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Toward an Arabic Modernism: Politics, Poetics, and the Postcolonial
University of Central Florida STARS Electronic Theses and Dissertations, 2020- 2021 Toward an Arabic Modernism: Politics, Poetics, and the Postcolonial Alaa Taha University of Central Florida Part of the Arabic Language and Literature Commons, and the Arabic Studies Commons Find similar works at: https://stars.library.ucf.edu/etd2020 University of Central Florida Libraries http://library.ucf.edu This Masters Thesis (Open Access) is brought to you for free and open access by STARS. It has been accepted for inclusion in Electronic Theses and Dissertations, 2020- by an authorized administrator of STARS. For more information, please contact [email protected]. STARS Citation Taha, Alaa, "Toward an Arabic Modernism: Politics, Poetics, and the Postcolonial" (2021). Electronic Theses and Dissertations, 2020-. 770. https://stars.library.ucf.edu/etd2020/770 TOWARD AN ARABIC MODERNISM: POLITICS, POETICS, AND THE POSTCOLONIAL by ALAA TAHA B.A. UNIVERSITY OF CENTRAL FLORIDA, 2019 A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in the Department of English in the College of Arts and Humanities at the University of Central Florida Orlando, Florida Summer Term 2021 © Alaa Taha 2021 ii ABSTRACT This thesis explores modernism’s temporality and location through the examination of Arabic modernism’s occurrence. In this thesis, I question whether the authenticity of modernism derives from its temporality period or its literary content while concurrently investigating several poems by Lebanese authors Kahlil Gibran and Nadia Tuéni and Syrian poet Adonis. Additionally, I trace Arabic modernism’s influence to the early 1900s-1910s to the conception of the Mahjar movement and the Pen League, an Arabic literary society consisting of Arabic immigrant writers. -
Peddling an Arab American History: Race, Gender, and Sexuality in Early Syrian American Communities
Peddling an Arab American History: Race, Gender, and Sexuality in Early Syrian American Communities A DISSERTATION SUBMITTED TO THE FACULTY OF UNIVERSITY OF MINNESOTA BY Charlotte Marie Albrecht IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY Jigna Desai, Adviser August 2013 © Charlotte Marie Albrecht 2013 Acknowledgements The work of this dissertation would not have been possible without the support of many. First, my adviser, Jigna Desai, has been a constant source of encouragement, guidance, and productive critique throughout this process. Were it not for her, I would have never discovered the jewel of Oklahoma! Reg Kunzel, Erika Lee, Shaden Tageldin, and Sarah Gualtieri rounded out a fantastic interdisciplinary committee that helped me to see all that was possible for my work from many different perspectives. The Department of Gender, Women, and Sexuality Studies at the University of Minnesota was an abundant and flexible intellectual home. Gratitude to Eden Torres, Richa Nagar, Zenzele Isoke, Idalia Robles de Leon, Angela Brandt, Amy Kaminsky, Jacqueline Zita, Susan Craddock, and Naomi Scheman. Special thanks to Haven Hawley, Daniel Necas, Sara Wakefield, Saengmany Ratsabout, and everyone at the Immigration History Research Center. Thanks is due as well to other faculty who have supported me along the way: Joe Kadi, Amira Jarmakani, J. Kehaulani Kauanui, Rabab Abdulhadi, Lisa Albrecht, Trica Keaton, and David Chang. To my double-duty friends, thank you for knowing when to talk about “our work” and when to leave it: especially Katie Bashore, Elakshi Kumar, Jasmine Tang, Juliana Hu Pegues, Emily Smith Beitiks, Kelly Condit-Shrestha, Myrl Beam, and Simi Kang. -
1 Preliminary Material
UC Berkeley UC Berkeley Electronic Theses and Dissertations Title Brownness: Mixed Identifications in Minority Immigrant Literature, 1900-1960 Permalink https://escholarship.org/uc/item/1h43b9hg Author Rana, Swati Publication Date 2012 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California Brownness: Mixed Identifications in Minority Immigrant Literature, 1900-1960 by Swati Rana A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in English in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Colleen Lye, Chair Professor Gautam Premnath Professor Marcial González Professor Rebecca McLennan Spring 2012 Copyright © 2012 by Swati Rana Abstract Brownness: Mixed Identifications in Minority Immigrant Literature, 1900-1960 by Swati Rana Doctor of Philosophy in English University of California, Berkeley Professor Colleen Lye, Chair My dissertation challenges our preconceptions of the ethnic literary tradition in the United States. Minority literature is generally read within a framework of resistance that prioritizes anti-hegemonic and anti-racist writings. I focus on a set of recalcitrant texts, written in the first part of the twentieth century, that do not fit neatly within this framework. My chapters trace an arc from Ameen Rihani’s !e Book of Khalid (1911), which personifies a universal citizen who refuses to be either Arab or American, to Paule Marshall’s Brown Girl, Brownstones (1959), which dramatizes the appeal of white identification for upwardly mobile Barbadian immigrants. I present the first comparative analysis of Afro-Caribbean, Arab, Filipino, Latino, and South Asian immigrant writings. !is archive includes familiar figures such as Claude McKay and William Carlos Williams as well as understudied writers such as Abraham Rihbany and Dalip Singh Saund. -
Juhan's Jihad and the Blond Beast: Ameen Rihani Between Islamic Doctrine and Nietzschean Perspective
-P- Rihani, Islam and Nietzsche Q8 H.,R Francesco Medici Juhan’s Jihad and the Blond Beast Ameen Rihani between Islamic Doctrine and Nietzschean Perspective Bibliography on Rihani between Islam & Nietzsche Juhan’s Jihad and the Blond Beast Ameen Rihani between Islamic Doctrine and Nietzschean Perspective Francesco Medici Member of the Kahlil Gibran International Association University of Maryland Abstract: «Who can reconcile the words of Muhammad […] with those of Zara- thustra?» wondered Ameen Rihani in his notebook on travel in Bombay, India, in September 1922 (Rihani, Ameen F. “Thus Spake Zarathustra.” The White Way and the Desert. Platform International, 2002, p. 123). The strong interest of the Lebanese Maronite Christian author in – and, according to some schol- ars, even his inclination towards – Islam is evident in several of his writings and public speeches. He was also an attentive reader of Friedrich Nietzsche, whose philosophy exerted a deep influence on him. All this is well-known, but is it possible to reconcile Islam and the German philosopher’s thought? Could Rihani achieve such a difficult aim? His references to Islamic religion and Nietzsche’s philosophy, already numerous especially in the novel The Book of Khalid, would seem to find their perfect synthesis in the novelette Juhan. Key Words: Ameen Rihani, Blond Beast, Friedrich Nietzsche, Holy War, Islam, Islamic Feminism, Jihad, Ottoman Empire, Sufism, Transvaluation of All Val- ues, Übermensch (Superman, Overman, Superhuman), Zarathustra. Nietzsche and Islam: a Probable Reception by Rihani the Novelist Between the late 19th and early 20th century, when Ameen Rihani read their English translations, none of Nietzsche’s books had found particu- lar favor with academic philosophers. -
Investigating the Romantic Themes in the Mikha'il Na'ima's Poem
Science Arena Publications Specialty Journal of Language Studies and Literature Available online at www.sciarena.com 2018, Vol, 2 (2): 1-10 Investigating The Romantic Themes in The Mikha'il Na'ima’s Poem Leila Jamshidi1, Mahmoud Heidari2, Ali Jahangiri Jameh Bozorgi3* 1Assistant Professor, Department of literature, Payam-e-Noor University of Noorabad mamasani branch, Noorabad Mamasani, Iran 2Associate Professor, Department of literature, Yasouj University, Yasouj, Iran 3MA, Department of literature, Payam-e-Noor University of Noorabad mamasani branch, Noorabad Mamasani, Iran *Corresponding Author Abstract: Mikha'il Na'ima is one of the most well-known and capable poets of contemporary and migrant Arab literature. Principles and teachings of the school of romanticism dominate most of the poet's works; investigating the romantic themes in this poet’s poem can help us to understand the personality dimensions of Na'ima, both socially and literally. In this regard, by using the analytical-descriptive method, the purpose of current study is to investigate and discuss the most important romantic themes and components in the poetry of this contemporary poet; in other words, the present study is based on the analysis of the content of the poems and examines romantic features in the works of Mikha'il Na'ima. Love is one of the key romantic themes in Na'ima’s poetry. The poet considers the love as affection and immortality in line with lover; he also likes peace, freedom, nature, and homeland. Mikha'il Na'ima portrays these themes with a complete artistic power and in a mold of sadness and unfulfilled grief in his works. -
Elia Abu Madi
Elia Abu Madi Elia Abu Madi (also known as Elia D. Īlyā Abū إﻳﻠﻴﺎ أﺑﻮ ﻣﺎﺿﻲ :Madey; Arabic Māḍī [note 1]) (May 15, 1890 – November 23, 1957) was a Lebanese poet. Elia Abu Madi إﻳﻠﻴﺎ أﺑﻮ ﻣﺎﺿﻲ Born (Īlyā Abū Māḍī ) May 15, 1890 Mount Lebanon Mutasarrifate Died November 23, 1957 (aged 67) Occupation poet, journalist, publisher Nationality Lebanese Genre poetry Literary movement Mahjar (The Pen League), New York City Relatives Marmorstein, Emile (October 1964 "Rāshid Husain: Portrait of an Ang Young Arab". Middle Eastern Studie (1): 3–20. doi:10.1080/00263206408700002 Early life Abu Madi was born in the village of Al- Muhaydithah, now part of Bikfaya, Lebanon, on May 15, 1890 to a Christian family. At the age of 11 he moved to Alexandria, Egypt where he worked with his uncle. Career and Works In 1911, Elia Abu Madi published his first collection of poems, Tazkar al-Madi. Shortly after, he was exiled by the Ottoman Turkish authorities[1] and he left Egypt for the United States, where he settled in Cincinnati, Ohio. In 1916 he moved to New York and began a career in journalism. In New York Abu Madi met and worked with a number of Arab- American poets including Kahlil Gibran. He married the daughter of Najeeb Diab, editor of the Arabic-language magazine Meraat-ul-Gharb, and became the chief editor of that publication in 1918. His second poetry collection, Diwan Iliya Abu Madi, was published in New York in 1919; his third and most important collection, Al-Jadawil ("The Streams"), appeared in 1927. -
Émigré Creativity in a Historical Context
Society, 7 (2), 59-70, 2019 P-ISSN: 2338-6932 | E-ISSN: 2597-4874 https://society.fisip.ubb.ac.id Émigré Creativity in a Historical Context Homam Altabaa 1,* , and Adham Hamawiya 1 1 Department of Fundamental and Inter-Disciplinary Studies, Kulliyyah of Islamic Revealed Knowledge and Human Sciences, International Islamic University Malaysia, 50728 Kuala Lumpur, Malaysia * Corresponding Author: [email protected]; [email protected] ARTICLE INFO ABSTRACT Publication Info: Émigré writers such as Kahlil Gibran and Mikhail Naimy Literature Review proved that it is possible to transcend their historical limitations to become leading literary figures. An examination How to cite: of the historical context of these writers is important for a rich Altabaa, H., & Hamawiya, A. understanding of their works. The themes addressed in such (2019). Émigré Creativity in a literary works are better appreciated within their cultural Historical Context. Society, 7(2), environment, and not as objects detached from their times, 59-70. author and readers1. It can be rightfully argued that such works cannot be fully appreciated without delving into the DOI : 10.33019/society.v7i2.85 intricacies of the political ideologies and economic crises of previous centuries. This article does not aim to perform such Copyright © 2019. Owned by an undertaking, regardless of its literary merit; however, it Author(s), published by Society presents an overview of the historical context surrounding the Émigré literary movement as a product of two cultures bridged by immigration at the turn of the 20th century. This is based on the belief that a profound critical engagement with Émigré This is an open access article. -
Negotiating the Third Space in the Arab American Fiction of Diana Abu-Jaber and Laila Halaby
UNIVERSIDAD AUTÓNOMA DE MADRID FACULTAD DE FILOSOFÍA Y LETRAS DEPARTAMENTO DE FILOLOGÍA INGLESA TESIS DOCTORAL NEGOTIATING THE THIRD SPACE IN THE ARAB AMERICAN FICTION OF DIANA ABU-JABER AND LAILA HALABY INÉS KAROUI GHOUAIEL DIRIGIDA POR: DRA. DÑA. EULALIA PIÑERO GIL MADRID, 2015 UNIVERSIDAD AUTÓNOMA DE MADRID FACULTAD DE FILOSOFÍA Y LETRAS DEPARTAMENTO DE FILOLOGÍA INGLESA NEGOTIATING THE THIRD SPACE IN THE ARAB AMERICAN FICTION OF DIANA ABU-JABER AND LAILA HALABY TESIS DOCTORAL PRESENTADA POR INÉS KAROUI GHOUAIEL PARA LA OBTENCIÓN DEL GRADO DE DOCTOR DIRIGIDA POR LA DRA. DÑA. EULALIA PIÑERO GIL PROFESORA TITULAR DE UNIVERSIDAD MADRID, 2015 ACKNOWLEDGEMENTS I would like to express my deepest gratitude to many people who generously encouraged me through the years to develop my research in fruitful ways and to accomplish this doctoral dissertation. I am indebted to my advisor Dr. Eulalia Piñero Gil for her insightful comments and continuous encouragement through every stage of the dissertation. The time and energy she provided and her detailed comments were instrumental in helping me develop and revise each chapter constructively. Special thanks to Ibis Gómez-Vega, Northern Illinois University, for her generosity and all the references on Arab American literature she provided me with. I would like also to thank Steve Redwood for his patience and attention to detail in his reading. He greatly contributed to the shaping of this dissertation thanks to his thorough revision. I am also deeply thankful for my family in Tunisia, without whom this dissertation would never have been accomplished. The importance that my parents Abderrazak Karoui and Faouzia Ghouaiel place on education, and their unflagging love and encouragement sustained me through the difficult times. -
Pantheism and Escapism in Abu Madi's 'Enigmas' and 'The Evening' from English Romanticism Perspectives
CLCWeb: Comparative Literature and Culture ISSN 1481-4374 Purdue University Press ©Purdue University Volume 20 (2018) Issue 1 Article 8 Pantheism and Escapism in Abu Madi's 'Enigmas' and 'The Evening' From English Romanticism Perspectives Yasser K. R. Aman Imam Abdulrahman Bin Faisal University & Minia University Follow this and additional works at: https://docs.lib.purdue.edu/clcweb Part of the American Studies Commons, Comparative Literature Commons, Education Commons, European Languages and Societies Commons, Feminist, Gender, and Sexuality Studies Commons, Other Arts and Humanities Commons, Other Film and Media Studies Commons, Reading and Language Commons, Rhetoric and Composition Commons, Social and Behavioral Sciences Commons, Television Commons, and the Theatre and Performance Studies Commons Dedicated to the dissemination of scholarly and professional information, Purdue University Press selects, develops, and distributes quality resources in several key subject areas for which its parent university is famous, including business, technology, health, veterinary medicine, and other selected disciplines in the humanities and sciences. CLCWeb: Comparative Literature and Culture, the peer-reviewed, full-text, and open-access learned journal in the humanities and social sciences, publishes new scholarship following tenets of the discipline of comparative literature and the field of cultural studies designated as "comparative cultural studies." Publications in the journal are indexed in the Annual Bibliography of English Language and Literature (Chadwyck-Healey), the Arts and Humanities Citation Index (Thomson Reuters ISI), the Humanities Index (Wilson), Humanities International Complete (EBSCO), the International Bibliography of the Modern Language Association of America, and Scopus (Elsevier). The journal is affiliated with the Purdue University Press monograph series of Books in Comparative Cultural Studies. -
Asian American Literature
VOLUME 5 ELECTRONIC JOURNALS OF THE U.S. DEPARTMENT OF STATE NUMBER 1 FEBRUARY 2000 FROMFROM THETHE EDITORSEDITORS O multiculturalism in that day, such as the ne of the timeless phrases with which the European cultures that flowed into the United States -- its history, its United States 100 years ago, and those of perspective, its reality -- is identified is Asia and Latin America in the year 2000. “e pluribus unum,” or, “from many, one”. Today, American literature is rich in These words describe both how the newer traditions -- and some that have United States and its literature have been transformed. Venues, sensibilities, evolved over the centuries -- through the themes have changed as well. In coming together of many traditions to considering developments within Arab form a nation and a literature that are American, Asian American, black different from the ones that existed a American, Hispanic American and century, a decade, even a year before. Native American writing, this journal All of U.S. literature is multicultural, introduces a global audience to the multiethnic, multiracial, from pre- continually evolving multicultural colonial days to the present. At one literature of our day, and to a selection of moment in history or another, one gifted creative talents, as the process of grouping may have defined renewal continues in U.S. literature in the new century. I U.S.SOCIETY&VALUES / FEBRUARY 2000 2 ELECTRONIC JOURNALS OF THE U.S. DEPARTMENT OF STATE VOL. 5 / OFFICE OF INTERNATIONAL INFORMATION PROGRAMS / U.S..DEPARTMENT OF STATE / NO. 1 [email protected] FEBRUARY 2000 CONTEMPORARY U.S. -
"Demystifying the Orient: Arab-American Christian Scholars
ZIADEH LECTURE 2010 ZIADEH LECTURE 2010 ZIADEH LECTURE 2010 Near Eastern Languages and Civilization The Farhat J. Ziadeh Distinguished Lecture in Arab and Islamic Studies Arab American Christian Scholars and the Study of the Middle East in the United States Professor Yvonne Haddad Georgetown University Dear Friends and Colleagues, It is my distinct privilege to provide you with a copy of the eighth Farhat J. Ziadeh Distinguished Lecture in Arab and Islamic Studies, “Arab American Christian Scholars and the Study of the Middle East in the United States,” delivered by Yvonne Haddad on May 7, 2010. The Ziadeh Fund was formally endowed in 2001. Since that time, with your support, it has allowed us to strengthen our educational reach and showcase the most outstanding scholarship in Arab and Islamic Studies, and to do so always in honor of our dear colleague Farhat Ziadeh, whose contributions to the fields of Islamic law, Arabic language, and Islamic Studies are truly unparalleled. Farhat J. Ziadeh was born in Ramallah, Palestine, in 1917. He received his B.A. from the American University of Beirut in 1937 and his LL.B. from the University of London in 1940. He then attended Lincoln‟s Inn, London, where he became a Barrister-at-Law in 1946. In the final years of the British Mandate, he served as a Magistrate for the Government of Palestine before eventually moving with his family to the United States. He was appointed Professor of Arabic and Islamic Law at Princeton University, where he taught until 1966, at which time he moved to the University of Washington. -
Arab American Poets: the Politics of Exclusion and Assimilation
ARAB AMERICAN POETS: THE POLITICS OF EXCLUSION AND ASSIMILATION Nabil Alawi An-Najah University Now that American critical studies of ethnic literature are less concerned with the idea of the melting pot in favor of displaying a mosaic of multiculturalism and of highlighting ethnic resistance to assimilation and cultural integration, the Arab's presence in this scenario_ of mosaic multiculturalism remains marginal. Unfortunately the political bias of some publishers, editors, university professors and the mass media in the United States made Arabs' presence an anomaly in the mosaic of ethnic groups. There are more than two million Arab Americans living in the United States and there is a good number of established writers in all literary genres known to us. The reception of these writers in the American scene and literary circles varied according to the chronological development of the political conflict in the Middle East. The Israeli-Arab conflict in particular played a major role in alienating Arabs from the American public and in making them less welcome, as average people and as writers, than other ethnic groups; "the last ethnic group in America safe to hate", one columnist calls Arabs. They are "safe" to hate, the columnist most likely believes, because they are invaded both politically and culturally and they form no threat of retaliation when harmed—an easy target and an under-dog. Unfortunately since the Gulf War, the Arab identity has become even in some Arab countries a distraction; some Arabs are working hard to revive different ethnic cultures within the Arab World and some don't like to be called Arabs.