be on view at e-flux in New York from February 11–April 14, 2012. In Conversation with Adam Curtis, Part III will take place as a live interview at e-flux, New York, on April 14th. – Hans Ulrich Obrist ÊÊÊÊÊÊÊÊÊÊÊ ÊÊÊÊÊÊÊÊÊÊ→ Continued from “In Conversation with Adam Curtis, Part I.” ÊÊÊÊÊÊÊÊÊÊÊ ÊÊÊÊÊÊÊÊÊÊHUO: I wanted to ask you about collage, and t the way you use archival film footage as a s i r b storytelling technique, but also as a way of O h revisiting the recent past. -
Documenting and Popularising British Nuclear Power: Exploring Science Infotainment
InMedia The French Journal of Media Studies 7.2. | 2019 Documentary and Entertainment Documenting and Popularising British nuclear power: Exploring science infotainment Lucie de Carvalho Electronic version URL: http://journals.openedition.org/inmedia/1607 DOI: 10.4000/inmedia.1607 ISSN: 2259-4728 Publisher Center for Research on the English-Speaking World (CREW) Printed version Date of publication: 15 December 2019 Electronic reference Lucie de Carvalho, “Documenting and Popularising British nuclear power: Exploring science infotainment ”, InMedia [Online], 7.2. | 2019, Online since 16 December 2019, connection on 26 January 2021. URL: http://journals.openedition.org/inmedia/1607 ; DOI: https://doi.org/10.4000/inmedia.1607 This text was automatically generated on 26 January 2021. © InMedia Documenting and Popularising British nuclear power: Exploring science infotai... 1 Documenting and Popularising British nuclear power: Exploring science infotainment Lucie de Carvalho Introduction 1 When Stephen Hawking passed away on March 14, 2018, much of the tribute paid underscored his iconic popularising skills. With the likes of Richard Attenborough or Jeremy Vine, Hawking rose to the status of documentary voice and British national public treasure. He also helped build bridges between science and the British public both through books and documentaries. The latter in particular have held a place of pride in the popularising techniques regarding the sometimes-esoteric world of natural or experimental sciences. As a television sub-genre, documentaries are distinct from news-providing or fiction programmes but borrow elements from both. For Bill Nichols, “The appearance of documentary involves the combination of three pre- existing elements--photographic realism, narrative structure, and modernist fragmentation—along with a new emphasis on the rhetoric of social persuasion.”1 It means that a documentary is based on chronicling the “real” through images and sounds, mostly with an activist intent. -
Plutocracy: the Marketising of ‘Equality’ Within Neoliberalism
City Research Online City, University of London Institutional Repository Citation: Littler, J. (2013). Meritocracy as plutocracy: the marketising of ‘equality’ within neoliberalism. New Formations: a journal of culture/theory/politics, 80-81, pp. 52-72. doi: 10.3898/NewF.80/81.03.2013 This is the published version of the paper. This version of the publication may differ from the final published version. Permanent repository link: https://openaccess.city.ac.uk/id/eprint/4167/ Link to published version: http://dx.doi.org/10.3898/NewF.80/81.03.2013 Copyright: City Research Online aims to make research outputs of City, University of London available to a wider audience. Copyright and Moral Rights remain with the author(s) and/or copyright holders. URLs from City Research Online may be freely distributed and linked to. Reuse: Copies of full items can be used for personal research or study, educational, or not-for-profit purposes without prior permission or charge. Provided that the authors, title and full bibliographic details are credited, a hyperlink and/or URL is given for the original metadata page and the content is not changed in any way. City Research Online: http://openaccess.city.ac.uk/ [email protected] MERITOCRACY AS PLUTOCRACY: THE MARKETISING OF ‘EQUALITY’ UNDER NEOLIBERALISM Jo Littler Abstract Meritocracy, in contemporary parlance, refers to the idea that whatever our social position at birth, society ought to facilitate the means for ‘talent’ to ‘rise to the top’. This article argues that the ideology of ‘meritocracy’ has become a key means through which plutocracy is endorsed by stealth within contemporary neoliberal culture. -
Revolution, Not Reform
Revolution, Not Reform Revolution, Not Reform by Jordan Levi Published by: The World Socialist Party of the United States P.O. Box 44024, Boston, MA 02144 September, 2019 ISBN 9781097623600 Dedicated to Earth and all of its offspring past, present, and future. May we make it through these trying times with sound reason. “In modern agriculture, as in the urban industries, the increased productiveness and quantity of the labour set in motion are bought at the cost of laying waste and consuming by disease labour-power itself. Moreover, all progress in capitalistic agriculture is a prog- ress in the art, not only of robbing the labourer, but of robbing the soil; all progress in increasing the fertility of the soil for a given time, is a progress towards ruining the lasting sources of that fer- tility. The more a country starts its development on the foundation of modern industry, like the United States, for example, the more rapid is this process of destruction. Capitalist production, there- fore, develops technology, and the combining together of various processes into a social whole, only by sapping the original sources of all wealth-the soil and the labourer” -Karl Marx, Capital, Volume 1, Chapter 15, Section 10 Table of Contents Acknowledgments ...................................................................... 7 Foreword ...................................................................................... 9 Preface ......................................................................................... 11 Introduction: Dystopia ............................................................ -
At the Parting of the Ways, by Hermon Titus
Titus: At the Parting of the Ways [April 8, 1905] 1 At the Parting of the Ways by Hermon F. Titus Published in The Socialist [Toledo, Ohio], whole no. 237 (April 8, 1905), pg. 2. Unsigned article attributed to editor Hermon Titus. The almost simultaneous occurrence of two re- taken, now and for all time. cent incidents has brought the Socialist Party sharply, but not unexpectedly, to the parting of the ways. We Enough of Impossibilism. say “not unexpectedly” because those who have kept close watch upon party affairs have foreseen that, The Socialist movement of America has had sooner or later, the party would be confronted with enough of impossibilism, whether it come clothed in the alternative of continuing along the straight road the garb of a DeLeon, a [Thomas J.] Hagerty, or what which a working class Socialist Party must travel in else. We have been surfeited by its propaganda of exple- order to achieve its mission, or of taking one of the tives, of misrepresentations, of meaningless mouthings two roads leading either to the impassable heights of of revolutionary phrases which have almost fallen into impossibilism or the treacherous mire of opportun- disrepute through misuse and distortion. ism. It has taken years of unceasing labor to overcome The two incidents alluded to are the Berger com- some of the ruinous effects of the DeLeon policy, the promise in Milwaukee and the Hagerty affair at San policy which closed the ears of the organized working Francisco, both outrages against the party principles class to Socialist agitation and blinded them to the and integrity. -
Latin America: Muddy Road Ahead
No. 21 • LATIN AMERICA ISSUE• $2OO H EMPLOY LIS M O EN B T world A socialist review Journal of the World Socialist Movement in the United States Latin America: Muddy Road Ahead INSIDE a pre-socialist left? ¡viva la revolución! looking for socialism (in all the wrong places) brazil repeats history is cuba socialist? changing geopolitics review of build it now Latin America’s pre-socialist Left he hot issues in Latin America today are the self-deter- balization, they do not understand that concept either, because mination of nations and anti-imperialism. Both concepts globalization is only the wide spread of the capitalist mode of Tare false, because they drag the working class into the production, which is creating the proper conditions for a new trap of nationalism. Class struggle is not mentioned by any of society. They think that the spread of poverty, hunger and the political leaders, and the Left is not mentioning it either, unemployment is caused by globalization only, but they do not despite the fact that there is not any kind of homogeneity of say that it is a by-product of the capitalist system itself, and interests within any nation; every nation has antagonistic inter- that all those consequences are very normal for capitalism. As ests between the rulers and the working class. for [neo]liberalism, that concept is totally incorrect, because On a practical level, there is a lot confusion going around liberalism does not exist anymore; today the state is participat- in Latin America regarding leaders like Chávez, Castro and ing more in the economy than in prior years. -
1 Socialist Standard March 2020
Socialist Standard March 2020 1 Editorial Towards a Disunited Kingdom? The turmoil of the Brexit process has of the 2008 financial crisis, many workers It must be noted that the electoral exacerbated the fissures within the UK, turned away from the mainstream successes of the SNP and Sinn Féin do not which threaten to tear it apart. The capitalist parties. In Scotland, this helped always reflect support for their respective Scottish National Party leader, Nicola the SNP to secure a majority in the 2011 aims of an independent Scotland and a Sturgeon, seized on the fact that the elections for the Scottish Parliament and a united Ireland, but more often a deep majority of Scottish voters opted to landslide in the 2015 General Election. dissatisfaction with the political status remain in the EU, and is demanding a The Irish border has been in contention quo. Nevertheless, these parties will use second independence referendum. The since 1921. However, with the repression their increased leverage to push for their border between the North of Ireland and of the Civil Rights movement in the aims. the Irish Republic which appeared to be North of Ireland in the late 1960s, Irish Do the working class have any invisible since the Good Friday agreement republicanism experienced an upsurge interest in whether or not the United became a stumbling block in the Brexit of support. In the 1980s Sinn Féin was Kingdom remains intact? Or should negotiations. Sinn Fein wasted no time in able to capitalise on the outrage that they, as the Left urges them to, support pressing for a border poll which they hope the British government’s response to the an independent Scotland and a united will lead to the reunification of Ireland. -
The Power of Nightmares - the Rise of the Politics of Fear Transcript by Vaara of Episode 1, “Baby It’S Cold Outside”
The Power of Nightmares - The Rise of the Politics of Fear Transcript by vaara of Episode 1, “Baby It’s Cold Outside”. Episode 2 and 3. [View the stream; listen to the audio; watch and download through Google video]. Originally aired on BBC 2, 20 October 2004, 9 pm. Written and Produced by Adam Curtis. VO: In the past, politicians promised to create a better world. They had different ways of achieving this. But their power and authority came from the optimistic visions they offered to their people. Those dreams failed. And today, people have lost faith in ideologies. Increasingly, politicians are seen simply as managers of public life. But now, they have discovered a new role that restores their power and authority. Instead of delivering dreams, politicians now promise to protect us from nightmares. They say that they will rescue us from dreadful dangers that we cannot see and do not understand. And the greatest danger of all is international terrorism. A powerful and sinister network, with sleeper cells in countries across the world. A threat that needs to be fought by a war on terror. But much of this threat is a fantasy, which has been exaggerated and distorted by politicians. It’s a dark illusion that has spread unquestioned through governments around the world, the security services, and the international media. VO: This is a series of films about how and why that fantasy was created, and who it benefits. At the heart of the story are two groups: the American neoconservatives, and the radical Islamists. Both were idealists who were born out of the failure of the liberal dream to build a better world. -
The Knoxmaxton Affair
Socialist Studies The KnoxMaxton Affair Socialist Studies No.8 Book Review Spanner & The SPGB The Socialist Party Refuses to Debate The KnoxMaxton Affair (How james Maxton M.P., lifelong member of the Independent Labour Party and opponent of the Socialist Party of Great Britain was, in 1987, dressed up afresh by the Claphambased Socialist Party to appear as “the personification of Socialism”). The Independent Labour Party (I.L.P.) The I.L.P, formed in 1983, had established a dominating influence over the Labour Party at the time of the Labour Governments of 1924 and 192931. Twothirds of the Labour MP’s were members of the I.L.P., including Prime Minister Ramsay MacDonald and many other Ministers. The I.L.P. was a reformist organisation aiming to establish state capitalism (Nationalisation). It claimed to be socialist but what it meant by socialism was set out in its pamphlet “SOCIALISM AT WORK IN QUEENSLAND”. This described the actions of the Labour Government in Queensland in taking over sugar mills, cattle farms, butcher shops, etc. The pamphlet contained this statement: “Workers of Great Britain and Ireland, the policy of the I.L.P. is identically the same as the policy of Ryan’s Socialist Government of Queensland. And what has been done in Queensland can be done in Great Britain and Ireland”. The I.L.P. helped to form the Labour party and was affiliated to it until 1932. It disaffiliated in that year over the issue of the right of I.L.P. members of Parliament to be allowed, on occasion, to vote against Labour Party policies. -
Capitalist Realism As Dreamwork and Memory Disorder 54
Mark Fisher is a writer, theorist and teacher. His writing regularly appears in frieze, New Statesman, The Wire and Sight & Sound. He was a founding member of the Cybernetic Culture Research Unit. He is now a Visiting Fellow in the Centre for Cultural Studies at Goldsmiths, University of London and a tutor in Philosophy at the City Literary Institute, London. His weblog can be found at http://k-punk.abstractdynamics.org. He is married and lives in Suffolk. To my wife, Zoe, my parents, Bob and Linda, and the readers of my website 1: It's easier to imagine the end of the world than the end of capitalism 1 2: What if you held a protest and everyone came? 12 3: Capitalism and the Real 16 4: Reflexive impotence, immobilization and liberal communism 21 5: October 6, 1979: 'Don't let yourself get attached to anything' 31 6: All that is solid melts into PR: market Stalinism and bureaucratic anti-production 39 7: '...if you can watch the overlap of one reality with another': capitalist realism as dreamwork and memory disorder 54 8: 'There's no central exchange' 62 9: Marxist Supernanny 71 It's easier to imagine the end of the world than the end of capitalism In one of the key scenes in Alfonso Cuaron's 2006 film Children of Men, Clive Owen's character, Theo, visits a friend at Battersea Power Station, which is now some combination of government building and private collection. Cultural treasures - Michelangelo's David, Picasso's Guernica, Pink Floyd's inflatable pig - are preserved in a building that is itself a refurbished heritage artifact. -
Spectacular Malaise: Art & the End of History
Martin Lang University of Lincoln Spectacular Malaise: Art & the End of History Abstract This article makes two main claims: that Debord’s concept of the ‘integrated spectacle’ is related to end of History narratives; and that the related concept of ‘disinformation’ is manifested in new forms of media-driven warfare. These claims are substantiated through a comparative analysis between Debord’s texts and contemporary politics, primarily as described by Adam Curtis and by the RETORT collective. The resulting understanding of our contemporary politics is a situation where subjects who appear to be free, are in fact only free to choose between competing brands of neo-liberalism that manipulate and baffle in order to obfuscate their true agendas. This situation is termed a ‘spectacular malaise’. The article then critiques post-Marxist claims to a re-birth of History and therefore a potential end to the spectacular malaise. It argues that the Arab Spring and Occupy movement did not signal an end to the end of History, as they were unable to articulate an alternative vision. This situation is compared to the last days of the Soviet Union, when change also seemed unimaginable. It identifies Mark Fisher’s call for activists to demonstrate alternative possibilities and reveal contingency in apparently natural orders to counter the spectacular malaise. Three art collectives are considered as potential candidates to take up this challenge: Women on Waves, Voina, and Superflex. The article concludes that while making actual social and political change is useful for demonstrating alternative possibilities, it is art’s symbolic value that reveals contingency and strikes at the heart of the spectacular malaise.