Barnett (Doherty).Pdf

Total Page:16

File Type:pdf, Size:1020Kb

Barnett (Doherty).Pdf Canterbury Christ Church University’s repository of research outputs http://create.canterbury.ac.uk Copyright © and Moral Rights for this thesis are retained by the author and/or other copyright owners. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the copyright holder/s. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the copyright holders. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given e.g. Barnett, L. (2017) Pleasure, agency, space and place: an ethnography of youth drinking cultures in a South West London community. Ph.D. thesis, Canterbury Christ Church University. Contact: [email protected] PLEASURE, AGENCY, SPACE AND PLACE: AN ETHNOGRAPHY OF YOUTH DRINKING CULTURES IN A SOUTH WEST LONDON COMMUNITY By Laura Kelly Barnett Canterbury Christ Church University Thesis submitted for the Degree of Doctor of Philosophy 2017 ABSTRACT Media, government and public discourse in the UK associate young drinkers as mindless, hedonistic consumers of alcohol, resulting in young people epitomising ‘Binge Britain’. This preoccupation with ‘binge’ drinking amplifies moral panics surrounding youth alcohol consumption whereby consideration of the social and cultural nuances of pleasure that give meaning to young people’s excessive drinking practices and values has been given little priority. This sociological study explores how young drinkers regulate their drinking practices through levels of agency which is informed by values linked to the pursuit of pleasurable intoxication alongside friendship groups in a variety of drinking settings. Data informing this study comes from contextualised ethnographic fieldwork alongside heterogeneous groups of young people and community members in an area of South West London. Whilst encountering hundreds of participants in fieldwork, data informing this research stems from ninety main protagonists. Following a qualitative grounded theoretical approach, the study prioritises the voice and everyday experience of young drinkers and local community members to present theoretical descriptions of youth drinking cultures embedded in a historical, social, cultural and spatial context. Through the ethnographic data, this thesis argues that young drinkers show levels of agency in their pursuit of pleasurable drinking experiences through conscious forms of self-governance and regulation which are informed by learned experiences and interactions such as gender. Moreover, youth drinking is both enabled and restricted by constraints and complexities such as space and place; which form central points of analysis in this thesis. It is concluded that accounts derived directly from young people are not only central to understanding how and why young people engage in forms of excessive drinking, but can better inform national and local alcohol-related policies and strategies, as opposed to discourse preoccupied with UK ‘binge’ drinking that young people rarely identify with. 2 LIST OF TABLES AND ILLUSTRATIONS Figure 1: Map of Sutton High Street Figure 2: Map of the “London Boroughs, 2013” Figure 3: ‘Sutton Ward Map’ Figure 4: Summary of the London Borough of Sutton’s Public Register Premises Licence, March 2013 Figure 5: ‘Addressing inequalities in Sutton: Income deprivation data affecting children index 2010. Lower super output areas (SOAs) by National Quintiles.’ Figure 6: ‘Trend in young people aged under 18 admitted to hospital with alcohol specific conditions’ Figure 7: Trinity Square Figure 15: The Sparrow Youth Club Figure 16: The Rafters Figure 17: The Sutton Youth Bus Figure 18: Willow High School Classrooms 3 ACKNOWLEDGEMENTS It is impossible to produce a definitive list of all of the people whom I would like to truly thank from the bottom of my heart for enabling me to complete this research. I only hope that I can offer the praise that you deserve. First and foremost, I would like to thank my supervisor Professor Shane Blackman, whose support, guidance and patience have been invaluable from the start to finish of this Doctorate. I most certainly would not have finished this without you. I would also like to thank my supervisory panel, Professor Linden West and Professor Stephen Clift, whose academic guidance has challenged and pushed the boundaries of my thinking to the levels that I needed to achieve. I offer my sincere thanks to Department of Media, Art and Design at Canterbury Christ Church University. The financial scholarship was pivotal in enabling me to undertake the PhD and the Department’s academic direction has been of great value. I would also like to express my gratitude to the Graduate School and the Post Graduate Research Association, whose friendly community has enabled me to feel comfortable in expressing ideas in an encouraging environment. To all of the young people and young adult research participants who have underpinned this entire research, I thank you. Without you, this research would not have been possible. It has been a great pleasure meeting each and every one of you. Thank you for sharing your invaluable knowledge, experience and time. To all of the local professionals, community organisations and services within the London Borough of Sutton who participated in this study, thank you for providing me with access to research opportunities, materials and resources. I also thank you for sharing your skills and expertise. 4 DEDICATION I would like to dedicate this thesis to three very important people in my life. Firstly, I dedicate this work in memory of my late mother Mary Margaret Duggan. Her life inspired me to pursue research in the field of alcohol studies and helped me to challenge conventional perceptions about society’s relationship with alcohol. I also dedicate this thesis to my father John Patrick Doherty, who has always had faith in me, has shown relentless love and supported me in this endeavour. I could not have done this without you. Finally, I dedicate this thesis to my husband, Greg-Joe Barnett, your patience and love have helped me make it through to the finish line. 5 TABLE OF CONTENTS PLEASURE, AGENCY, SPACE AND PLACE: AN ETHNOGRAPHY OF YOUTH DRINKING CULTURES IN A SOUTH WEST LONDON COMMUNITY ................................................... 1 ABSTRACT .......................................................................................................................... 2 LIST OF TABLES AND ILLUSTRATIONS ........................................................................... 3 ACKNOWLEDGEMENTS ..................................................................................................... 4 DEDICATION........................................................................................................................ 5 TABLE OF CONTENTS ....................................................................................................... 6 INTRODUCTION ................................................................................................................ 10 1.1. Biographical context and inspiration of the research ................................................. 10 1.2. Research Aims ......................................................................................................... 12 1.3. Thesis Structure ....................................................................................................... 13 CHAPTER ONE: A SOCIAL AND CULTURAL HISTORY OF YOUNG PEOPLE’S EXCESSIVE DRINKING IN THE UK .................................................................................. 15 1.1. Introduction ............................................................................................................... 15 1.2. A longstanding history of fears of and fears for young drinkers ................................. 15 1.3. Binge Britain: young people as homogenous, mindless and hedonistic consumers .. 25 1.4. The siren call of youth to the contemporary ‘culture of intoxication’........................... 29 1.5. Acknowledging youth agency and pleasure in a neoliberal context ‘binge’ drinking .. 35 1.6. Conclusion ................................................................................................................ 38 CHAPTER TWO: METHODOLOGY ................................................................................... 40 2.1. Introduction ............................................................................................................... 40 2.2. Contextualising the research settings and participants ............................................. 40 2.2.1. ‘Hometown glory’: an autobiographic account of my drinking biography, prior knowledge and insider status with the fieldwork location .............................................. 41 2.2.2. ‘Making the familiar strange’: initial mapping of Sutton’s drinking culture ............ 42 2.2.3. Drinking biography of the London Borough of Sutton ......................................... 44 2.2.4. Establishing fieldwork relations and introduction to the research protagonists .... 52 2.3. Theoretical and Methodological Foundations ............................................................ 60 2.3.1. Prioritising youth agency, voice, lived experience and spatial interaction through traditional ethnographic Chicago
Recommended publications
  • BWTB Nov. 13Th Dukes 2016
    1 Playlist Nov. 13th 2016 LIVE! From DUKES in Malibu 9AM / OPEN Three hours non stop uninterrupted Music from JPG&R…as we broadcast LIVE from DUKES in Malibu…. John Lennon – Steel and Glass - Walls And Bridges ‘74 Much like “How Do You Sleep” three years earlier, this is another blistering Lennon track that sets its sights on Allen Klein (who had contributed lyrics to “How Do You Sleep” those few years before). The Beatles - Revolution 1 - The Beatles 2 The first song recorded during the sessions for the “White Album.” At the time of its recording, this slower version was the only version of John Lennon’s “Revolution,” and it carried that titled without a “1” or a “9” in the title. Recording began on May 30, 1968, and 18 takes were recorded. On the final take, the first with a lead vocal, the song continued past the 4 1/2 minute mark and went onto an extended jam. It would end at 10:17 with John shouting to the others and to the control room “OK, I’ve had enough!” The final six minutes were pure chaos with discordant instrumental jamming, plenty of feedback, percussive clicks (which are heard in the song’s introduction as well), and John repeatedly screaming “alright” and moaning along with his girlfriend, Yoko Ono. Ono also spoke random streams of consciousness on the track such as “if you become naked.” This bizarre six-minute section was clipped off the version of what would become “Revolution 1” to form the basis of “Revolution 9.” Yoko’s “naked” line appears in the released version of “Revolution 9” at 7:53.
    [Show full text]
  • Shabuya FV Regular Menu
    REOPENING SPECIAL ONE BUY ONE GET ONE DRAFT BEER Pint (16oz) Tall (22oz) Sapporo 5.95 8.95 Kirin 6.95 9.95 Space Dust / Mango cart 7.95 10.95 BOTTLED BEER Large Corona 6.95 Koshihikari Echigo/ Hite 7.95 Asahi 8.95 DRAFT BEER Pitcher Tower (2L) Tower (3L) Sapporo 16.95 23.95 33.95 Kirin 17.95 24.95 33.95 Space Dust / Mango cart 19.95 26.95 38.95 SAKE Small Large House Hot Sake 6.95 12.95 Sake Bomb Shot of Sake + HALF PINT of Sapporo 7.95 Sho Chiku Bai Junmai Ginjo | 15% Abv (300ml) 12.95 Delicate, Dry, and Silky Smooth. Fruity Aroma with Rich Flavor & Texture SBC Créme De Sake Nigori | 15% Abv (300ml) 12.95 Vibrant, Rich but Delicate Aroma. Lingering Finish of Honeydew Melon Kikusui Junmai Ginjo | 15% Abv (300ml) 14.95 A Sweet Aroma of Rose and Mandarin Orange with a Clean & Spicy Finish SOJU Bottle Chamisul 12.95 Original / Fresh / Green Grape / Grapefruit/ Peach / Strawberry SoJu Bomb Shot of Soju + HALF PINT of Sapporo 7.95 REOPENING SPECIAL TWO BUY ONE GET ONE COCKTAIL Glass Carafe (32oz) Flavored Soju Cocktail 7.95 14.95 Green Apple / Strawberry / Mango / Yogurt / Lychee Pomegranate / Peach / Piña Colada Shark Bite / Electric Blue Lemonade CAPRI SOJU Pouch (18oz) Green Apple / Strawberry / Mango 7.95 Yogurt / Lychee / Pomegranate Peach / Piña Colada Shark Bite / Electric Blue Lemonade *Add Extra Flavor 1.00 WINE Glass Bottle House Cabernet Sauvignon 7.95 29.95 House Chardonnay 7.95 29.95 House Merlot 7.95 29.95 REOPENING SPECIAL THREE BUY ONE GET ONE SOFT DRINK Coke / Diet Coke / Sprite / Fanta-Orange / Lemonade 2.95 Club Soda 1.95 NON ALCOHOLIC DRINKS Arnold Palmer / Shirley Temple / Roy Rodger 3.50 Strawberry Lemonade / Yogurt Soda Cranberry Juice / Orange juice / Pineapple Juice 3.50 Unsweetened Iced green tea / Sweetened black tea 2.95 Sweetened Green tea / Unsweetened black tea Jenmaicha Hot green tea 1.95 Perrier 2.95 *Corkage fee $15 per bottle *Drink responsibly UNLIMITED ALL YOU CAN EAT EXPERIENCE Bringing you a fresh selection of unique vegetables, a fine selection of seafoods and a premium selection of meats to choose from.
    [Show full text]
  • Assembly Hall Theatre, Tunbridge Wells Box Office: 01892 530613 January – June 2019 Assemblyhalltheatre.Co.Uk
    Assembly Hall Theatre, Tunbridge Wells Box Office: 01892 530613 January – June 2019 assemblyhalltheatre.co.uk Guide CAROLINE LANGRISHE ADEN GILLETT JAMES SUTTON ELIZABETH BOAG JASMYN BANKS ‘LAUGH-OUT- ‘THE COMEDY SIMMERS’ Daily Mail LOUD’ West End Wilma A COMEDY BY TORBEN BETTS The Original Theatre Company, Ghost Light Theatre, Evenings at 7.30pm and Eilene Davidson present Matinees at 2.30pm Caroline’s Kitchen For prices and to book, Tuesday 5 – Saturday 9 February click here. Direct from London ahead of it’s New York run Caroline Mortimer is the nation’s favourite TV cook. In the glow of the studio lights, she has it all - a sparkling career, a big house, a (golf) loving husband, smart kids and the best kitchen money can buy. But when the camera turns off the truth comes out and when an unexpected guest disrupts a night of celebration there is more to spill than the wine... Signed performance Welcome to Caroline’s Kitchen... Thursday 7 February Direct from its hit London run this searing, sharp, state of the 7.30pm nation comedy is coming to The Assembly Hall Theatre this Spring. Starring Caroline Langrishe (Lovejoy, Judge John Deed), ’Something special’ Aden Gillett (House of Elliot), Jasmyn Banks (Eastenders), -The New European and James Sutton (Emmerdale, Hollyoaks) ★★★★ From the award-winning Original Theatre Company (The “Makes you laugh when you Habit of Art) who brought you Torben Betts’ smash-hit really think you shouldn’t... comedy Invincible and directed by Alastair Whatley (The it’s hilarious” DIRECT FROM ITS HIT LONDON RUN PRIOR TO NEW YORK Importance of Being Earnest, Wait Until Dark, Birdsong).
    [Show full text]
  • University Microiilms, a XERQ\Company, Ann Arbor, Michigan
    71-18,075 RINEHART, John McLain, 1937- IVES' COMPOSITIONAL IDIOMS: AN INVESTIGATION OF SELECTED SHORT COMPOSITIONS AS MICROCOSMS' OF HIS MUSICAL LANGUAGE. The Ohio State University, Ph.D., 1970 Music University Microiilms, A XERQ\Company, Ann Arbor, Michigan © Copyright by John McLain Rinehart 1971 tutc nTccrSTATmil HAS fiEEM MICROFILMED EXACTLY AS RECEIVED IVES' COMPOSITIONAL IDIOMS: AM IMVESTIOAT10M OF SELECTED SHORT COMPOSITIONS AS MICROCOSMS OF HIS MUSICAL LANGUAGE DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy 3n the Graduate School of The Ohio State University £ JohnfRinehart, A.B., M«M. # # * -k * * # The Ohio State University 1970 Approved by .s* ' ( y ^MrrXfOor School of Music ACm.WTji.D0F,:4ENTS Grateful acknov/ledgement is made to the library of the Yale School of Music for permission to make use of manuscript materials from the Ives Collection, I further vrish to express gratitude to Professor IJoman Phelps, whose wise counsel and keen awareness of music theory have guided me in thi3 project. Finally, I wish to acknowledge my wife, Jennifer, without whose patience and expertise this project would never have come to fruition. it VITA March 17, 1937 • ••••• Dorn - Pittsburgh, Pennsylvania 1959 • • • • • .......... A#B#, Kent State University, Kent, Ohio 1960-1963 . * ........... Instructor, Cleveland Institute of Music, Cleveland, Ohio 1 9 6 1 ................ • • • M.M., Cleveland Institute of ITu3ic, Cleveland, Ohio 1963-1970 .......... • • • Associate Professor of Music, Heidelberg College, Tiffin, Ohio PUBLICATIONS Credo, for unaccompanied chorus# New York: Plymouth Music Company, 1969. FIELDS OF STUDY Major Field: Theory and Composition Studies in Theory# Professor Norman Phelps Studies in Musicology# Professors Richard Hoppin and Lee Rigsby ill TAPLE OF CC NTEKTS A C KI JO WLE DGEME MT S ...............................................
    [Show full text]
  • School Safety Newsletter Statewide Terrorism & Intelligence Center Mia Ray Langheim 2200 S
    Volume 4, Issue 11 June 2017 The Viral Internet Stunts Parents Should Know CNN, May 24, 2017 Protecting our http://www.cnn.com/2017/05/24/health/viral-youtube-challenges-partner/? iid=ob_homepage_deskrecommended_pool future through It's a tale as old as time: We see a lot of people wearing/doing/saying something and we want to try it, too. Back in the day it was saying "Bloody Mary" into a mirror at slumber parties. Today, it means viral social media information stunts. Though adults get caught up, too, kids are especially susceptible to peer pressure and FOMO (fear of missing out). To them, what was once a double-dog dare is now a popular YouTuber eating a hot pepper just to see what happens. sharing Called "challenges," these stunts range from harmless to horrifying: There are the silly ones (such as the Mannequin Challenge); the helpful ones (like the ALS Ice Bucket Challenge); and the slightly risky ones (such as In This Issue the Make Your Own Slime Challenge). But sometimes, challenges are downright dangerous, resulting in physical injury -- and possibly even death. So what's a parent to do? The Viral Internet Stunts Parents Should Below are some of the hottest challenges that have swept social media; some fade and then make a comeback. In Know most cases, kids are watching these challenges on YouTube purely for entertainment, but some challenges inspire Next Monthly kids to try them out themselves. (In fact, the safe ones can be fun for families to try.) Others -- like the Backpack Webinar - September Challenge -- are often done with the goal of filming other kids and broadcasting the results online.
    [Show full text]
  • Vintage Is the New Black /Real Retail /Future Functions Products With
    #01 Vintage is the New Black / Real Retail / Future Functions Products with Purpose / / Urban Outdoors Old New Luxury the-spin-off.com SpecialEditor’s / letter Vollebak Welcome The Spin Off The SPIN OFF sees the bigger picture and puts sustainability at the family within dfv Media Group and expands the existing B2B fashion Here is the result of many months of center of attention because it is the most pressing challenge of our portfolio. In managerial terms, one would speak of using common times. The SPIN OFF reports comprehensively and progressively synergies, but it is much more emotional: "We are Family!" And we brainstorming, discussing and designing: about concepts, brands, trends and products that are sustainable. are proud to be a part of this family. Because with its various B2B media brands, dfv Media Group has the highest level of expertise to The SPIN OFF — The international fashion We understand sustainability as a topic with many facets affecting respond to current topics with this new media offering. the fashion industry as well as consumer fashion trends. It's about the desire to discover nature and the outdoors, the passion for The first printed issue of The SPIN OFF will be published in March, three magazine for contemporary essentials, quality, the finest fabrics, tradition and craftsmanship, the urge to more issues will follow during 2021, in June, August and October. To give care for your health, well-being and body through sports, the revival you a first idea, we created this teaser: Fifty pages packed with content progressive products and real style.
    [Show full text]
  • 2018 Fall Olympics Events and Rules: Game 1: Flip Cup- 5 Games
    2018 Fall Olympics Events and Rules: Game 1: Flip Cup- 5 games • Teams of 4 line up across the table from each other. • Each player has approximately half a cup of beer. The amount should be the same for each player. • The goal is for each player to chug their drink and then flip their empty solo cup using the edge of the table so that it lands upside down. • Once a cup is successfully flipped, the next player will than need to drink their beer and then flip the cup. • This is a relay race so the first team to have all their beer finished and their cups flipped wins. • Winning of team receives 1 point for each of the 5 games. Winning team remains at their table, losing team rotates to next table over. Game 2: Dizzy Bat – 2 Games • 4 players on each team • There will be 2 players on each side of a 20 yard “field” • Side A: Person 1 will do 5 spins with bat, then chug their beer, then run to side B with bat in hand • Person 1 from side A will hand bat to person 2 on Side B who then does the same…. 5 spins w/ bat, chug, then run to Side A to person 3…. Repeat until person 4 crosses line at sign A. • First team to get person 4 across side A wins. • Teams will be lined up 10 yds apart from each other (no tripping, adjusting the cones or interfering with the competing team or you will be given a 10 second penalty each time).
    [Show full text]
  • A Social Media-Based Acute Alcohol Consumption Behavior (Neknomination): Case Series in Italian Emergency Departments
    INTERACTIVE JOURNAL OF MEDICAL RESEARCH Barbieri et al Original Paper A Social Media-Based Acute Alcohol Consumption Behavior (NekNomination): Case Series in Italian Emergency Departments Stefania Barbieri1,2,3*, MD; Paolo Feltracco1*, MD; Vittorio Lucchetta1, MD; Rosa Maria Gaudio2, MD; Alberto Tredese4, MD; Mauro Bergamini3, MD, PhD; Gianna Vettore1, MD; Vincenzo Pietrantonio1, MD; Francesco Maria Avato2, MD, PhD; Daniele Donato5, MD; Deris Gianni Boemo5, MD; Maria Vittoria Nesoti5, MD; Rossella Snenghi4, MD, PhD 1Department of Urgent and Emergency Care, University of Padova, Padova, Italy 2Forensic Medicine and Toxicology, University of Ferrara, Ferrara, Italy 3Preventive Medicine and Risk Assessment, University of Ferrara, Ferrara, Italy 4Forensic Medicine and Toxicology, University of Padova, Padova, Italy 5Department of Directional Hospital Management, Padova Hospital, Padova, Italy *these authors contributed equally Corresponding Author: Stefania Barbieri, MD Department of Urgent and Emergency Care University of Padova Via Giustiniani 2 Padova, Italy Phone: 39 3479812611 Fax: 39 0498218289 Email: [email protected] Abstract Background: NekNomination, also known as NekNominate, Neck and Nominate, or Neck Nomination, is a social network±based drinking game which is thought to have originated in Australia and spread all over the world between 2013 and 2014. Individuals record videos of themselves while rapidly drinking excessive quantities of alcoholic drinks (necking) and then nominate friends to outdo them within 24 hours; the videos are then posted on social media such as Facebook or YouTube. The consequences of this drinking game have been very dangerous; at least 5 people under age 30 years have died after drinking deadly cocktails, and many others have suffered from alcohol intoxication.
    [Show full text]
  • Western Literature Wee~ Gracesbo~1 Perspective on the History Of
    Boise State University ScholarWorks Student Newspapers (UP 4.15) University Documents 10-26-2006 Arbiter, October 26 Students of Boise State University Although this file was scanned from the highest-quality microfilm held by Boise State University, it reveals the limitations of the source microfilm. It is possible to perform a text search of much of this material; however, there are sections where the source microfilm was too faint or unreadable to allow for text scanning. For assistance with this collection of student newspapers, please contact Special Collections and Archives at [email protected]. THE INDEPENDENT STUDENT VOICE OF BOISE STATE SINCE 1933 ISSUE 21, VOLUME 19. FIRST ISSUE FREE. THURSDAY. OCTOBER 26.2006 ar iteror11irle, "iil OPINION J PAGE 3 Read the confessions of an angry banker and Hadley Rush's Western Literature Wee~ gracesBo~1 perspective on the history of . ;/i BY DUSTIN, Mana "Whore-Ioween." .. ' Terry Tempest IIjams will read tonight at the Egyptian Theater CULTURE College is about a lot of things, but at the core of the endeavor resides a yearning at".,7:3.0 tICke~,."-.are F schedulep.rn., of . W events,$12. for educational challenges. This week the City of Boise and Boise State University play PAGE 4 ch out arbltero - lne.corn host to a vibrant series of lectures, readings and presentations by western writers and scholars. The Arbiter or" ow up to the' ve Hotel embarks today through Satu" ay and he Western Literature Week conference is in its 40th dreds of speakers and scholars reading this week. on all register.
    [Show full text]
  • Hemingway's Mixed Drinks: an Examination of the Varied Representation of Alcohol Across the Author's Canon
    OLIPHANT, ASHLEY YARBROUGH, Ph.D. Hemingway’s Mixed Drinks: An Examination of the Varied Representation of Alcohol Across the Author’s Canon. (2007) Directed by Dr. Scott Romine. 214 pp. The purpose of this research was to determine how alcohol functions in four main texts: The Sun Also Rises, A Farewell to Arms, The Old Man and the Sea and In Our Time. Because of Ernest Hemingway’s self-perpetuated image as a literary celebrity, scholars have historically used his public persona (and their diagnoses of his perceived alcoholism and other medical conditions) to speculate about its impact on his work. This study establishes the importance of first addressing the textual evidence relating to Hemingway’s crafting of symbols, characters and plots before the biography of the author enters the critical conversation. The project defines and examines important terms relevant to Hemingway’s representation of alcohol, including “saturated” and “dry” fiction, “situational dryness,” “communal consumption” and “restorative drinking.” When applicable, Hemingway’s characters are viewed within the context of their Lost Generation existence to challenge the critical notion that the post-war experience for the author’s characters (particularly those who consume alcohol) is static from text to text. Hemingway’s drinkers are explored instead as individuals with varied impetuses for imbibing (whether in moderation or in excess), and his non- drinkers and occasional consumers are examined at length to provide a complete picture of the role of consumption across the four works. The data taken from these considerations leads to the conclusion that contrary to the critical consensus, Hemingway’s depiction of alcohol sometimes reverses the dichotomous relationships it has long been believed to support.
    [Show full text]
  • U.S. Government Printing Office Style Manual, 2008
    U.S. Government Printing Offi ce Style Manual An official guide to the form and style of Federal Government printing 2008 PPreliminary-CD.inddreliminary-CD.indd i 33/4/09/4/09 110:18:040:18:04 AAMM Production and Distribution Notes Th is publication was typeset electronically using Helvetica and Minion Pro typefaces. It was printed using vegetable oil-based ink on recycled paper containing 30% post consumer waste. Th e GPO Style Manual will be distributed to libraries in the Federal Depository Library Program. To fi nd a depository library near you, please go to the Federal depository library directory at http://catalog.gpo.gov/fdlpdir/public.jsp. Th e electronic text of this publication is available for public use free of charge at http://www.gpoaccess.gov/stylemanual/index.html. Use of ISBN Prefi x Th is is the offi cial U.S. Government edition of this publication and is herein identifi ed to certify its authenticity. ISBN 978–0–16–081813–4 is for U.S. Government Printing Offi ce offi cial editions only. Th e Superintendent of Documents of the U.S. Government Printing Offi ce requests that any re- printed edition be labeled clearly as a copy of the authentic work, and that a new ISBN be assigned. For sale by the Superintendent of Documents, U.S. Government Printing Office Internet: bookstore.gpo.gov Phone: toll free (866) 512-1800; DC area (202) 512-1800 Fax: (202) 512-2104 Mail: Stop IDCC, Washington, DC 20402-0001 ISBN 978-0-16-081813-4 (CD) II PPreliminary-CD.inddreliminary-CD.indd iiii 33/4/09/4/09 110:18:050:18:05 AAMM THE UNITED STATES GOVERNMENT PRINTING OFFICE STYLE MANUAL IS PUBLISHED UNDER THE DIRECTION AND AUTHORITY OF THE PUBLIC PRINTER OF THE UNITED STATES Robert C.
    [Show full text]
  • Research.Pdf (665.6Kb)
    SOCIAL NORMING THROUGH ALCOHOL ADVERTISING AND BINGE DRINKING ON COLLEGE CAMPUSES _______________________________________ A Thesis presented to the Faculty of the Graduate School at the University of Missouri _______________________________________________________ In Partial Fulfillment of the Requirements for the Degree Master of Arts _____________________________________________________ by TAYLOR SOLDNER Dr. Shelly Rodgers, Thesis Supervisor DECEMBER 2015 The undersigned, appointed by the dean of the Graduate School, have examined the thesis entitled SOCIAL NORMING THROUGH ALCOHOL ADVERTISING AND BINGE DRINKING ON COLLEGE CAMPUSES presented by Taylor Soldner, a candidate for the degree of Master of Arts, and hereby certify that, in their opinion, it is worthy of acceptance. Professor Shelly Rodgers Professor Amanda Hinnant Professor Jon Stemmle Professor Bryan Maggard DEDICATION Thank you to everyone who supported me and gave me strength to finish this mammoth of a project! For that, I dedicate this to my family, friends, and loved ones who continued to support and challenge me throughout this process (you know who you are). I could not have done it without you and for that, I am truly grateful! ACKNOWLEDGEMENTS To my fearless thesis committee, you guided me in areas where I was lost and led me towards finding the true connection between social norming and alcohol advertising. You challenged me and encouraged me to dig deeper. This project would truly not have been possible without the contribution of my dedicated thesis supervisor, Dr. Shelly Rodgers. I could not have successfully finished my thesis without all of your help and guidance to my constant stream of questions. To all my family, friends and colleagues, I appreciate the countless hours proofreading, brainstorming and recruiting participants.
    [Show full text]