Sunshine on an Open Tomb
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The Entourage Effect at Finnegans Wake 1
The Entourage Effect At Finnegans Wake 1 The Entourage Effect At Finnegans Wake The Entourage Effect At Finnegans Wake. Steven James Pratt 2 The Entourage Effect At Finnegans Wake FORE WORDS Cannabis and Finnegans Wake are two of my favourite things, and I’ve been engaging with both for over twenty years. This paper pulls from, and pushes upon my experiences, and attempts to roll-it-all-up into a practical guide-cone. Not only a theoretical series of “what ifs,” but also a helpful introduction to the book and to the flower, “seedsmanchap” (FW, 221.) with luck enhancing the experience of reading and the positive effects of cannabis. If you’re already bored, scroll to the bottom and follow some of the links. Finnegans Wake (FW) for me, serves up the perfect antidote for those who do not read much these days. FW is the book for you, today. Get stuck in, light up, lighten up, there’s no right or wrong way to speak it aloud just try and make it new, explore your accents, keep it fresh. Use it as a doorstop, just go get a copy and let it grow on you. In the post-truth era of corporate-state controlled news’ media outlets, we might all use a lil’ linguistic and semantical earthquake, to shake loose the lies and dislodge the tantalizing deceits, and to rattle the vacuous gossip columns to pieces. Finnegans Wake, mixed with cannabis is my best bet, my offering, for a universal toolkit to help break on through to the other side with enough laughs and some shrieks of joy to prevent you crying yourself to sleep in depression at the state of the planet. -
Democratic Citizenship in the Heart of Empire Dissertation Presented In
POLITICAL ECONOMY OF AMERICAN EDUCATION: Democratic Citizenship in the Heart of Empire Dissertation Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of the Ohio State University Thomas Michael Falk B.A., M.A. Graduate Program in Education The Ohio State University Summer, 2012 Committee Members: Bryan Warnick (Chair), Phil Smith, Ann Allen Copyright by Thomas Michael Falk 2012 ABSTRACT Chief among the goals of American education is the cultivation of democratic citizens. Contrary to State catechism delivered through our schools, America was not born a democracy; rather it emerged as a republic with a distinct bias against democracy. Nonetheless we inherit a great demotic heritage. Abolition, the labor struggle, women’s suffrage, and Civil Rights, for example, struck mighty blows against the established political and economic power of the State. State political economies, whether capitalist, socialist, or communist, each express characteristics of a slave society. All feature oppression, exploitation, starvation, and destitution as constitutive elements. In order to survive in our capitalist society, the average person must sell the contents of her life in exchange for a wage. Fundamentally, I challenge the equation of State schooling with public and/or democratic education. Our schools have not historically belonged to a democratic public. Rather, they have been created, funded, and managed by an elite class wielding local, state, and federal government as its executive arms. Schools are economic institutions, serving a division of labor in the reproduction of the larger economy. Rather than the school, our workplaces are the chief educational institutions of our lives. -
2. Mondo 2000'S New Media Cool, 1989-1993
UvA-DARE (Digital Academic Repository) The web as exception: The rise of new media publishing cultures Stevenson, M.P. Publication date 2013 Link to publication Citation for published version (APA): Stevenson, M. P. (2013). The web as exception: The rise of new media publishing cultures. General rights It is not permitted to download or to forward/distribute the text or part of it without the consent of the author(s) and/or copyright holder(s), other than for strictly personal, individual use, unless the work is under an open content license (like Creative Commons). Disclaimer/Complaints regulations If you believe that digital publication of certain material infringes any of your rights or (privacy) interests, please let the Library know, stating your reasons. In case of a legitimate complaint, the Library will make the material inaccessible and/or remove it from the website. Please Ask the Library: https://uba.uva.nl/en/contact, or a letter to: Library of the University of Amsterdam, Secretariat, Singel 425, 1012 WP Amsterdam, The Netherlands. You will be contacted as soon as possible. UvA-DARE is a service provided by the library of the University of Amsterdam (https://dare.uva.nl) Download date:02 Oct 2021 2. Mondo 2000’s new media cool, 1989-1993 To understand how it was possible for the web to be articulated as an exceptional medium when it surfaced in the 1990s - that is, as a medium that would displace its mass and mainstream predecessors while producing web-native culture - one must see the historical and conceptual ties between web exceptionalism and cyberculture. -
Do You Believe in the Lord and Saviour Cthulhu?
Do you believe in the Lord and Saviour Cthulhu? The application of Lovecraft and his Cthulhu Mythos in Western Esotericism Nadine Eekhout s1526804 M.A. Davidsen 2018-2019 MA Theology and Religious Studies thesis 09-07-2019 1 Table of Contents 1. Introduction ........................................................................................................................... 3 1.1 H.P Lovecraft: Writer or Prophet? .................................................................................... 3 1.2 Introduction to Cthulhu Mythos ...................................................................................... 5 1.3 Introduction Fiction-based Religions ............................................................................... 7 1.4 Lovecraftian Magick: From Fiction to Magick ................................................................ 10 2. Method ................................................................................................................................ 12 3. Analyzing the Man, the Mythos and the Magick ............................................................... 15 3.1 Adaptations of Lovecraftian magick into an existing religious frame….……….……………..15 3.1.1 The Church of Satan: Cthulhu versus Satan .......................................................... 15 3.1.2 Temple of Set ....................................................................................................... 16 3.1.3 Grant’s Typhonian Order ..................................................................................... -
Downloaded From: Usage Rights: Creative Commons: Attribution-Noncommercial-No Deriva- Tive Works 4.0
Colton, David, G (2019) Canned chance - the commodification of aleatory art practice. Doctoral thesis (PhD), Manchester Metropolitan University. Downloaded from: https://e-space.mmu.ac.uk/623579/ Usage rights: Creative Commons: Attribution-Noncommercial-No Deriva- tive Works 4.0 Please cite the published version https://e-space.mmu.ac.uk Canned Chance - The commodification of aleatory art practice. David G Colton A thesis submitted in partial fulfilment of the requirements of Manchester Metropolitan University for the degree of Doctor of Philosophy Manchester School of Art Manchester Metropolitan University 2019 1 | David Colton Abstract: My practice involves re-imagining aleatory art systems and practices to create products that push the user into a direct relationship with chance. Initial research revealed that modernist aleatory practices have largely been recuperated into the canon of contemporary art techniques. It was my intention to re- invigorate these practices by re-imagining them in a new context outside of art practice: to change perspectives, ‘reality tunnels’ and to transcend culture and social conditioning. There are differences between work that has been made using chance in the creative process, and work that pushes the artist or viewer into chance encounters and situations and exploring the differences between them has been an important part of this project. The resulting works situate the user within the chance process, and in effect, make them the subject of their own experimentation and practice. My insights and discoveries develop out of a range of experimental artistic works that critically examine the re-imagining and commodification of chance processes. This thesis documents the development of each work in a series of chapters which also explain the research and developmental processes, in addition to setting the works in a theoretical and contextual framework. -
In the Supreme Court of the United States ______CAROL ANNE BOND, PETITIONER
No. 12-158 In the Supreme Court of the United States ________________ CAROL ANNE BOND, PETITIONER v. UNITED STATES, RESPONDENT _______________ ON WRIT OF CERTIORARI TO THE UNITED STATES COURT OF APPEALS FOR THE THIRD CIRCUIT ________________ BRIEF OF AMICUS CURIAE DAVID BOYLE IN SUPPORT OF RESPONDENT _________________ David Boyle Counsel of Record P.O. Box 15143 Long Beach, CA 90815 [email protected] (734) 904-6132 1 AMICUS CURIAE STATEMENT OF INTEREST The present amicus curiae, David Boyle (herein- after, “Amicus”),1 is respectfully filing this Brief in Support of Respondent in Case 12-158 (“Bond”).2 Amicus wishes to expand on the comments on Bond in his July 1, 2013 amicus brief, see id. at 11-14, supporting Petitioner in Schuette v. BAMN.3 SUMMARY OF ARGUMENT To overturn Missouri v. Holland, 252 U.S. 416 (1920), or to overturn casually the Third Circuit in this case, may fly from reason, any purported “federalism”, “tyranny”, or other arguments notwithstanding. ARGUMENT Amicus is suspicious of extreme federal power, including, e.g., excessive spying on Americans. However, that does not mean all surveillance of Americans is wrong, nor that NSA employees should defect to Russia. Similarly, the specter of possible federal encroachment on States’ power does not imply that the Court should geld the President or Senate, vis-à-vis treaty power or otherwise. In Bond, prosecution of Ms. Bond with a chemi- cal-weapons-related statute (“§ 229”) may arguendo 1 No party or its counsel wrote or helped write this brief, or gave money to its writing or submission, see S. -
Wanted Dead Or Alive, Or Both
books & arts Wanted dead or alive, or both The Quantum would look (don’t even try to imagine superpositions. On the way they introduce Divide: Why entangled states), it might be better to think complementarity, quantum tunnelling, Schrödinger’s Cat is of a dead and alive cat. This image is neither delayed‑choice experiments and quantum Either Dead or Alive particularly illuminating nor beautiful — teleportation. The physics behind these perhaps even disturbing for cat‑lovers — but quantum phenomena is explained in detail, By Christopher at least it feels tangible. from the workings of beam‑splitters and C. Gerry and Kimberley Writing about quantum mechanics in polarizers to more complex arrangements, M. Bruno scientifically accurate and yet intuitive terms such as the Mach–Zehnder and Hong– is hard. There are countless books on the Ou–Mandel interferometers. And although OXFORD UNIV. PRESS: subject, approaching it from every possible the authors touch on such varied topics, 2013. 197PP. $44.95. angle (for example, How to Teach Quantum they manage to maintain a steady flow Physics to your Dog, Quantum Theory and an overall sense of coherence (no Cannot Hurt You, Quantum: A Guide for the pun intended). uantum mechanics and quantum Perplexed and Who’s Afraid of Schrödinger’s All the discussions eventually lead to the information feature many eccentric Cat?), and it is amazing how many of central theme of The Quantum Divide: the Qcharacters, from the personality‑split these have cats on their covers. But The question of where to draw the line between photon to the omnipresent Alice and Quantum Divide: Why Schrödinger’s Cat is the quantum and classical worlds — if Bob. -
Wilson, Robert Anton Robert Anton Wilson (1932-2007) Was An
D. G. Robertson, “Wilson, Robert Anton” Forthcoming in: E. Asprem (ed.), Dictionary of Contemporary Esotericism Preprint manuscript of: D. G. Robertson, “Wilson, Robert Anton”, Dictionary of Contemporary Esotericism (ed. E. Asprem), Leiden: Brill. Archived at ContERN Repository for Self-Archiving (CRESARCH) https://contern.org/cresarch/cresarch-repository/ Feb. 5, 2019. Wilson, Robert Anton Robert Anton Wilson (1932-2007) was an American writer, known for the Illuminatus! Trilogy (1975, co-written with Robert Shea) and the autobiographical Cosmic Trigger (1977). He had a considerable influence upon the popularisation of “invented” religions, conspiracy theories, and Chaos Magick. Wilson was involved in early Discordianism, a satirical religion invented in 1957 by Greg Hill and Kerry Thornley, two Californian high school friends. It was based upon light-hearted worship of Eris, the Goddess of Chaos, and the philosophical position that all order is illusory, and salvation lies in embracing chaos and silliness. Discordianism developed largely through correspondence with a slowly expanding circle of smart, young, (mostly) white, male atheists, including Wilson. The material developed was compiled by Hill and published as the Principia Discordia in 1969. Wilson’s contributions included some conspiracist material on the Bavarian Illuminati, references to writers HP Lovecraft and James Joyce, and the “23 Enigma”, which states that once you are aware of it, you will start to see the number twenty-three everywhere. Discordianism provided many of the characters and themes of Illuminatus!, which Wilson was writing at the time with Robert Shea. While working as associate editors for Playboy, the two became fascinated by the many letters the magazine received spinning elaborate conspiratorial narratives concerning the Illuminati, the Council on Foreign Relations, the Vatican and the Kennedys. -
The Jams' and the KLF's Invocation of Mu
CHART MYTHOS The JAMs’ and The KLF’s Invocation of Mu [Received August 18th 2016; accepted September 22nd 2016 – DOI: 10.21463/shima.10.2.07] Jon Fitzgerald <[email protected]> Southern Cross UniversitY Philip Hayward <[email protected]> Kagoshima UniversitY Research Center for the Pacific Islands and UniversitY of TechnologY SYdneY ABSTRACT: The JAMs and The KLF, two overlapping popular music ensembles led by British multi-media performers JimmY CautY and Bill Drummond, were notable for both the success theY had with a batch of singles in the late 1980s and early 1990s and the complex mythologY theY constructed and celebrated in song lYrics, music videos, press releases and short films. KeY to their mYthological project was their association with the fictional lost island-continent of Mu (with the band name JAMs being an abbreviation for ‘Justified Ancients of Mu Mu’). The latter identitY was derived from Robert Shea and Robert Anton Wilson’s Illuminatus trilogY of novels in which the aforementioned “ancients” were a secret brotherhood involved in combatting the rival Illuminati, who originated in Atlantis. As the JAMS’ and KLF’s oeuvres progressed, aspects of Mu and Atlantis were synthesised by CautY and Drummond with elements of other actual and fictional islands. The article traces the initial imagination and representation of Mu in esoteric crYpto-historical literature, its rearticulation in Shea and Wilson’s counter-cultural novels and its invocation and function in CautY and Drummond’s work with The JAMs and The KLF. KEY -
The Realist and Paul Krassner's 1960S Terry Joel Wagner Louisiana State University and Agricultural and Mechanical College, [email protected]
Louisiana State University LSU Digital Commons LSU Master's Theses Graduate School 2010 "To liberate communication": the Realist and Paul Krassner's 1960s Terry Joel Wagner Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_theses Part of the History Commons Recommended Citation Wagner, Terry Joel, ""To liberate communication": the Realist and Paul Krassner's 1960s" (2010). LSU Master's Theses. 3562. https://digitalcommons.lsu.edu/gradschool_theses/3562 This Thesis is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Master's Theses by an authorized graduate school editor of LSU Digital Commons. For more information, please contact [email protected]. “TO LIBERATE COMMUNICATION:” THE REALIST AND PAUL KRASSNER’S 1960S A Thesis Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Master of Arts in The Department of History By Terry Joel Wagner B.A., Rice University, 2002 August 2010 Acknowledgements This project would have been inconceivable without the regular encouragement and aid of my parents, Desley Noonan-Wagner and Robert Wagner. I thank them not only for providing a sounding board for the ideas explored in this project, and for research assistance, but also for a lifetime of putting my education foremost. Thanks especially to my mother for teaching me how to write. I also want to acknowledge my sister, who has the zany idea that what I study is cool. -
Mediascapes, Conscientisation and Personal Foresight 1. Introduction
1 Mediascapes, Conscientisation and Personal Foresight Alex Burns Research Facilitator, Faculty of Business and Law Victoria University Australia Keywords: conscientisation; mediascapes; personal foresight; practitioner development This paper responds to an ongoing debate about the media and communication of foresight concepts. I combine reflections with an account of commentary methods and seminar presentations made over a decade in university, community and practitioner development contexts. These include Swinburne University’s former Australian Foresight Institute; Spiral Dynamics practitioner training; the Australian festival This Is Not Art; and the Oases Graduate School. Personal foresight involves an external vantage point and subjective horizon-building in order to create and self-generate preferred futures. I consider how ‘mediascapes’ as artefacts and ‘conscientisation’ processes reflect this, and the lessons they provide. If the foresight community is open and appreciative to new opportunities then many of the problems raised can be reframed and resolved. 1. Introduction How do media images affect our personal ‘self-image’ of positive futures? How can foresight practitioners use media to effectively communicate futures concepts to a general audience? What are the opportunities and risks of these approaches? Richard Slaughter raised these issues throughout his development of critical futures studies [1; 2]. In particular, Slaughter critically interrogated popular film imagery of dystopian futures [3]. Subsequently, Jose M. Ramos has used Freirean ‘conscientisation’ approaches [4] to examine action research and futures methods [5] and why foresight practitioners find it difficult to communicate to the public [6]. This paper responds to this ongoing debate in several ways. As a foresight practitioner and developmental editor I am interested in the issues that Slaughter and Ramos have raised. -
The Church of the Subgenius, Kenneth Burke & Comic, Symbolic
Virginia Commonwealth University VCU Scholars Compass Theses and Dissertations Graduate School 2014 Rhetorical Ripples: The Church of the SubGenius, Kenneth Burke & Comic, Symbolic Tinkering Lee A. Carleton Virginia Commonwealth University Follow this and additional works at: https://scholarscompass.vcu.edu/etd Part of the American Popular Culture Commons, Discourse and Text Linguistics Commons, Interdisciplinary Arts and Media Commons, New Religious Movements Commons, and the Rhetoric and Composition Commons © The Author Downloaded from https://scholarscompass.vcu.edu/etd/3667 This Dissertation is brought to you for free and open access by the Graduate School at VCU Scholars Compass. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of VCU Scholars Compass. For more information, please contact [email protected]. Rhetorical Ripples: The Church of the SubGenius, Kenneth Burke & Comic, Symbolic Tinkering A Dissertation submitted in partial fulfillment of the requirements for the Media, Art and Text Doctor of Philosophy at Virginia Commonwealth University by Lee Allen Carleton B.S. Bible, Lancaster Bible College, 1984 M.A. English Composition, Virginia Commonwealth University, 1996 Director: Dr. Nicholas Sharp Assistant Professor English Department Virginia Commonwealth University Richmond, Virginia November 2014 Dedication This work is dedicated to my wife Clary, my son Holden (6) and my daughter Huxley (3) who have inspired my ongoing efforts and whose natural joy, good humor and insight lit my wandering path. On the eve of my 53rd birthday, I can honestly say that I am a very fortunate and happy man. Acknowledgements Without a doubt, these few words can hardly express the gratitude I feel for my committee and their longsuffering patience with me as I finally found my focus.