2013 Annual Report
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The Economic Review of Industrial Design in Europe — Final Report
The Economic Review of Industrial Design in Europe — Final Report MARKT/2013/064//D2/ST/OP January 2015 - 1 - The information and views set out in this study are those of the authors and do not necessarily reflect the official opinion of the Commission. The Commission does not guarantee the accuracy of the data included in this study. Neither the Commission nor any person acting on the Commission’s behalf may be held responsible for the use which may be made of the information contained therein. Europe Economics is registered in England No. 3477100. Registered offices at Chancery House, 53-64 Chancery Lane, London WC2A 1QU. Whilst every effort has been made to ensure the accuracy of the information/material contained in this report, Europe Economics assumes no responsibility for and gives no guarantees, undertakings or warranties concerning the accuracy, completeness or up to date nature of the information/analysis provided in the report and does not accept any liability whatsoever arising from any errors or omissions. © Europe Economics. All rights reserved. Except for the quotation of short passages for the purpose of criticism or review, no part may be used or reproduced without permission. Contents Abstract ..................................................................................................................................................................................... 1 1 Executive Summary ...................................................................................................................................................... -
Deus Ex Mankind Divided Pc Requirements
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5 the Da Vinci Code Dan Brown
The Da Vinci Code By: Dan Brown ISBN: 0767905342 See detail of this book on Amazon.com Book served by AMAZON NOIR (www.amazon-noir.com) project by: PAOLO CIRIO paolocirio.net UBERMORGEN.COM ubermorgen.com ALESSANDRO LUDOVICO neural.it Page 1 CONTENTS Preface to the Paperback Edition vii Introduction xi PART I THE GREAT WAVES OF AMERICAN WEALTH ONE The Eighteenth and Nineteenth Centuries: From Privateersmen to Robber Barons TWO Serious Money: The Three Twentieth-Century Wealth Explosions THREE Millennial Plutographics: American Fortunes 3 47 and Misfortunes at the Turn of the Century zoART II THE ORIGINS, EVOLUTIONS, AND ENGINES OF WEALTH: Government, Global Leadership, and Technology FOUR The World Is Our Oyster: The Transformation of Leading World Economic Powers 171 FIVE Friends in High Places: Government, Political Influence, and Wealth 201 six Technology and the Uncertain Foundations of Anglo-American Wealth 249 0 ix Page 2 Page 3 CHAPTER ONE THE EIGHTEENTH AND NINETEENTH CENTURIES: FROM PRIVATEERSMEN TO ROBBER BARONS The people who own the country ought to govern it. John Jay, first chief justice of the United States, 1787 Many of our rich men have not been content with equal protection and equal benefits , but have besought us to make them richer by act of Congress. -Andrew Jackson, veto of Second Bank charter extension, 1832 Corruption dominates the ballot-box, the Legislatures, the Congress and touches even the ermine of the bench. The fruits of the toil of millions are boldly stolen to build up colossal fortunes for a few, unprecedented in the history of mankind; and the possessors of these, in turn, despise the Republic and endanger liberty. -
NIER's Rejection of the Heteronormative in Fairy
Cerri !1 “This Is Hardly the Happy Ending I Was Expecting”: NIER’s Rejection of the Heteronormative in Fairy Tales Video games are popularly viewed as a form of escapist entertainment with no real meaning or message. They are often considered as unnecessarily violent forms of recreation that possibly incite aggressive tendencies in their players. Overall, they are generally condemned as having no value. However, these beliefs are fallacious, as there is enormous potential in video games as not just learning tools but also as a source of literary criticism. Games have the capacity to generate criticisms that challenge established narratives through content and form. Thus, video games should be viewed as a new medium that demands serious analysis. Furthermore, the analysis generated by video games can benefit from being read through existing literary forms of critique. For example, the game NIER (2010, Cavia) can be read through a critical lens to evaluate its use of the fairy tale genre. More specifically, NIER can be analyzed using queer theory for the game’s reimagining and queering of the fairy tale genre. Queer theory, which grew prominent in the 1990s, is a critical theory that proposes a new way to approach identity and normativity. It distinguishes gender from biological sex, deconstructs the notion of gender as a male-female binary, and addresses the importance of performance in gender identification. That is, historically and culturally assigned mannerisms establish gender identity, and in order to present oneself with a certain gender one must align their actions with the expected mannerisms of that history and culture. -
Thesis User-Driven Role-Playing in Final
THESIS USER-DRIVEN ROLE-PLAYING IN FINAL FANTASY XIV: IMMERSION, CREATIVE LABOR, AND PSYCHOSOCIAL WELL-BEING Submitted by Rachel Tate Department of Anthropology and Geography In partial fulfillment of the requirements For the Degree of Master of Arts Colorado State University Fort Collins, Colorado Fall 2019 Master’s Committee: Advisor: Jeffrey G. Snodgrass Lynn Kwiatkowski David Scott Diffrient Copyright by Rachel Tate 2019 All Rights Reserved ABSTRACT USER-DRIVEN ROLE-PLAYING IN FINAL FANTASY XIV: IMMERSION, CREATIVE LABOR, AND PSYCHOSOCIAL WELL-BEING Massively multiplayer online role-playing games (MMORPGs) give each user the starring role, drawing them into the game’s story and world through their character avatar. Some, however, take role-playing (colloquially, “roleplaying” or “RP”) further by constructing deep and complex narratives for their characters and pitting them against others in new and often spontaneous stories that emerge from collaborative efforts. This research looks at the RP community in the MMO Final Fantasy XIV in order to understand how and why RPers choose this form of play in a game already rich with activities. Specifically, I aim to shed light on the relationship between RP and psychosocial well-being. Drawing on perspectives from game studies, media fandom studies, and positive psychology, this research examines RP through a tripartite model of avenues towards well-being: play, flow, and sociality. A mixed-methods approach is used to gather ethnographic data through participant observation and interviews while also sampling broad patterns through a field survey. A cognitive anthropological “cultural models” consensus and consonance methodology allows for the culture of RP to be assessed in its capacity to reinforce and encourage positive experiences for its participants. -
Square Enix Announces 'Endwalker' – the Latest
PlayStation®5 Version of the Critically Acclaimed MMO Also Announced Feb 06, 2021 07:42 GMT SQUARE ENIX ANNOUNCES ‘ENDWALKER’ – THE LATEST EXPANSION FOR FINAL FANTASY XIV ONLINE LONDON (6thFebruary, 2021) – SQUARE ENIX® today unveiled Endwalker™, the highly anticipated fourth expansion pack for FINAL FANTASY® XIV Online, the award-winning MMO with over 20 million registered players. Scheduled to release Autumn 2021 for PC, PlayStation®5, PlayStation®4 and Mac, Endwalker features the climax of the Hydaelyn and Zodiark story, in which Warriors of Light will encounter an even greater calamity than ever before as they travel to the far reaches of Hydaelyn and even to the moon. In addition to bringing the long-running story arc that began with A Realm Reborn™ to its conclusion, Endwalker will mark a new beginning for the beloved MMO, setting the stage for new adventures that longtime fans and new players can enjoy together. Endwalker made its debut during the first-ever “FINAL FANTASY XIV Announcement Showcase” as Producer and Director Naoki Yoshida presented a stunning new trailer which set the stage for this next chapter in the FINAL FANTASY XIV Online epic. The trailer is available here: https://youtu.be/HsVraq-v0JI A new healer job, Sage, as announced at the showcase During the showcase, Yoshida also revealed the upcoming PlayStation 5 console version of FINAL FANTASY XIV Online, scheduled to launch into open beta on 13th April, 2021. The PlayStation 5 version will feature numerous upgrades from the PlayStation 4 version, including significantly improved frame rates, faster load times, 4K resolution support and more. -
2019 Annual Report
2019 Corporate Philosophy To spread happiness across the globe by providing unforgettable experiences This philosophy represents our company’s mission and the beliefs for which we stand. Each of our customers has his or her own definition of happiness. The Square Enix Group provides high-quality content, services, and products to help those customers create their own wonderful, unforget- table experiences, thereby allowing them to discover a happiness all their own. Management Guidelines In working to make our Corporate Philosophy a reality, we will manage our Group with the following policies as our key guidelines. 1. We will strive to be a company that delivers unparalleled entertainment. Through our games, amusement offerings, publications, merchandising, and other contents and services, we will be steadfast in our efforts to deliver unpar- alleled entertainment to our customers. 2. We will value innovation and creativity. By giving rise to new expressions and ideas and creating experiences like none ever encountered before, we will deliver contents and services that surpass the expectations of our customers. We believe that it is in our unrelenting efforts to this end that our existential value and the value of our brand lie. 3. We will respond with sensitivity and flexibility to environmental changes. We are surrounded by an environment that is ever changing. We will stay attuned to those changes and be flexible in adapting the nature and format of our contents and services as well as our business models accordingly. In addition, we will stay at the forefront of change so that we can provide our customers with excitement and fun. -
Disruptive Innovation and Internationalization Strategies: the Case of the Videogame Industry Par Shoma Patnaik
HEC MONTRÉAL Disruptive Innovation and Internationalization Strategies: The Case of the Videogame Industry par Shoma Patnaik Sciences de la gestion (Option International Business) Mémoire présenté en vue de l’obtention du grade de maîtrise ès sciences en gestion (M. Sc.) Décembre 2017 © Shoma Patnaik, 2017 Résumé Ce mémoire a pour objectif une analyse des deux tendances très pertinentes dans le milieu du commerce d'aujourd'hui – l'innovation de rupture et l'internationalisation. L'innovation de rupture (en anglais, « disruptive innovation ») est particulièrement devenue un mot à la mode. Cependant, cela n'est pas assez étudié dans la recherche académique, surtout dans le contexte des affaires internationales. De plus, la théorie de l'innovation de rupture est fréquemment incomprise et mal-appliquée. Ce mémoire vise donc à combler ces lacunes, non seulement en examinant en détail la théorie de l'innovation de rupture, ses antécédents théoriques et ses liens avec l'internationalisation, mais en outre, en situant l'étude dans l'industrie des jeux vidéo, il découvre de nouvelles tendances industrielles et pratiques en examinant le mouvement ascendant des jeux mobiles et jeux en lignes. Le mémoire commence par un dessein des liens entre l'innovation de rupture et l'internationalisation, sur le fondement que la recherche de nouveaux débouchés est un élément critique dans la théorie de l'innovation de rupture. En formulant des propositions tirées de la littérature académique, je postule que les entreprises « disruptives » auront une vitesse d'internationalisation plus élevée que celle des entreprises traditionnelles. De plus, elles auront plus de facilité à franchir l'obstacle de la distance entre des marchés et pénétreront dans des domaines inconnus et inexploités. -
Financial Results Fiscal Year Ended March 31, 2014
Outline of Results Briefing by SQUARE ENIX HOLDINGS held on May 12, 2014 We would now like to begin the Financial Results Briefing Session of SQUARE ENIX HOLDINGS (the “Company”) for the fiscal year ended March 31, 2014 (the “FY2014/3”). Today’s presenters are: Yosuke Matsuda President and Representative Director and Kazuharu Watanabe 1 Chief Financial Officer. First, Matsuda will give a summary overview of the Company’s financial results for the FY2014/3 , and then explain the Company’s business strategy. Statements made in this document with respect to SQUARE ENIX HOLDINGS CO., LTD. and its consolidated subsidiaries' (together, “SQUARE ENIX GROUP") plans, estimates, strategies and beliefs are forward-looking statements about the future performance of SQUARE ENIX GROUP. These statements are based on management's assumptions and beliefs in light of information available to it at the time these material were drafted and, therefore, the reader should not place undue reliance on them. Also, the reader should not assume that statements made in this document will remain accurate or operative at a later time. A number of factors could cause actual results to be materially different from and worse than those discussed in forward-looking statements. Such factors include, but not limited to: 1. changes in economic conditions affecting our operations; 2. fluctuations in currency exchange rates, particularly with respect to the value of the Japanese yen, the U.S. dollar and the Euro; 3. SQUARE ENIX GROUP’s ability to continue to win acceptance of our products and services, which are offered in highly competitive markets characterized by the continuous introduction of new products and services, rapid developments in technology, and subjective and changing consumer preferences; 4. -
Session Rooms / Salles De Conférences 12 Dec / Déc 13
SESSION ROOMS / SALLES DE CONFÉRENCES 12 DEC / DÉC ND ND 9 - 9:30 AM OPENING CEREMONY with Vibe Avenue ROOM 210H - 2 FLOOR / CONTINENTAL BREAKFAST in the Business Lounge ROOM 210D - 2 FLOOR (for Business Pass holders only) Sponsored by COGECO PEER 1 9:30 - 10:30 AM OPENING KEYNOTE Fireside Chat: StudioMDHR and the Cuphead Craze by Chad Moldenhauer, Jared Moldenhauer and Maja Moldenhauer - StudioMDHR, Moderated by Jason Della Rocca, Programming Chair ROOM 210H - 2ND FLOOR ND 10:30 - 11 AM COFFEE BREAK (30 MINUTES) in the Expo Floor ROOM 210ABCDFG - 2 FLOOR Sponsored by WB GAMES Montreal ARTS AND ANIMATION AUDIO BUSINESS & MARKETING GAME DESIGN INDUSTRY & ADVOCACY PROD AND PROJECT PROGRAMMING & TECH. MIXED SESSIONS SPONSORED SESSIONS ROOM: 510B ROOM: 510D ROOM: 511C ROOM: 511D ROOM: 511E MANAGEMENT ROOM: 511B ROOM: 510AC ROOM: 511A 5TH FLOOR 5TH FLOOR 5TH FLOOR 5TH FLOOR 5TH FLOOR ROOM: 511F 5TH FLOOR 5TH FLOOR 5TH FLOOR 5TH FLOOR 11 AM - 12 PM Inspired world building Music theory for sound To self-publish or not to Designing and evaluating Thrive games: design Production, the Indie way: Cache coherent data: Leveling up your eSports Raphael Lacoste - Ubisoft design Vincent Gagnon - self-publish? An indie spectator experiences in recipes for empathy 3 methods for sanity and why you should care Tony broadcast: creating revolutionary Ubisoft survival guide to eSports Pejman games and beyond Heidi success Samantha Cook - Albrecht - Riot Games interactive streams for spectators self-publishing in the Mirza-Babaei - Execution McDonald - iThrive Games Artifact 5, Tanya Short - Jacob Navok - Genvid mobile F2P world David P. -
Bioshock Infinite
SOUTH AFRICA’S LEADING GAMING, COMPUTER & TECHNOLOGY MAGAZINE VOL 15 ISSUE 10 Reviews Call of Duty: Black Ops II ZombiU Hitman: Absolution PC / PLAYSTATION / XBOX / NINTENDO + MORE The best and wors t of 2012 We give awards to things – not in a traditional way… BioShock Infi nite Loo k! Up in the sky! Editor Michael “RedTide“ James [email protected] Contents Features Assistant editor 24 THE BEST AND WORST OF 2012 Geoff “GeometriX“ Burrows Regulars We like to think we’re totally non-conformist, 8 Ed’s Note maaaaan. Screw the corporations. Maaaaan, etc. So Staff writer 10 Inbox when we do a “Best of [Year X]” list, we like to do it Dane “Barkskin “ Remendes our way. Here are the best, the worst, the weirdest 14 Bytes and, most importantly, the most memorable of all our Contributing editor 41 home_coded gaming experiences in 2012. Here’s to 2013 being an Lauren “Guardi3n “ Das Neves 62 Everything else equally memorable year in gaming! Technical writer Neo “ShockG“ Sibeko Opinion 34 BIOSHOCK INFINITE International correspondent How do you take one of the most infl uential, most Miktar “Miktar” Dracon 14 I, Gamer evocative experiences of this generation and make 16 The Game Stalker it even more so? You take to the skies, of course. Contributors 18 The Indie Investigator Miktar’s played a few hours of Irrational’s BioShock Rodain “Nandrew” Joubert 20 Miktar’s Meanderings Infi nite, and it’s left him breathless – but fi lled with Walt “Shryke” Pretorius 67 Hardwired beautiful, descriptive words. Go read them. Miklós “Mikit0707 “ Szecsei 82 Game Over Pippa -
Ubisoft and Square Enix Deliver Drakengard 2 To
UBISOFT AND SQUARE ENIX™ DELIVER DRAKENGARD® 2 TO NORTH AMERICA AND EUROPE RPG Sequel to Hit Stores in March 2006 Paris, FRANCE œ NOVEMBER 16, 2005 œ Today Ubisoft, one of the world‘s largest video game publishers, announced that it has signed an exclusive publishing deal with Square Enix ™ to bring DRAKENGARD ® 2 to North America and Europe. Under the agreement, Ubisoft will distribute DRAKENGARD ® 2 for the PlayStation®2 computer entertainment system. Ubisoft is expanding its prior collaboration with Square Enix. Last year Ubisoft published Star Ocean ™ Till the End of Time ™ for PlayStation 2 and distributed the Massively Multiplayer Online Role-Playing Game (MMORPG) FINAL FANTASY® XI for Windows® throughout Europe. DRAKENGARD ® 2 is a role-playing action game featuring knights and dragons that builds on the scenario of the original title. Released in Japan last June, DRAKENGARD ® 2 became an immediate success, topping Japanese sales charts and selling more than 100,000 copies in its first week of release. —We are very excited to be working with Square Enix to publish this highly anticipated RPG in North America and Europe,“ said Jay Cohen, vice president of publishing at Ubisoft. — DRAKENGARD ® 2 is a hit in the Japanese market, and we are sure that North American and European gamers will also be thrilled by this fantastic adventure title.“ DRAKENGARD ® 2 will be available in Europe, North America and Australia in March 2006. For more information and updates on the game, visit www.ubi.com or http://www.square-enix.co.jp/games/ps2/dod2/contents.html. ©2005 cavia / SQUARE ENIX CO., LTD.