MPEP Chapter 1500 Design Patents
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The Constitutionality of Design Patents
CLIFFORD & PELTZ-STEELE - DESIGN PATENTS FINAL - WEBSITE.DOCX (DO NOT DELETE) 11/27/15 12:54 PM THE CONSTITUTIONALITY OF DESIGN PATENTS RALPH D. CLIFFORD* & RICHARD J. PELTZ-STEELE** ABSTRACT Design patents have been part of American law since 1842. In that time, only just over 600,000 design patents have been issued, with more than half of these being granted in the last twenty years. This quantity is dramatically fewer than the number of utility patents issued which is rapidly approaching 9,000,000 issued patents. Possibly because of the low usage of design patents over time, no case law and little literature address the constitutional issues raised by them. This article intends to overcome that shortcoming. Two constitutional aspects of design patents will be examined. First, congressional authority to adopt the design patent laws will be examined. The Constitution in Article I, Section 8, Clause 8 grants Congress specific powers to adopt both patents and copyrights. When a design is examined, it is unclear that it is an invention making its patentability suspect. At the same time, establishing a design as a writing is not problematic, leading to its eligibility for copyright. In this case, the clause itself must be examined to determine if something that qualifies only for copyright protection can nevertheless be granted a patent. The words chosen in the clause, particularly based on the way some of them were used in the Eighteenth Century, suggest that the answer is “no.” Of course, any * Professor of Law at the University of Massachusetts School of Law. I wish to thank the participants at the 2013 Intellectual Property Academic Conference held at the Franklin Pierce Center for Intellectual Property at the University of New Hampshire School of Law and at PatCon4 held at University of San Diego who made many valuable suggestions regarding this article and its improvement. -
Intellectual Property Law in the Construction Industry — a Practical Guide
Chapter 28 INTELLECTUAL PROPERTY LAW IN THE CONSTRUCTION INDUSTRY — A PRACTICAL GUIDE Scott S. Havlick, Esq., Editor and Author (2005 & 2007 Supplements) Holland & Hart LLP Kenneth C. Winterton, Esq., Author (2005 Supplement) Holland & Hart LLP SYNOPSIS § 28.1 INTRODUCTION § 28.2 PATENT LAW § 28.2.1—Design Patents Related To Ornamental Buildings And Ornamental Building Features § 28.2.2—Patent Infringement § 28.3 TRADE SECRET LAW § 28.4 COPYRIGHT LAW § 28.4.1—Copyright Protection In Architectural Works § 28.4.2—Limitations To Copyright Protection § 28.4.3—Copyright Infringement § 28.4.4—Moral Rights In Visual Artworks — Building Murals And Sculptures § 28.5 TRADEMARK LAW § 28.5.1—Truth In Advertising § 28.5.2—Avoiding Consumer Confusion — Searching And Clearing § 28.5.3—Avoiding Consumer Confusion — Non-Traditional Trademarks § 28.5.4—Branding Large Developments — The Pitfall Of Geographic Descriptiveness (10/07) 28-1 § 28.1 The Practitioner’s Guide to Colorado Construction Law § 28.1 • INTRODUCTION Intellectual property law is comprised of several distinct legal schemes created under fed- eral law, state statutory law, and case law: patents, trade secrets, copyright, and trademark law. To exhaustively describe the contours of each of these large bodies of law is beyond the scope of this chapter, but a working understanding of each flavor of intellectual property right is useful for the construction law lawyer. This chapter broadly describes each body of law and focuses on selected issues that arise with more frequency in the construction industry: 1) Copyright protections that exist in architectural plans, drawings, and the constructed buildings themselves; 2) The rights of visual artists; 3) The potential for trademark protection in non-functional and distinctive design and décor features in buildings; and 4) The challenges of trademark protection for larger development projects. -
Innovation by Design: Differentiator in the Digital Age
INNOVATION BY DESIGN: DIFFERENTIATOR IN THE DIGITAL AGE Sara Diamond and Linda Lewis Canada’s poor innovation record has been exacerbated by a reluctance to acknowledge design as a key component of innovation. We have the key ingredients for design to make a difference to Canadian innovation — a strong and varied sector, a base of university and college programs, exemplary firms, and proof that design matters. By including design as part of the innovation paradigm (research and development and design), we could radically transform Canada’s lacklustre innovation record into a leadership position. Le design est un facteur clé d’innovation, et la réticence du Canada à reconnaître son importance ne fait qu’aggraver son maigre bilan en la matière. Nous avons pourtant tout ce qu’il faut pour faire du design un accélérateur d’innovation : un secteur dynamique et varié, des programmes universitaires et collégiaux, des entreprises modèles et des données confirmant son rayonnement. Il suffirait d’intégrer le design au paradigme d’innovation (et donc à la recherche-développement) pour redorer le terne bilan du Canada et en faire un pôle mondial d’innovation. With great power comes great design. Designers allow companies to stay ahead of where cus- Mercedes-Benz commercial for 2012 CLS 550, July 2011 tomers are by anticipating and addressing human needs and behaviours in the context of our complex and chang- anada’s poor innovation record has been exacerbat- ing world. “Hard problems” in research are called “wicked ed by a reluctance to acknowledge design as a key problems” by designers; these challenges require intensive C component of innovation. -
Using Intellectual Property to Establish and Protect Your Firm's
Using Intellectual Property To Establish and Protect Your Firm’s Architectural, Interiors and Industrial Design Domain By: David R. Gerk, Esq.1 If you were to hear a story about a painter that hosted an exhibit in Manhattan early in the afternoon and then simply left the gallery for a celebratory dinner leaving the front door to the gallery wide open for any and for all to come through and take her works of art, wouldn’t you consider this painter to be somewhat foolish? Likewise, wouldn’t you be puzzled if you were told a story about a movie producer that knew bootleggers were likely to copy his newest blockbuster and sell it on the city streets in advance of the release date, but the producer refused do anything to stop these thieves even though he knew how to prevent the bootleg copies from coming into existence? Lastly, if you read in the morning paper that a company decided to let its main competitor sell duplicate copies of its best selling products, but did not receive any royalties whatsoever in exchange, wouldn’t you suspect there was a misprint in that paper? While each of these scenarios sounds outrageous, blatant misappropriations as severe as these are very real. Perhaps even scarier is the fact that equally substantial misappropriations may be happening to you or your company on a regular basis. Designers, architects and virtually any person or entity that makes a living based upon the creative products or services they provide may simply be giving their most valuable asset away and not even know it. -
Innovation and Imitation Artistic Advance and the Legal Protection of Architectural Works Elizabeth A
Cornell Law Review Volume 70 Article 4 Issue 1 November 1984 Innovation and Imitation Artistic Advance and the Legal Protection of Architectural Works Elizabeth A. Brainard Follow this and additional works at: http://scholarship.law.cornell.edu/clr Part of the Law Commons Recommended Citation Elizabeth A. Brainard, Innovation and Imitation Artistic Advance and the Legal Protection of Architectural Works , 70 Cornell L. Rev. 81 (1984) Available at: http://scholarship.law.cornell.edu/clr/vol70/iss1/4 This Article is brought to you for free and open access by the Journals at Scholarship@Cornell Law: A Digital Repository. It has been accepted for inclusion in Cornell Law Review by an authorized administrator of Scholarship@Cornell Law: A Digital Repository. For more information, please contact [email protected]. INNOVATION AND IMITATION: ARTISTIC ADVANCE AND THE LEGAL PROTECTION OF ARCHITECTURAL WORKS Architectural design represents a unique combination of innovation and imitation. One commentator has noted that "an uneasy balance between influence and originality" exists within the profession.1 Imita- tion may play a greater role in advancement in architecture than in other forms of intellectual property that the law protects against copy- ing. Nevertheless, architectural work must be protected to encourage original and creative design. Thus, proper protection of architectural works requires independent consideration and individualized legisla- tion. This Note evaluates the appropriate level of protection for archi- tectural works in light of the need to encourage progressive architectural creativity without precluding architectural imitation. Section I exam- ines the current protection afforded architectural works under the Copy- right Act of 1976, the Patent Act, and the common law of torts. -
Chapter 6: Design and Design Frameworks: Investing in KBC and Economic Performance
323 | DESIGN AND DESIGN FRAMEWORKS: INVESTMENT IN KBC AND ECONOMIC PERFORMANCE CHAPTER 6. DESIGN AND DESIGN FRAMEWORKS: INVESTMENT IN KBC AND ECONOMIC PERFORMANCE This chapter addresses the nature and the economic impact of design by looking at design-related intellectual property and how businesses protect their knowledge based capital. The chapter reviews the nature and various definitions of design and how design-related IP, specifically registered designs, relates to other formal IP mechanisms such as patents, trademarks, and copyright. It looks at the primary areas of design activity in a subset of OECD countries and investigates the similarities and differences of the constituent design IP regimes as well as the various treaties governing international design IP regulation. The review continues with an examination of how design-related IP functions in comparison to and in conjunction with other formal and informal IP protection mechanisms and what factors motivate firms to choose and appropriate combinations of protection mechanisms. By examining historical patterns of design registrations in a variety of ways, this chapter identifies trends, at the national level, of how firms perceive the importance of design-related IP. Analysis of national origins of registrations in both the European Community and the United States provides an indicator of the activity of those countries’ businesses relative to their proximities to the markets. It explores the existence of possible alternative indicators for design activity and of industry-specific variations across the sample set. The chapter concludes with a review of input and output measures as stated in the limited set of studies that have endeavoured to establish or quantify the value and/or benefit of design and design-related IP. -
The “Article of Manufacture” Today
Harvard Journal of Law & Technology Volume 31, Number 2 Spring 2018 THE “ARTICLE OF MANUFACTURE” TODAY Sarah Burstein* TABLE OF CONTENTS I. INTRODUCTION .............................................................................. 782 II. BACKGROUND .............................................................................. 785 A. Design Patentable Subject Matter ............................................ 785 B. Design Patent Claiming & Infringement ................................. 786 C. Remedies for Design Patent Infringement ............................... 788 III. WHAT IS THE “ARTICLE OF MANUFACTURE” IN § 289?.............. 789 A. The Apple/Nordock Rule .......................................................... 791 B. The Supreme Court Weighs In ................................................. 791 IV. WHY COURTS SHOULD NOT ADOPT THE GOVERNMENT’S APPROACH .................................................................................... 793 A. The Test .................................................................................... 794 1. The Underlying Premise ........................................................ 795 2. The Factors ............................................................................ 797 B. The Nature of the Inquiry ......................................................... 802 1. A Case-by-Case Inquiry? ...................................................... 802 2. Is it a Question of Fact or Law? ............................................ 807 C. The Burden of Proof................................................................ -
Constructing Design Patent Map and Design Strategy Based on Two Perspective of Classifying Methodology
Constructing Design Patent Map and Design Strategy Based on Two Perspective of Classifying Methodology Chia-Han Yang* * Institute of Creative Industries Design, National Cheng Kung University, Taiwan [email protected] Abstract: The design patent is considered less definite than other patent categories such as invention and utility model patent, so it is relatively difficult to create a design patent map for design strategy planning. This research adopts two perspectives of classifying methodology to construct innovative design patent mapping using multivariate analysis such as Multidimensional Scaling (MDS) method and cluster analysis. Thirty-eight chair design patents in Taiwan are selected as analytical cases for patent mapping. The findings reveal that the two design patent maps based on MDS method and cluster analysis both show similar design category. The comparable study also depicts the MDS-based design patent map is better in external environmental monitoring such as design trend analysis, selection of design hot zone, design forecasting, and evaluation the design strategy from major competitors. The cluster-based design patent map is useful to understand the design features of existing patent, especially in the current dominant design and new design focus in the context of aesthetic, functional, creative and experience value. Key words: Design patent, Patent map, Design strategy, Multidimensional scaling, Cluster analysis 1. Introduction With design knowledge evolving dynamically and proliferating globally, product and industrial design is becoming a more innovative approach wherein the integration of system knowledge is pivotal in accelerate design-driven innovation and expand markets for the new users. Under this competitive environment, some discussions shed light on the constructing design strategies for new product development and design resource planning. -
Using Design Rights to Protect Your Technology in Japan
Additional Approaches: Using Design Rights to Protect Your Technology in Japan Overview of Design Protection in Japan Yukei MIZUNO Japan Patent Attorneys Association International Activities Center Agenda • Procedures for Obtaining Design Registration • Summary of Japanese Design Registration System • Major requirements for Obtaining Design Registration Procedures for Obtaining Design Registration Filing An Application Decision of NO Refusal • Name and Address of Examination each Creator • No • Name and Address of Unexamined each applicant Publication Substantial Requirements? • The Name of Article • Not Required to Request • Drawings Substantial Examination Decision of • Priority Information YES Registration and Certificates Registration Summary of Japanese Design Registration System Applicable Laws Japan Design Law Object of Protection Industrial Design • “Design” is the shape, patterns or colors, or any combination thereof, of an article (including a part of an article), which creates an aesthetic impression through the eye. [Design Law Sec.2-(1)] Average Period from Filing to Issuing the First 6.1 months (2015) Action Grace Period Within 6 months from application filing dates Duration of Protection 20 years from registration dates Major Requirements for Obtaining Design Registration • Industrial Applicability • Possibility of repeatedly producing the same articles using industrial technology is needed • Novelty • Another design which is identical or similar to the design did not exist prior to the filing of the application for design -
Standing Committee on the Law of Trademarks, Industrial Designs and Geographical Indications
E SCT/36/2 REV. ORIGINAL: ENGLISH DATE: JANUARY 27, 2017 Standing Committee on the Law of Trademarks, Industrial Designs and Geographical Indications Thirty-Sixth Session Geneva, October 17 to 19, 2016 COMPILATION OF THE REPLIES TO THE QUESTIONNAIRE ON GRAPHICAL USER INTERFACE (GUI), ICON AND TYPEFACE/TYPE FONT DESIGNS Document prepared by the Secretariat INTRODUCTION 1. At the thirty-fifth session of the Standing Committee on the Law of Trademarks, Industrial Designs and Geographical Indications (SCT), held in Geneva from April 25 to 27, 2016, the Chair requested the Secretariat to prepare a questionnaire, based on the proposal made by the Delegations of Israel, Japan and the United States of America, entitled “Industrial Design and Emerging Technologies: Similarities and Differences in the Protection of New Technological Designs” (document SCT/35/6). The Chair further requested the Secretariat to prepare a document containing the replies to that questionnaire, to be presented at the thirty-sixth session of the SCT. 2. Accordingly, the Secretariat prepared and addressed to all Member States of the World Intellectual Property Organization (WIPO) the Questionnaire on Graphical User Interface (GUI), Icon and Typeface/Type Font Designs (hereinafter “the questionnaire”), which is reproduced in Annex II to the present document. The questionnaire was also made available, in Arabic, Chinese, English, French, Russian and Spanish, on the SCT Electronic Forum webpage at: http://www.wipo.int/sct/en/. 3. By August 12, 2016, closing date to return the completed questionnaire to WIPO, replies from the following Member States were received: Argentina, Australia, Azerbaijan, Belarus, China, Croatia, Cyprus, Czech Republic, Denmark, Estonia, Finland, Georgia, Germany, Iceland, Israel, Italy, Japan, Kazakhstan, Latvia, Lithuania, Malaysia, Mexico, Montenegro, Netherlands, Norway, Oman, Peru, Philippines, Poland, Portugal, Republic of Moldova, SCT/36/2 Rev. -
Trademarks by Design: Combining Design Patents and Trademarks to Protect Your Intellectual Property
TRADEMARKS BY DESIGN: COMBINING DESIGN PATENTS AND TRADEMARKS TO PROTECT YOUR INTELLECTUAL PROPERTY Robert S. Katz Helen Hill Minsker Design patents and trademarks are separate species of intellectual property (IP), but each can provide significant commercial advantages to their owners. Design patents grant the inventor exclusive rights to the invention for a period of fourteen years, but at the end of that time, the invention is dedicated to the public. Trademarks, if properly maintained, can exist forever. With the growing importance of IP rights, old ideas, such as combining trademarks and design patents, deserve another look as a means to accomplish this. Moreover, with the Supreme Court’s recent declaration in Wal- Mart Stores, Inc., v. Samara Brothers, Inc., 529 U.S. ___ (2000), that secondary meaning is required before certain types of product designs are entitled to trade dress protection, design patents may be the most effective way to ward off infringers while secondary meaning for trademarks and/or trade dress is established. This article addresses the relationship between design patent protection and trademark protection. THE LEGAL FRAMEWORK The Patent Law provides for the granting of design patents to any person who has invented any new, original and ornamental design for an article of manufacture. Design patents cover the way an article looks, and may be drawn to the shape/configuration of an article, surface ornamentation applied to the article, or a combination of both. A design patent does not need to be directed to the entire article, and claiming a portion of the article is permitted, In re Zahn, 617 F.2d 261 (CCPA 1980). -
Intellectual Property & Patent Research Services W W W . I P
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