DIGITAL INHERITANCE and the MUSIC INDUSTRY by Matt Borden
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Top 20 Music Tech Sites and Devices
Top 20 Online Music Websites for 2020 • 6:30pm – 7:30pm log in and participate live online audience Go To: https://kslib.zoom.us/j/561178181 The recording of this presentation will be online after the 18th @ https://kslib.info/1180/Digital-Literacy---Tech-Talks The previous presentations are also available online at that link Presenters: Nathan Carr, IT Supervisor, of the Newton Public Library and Randy Pauls Reasons to start your research at your local Library http://www.districtdispatch.org/wp-content/uploads/2012/03/triple_play_web.png 1. Protect your computer • A computer should always have the most recent updates installed for spam filters, anti-virus and anti-spyware software and a secure firewall. http://cdn.greenprophet.com/wp-content/uploads/2012/04/frying-pan-kolbotek-neoflam-560x475.jpg Types of Music Websites Music Blogs/Magazines/Forums: Talk about music. Formats, Artists, Styles, Instruments, Histories, events etc. Music Databases: Look up information about music related topics Pay Music Download Websites Free Music Download Websites P2P Music Download Websites Music on Demand Sites Online Music Broadcasts Making online music Live Music Event Promotion/Ticket Sales Music Blogs/Magazines/Forums: Talk about music. Formats, Artists, Styles, Instruments, Histories, events etc Blogs Magazines Forums Histories https://www.mi.edu/in-the-know/11-music-blogs-follow-2019/ http://www.tenthousandhoursmusic.com/blog/top-10-music-publications https://www.hypebot.com/hypebot/2019/09/6-great-online-music-forums-to-visit-when-youre-caught-in-a-jam.html -
The Platformization of the Music Industry
The Platformization of the Music Industry A Case Study of Bandcamp Student name | Tobias Nicolaus Student number | 6508766 E-mail address | [email protected] Supervision | dr. Ingrid Hoofd, assisted by dr. Mirko-Tobias Schäfer Word count | 10017 Date | 10.05.2019 Abstract Today’s landscape of music consumption is increasingly dominated by streaming platforms such as Spotify or Apple Music. Their rise to popularity has not only impacted listening habits of individuals, but also the music industry as a whole. As discussed in popular as well as academic discourse, digital music platforms afford artists and listeners a variety of new opportunities, but can also be restrictive in certain aspects. This study focuses on the platform of Bandcamp which occupies a position on the fringes of the music industry. By outlining the political economy of the music industry and utilizing Actor-Network theory, Bandcamp’s claims of being an alternative platform that values artists and listeners above profit will be critically evaluated. The results of the research show that the platform stays true to its promise in some ways while contradicting it in others. Additionally, insights about the application of Actor-Network theory to the study of digital platforms will be drawn from this study as well. Keywords Creative industries, Music consumption, Bandcamp, Actor-Network Theory, Platformization Table of Content Introduction ............................................................................................................................. -
How to Share Your Release with the World
MusicNSW’s Industry Essentials How to share your release with the world Prepared by GYROstream for MusicNSW Did you know more than 22,000 songs are uploaded to streaming services every day? Getting your music online can seem like a complicated task. It doesn’t have to be though. Below are some tips and tricks to help you navigate the best distribution path for you and your new tunes. What are digital music aggregators / distributors? Digital aggregators (also known as digital distributors) are companies that provide a means to distribute your music globally through digital music stores and streaming platforms. You can’t just upload a track directly to Spotify or Apple Music and have it streamed globally, you need to use a digital music aggregator. If you’re signed to a label, it’s more than likely they’ll distribute your music to Spotify, Apple, iTunes, YouTube Music and more for you, but if you’re independent, you can have exactly the same access to these platforms by using a digital aggregator. Aggregators make their money by charging upfront fees and/or charging a percentage of revenue earned from the streaming and download purchases of your music. In some cases, aggregators will also charge an ongoing annual fee to keep your content online. Who do they distribute to? Nearly all distributors will get your music to Apple, Spotify, Deezer, Youtube (ie. the major western platforms), which together cover a large portion of music listeners worldwide. Where things might differ is for the highly localised services that cater to their specific regions - eg. -
Final Copy 2019 01 31 Charl
This electronic thesis or dissertation has been downloaded from Explore Bristol Research, http://research-information.bristol.ac.uk Author: Charles, Christopher Title: Psyculture in Bristol Careers, Projects and Strategies in Digital Music-Making General rights Access to the thesis is subject to the Creative Commons Attribution - NonCommercial-No Derivatives 4.0 International Public License. A copy of this may be found at https://creativecommons.org/licenses/by-nc-nd/4.0/legalcode This license sets out your rights and the restrictions that apply to your access to the thesis so it is important you read this before proceeding. Take down policy Some pages of this thesis may have been removed for copyright restrictions prior to having it been deposited in Explore Bristol Research. However, if you have discovered material within the thesis that you consider to be unlawful e.g. breaches of copyright (either yours or that of a third party) or any other law, including but not limited to those relating to patent, trademark, confidentiality, data protection, obscenity, defamation, libel, then please contact [email protected] and include the following information in your message: •Your contact details •Bibliographic details for the item, including a URL •An outline nature of the complaint Your claim will be investigated and, where appropriate, the item in question will be removed from public view as soon as possible. Psyculture in Bristol: Careers, Projects, and Strategies in Digital Music-Making Christopher Charles A dissertation submitted to the University of Bristol in accordance with the requirements for award of the degree of Ph. D. -
The Audio Commons Initiative and the Technologies for Facilitating the Reuse of Open Audio Content
The Audio Commons initiative and the technologies for facilitating the reuse of open audio content Xavier Serra Music Technology Group Universitat Pompeu Fabra, Barcelona http://audiocommons.org Outline • Introduction • AudioCommons project presentation • The Audio Commons Ecosystem • Relevant state of the art • AudioCommons project tasks • Conclusions 2 3 Introduction: Motivation • Creative Commons audio content has a huge potential for reuse which is not being exploited by the creative industries. – Limited understanding of CC licenses. – Content scattered. – Content not properly labeled, unstructured. – Lack of tools for seamless integration. 4 Project presentation: goals • Promote publication of AC content and foster its reuse. • Develop open technologies to support publication and reuse of AC content. • Develop open technologies for the semantic annotation of AC content. • Bootstrap the Audio Commons Ecosystem (ACE). • Define standard procedures for joining the ACE. 5 Project presentation: consortium • Academic partners: • Industrial partners: 6 The AudioCommons Ecosystem 7 AudioCommons initial content 300k sound samples 470k music pieces 8 Relevant state of the art • Availability and access to CC audio content. • Licensing procedures for CC audio resources. • Semantic representation of sound and music. • Semantic annotation of sound and music. • Production tools supporting CC audio. 9 Availability an access to CC audio content • Few CC audio content sites with APIs (e.g. freesound.org, jamendo.com, …). • Limited access due to lack of high quality and unified metadata. • No unified access mechanism for APIs (APIs have different specifications). • Inadequate content retrieval tools. • CC audio content not frequently used in professional environments. 10 Freesound 11 Freesound API • Browse, search, and retrieve sounds and information about them. -
Nightmares on Wax Album Download Nightmares on Wax Album Download
nightmares on wax album download Nightmares on wax album download. Completing the CAPTCHA proves you are a human and gives you temporary access to the web property. What can I do to prevent this in the future? If you are on a personal connection, like at home, you can run an anti-virus scan on your device to make sure it is not infected with malware. If you are at an office or shared network, you can ask the network administrator to run a scan across the network looking for misconfigured or infected devices. Another way to prevent getting this page in the future is to use Privacy Pass. You may need to download version 2.0 now from the Chrome Web Store. Cloudflare Ray ID: 67a293cf8e521669 • Your IP : 188.246.226.140 • Performance & security by Cloudflare. Nightmares on wax album download. Completing the CAPTCHA proves you are a human and gives you temporary access to the web property. What can I do to prevent this in the future? If you are on a personal connection, like at home, you can run an anti-virus scan on your device to make sure it is not infected with malware. If you are at an office or shared network, you can ask the network administrator to run a scan across the network looking for misconfigured or infected devices. Another way to prevent getting this page in the future is to use Privacy Pass. You may need to download version 2.0 now from the Chrome Web Store. Cloudflare Ray ID: 67a293d028e915e8 • Your IP : 188.246.226.140 • Performance & security by Cloudflare. -
Digitalisation and Intermediaries in the Music Industry
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by ZENODO CREATe Working Paper 2017/07 (March 2017) Digitalisation and intermediaries in the music industry Authors Morten Hviid Sabine Jacques Sofia Izquierdo Sanchez Centre for Competition Policy, Centre for Competition Policy, Department of Accountancy, University of East Anglia University of East Anglia Finance, and Economics, [email protected] [email protected] University of Huddersfield [email protected] CREATe Working Paper Series DOI:10.5281/zenodo.439344 This release was supported by the RCUK funded Centre for Copyright and New Business Models in the Creative Economy (CREATe), AHRC Grant Number AH/K000179/1. Table of Contents 1. Introduction ..................................................................................................................................... 1 2. How the advancement of technologies shapes the music industry ................................................. 2 2.1 Pre-digitalisation production of recorded music ..................................................................... 2 2.2 The role of digitalisation on recorded music ........................................................................... 4 2.2.1 The compact disc ............................................................................................................ 4 2.2.2 MP3 ................................................................................................................................. 5 2.2.3 Peer-to-peer -
Digital Music Videos Pdf, Epub, Ebook
DIGITAL MUSIC VIDEOS PDF, EPUB, EBOOK Steven Shaviro | 140 pages | 15 Apr 2017 | Rutgers University Press | 9780813579535 | English | New Brunswick, NJ, United States Digital Music Videos PDF Book Colorful Spotlight Background. Hands Playing Guitar. Link To Video. Search for essay samples now. Custom Search of DDD. Beat It - Michael Jackson Call Or Text Us. Ashes to Ashes - David Bowie Mark Harris is a former writer for Lifewire who wrote about the digital music scene and streaming music services in an easy to understand, no-nonsense manner. Jump - Van Halen Napster also has a business music service called SoundMachine, which offers several subscription plans. Artist Name. If you're a rising artist, you should be putting quality time and effort into the creation of professionally crafted music videos. Little girl listens to music from headphone and good feeling. We have over 20 years experience promoting music videos, and we have great relationships with network music programmers. Related posts. With these inquiries in mind, I've created a list of the top 10 digital music platforms that artists need to know like the back of their hands or instruments, for that matter. From a free- streaming perspective, SoundCloud has been a longstanding giant, and that won't change anytime soon. Sober - Tool Get Your Free Custom Proposal. What's Your Topic? Sure, you may look official by having your well-received album uploaded, but from a streaming point of view, you're better going off with SoundCloud or Audiomack as an up-and-comer. Sorry, but copying text is forbidden on this website. -
City-Wide Open Studios 2019
presents City-Wide Open Studios 2019 October 4 October 12-13 October 19-20 November 2-3 Opening Night Westville & Private Erector Square Alternative Space @ Artspace Studios Weekend Weekend Weekend 50 Orange Street New Haven & Beyond 315 Peck Street Yale West Campus CITY-WIDE OPEN STUDIOS :: OLDER BUT YOUNGER 2 City-Wide Open Studios 2019 @artspacenh | #cwos | cwos.org Table of Contents 6 Welcome! Your journey through City-Wide Open Studios starts with this indispensable Guide, which will lead you to a dazzling breadth of artists and diversity of artwork. 2 Welcome This year’s theme, Older but 4 Older but Younger Special Commissions Younger, explores society’s 14 changing attitudes about aging 6 Opening Night @ Artspace and longevity. Artists of different Friday, October 4, 6-9pm generations have paired up to 50 Orange Street, New Haven animate the theme through invigorating acts of collaboration. 8 Private Studios Weekend: Westville These innovators—with generous Saturday & Sunday, October 12-13, 12-6pm support from our funders and Artist Studios in Westville Village partners—are leading an extensive critical inquiry into the relationship 14 Private Studios Weekend: New Haven & Beyond between creativity, public health Saturday & Sunday, October 12-13, 12-6pm Artist Studios throughout New Haven, Hamden and West Haven and community wellbeing. Each weekend is filled with 22 Erector Square Weekend Saturday & Sunday, October 19-20, 12-6pm programming and events. So read 315 Peck Street, New Haven each page, check our website for updates, -
Artist Album Albel Year Genre Sub Genres Format
ARTIST ALBUM ALBEL YEAR GENRE SUB GENRES FORMAT COUNTRY PRICE RY COODER INTO THE PURPLE VALLEY REPRISE RECORDS 1972 BLUES COUNTRY BLUES - TEXAS BLUES LP US 125 ARAM KHATSCHATURIAN.JIRI BELOHLAVEK MASQUERADE.GAYANEH SUPRAPHON 1983 CLASSICAL MODERN LP CZECH 85 BACH.MAX GOBERMAN BRANDENBURG CONCERTOS ODYSSEY CLASSICAL BAROQUE 2LP UK 125 BACH.YEHUDI MENUHIN THE SIX BRANDENBURG CONCERTOS.THE FOUR SUITES.THE MUSICAL OFFERING EMI CLASSICAL BAROQUE 5LP UK 195 BEETHOVEN.SEIJI OZAWA SYMPHONY NO. 5 IN C MINOR OP. 67 TELARC 1981 CLASSICAL ORCHESTRAL LP JAPAN 175 CARL ORFF.HERBERT KEGEL CARMINA BURANA HELIODOR CLASSICAL MODERN LP UK 85 CHOPIN.LIDIA GRYCHTOLOWNA DZIELA WSZYSTKIE.SCHERZA MUZA CLASSICAL ROMANTIC LP POLAND 105 CHOPIN.SCHUMANN.SANDOR FALVAI PIANO SONATA IN B MINOR.IN G MINOR HUNGAROTON 1978 CLASSICAL ROMANTIC LP HUNGARY 75 CSAJKOVSZKIJ.DAVID OJSZTRAH D-DUR HEGEDUVERSENY OP. 35 HUNGAROTON 1978 CLASSICAL ROMANTIC LP HUNGARY 75 CSAJKOVSZKIJ.RICHTER.KARAJAN B-MOLL ZONGORAVERSENY OP. 23 HUNGAROTON 1978 CLASSICAL ROMANTIC LP HUNGARY 75 DIE 12 CELLISTEN.BACH.BERNSTEIN.BERTALI.VILLA LOBOS VOL 2. BACH.BERNSTEIN.BERTALI.VILLA LOBOS TELEFUNKEN 1981 CLASSICAL ORCHESTRAL LP GERMANY 85 DIE 12 CELLISTEN.VILLA LOBOS.XENAKIS VOL 1.BACHIANAS BRASILEIRAS NR. 1.WINDUNGEN... TELEFUNKEN 1978 CLASSICAL MODERN LP GERMANY 85 DINU LIPATTI.CHOPIN VIERZEHN WALZER DACAPO 1973 CLASSICAL ROMANTIC LP GERMANY 85 GEZA ANDA.CHOPIN 14 WALZER.LES VALSES EURODISC 1975 CLASSICAL ROMANTIC LP GERMANY 95 GIUSPPE VERDI.RICCARDO MUTI NABUCCO EMI 1978 CLASSICAL OPERA 3LP GERMANY 165 -
Guide to the William K
Guide to the William K. Everson Collection George Amberg Memorial Film Study Center Department of Cinema Studies Tisch School of the Arts New York University Descriptive Summary Creator: Everson, William Keith Title: William K. Everson Collection Dates: 1894-1997 Historical/Biographical Note William K. Everson: Selected Bibliography I. Books by Everson Shakespeare in Hollywood. New York: US Information Service, 1957. The Western, From Silents to Cinerama. New York: Orion Press, 1962 (co-authored with George N. Fenin). The American Movie. New York: Atheneum, 1963. The Bad Guys: A Pictorial History of the Movie Villain. New York: Citadel Press, 1964. The Films of Laurel and Hardy. New York: Citadel Press, 1967. The Art of W.C. Fields. Indianapolis: Bobbs-Merrill, 1967. A Pictorial History of the Western Film. Secaucus, N.J.: Citadel Press, 1969. The Films of Hal Roach. New York: Museum of Modern Art, 1971. The Detective in Film. Secaucus, N.J.: Citadel Press, 1972. The Western, from Silents to the Seventies. Rev. ed. New York: Grossman, 1973. (Co-authored with George N. Fenin). Classics of the Horror Film. Secaucus, N.J.: Citadel Press, 1974. Claudette Colbert. New York: Pyramid Publications, 1976. American Silent Film. New York: Oxford University Press, 1978, Love in the Film. Secaucus, N.J.: Citadel Press, 1979. More Classics of the Horror Film. Secaucus, N.J.: Citadel Press, 1986. The Hollywood Western: 90 Years of Cowboys and Indians, Train Robbers, Sheriffs and Gunslingers, and Assorted Heroes and Desperados. Secaucus, N.J.: Carol Pub. Group, 1992. Hollywood Bedlam: Classic Screwball Comedies. Secaucus, N.J.: Carol Pub. Group, 1994. -
Go Russia Music Downloads
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