Effective from 2012

Orff_Catalog_Cover_E_2012.indd 1 06.07.2012 16:58:15 Uhr WELCOME TO THE WORLD OF ORFF Many years of experience, along with our passion for Chime bars, for example, offer many educational innovation and quality, have made our instruments an possibilities for therapy and group lessons. They essential component of classrooms around the world – play an important role in musical language therapy and have made SONOR the global market leader. It all for the hearing impaired, as auditory potential can started in 1875 with a small drumhead workshop in be activated through the exceptional vibration Weißenfels an der Saale, Germany. Founded by the lathe characteristics of the Sub Contra and Contra Bass turner and whittawer, Johannes Link, a flourishing Bars. business grew out of modest beginnings. By the turn of the century, an extensive variety of percussion At Sonor, we are proud of our long history and are instruments were being manufactured by the Link indebted to the entrepreneurial spirit of the Link family. family. The close and continuing collaboration with pedagogues and therapists, who support our seminars Carl Orff and Gunild Keetman developed the Orff- and are involved in product development, is the basis Schulwerk method in the late 1940’s. Their unique for our practice-oriented focus today. approach to elementary music and movement started to gain more popularity mainly due to the broadcasting We strive to honor SONOR’s reputation for tradition, of ”Schulwerk programs“ on Bavarian radio. The innovation, quality and service. Most importantly, Links’ foresight, along with their passion and vision we aspire to create instruments that live up to your for expanding the range of products, provided the expectations, support your work in the best possible inspiration for the development of SONOR Orff way and … Instruments which were officially included in the to give you music-making pleasure! production range in 1953.

This was the beginning of a new era. The Links pioneered continuing musical education from which Yours, Eva-Maria Maywald, product manager, groundbreaking didactical concepts originated, and and the whole SONOR-Team they invested heavily in R&D which produced much technological advancement. Such as the sound bar material used in Palisono products or the invention of chime bars.



Orff_Catalog_E_2012.indd 2 06.07.2012 17:01:05 Uhr Orff_Catalog_E_2012.indd 3 Toy Sound ChimeBars Reference ChimeBars Primary Palisono Chime Bars Meisterklasse Chime Bars Mallets Concert Metallophones Reference Metallophones Other Metallophones Beat Global Metallophones Primary Metallophones Meisterklasse Xylophones Reference Xylophones Beat Global Xylophones Primary Palisono Xylophones Xylophones Meisterklasse Reference Glockenspiels Glockenspiels Other Glockenspiels Beat NG &Global Glockenspiels Primary Glockenspiels Meisterklasse Global Beat Primary Palisono Meisterklasse u u u u u u CONTENTS

CHIME BARS CHIME BARS LITERATURE METALLOPHONES XYLOPHONES GLOCKENSPIELS REFERENCES PRODUCT

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34 20 20 30 29 24 21 22 13 18 26 15 14 32 12 10 19 16 5 9 5 4 4 8 7 6 Bags & Accessories Bags &Accessories Trolley System Mallets Drums Drums African Kpanlogos & Street Congas Congas &Street Kpanlogos African &BongosCongas Cajones Cajones Percussion Wood Percussion Small Bells &Agogo Cowbells Guiros, Shekere &Effects Tambourines Hand Drums Timpani Primary Timpani Meisterklasse Tonal Ranges u u u u u u u

ORFF PERCUSSION PERCUSSION ORFF TIMPANI APPENDIX INDEX INFORMATION PARTS ACCESSORIES ......

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44 48 40 54 60 58 50 46 38 56 55 36 62 52 39 35 35 37 51 

ORFF MEISTERKLaSSE PaLISONO

The Palisono range comprises 65 xylophones and chime bars with Palisono bars. What is Palisono? Palisono is a sound material which was developed by SONOR in cooperation with engineering specialists. The sound characteristics of Palisono are ideally suited for the manufacturing of xylophones. Palisono is a special fiberglass with high density that is not hygro- scopic, i. e. it is resistant to humidity. This ensures excellent sound quality and a higher tuning stability of the instruments. The same manufacturing standards apply for Palisono as for all Meisterklasse instruments: Excellence in quality and craftsman- ship.

The features of Palisono are: Meisterklasse is SONOR‘s largest range of instruments within p Approx. 5 octaves chromatic tonal range, C to b-flat4 the program for music education, therapy, leisure and family. p Sound bars with overtone or fundamental tuning Meisterklasse presents the ultimate in sound quality and p Resonator boxes with brackets for carrying legs or craftsmanship. for the BasisTrolley system Although modern technology is firmly integrated into the p Surface protection of all wood finishes with manufacturing process the secret of the SONOR sound still “Proterra” (Euronorm EN 71-3) depends on the dedication to detail and the focus on excellence in craftsmanship as established by SONOR‘s founder.

The unique features of the Meisterklasse are: p 6 octaves chromatic tonal range, C to c5 p Special alloy metal bars and select rosewood bars p Sound bars with overtone or fundamental tuning p Resonator boxes with special acoustic chambers and brackets for carrying legs or the BasisTrolley system p Surface protection of all wood finishes with “Proterra” (Euronorm EN 71-3)

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Orff_Catalog_E_2012.indd 4 06.07.2012 17:01:13 Uhr Orff_Catalog_E_2012.indd 5 (Euronorm EN 71-3) EN (Euronorm “Proterra” with finishes wood all of protection Surface p the or legs attach to brackets have boxes Resonantor p sound. the optimizing are boxes resonator redesigned The p corresponding the with staff the is bars sound all on Imprinted p or tuning fundamental tuning, overtone with bars Sound p veined beautifully the is xylophones the of material sound The b-flat3. cto chromatic, are p 4octaves approx. which –of a4 Cto range, tonal 6octaves p are: series Primary the of characteristics special The www.fsc.org organization. profit non this of goal the is products paper and wood FSC™ of consumption the promoting by change, climate the of aftermath the against system buffering global and resource biological habitat, wildlife as function their and forests the of preservation The forests. world‘s the of management effective social and ecological efficient, economical international and national to committed is (FSC™) Council Stewardship Forest The forests! managed well from timber with series Primary the you offer to We proud are forward. step next the taking are we certification, FSC™ the Now, with wax. carnauba and oil shellac, on based is which Proterra, called system, lacquering ecological an using been have we now years For education. music elementary for cussion per- small and timpani bars, chime metallophones, xylophones, glockenspiels, offers range Primary the instruments 100 over With PRIMaRY

Bssrle System. BasisTrolley note. tuning. standard Rosa. Pao African colorful and are marked with the FSC check-tree logo. check-tree FSC the with marked are instruments certified FSC all catalog In this GLObaLbEaT “Proterra” (Euronorm EN 71-3) EN (Euronorm “Proterra” with finishes wood all of protection Surface f-sharp. higher and b-flat f-sharp, lower p 3accidentals the store to abag has metallophone and xylophone Each p or tuning fundamental tuning, overtone with bars Sound p available bars fiberglas and wood Sucupira Metal, p a4 cto range, diatonic 4octaves Approx. p are: characteristics special The instruments. Beat Global of advantage clear the shows category asimilar in manuafactures other of instruments with comparison quality and Asound 3 metallophones. and 6xylophones 2glockenspiels, of consists Beat Global sadr tuning. standard PRODUCT REFERENCES PRODUCT 06.07.2012 17:01:17 Uhr 5

ORFF MEISTERKLaSSE GLOCKENSPIELS

The excellent sound and soft shape of the resonator boxes of these glockenspiels invite creative playing. The metal bars of the Meisterklasse glockenspiels are 20% wider. This enhances play- ability and offers a greater sound spectrum. p Special alloy metal bars 25 x 5 mm, fundamental tuning, resonator made of beech wood, solid and plywood SG 25

Soprano SG 13 13 bars, c3-f4, 1 pair SCH 3 and SCH 95, C-major scale with f-sharp3 and b-flat3 SG 19 19 bars, c3-c5, 1 pair SCH 3 and SCH 95, C-major scale with f-sharp3, b-flat3, f-sharp4 and b-flat4 SG 25 25 bars, c3-c5, 1 pair SCH 3 and SCH 95, chromatic scale SG 19

SG 13

TAG 25

Surface protection of all wood finishes with “Proterra”

Tenor-Alto TAG 13 13 bars, c2-f3, 1 pair SCH 3 and SCH 95, C-major scale with f-sharp2 and b-flat2 TAG 19 19 bars, c2-c4, 1 pair SCH 3 and SCH 95, C-major scale with f-sharp2, b-flat2, f-sharp3 and b-flat3 TAG 25 25 bars, c2-c4, 1 pair SCH 3 and SCH 95, TAG 19 chromatic scale

TAG 13

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Orff_Catalog_E_2012.indd 6 06.07.2012 17:01:21 Uhr Orff_Catalog_E_2012.indd 7 Steel bars 25 x 3 mm, fundamental tuning, resonator made made resonator tuning, 25 x3mm, fundamental bars Steel p special. glockenspiels these make storage mallet and accidental magnetic innovative the and steel brushed of looks beautiful The sound. rich and warm yet bell-like, clear, their to due out stand series Meisterklasse the of glockenspiels These functional and Sonorous PRIMaRY GLOCKENSPIELS PRIMaRY tuning and resonator boxes made of pine wood, solid and solid wood, pine of made boxes plywood. resonator and tuning fundamental with size, in x3mm 20 bars, sound steel Silver p “Proterra”. with finishes wood all of protection Surface like. sounds note aprinted what of afeeling get players the perspective other the From notation. printed the to reference avisual have always children the melodies self-created with improvising When instrument. the and music sheet the between connection avisual enable note the of print the with bars The reading. music AGP support and SGP glockenspiels Primary The C-major scale with f-sharp2, b-flat2 and f-sharp3 and b-flat2 f-sharp2, with scale C-major f-sharp4 and b-flat3 f-sharp3, GAM with scale C-major Alto GSM Soprano C-major scale with f-sharp2, b-flat2 and f-sharp3 and b-flat2 f-sharp2, with scale C-major 95, SCH 1pair c2-a3, 16 bars, f-sharp4 and b-flat3 f-sharp3, AGP with scale C-major Alto 40, SCH 1pair f-sharp4 and c3-f-sharp4, 14 bars, b-flat3 f-sharp3, with scale C-major GP 95, SCH 1pair c3-a4, 16 bars, SGP Soprano accidental and mallet storage mallet and accidental magnetic embedded with plywood, and pinewood solid from 16 bars, c3-a4, 1 pair SCH 3, SCH 1pair c3-a4, 16 bars, 16 bars, c2-a3, 1 pair SCH 2, SCH 1pair c2-a3, 16 bars, GP SGP AGP storage. mallet and accidental magnetic embedded The GSM GAM GLOCKENSPIELS 06.07.2012 17:01:29 Uhr 7

ORFF NG GLOCKENSPIELS

The Glockenspiel for Elementary Music Education SONOR NG glockenspiels are the most popular within the range. Children are fascinated by their bright sound, created by the combination of special alloy metal bars and the arch shaped wooden resonator boxes. p Red steel bars 20 x 2 mm, fundamental tuning, NG 30 resonator made of beech wood, solid and plywood

Soprano NG 10 NG 10 13 bars, c3-f4, 1 pair SCH 40, C-major scale with f-sharp3 and b-flat3 NG 30 19 bars, c3-f-sharp4, 1 pair SCH 40, chromatic scale

NG 31

NG 11 Surface protection of all wood finishes with “Proterra”

Alto NG 11 16 bars, c2-a3, 1 pair SCH 40, C-major scale with f-sharp2, b-flat2 and f-sharp3 NG 31 23 bars, c2-b-flat3, 1 pair SCH 40, chromatic scale

GLObaL bEaT GLOCKENSPIELS

These glockenspiels have attractive silver steel sound bars, 20 x 3 mm in size, with standard tuning and resonator boxes made of solid pine swood. GS GB

Soprano GS GB 16 bars, c3-a4, 1 pair SCH 40, C-major scale GA GB with f-sharp3, b-flat3 and f-sharp4

Alto GA GB 16 bars, c2-a3, 1 pair SCH 40, C-major scale with f-sharp2, b-flat2 and f-sharp3

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Orff_Catalog_E_2012.indd 8 06.07.2012 17:01:34 Uhr Orff_Catalog_E_2012.indd 9 child‘s glockenspiel range. They have soft edges and an integrated integrated an and edges soft have They range. glockenspiel child‘s the of feature main the is design child-oriented A particularly Glockenspiels Child‘s holder. mallet integrated an and edges soft have box resonator The colors. Boomwhackers in bars metal with Glockenspiel OTHER GLOCKENSPIELS OTHER nursery rhymes with colored notes colored with rhymes nursery b-flat3 and f-sharp3 with scale C-major BWG Sopran 13 bars, c3-f4, 1 pair SCH 40, 40, SCH 1pair c3-f4, bars, 13 MG C MG Boomwhackers® is a registered trademark of of trademark aregistered is Boomwhackers® Rhythm Band Instruments, LLC. Instruments, Band Rhythm and not only suited to children‘s ears. children‘s to suited only not and clear very is sound The holder. mallet glockenspiels GS and SGB SG, of bars replacement for Integrated holder C-major scale, children‘s songs with colored notes colored with songs children‘s scale, C-major notes colored with songs children‘s scale, C-major heads note colored GS with songs children‘s 40S, SCH 1pair scale, pentatonic G-major C MG b-flat3 and f-sharp3 with MIMA SG Soprano SG 13 bars, c3-f4, 1 pair SCH 40, C-major scale C-major 40, SCH 1pair c3-f4, bars, 13 Child‘s glockenspiel, bars, c3-f4, 1 pair SCH 40, 40, SCH 1pair c3-f4, bars, glockenspiel, Child‘s Mouse glockenspiel, 8 bars, c3-c4, 1 pair SCH 40, 40, SCH 1pair c3-c4, 8bars, glockenspiel, Mouse Mini Mouse glockenspiel, 5 bars, g3, a3, b3, 5bars, d4, e4, glockenspiel, Mouse Mini MIMA GS BWG GLOCKENSPIELS glockenspiels see page 55 page see Bags for 06.07.2012 17:01:42 Uhr 9

ORFF REFERENCE GLOCKENSPIELS

Number of bars Scale Tonal range Bars (mm) Tuning Resonator made of Mallets (1 pair) GSM Soprano MEISTERKLASSE 16 C-major with fH3, ba3 and fH4 c3-a4 steel 25 x 3 F pine wood, solid and plywood SCH 3 SG 13 Soprano MEISTERKLASSE 13 C-major with fH3 and ba3 c3-f4 aluminium 25 x 5 F beech wood, solid and plywood SCH 3 and SCH 95 SG 19 Soprano MEISTERKLASSE 19 C-major with fH3, ba3, fH4 and ba4 c3-c5 aluminium 25 x 5 F beech wood, solid and plywood SCH 3 and SCH 95 SG 25 Soprano MEISTERKLASSE 25 chromatic c3-c5 aluminium 25 x 5 F beech wood, solid and plywood SCH 3 and SCH 95 NG 10 Soprano NG 13 C-major with fH3 and ba3 c3-f4 steel 20 x 2 F beech wood, solid and plywood SCH 40 NG 30 Soprano NG 19 chromatic c3-fH4 steel 20 x 2 F beech wood, solid and plywood SCH 40 SGP Soprano PRIMARY 16 C-major with fH3, ba3 and fH4 c3-a4 steel 20 x 3 F pine wood, solid and plywood SCH 95 GP Soprano PRIMARY 14 C-major with fH3, ba3 and fH4 c3-fH4 steel 20 x 2 S beech wood, solid and plywood SCH 40 GS GB Soprano GLOBAL BEAT 16 C-major with fH3, ba3 and fH4 c3-a4 steel 20 x 3 S pine wood, solid SCH 40

GAM Alto MEISTERKLASSE 16 C-major with fH2, ba2 and fH3 c2-a3 steel 25 x 3 F pine wood, solid and plywood SCH 2 AGP Alto PRIMARY 16 C-major with fH2, ba2 and fH3 c2-a3 steel 20 x 3 F pine wood, solid and plywood SCH 95 NG 11 Alto NG 16 C-major with fH2, ba2 and fH3 c2-a3 steel 20 x 2 F beech wood, solid and plywood SCH 40 NG 31 Alto NG 23 chromatic c2-ba3 steel 20 x 2 F beech wood, solid and plywood SCH 40 GA GB Alto GLOBAL BEAT 16 C-major with fH2, ba2 and fH3 c2-a3 steel 20 x 3 S pine wood, solid SCH 40

TAG 13 Tenor-Alto MEISTERKLASSE 13 C-major with fH2 and ba2 c2-f3 aluminium 25 x 5 F beech wood, solid and plywood SCH 3 and SCH 95 TAG 19 Tenor-Alto MEISTERKLASSE 19 C-major with fH2, ba2, fH3 and ba3 c2-c4 aluminium 25 x 5 F beech wood, solid and plywood SCH 3 and SCH 95 TAG 25 Tenor-Alto MEISTERKLASSE 25 chromatic c2-c4 aluminium 25 x 5 F beech wood, solid and plywood SCH 3 and SCH 95

SG Child’s Glockenspiel 13 C-major with fH3 and ba3 c3-f4 steel 20 x 2 F plastic with holder for: mallet, fH3, ba3 SCH 40 GS Child’s Glockenspiel 11 C-major c3-f4 steel 20 x 2 S plastic with holder for mallet SCH 40 BWG Boomwhackers Glockenspiel 13 C-major with fH3 and ba3 c3-f4 steel 20 x 2 F plastic with holder for: mallet, fH3, ba3 SCH 40 MG C Mouse Glockenspiel 8 C-major c3-c4 steel 20 x 2 S pine wood, solid SCH 40 MIMA Mini Mouse Glockenspiel 5 G-major pentatonic g3, a3, b3, d4, e4, steel 20 x 2 S pine wood, solid SCH 40S

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Orff_Catalog_E_2012.indd 10 06.07.2012 17:01:43 Uhr MIMA C MG BWG GS SG TAG 25 Tenor-Alto TAG 19 Tenor-Alto TAG 13 Tenor-Alto BEAT GLOBAL Alto GB GA PRIMARY Alto 31 NG 11 NG AGP GAM BEAT GLOBAL Soprano PRIMARY Soprano PRIMARY Soprano GB GS GP SGP 30 NG 10 NG 25 SG 19 SG 13 SG GSM Child’s Glockenspiel Child’s Glockenspiel Alto Alto omhcesGoknpe 13 Glockenspiel Boomwhackers Mouse Glockenspiel Glockenspiel Mouse Soprano Soprano Soprano Soprano Soprano Soprano Mini Mouse Glockenspiel Alto NG NG Alto Soprano NG NG Soprano Alto NG NG Alto Soprano NG NG Soprano Soprano MEISTERKLASSE Soprano MEISTERKLASSE MEISTERKLASSE MEISTERKLASSE MEISTERKLASSE MEISTERKLASSE MEISTERKLASSE MEISTERKLASSE

25 25 19 13 Number of bars Scale Scale bars of Number 13 13 23 13 13 13 25 25 19 19 19 19 16 16 16 16 16 16 14 16 16 16 16 11 11 5 8 C-major with f with C-major G-major pentatonic f with C-major f with C-major f with C-major f with C-major chromatic f with C-major C-major with f with C-major chromatic f with C-major C-major C-major f with C-major chromatic f with C-major f with C-major f with C-major f with C-major C-major C-major chromatic f with C-major f with C-major H H H H H H H H H H H H H H H 3, b 3, b 3 and b 3, 2, b 2, b 2, b 2, b 3, b 3, b 3, b 3 and 3 and b 3 and b 3 and b 2, b 2 and b 2, a a a a a a a a a a 3, f 3, f 3 and 3 and f 3 and f 3 and f 3 and 2, f 2, f 2 and f 2 and f 2 and f 2 and a a a a a H H 3 3 3 3 2 4 and b 4 and 3 and b 3 and H H H H H H H H 4 4 4 4 3 3 3 3 a a 4 3 g3, a3, b3, d4, e4, Tonal range c2-b c3-f c3-f c3-a4 c3-a4 c3-a4 c3-a4 c3-a4 c3-c5 c3-c5 c3-c5 c3-c5 c3-c4 c3-c4 c2-a3 c2-a3 c2-a3 c2-a3 c2-a3 c2-c4 c2-c4 c2-c4 c2-c4 c3-f4 c3-f4 c3-f4 c3-f4 c3-f4 c3-f4 c3-f4 c3-f4 c2-f3 c2-f3 H H a 4 4 3

Orff_Catalog_E_2012.indd 11 aluminium 25 x5 aluminium steel 20 x2 20 steel x2 20 steel x2 20 steel steel 20 x3 20 steel x2 20 steel x3 20 steel 25 x3 steel aluminium 25 x5 aluminium Bars (mm) Bars steel 20 x2 20 steel steel 20 x3 20 steel x3 20 steel steel 20 x2 20 steel aluminium 25 x5 aluminium aluminium 25 x5 aluminium steel 20 x2 20 steel x2 20 steel steel 20 x2 20 steel steel 20 x2 20 steel aluminium 25 x5 aluminium aluminium 25 x5 aluminium steel 25 x3 steel

F Tuning = Fundamental Tuning S =Standard Tuning Resonator made of of made Resonator Tuning S S S S S S F F F F F F F F F F F F F F F F beech wood, solid and plywood plywood and solid wood, beech plastic with holder for: mallet, f mallet, for: holder with plastic f mallet, for: holder with plastic plywood and solid wood, beech pine wood, solid solid wood, pine plywood and solid wood, beech plywood and solid wood, pine plywood and solid wood, pine beech wood, solid and plywood plywood and solid wood, beech beech wood, solid and plywood plywood and solid wood, beech pine wood, solid solid wood, pine plywood and solid wood, pine pine wood, solid solid wood, pine beech wood, solid and plywood plywood and solid wood, beech beech wood, solid and plywood plywood and solid wood, beech beech wood, solid and plywood plywood and solid wood, beech plywood and solid wood, beech pine wood, solid solid wood, pine plastic with holder for mallet mallet for holder with plastic beech wood, solid and plywood plywood and solid wood, beech beech wood, solid and plywood plywood and solid wood, beech pine wood, solid and plywood plywood and solid wood, pine H H 3, b 3, b 3, a a 3 3 REFERENCE GLOCKENSPIELS REFERENCE Mallets (1 pair) Mallets SCH 3 and SCH 95 SCH 3and SCH SCH 40 SCH SCH 40 SCH 40 SCH SCH 40 SCH 40 SCH 95 SCH 2 SCH SCH 3 and SCH 95 SCH 3and SCH SCH 40 SCH SCH 40 SCH 95 SCH SCH 40S SCH SCH 3 and SCH 95 SCH 3and SCH SCH 3 and SCH 95 SCH 3and SCH SCH 40 SCH 40 SCH SCH 40 SCH SCH 40 SCH SCH 3 and SCH 95 SCH 3and SCH SCH 3 and SCH 95 SCH 3and SCH SCH 3 SCH 06.07.2012 17:01:45 Uhr 11

ORFF MEISTERKLaSSE XYLOPHONES

Meisterklasse xylophones have the highest quality rosewood bars Deep Bass with overtone tuning or fundamental tuning. All resonator boxes GBKX 10 16 bars, c-a1, 1 pair SCH 25, C-major scale are equipped with brackets for carrying legs or the BasisTrolley with f-sharp, b-flat and f-sharp1 system. GBKX 20 6 bars, sharp: c, d, g, c1, d1, g1, chromatic extension for GBKX 10 Soprano GBKX 30 22 bars, c-a1, 1 pair SCH 25, SKX 10 16 bars, c2-a3, 1 pair SCH 16, C-major scale chromatic scale, with f-sharp2, b-flat2 and f-sharp3 combination of GBKX 10 and GBKX 20 SKX 20 7 bars, sharp: c2, d2, g2, c3, d3, g3, flat: b3, chromatic extension for SKX 10 SKX 30 23 bars, c2-b-flat3, 1 pair SCH 16, chromatic scale, Surface protection of all combination of SKX 10 and SKX 20 wood finishes with “Proterra”

Tenor-Alto TAKX 10 19 bars, c1-c3, 1 pair SCH 16, C-major scale TAKX 30 with f-sharp1, b-flat1, f-sharp2 and b-flat2 TAKX 20 7 bars, sharp: c1, d1, g1, c2, d2, g2, c3, chromatic extension for TAKX 10 TAKX 30 26 bars, c1-c-sharp3, 1 pair SCH 16, chromatic scale, combination of TAKX 10 and TAKX 20

GBKX 10

Bags for replacement bars see page 55

SKX 30

LWX 1

Walking Xylophone Sucupira bars 35 x 18 mm, fundamental tuning, resonator made of pine wood, plywood, length 50 cm, width 15 cm, height 8.5 cm LWX 1 6 bars, c2, d2, e2, g2, a2, c3, 1 pair SCH 2, pentatonic starting with c

1

Orff_Catalog_E_2012.indd 12 06.07.2012 17:01:50 Uhr Orff_Catalog_E_2012.indd 13 the BasisTrolley BasisTrolley the or legs carrying for brackets with PO) equipped are AX (except boxes resonator All tuning. fundamental or tuning overtone with bars sound fiberglass Palisono have xylophones These PaLISONO XYLOPHONES PaLISONO combination of TAKX 100 and TAKX 200 TAKX and 100 TAKX of combination scale, chromatic 100 TAKX for extension chromatic b-flat2 and f-sharp2 b-flat1, f-sharp1, with 300 TAKX 200 TAKX f-sharp2 and b-flat1 f-sharp1, with 100 TAKX Tenor-Alto 11, scale SCH c1-a2, 1pair C-major 16 bars, 200 SKX and 100 SKX of combination PO AX scale, chromatic Alto 100 SKX for extension b3, chromatic flat: f-sharp3 and b-flat2 f-sharp2, with 300 SKX 200 SKX 100 SKX Soprano 16 bars, c2-a3, 1 pair SCH 11, scale SCH 1pair C-major c2-a3, 16 bars, 23 bars, c2-b-flat3, 1 pair SCH 11, SCH 1pair c2-b-flat3, bars, 23 7 bars, sharp: c2, d2, g2, c2, d3, g3, c3, sharp: 7bars, 19 bars, c1-c3, 1 pair SCH 11, scale SCH 1pair C-major c1-c3, 19 bars, 26 bars, c1-cis3, 1 pair SCH 11, SCH 1pair c1-cis3, 26 bars, 7 bars, sharp: c1, d1, sharp: g1, d2, g2, c2, c3, 7bars, TAKX 300 TAKX AX PO AX GBKX 100 GBKX 25, SCH c-a1, 1pair 22 bars, 300 GBKX d, g, c1, c, d1, g1, sharp: 6bars, 200 GBKX scale 25, SCH C-major c-a1, 1pair 16 bars, 100 GBKX 200 BKX and 100 BKX of combination SSX scale, chromatic Deep Bass 100 BKX for extension chromatic b-flat1 and f-sharp1 b-flat, f-sharp, with 300 BKX 200 BKX 100 BKX Bass SKX 300 SKX ShortScale 16 bars, f-c2, 1 pair SCH 25, C-major scale 25, SCH C-major 1pair f-c2, 16 bars, 21 bars, f-c-sharp2, 1 pair SCH 25, SCH 1pair f-c-sharp2, 21 bars, 5 bars, sharp: g, c1, d1, sharp: g1, c2, 5bars, combination of GBKX 100 and GBKX 200 GBKX and 100 GBKX of combination scale, chromatic 100 GBKX for extension chromatic f-sharp1 and b-flat f-sharp, with b-flat and f-sharp with scale 25, SCH C-major 1pair c-c1, 10 bars, SSX BKX 100 BKX XYLOPHONES 06.07.2012 17:01:56 Uhr 1

ORFF PRIMaRY XYLOPHONES

Primary – The Future Sounds Green! Soprano Primary xylophones support music reading. The bars with the print SXP 1 .1 16 bars, c2-a3, 1 pair SCH 11, C-major scale of the note enable a visual connection between the sheet music with f-sharp2, b-flat2 and f-sharp3 and the instrument. When improvising with self-created melodies SXP 2 .1 7 bars, sharp: c2, d2, g2, c3, d3, g3, the children always have a visual reference to the printed nota- flat: b3, chromatic extension for SXP 1.1 tion. From the other perspective the players get a feeling of how SXP 3 .1 Chromatic set consisting of SXP 1.1 and SXP 2.1 a printed note sounds like. Alto All Primary xylophones have 35 x 18 mm Pao Rosa sound bars with AXP 1 .1 16 bars, c1-a2, 1 pair SCH 23, C-major scale overtone or fundamental tuning. The redesigned stepped resonator with f-sharp1, b-flat1 and f-sharp2 boxes are made of solid birch plywood to prevent warping. AXP 2 .1 7 bars, sharp: c1, d1, g1, c2, d2, g2 flat: b2, chromatic extension for AXP 1.1 The sound bars and resonator boxes of SONOR AXP 3 .1 Chromatic set consisting of AXP 1.1 and AXP 2.1 Primary xylophones are FSC™ certified, which means that only timber from well managed Deep Bass forests are being used. In addition an environ- GBXP 1 .1 16 bars, c-a1, 1 pair SCH 25, C-major scale mentally safe finish is used, based on shellac, with f-sharp, b-flat and f-sharp1 oil and carnauba wax. GBXP 2 .1 7 bars, sharp: c, d, g, c1, d1, g1 flat: b1, chromatic extension for GBXP 1.1 GBXP 3 .1 Chromatic set consisting of GBXP 1.1 and GBXP 2.1

GBXP 2 .1 Bags for replacement bars Surface protection of all see page 55 wood finishes with “Proterra”

GBXP 1 .1

SXP 2 .1

AXP 2 .1

SXP 1 .1 AXP 1 .1

14

Orff_Catalog_E_2012.indd 14 06.07.2012 17:01:58 Uhr Orff_Catalog_E_2012.indd 15 f-sharp, b-flat and higher f-sharp. higher and b-flat f-sharp, lower accidentals the for bag astorage with comes xylophone Each plies. maple outer and inner with basswood from boxes resonator and tuning mental funda- or tuning overtone with bars fiberglass wide x15 mm 38 have xylophones fiberglass Beat Global The Bars Sound Fiberglass with Xylophones b-flat). 1x (2 3bars xf-sharp, stow to bag acarrying with equipped is xylophone Each plywood. birch of made boxes resonator and tuning fundamental or tuning overtone 35 x18with mm bars sound hardwood sucupira have xylophones Beat Global These Bars Sound Sucupira with Xylophones GLObaL bEaT XYLOPHONES with f-sharp, b-flat and f-sharp1 and b-flat f-sharp, with f-sharp2 and GBF GBX b-flat1 f-sharp1, with Deep Bass f-sharp3 and GBF b-flat2 AX f-sharp2, with Alto scale 23, C-major SCH 1pair c2-a3, 16 bars, GBF SX Soprano SX GB SX 16 bars, c-a1, 1 pair SCH 25, C-major scale 25, SCH C-major c-a1, 1pair 16 bars, 16 bars, c1-a2, 1 pair SCH 23, C-major scale 23, C-major SCH c1-a2, 1pair 16 bars, GBX GB GBX SX CB F CB SX with f-sharp, b-flat and f-sharp1 and b-flat f-sharp, with f-sharp2 and GB GBX b-flat1 f-sharp1, with Deep Bass scale 50, C-major SCH c1-a2, 1pair 16 bars, f-sharp3 and GB b-flat2 AX f-sharp2, with Alto 11, scale SCH 1pair C-major c2-a3, 16 bars, GB SX Soprano AX GB AX 16 bars, c-a1, 1 pair SCH 15, C-major scale 15, SCH C-major c-a1, 1pair 16 bars, GBX CB F CB GBX XYLOPHONES AX CB F CB AX 06.07.2012 17:02:09 Uhr 15

ORFF REFERENCE XYLOPHONES

Number Chromatic Chromatic Bars Resonator Resonator Mallets of bars Scale Tonal range extension for instrument (mm) Tuning chambers made of (1 pair) SKX 10 Soprano MEISTERKLASSE 16 C-major with fH2, ba2 and fH3 c2-a3 rosewood 37 x 18 F 3 pine wood SCH 16 SKX 20 Soprano MEISTERKLASSE 7 cH2, dH2, gH2, c H3, d H3, g H3, ba3 SKX 10 SKX 30 rosewood 37 x 18 F 3 pine wood SKX 100 Soprano PALISONO 16 C-major with fH2, ba2 and fH3 c2-a3 Palisono 38 x 15 F 3 pine wood SCH 11 SKX 200 Soprano PALISONO 7 cH2, dH2, gH2, c H3, d H3, g H3, ba3 SKX 100 SKX 300 Palisono 38 x 15 F 3 pine wood SXP 1 .1 Soprano PRIMARY 16 C-major with fH2, ba2 and fH3 c2-a3 pao rosa 37 x 18 F 1 birch wood SCH 11 SXP 2 .1 Soprano PRIMARY 7 cH2, dH2, gH2, c H3, d H3, g H3, ba3 SXP 1.1 SXP 3 .1 pao rosa 37 x 18 F 1 birch wood SX GB Soprano GLOBAL BEAT 16 C-major with fH2, ba2 and fH3 c2-a3 sucupira 37 x 18 F 1 birch wood SCH 11 SX CB F Soprano GLOBAL BEAT 16 C-major with fH2, ba2 and fH3 c2-a3 fiberglass 38 x 15 F 1 limewood SCH 23 AXP 1 .1 Alto PRIMARY 16 C-major with fH1, ba1 and fH2 c1-a2 pao rosa 37 x 18 F 1 birch wood SCH 23 AXP 2 .1 Alto PRIMARY 7 cH1, dH1, gH1, c H2, dH2, gH2, ba2 AXP 1.1 AXP 3 .1 pao rosa 37 x 18 F 1 birch wood AX GB Alto GLOBAL BEAT 16 C-major with fH1, ba1 and fH2 c1-a2 sucupira 37 x 18 F 1 birch wood SCH 50 AX CB F Alto GLOBAL BEAT 16 C-major with fH1, ba1 and fH2 c1-a2 fiberglass 38 x 15 F 1 limewood SCH 23 AX PO Alto PALISONO 16 C-major with fH1, ba1 and fH2 c1-a2 Palisono 38 x 15 F 1 pine wood SCH 11 TAKX 10 Tenor-Alto MEISTERKLASSE 19 C-major with fH1, ba1, fH2 and ba2 c1-c3 rosewood 37 x 18 O up to cH2, F from d2 5 pine wood SCH 16 TAKX 20 Tenor-Alto MEISTERKLASSE 7 cH1, dH1, gH1, c H2, dH2, gH2, c H3 TAKX 10 TAKX 30 rosewood 37 x 18 O up to cH2, F from d2 5 pine wood SCH 16 TAKX 100 Tenor-Alto PALISONO 19 C-major with fH1, ba1, fH2 and ba2 c1-c3 Palisono 38 x 15 O up to cH2, F from d2 4 pine wood SCH 11 TAKX 200 Tenor-Alto PALISONO 7 cH1, dH1, gH1, c H2, dH2, gH2, c H3 TAKX 100 TAKX 300 Palisono 38 x 15 O up to cH2, F from d2 4 pine wood BKX 100 Bass PALISONO 16 C-major with fH, ba, fH1 and ba1 f-c2 Palisono 38 x 15 O 3 pine wood SCH 25 BKX 200 Bass PALISONO 5 gH, cH1, dH1, gH1, c H2 BKX 100 BKX 300 Palisono 38 x 15 O 3 pine wood SSX ShortScale PALISONO 10 C-major with fH and ba c-c1 Palisono 38 x 15 F 4 pine wood SCH 25 GBKX 10 Deep Bass MEISTERKLASSE 16 C-major with fH, ba and fH1 c-a1 rosewood 44 x 20 O 6 pine wood SCH 25 GBKX 20 Deep Bass MEISTERKLASSE 6 cH, dH, gH, cH1, dH1, gH1 GBKX 10 GBKX 30 rosewood 44 x 20 O 6 pine wood GBKX 100 Deep Bass PALISONO 16 C-major with fH, ba and fH1 c-a1 Palisono 44 x 20 O 6 pine wood SCH 25 GBKX 200 Deep Bass PALISONO 6 cH, dH, gH, cH1, dH1, gH1 GBKX 100 GBKX 300 Palisono 44 x 20 O 6 pine wood GBXP 1 .1 Deep Bass PRIMARY 16 C-major with fH, ba and fH1 c-a1 pao rosa 37 x 18 O up to a, F from ba 6 birch wood SCH 25 GBXP 2 .1 Deep Bass PRIMARY 7 cH, dH, gH, cH1, dH1, gH1, ba1 GBXP 1.1 GBXP 3 .1 pao rosa 37 x 18 O up to a, F from ba 4 birch wood GBX GB Deep Bass GLOBAL BEAT 16 C-major with fH, ba and fH1 c-a1 sucupira 37 x 18 O up to a, F from ba 6 birch wood SCH 15 GBX CB F Deep Bass GLOBAL BEAT 16 C-major with fH, ba and fH1 c-a1 fiberglass 38 x 15 O up to a, F from ba 6 limewood SCH 25 CX P Concert Xylophone ROSEWOOD* 38 chromatic f-fH3 rosewood 37 x 15 O up to cH2, F from d2 38 CX CM SXY G 1 CX PO Concert Xylophone PALISONO* 38 chromatic f-fH3 Palisono 38 x 15 O up to cH2, F from d2 38 CX CM SXY G 1 LWX 1 Walking Xylophone 6 pentatonic starting with c c2, d2, e2, g2, a2, c3 sucupira 36 x 18 F 1 pine wood SCH 2

*) see page 24

16

Orff_Catalog_E_2012.indd 16 06.07.2012 17:02:10 Uhr Concert Xylophone PALISONO* Xylophone Concert Xylophone Concert 1 LWX PO CX BEAT GLOBAL Bass Deep P CX F CB GBX GB GBX 2 GBXP .1 1 GBXP .1 PALISONO Bass Deep 200 GBKX PALISONO Bass Deep 100 GBKX 20 GBKX 10 GBKX SSX 200 BKX 100 BKX 200 TAKX 100 TAKX 20 TAKX 10 TAKX Alto PO AX F CB AX GB AX 2 .1 AXP 1 .1 AXP F CB SX GB SX 2 .1 SXP 1 SXP .1 200 SKX 100 SKX 20 SKX 10 SKX ShortScale ShortScale Walking Xylophone Xylophone Walking Deep Bass Bass Deep Tenor-Alto Tenor-Alto Tenor-Alto Tenor-Alto Deep Bass MEISTERKLASSE Bass Deep Bass Deep Bass MEISTERKLASSE Bass Deep Bass Deep Bass Bass Deep Deep Bass Bass Deep Tenor-Alto Tenor-Alto Tenor-Alto Tenor-Alto GLOBAL BEAT GLOBAL Alto BEAT GLOBAL Alto PRIMARY Alto PRIMARY Alto BEAT GLOBAL Soprano BEAT GLOBAL Soprano PRIMARY Soprano PRIMARY Soprano PALISONO Soprano PALISONO Soprano MEISTERKLASSE Soprano MEISTERKLASSE Soprano PALISONO PALISONO PALISONO GLOBAL BEAT GLOBAL PRIMARY PRIMARY PALISONO MEISTERKLASSE PALISONO MEISTERKLASSE PALISONO

ROSEWOOD*

16 C-major with f with C-major 16 7 6 16 C-major with f with C-major 16 19 C-major with f with C-major 19 7 38 chromatic chromatic 38 38 chromatic chromatic 38 ubr Number of bars of 19 C-major with f with C-major 19 16 C-major with f with C-major 16 10 C-major with f with C-major 10 f with C-major f with C-major 16 16 f with C-major 16 16 C-major with f with C-major 16 f with C-major 16 f with C-major f with C-major 16 16 f with C-major 16 f with C-major 16 16 C-major with f with C-major 16 16 C-major with f with C-major 16 16 C-major with f with C-major 16 7 6 pentatonic starting with c with starting pentatonic 6 7 7 6 5 7 7

Scale

H H H H H H H H H H H H H H H H H H , b , b , b , b , b b and , b b 1, b 1, b 1, b 1, b 1, b 1, b 2, b 2, b 2, b 2, b 2, a a a a a a and f and f and f and f and f and , f a a a a a a a a a a a 1, f 1, f 1, f 1 and f 1 and f 1 and f 1 and 2 and f 2 and f 2 and f 2 and f 2 and f 2 and H a 1 and b 1 and

H H 2 and b 2 and b 2 and H H H H H 1 1 1 1 1 H H H H H H H H H 2 c1-a2 c1-a2 2 c1-a2 2 c1-a2 2 c1-a2 2 3 c2-a3 3 c2-a3 3 c2-a3 3 c2-a3 3 c2-a3 3 c2-a3 a 1 f-c2 1 f-c2 a a 2 c1-c3 c1-c3 2 c1-c3 2 f-f c c-c1 c-c1 c2, d2, e2, c2, g2, a2, c3 c c f-f c g c c Tonal range c c c c-a1 c-a1 c-a1 c-a1 c-a1 c-a1 H H H H H H H H H H , d , d , d 1, d 1, d 1, d 1, d 2, d 2, d 2, , c H H 3 3 H H H H , g , g , g 1, d 1, H H H H H H 1, g 1, g 1, g 1, 2, g 2, g 2, g 2, H H H , c , c , c H 1, g 1, H H H H H H H H H 1, c 1, c 1, c 1, 2, c 2, c 2, c 2,

1, d 1, d 1, d 1, H 1, c 1, H H H H H H 2, d 2, d 2, d 2, 3, d 3, d 3, d 3, H H H 1, g 1, g 1, g 1, H 2 H H H H H H 2, g 2, g 2, g 2, 3, g 3, g 3, g 3, H H H 1, b 1, 1 1 H H H H H H a 3, b 3, b 3, b 3, 2, c 2, c 2, b 2, 1 H H a a a a 3 3 3 3 3 2 Orff_Catalog_E_2012.indd 17 Chromatic Chromatic Bars Bars Chromatic Chromatic

SXP 1.1SXP 100 SKX 10 SKX

AXP 1.1 AXP

xeso o instrument for extension

GBXP 1.1GBXP TAKX 10 TAKX TAKX 100 100 TAKX BKX 100 100 BKX

GBKX 100 100 GBKX 10 GBKX

SXP 3 .1 3 SXP 300 SKX 30 SKX

AXP 3 .1 3 AXP

GBXP 3 GBXP .1 TAKX 30 TAKX TAKX 300 TAKX BKX 300 BKX

Palisono 44 x 20 x20 44 Palisono 300 GBKX 30 GBKX rosewood 37 x18 rosewood pao rosa 37 x18 rosa pao pao rosa 37 x18 rosa pao rosewood 37 x 18 O up to c to Oup 37 x18 rosewood Palisono 38 x15 38 Palisono rosewood 44 x 20 x20 44 rosewood Palisono 38 x15 38 Palisono pao rosa 37 x18 rosa pao Palisono 38 x 15 O up to c to Oup x15 38 Palisono

Palisono 38 x15 38 Palisono fiberglass 38 x15 38 fiberglass 37 x18 sucupira 37 x18 rosa pao x15 38 Palisono 37 x18 rosewood fiberglass 38 x 15 O up to a, F from b a, Ffrom to Oup x15 38 fiberglass 37 x18 sucupira 37 x18 rosa pao x20 44 Palisono x20 44 rosewood Palisono 38 x 15 O up to c to Oup c to Oup x15 38 Palisono 37 x18 rosewood sucupira 36 x18 36 sucupira (mm) Palisono 38 x15 38 Palisono x15 38 fiberglass 37 x18 sucupira 37 x18 rosa pao Palisono 38 x15 38 Palisono Palisono 38 x 15 O up to c to Oup c to Oup x15 38 Palisono 37 x15 rosewood

CX CM CX Tuning O =Overtone F Tuning = Fundamental O up to a, F from b a, Ffrom to O up b a, Ffrom to O up O up to a, F from b a, Ffrom to O up = Frame construction with wheels, height adjustable (see page 24) (see page adjustable height wheels, with construction = Frame Tuning chambers made of of made chambers Tuning H H H H H H 2, F from d2 d2 2, Ffrom d2 2, Ffrom 11 SCH 16 SCH wood pine 16 SCH wood pine wood pine 4 wood pine 4 d2 2, Ffrom 5 d2 2, Ffrom 5 d2 2, Ffrom d2 2, Ffrom O O O O O O F F F F F F F F F F F F F F F

a a a a 6 limewood SCH 25 SCH 15 SCH limewood 25 SCH wood birch wood birch 6 wood birch 6 4 6 eoao Rsntr Mallets Resonator Resonator CM CX CM CX 38 38 made of RESOPHEN of made 38 4 pine wood SCH 25 SCH wood pine 4 1 limewood SCH 23 SCH 11 SCH limewood 11 SCH wood birch 1 11 SCH wood birch 1 16 SCH wood pine 1 wood pine 3 3 6 pine wood SCH 25 SCH 25 SCH wood pine wood pine 6 6 brhwo wood birch 1 wood pine 3 brhwo wood birch 1 1 pine wood SCH 2 SCH wood pine 1 1 pine wood SCH 11 SCH 23 SCH 50 SCH wood pine limewood 23 SCH wood birch 1 1 wood birch 1 1 3 pine wood wood pine 3 3 pine wood SCH 25 SCH wood pine 3 6 pine wood wood pine wood pine 6 6 3 pine wood pine 3 = 38 tuned tube resonators tube = 38 tuned REFERENCE XYLOPHONES REFERENCE 06.07.2012 17:02:11 Uhr (1 pair) SXY G1 SXY G1 SXY 17

ORFF MEISTERKLaSSE METaLLOPHONES

SKM, TAKM and GBKM metallophones have special alloy metal Tenor-Alto sound bars with overtone tuning or fundamental tuning. All TAKM 10 19 bars, c1-c3, 1 pair SCH 16, C-major scale resonator boxes are equipped with brackets for carrying legs with f-sharp1, b-flat1, f-sharp2 and b-flat2 or the BasisTrolley system. TAKM 20 7 bars, sharp: c1, d1, g1, c2, d2, g2, c3, Surface protection of all wood finishes with “Proterra”. chromatic extension for TAKM 10 TAKM 30 26 bars, c1-cis3, 1 pair SCH 16, Soprano chromatic scale, SKM 10 16 bars, c2-a3, 1 pair SCH 16, C-major scale combination of TAKM 10 and TAKM 20 with f-sharp2, b-flat2 and f-sharp3 SKM 20 7 bars, sharp: c2, d2, g2, c3, d3, g3, Deep Bass flat: b3, chromatic extension for SKM 10 GBKM 10 16 bars, c-a1, 1 pair SCH 15, C-major scale SKM 30 23 bars, c2-b-flat3, 1 pair SCH 16, with f-sharp, b-flat and f-sharp1 chromatic scale, GBKM 20 6 bars, sharp: c, d, g, c1, d1, g1, combination of SKM 10 and SKM 20 chromatic extension for GBKM 10 GBKM 30 22 bars, c-a1, 1 pair SCH 15, All resonator boxes are chromatic scale, equipped with brackets for attaching legs or the combination of GBKM 10 and GBKM 20 BasisTrolley system.

The art of making metal bars is in creating a balance of sound quality, timbre, sustain and volume Surface protection without side noises over several octaves. of all wood finishes with “Proterra”

GBKM 10

TAKM 10

SKM 30

18

Orff_Catalog_E_2012.indd 18 06.07.2012 17:02:16 Uhr Orff_Catalog_E_2012.indd 19 AMP 2 .1 2 AMP on shellac, oil and carnauba wax. carnauba and oil shellac, on based used, is finish safe environmentally an addition In used. being are forests managed well from timber only that means which certified, FSC™ are metallophones Primary SONOR the of boxes resonator The plywood. birch solid of made are boxes resonator tructed cons- newly The tuning. fundamental with bars x 10 sound mm 35 or Alto) and 35 (Soprano x5mm have metallophones Primary All like. sounds note aprinted how of afeeling get players the perspective other the From notation. printed the to reference avisual have always children the melodies self-created with improvising When instrument. the and music sheet the between connection avisual enable note the of print the with bars The reading. music support metallophones Primary Green! Sounds Future –The Primary “Proterra” with finishes wood all of protection Surface PRIMaRY METaLLOPHONES PRIMaRY AMP 1 .1 1 AMP GBMP 1 .1 GBMP 2 .1 flat: b1, chromatic extension for GBMP 1.1 for extension b1, chromatic flat: GBMP 1.1 of GBMP and 2.1 consisting set Chromatic f-sharp1 and b-flat f-sharp, with GBMP 3 .1 d, g, c1, c, d1, g1 sharp: 7bars, GBMP 2 .1 scale 25, SCH C-major c-a1, 1pair 16 bars, GBMP 1 .1 1.1 AMP for extension b2, chromatic flat: Deep Bass f-sharp2 and b-flat1 f-sharp1, with .1 3 AMP .1 2 AMP .1 1 AMP SMP 1.1 for extension b3, chromatic flat: Alto f-sharp3 and b-flat2 f-sharp2, with .1 3 SMP .1 2 SMP .1 1 SMP Soprano Soprano Chromatic set consisting of SMP 1.1 of SMP 2.1 and consisting set Chromatic scale 23, C-major SCH 1pair c2-a3, 16 bars, 7 bars, sharp: c2, d2, g2, c2, d3, g3, c3, sharp: 7bars, Chromatic set consisting of AMP 1.1 AMP 2.1 of AMP and consisting set Chromatic scale 25, SCH C-major c1-a2, 1pair 16 bars, 7 bars, sharp: c1, d1, sharp: g1, d2, g2 c2, 7bars, SMP 1 .1 1 SMP METALLOPHONES see page 55 page see bars replacement Bags for 06.07.2012 17:02:25 Uhr SMP 2 .1 2 SMP 19

ORFF GLObaL bEaT METaLLOPHONES

All Global Beat metallophones have 35 mm wide metal sound bars Soprano made of special alloy with overtone or fundamental tuning and MS GB 16 bars, c2-a3, 1 pair SCH 5, C-major scale resonator boxes made of birch plywood. with f-sharp2, b-flat2 and f-sharp3 Each metallophone is equipped with a carrying bag for 3 sound bars (2 x f-sharp, 1x b-flat). Alto MGB GB MA GB 16 bars, c1-a2, 1 pair SCH 5, C-major scale with f-sharp1, b-flat1 and f-sharp2

Deep Bass MGB GB 16 bars, c-a1, 1 pair SCH 15, C-major scale with f-sharp, b-flat and f-sharp1

MA GB

Note name labels inside the resonator box make it easy to put bars back in their proper places.

MS GB

OTHER METaLLOPHONES AM

The metallophones SM and AM are compact in size and should find a firm place in any children’s room. The sound character is warm and full-bodied. Surface protection of all wood finishes with “Proterra”.

Soprano SM 13 bars, c2-f3, 1 pair SCH 17, C-major scale with f-sharp2 and b-flat2

Alto AM 16 bars, c1-a2, 1 pair SCH 5, C-major scale with f-sharp1, b-flat1 and f-sharp2 SM

Surface protection of all wood finishes with “Proterra”

0

Orff_Catalog_E_2012.indd 20 06.07.2012 17:02:32 Uhr Orff_Catalog_E_2012.indd 21 playing the chime bars transfer to the bell choir. bell the to transfer bars chime the playing in used techniques The liturgy. and processionals hymns, church in use for beautifully adapt also timbre and portability Their intelligence. emotional and sensibilities social develop to helps manner this in them Using others. with community in played be to designed are bars chime SONOR ease. with texture and timbre form, melody, rhythm, of concepts the teach to bars chime the use educators Music work. other completing for incentives as or times transition for used be also can activities bar Chime aloud. sentence the reading while occur comma) or should (period punctuation appropriate the where bar chime the play could students the sentences, studying While 8times. bar chime the striking by answer the give 3+5and add to astudent ask may teacher grade afirst instance, For curriculum. the from concepts academic teach and students their motivate to bars chime SONOR use can Teachers home. any of ambience peaceful the enhances timbre mellow The guests. visiting for starter aconversation become bars chime the displayed, Prominently way. new awhole in interact to opportunity the have families games, playing and music creating to tunes favorite accompanying and singing From skill. or age of regardless everyone involves that activity afun for ther toge- come to families for way agreat provide bars chime SONOR Bars? Chime Playing From Benefit Can Who Note: Author‘s instruments. percussion and Orff other as well M15 as 40 KSP L15 and 40 KS sets coded color the are book this of center the In age school elementary for pages; 54 Nichols Lynn Kerri |Author: 978-0-9792109-6-9 ISBN RING, SING &PLaY! SING RING, Community and Church Groups Church and Community Education Music and Basic Families p� p� p� contains: book The ... is answer The Everyone! bars? chime SONOR playing from benefit can Who others. with connection and living of joy the emphasizing while challenge mental and stimulation social-emotional between balance perfect the offers bars chime SONOR Playing span. life average the extended has medicine modern as popular more becoming are adults older for activities challenging and Creative experiences. and kinesthetic tactile visual, aural, provide can bars chime the mind, in learning to approach amulti-sensory with Created settings. educational adaptive for perfect them makes use of ease and resonance soft construction, lightweight Their challenges. special face may who those for suited particularly are bars chime SONOR Orchestrations & Lyric Sheets &Lyric Orchestrations &Activities Games Fun-d-Mentals Music Basic Everyone! Communities Retirement Populations Special Special Populations Special METALLOPHONES | LITERATURE | METALLOPHONES 06.07.2012 17:02:36 Uhr 1

ORFF REFERENCE METaLLOPHONES

Number Chromatic Chromatic Bars Resonator Resonator Mallets of bars Scale Tonal range extension for instrument (mm) Tuning chambers made of (1 pair) SKM 10 Soprano MEISTERKLASSE 16 C-major with fH2, ba2 and fH3 c2-a3 38 x 10 F 3 pine wood SCH 16 SKM 20 Soprano MEISTERKLASSE 7 cH2, dH2, gH2, c H3, d H3, g H3, ba3 SKM 10 SKM 30 38 x 10 F 3 pine wood SMP 1 .1 Soprano PRIMARY 16 C-major with fH2, ba2 and fH3 c2-a3 35 x 5 F 1 birch wood SCH 23 SMP 2 .1 Soprano PRIMARY 7 cH2, dH2, gH2, c H3, d H3, g H3, ba3 SMP 1.1 SMP 3 .1 35 x 5 F 1 birch wood SM Soprano Metallophone 13 C-major with fH2 and ba2 c2-f3 30 x 4 F 1 pine wood SCH 17 MS GB Soprano GLOBAL BEAT 16 C-major with fH2, ba2 and fH3 c2-a3 35 x 5 F 1 birch wood SCH 23

AMP 1 .1 Alto PRIMARY 16 C-major with fH1, ba1 and fH2 c1-a2 35 x 5 F 1 birch wood SCH 25 AMP 2 .1 Alto PRIMARY 7 cH1, dH1, gH1, c H2, dH2, gH2, ba2 AMP 1.1 AMP 3 .1 35 x 5 F 1 birch wood AM Alto Metallophone 16 C-major with fH1, ba1 and fH2 c1-a2 40 x 6 F 1 pine wood SCH 5 MA GB Alto GLOBAL BEAT 16 C-major with fH1, ba1 and fH2 c1-a2 35 x 5 F 1 birch wood SCH 25

TAKM 10 Tenor-Alto MEISTERKLASSE 19 C-major with fH1, ba1, fH2 and ba2 c1-c3 38 x 10 O up to b1, F from c2 5 pine wood SCH 16 TAKM 20 Tenor-Alto MEISTERKLASSE 7 cH1, dH1, gH1, c H2, dH2, gH2, c H3 TAKM 10 TAKM 30 38 x 10 O up to b1, F from c2 5 pine wood

GBKM 10 Deep Bass MEISTERKLASSE 16 C-major with fH, ba and fH1 c-a1 45 x 13 O 6 pine wood SCH 15 GBKM 20 Deep Bass MEISTERKLASSE 6 cH, dH, gH, cH1, dH1, gH1 GBKM 10 GBKM 30 45 x 13 O 6 pine wood GBMP 1 .1 Deep Bass PRIMARY 16 C-major with fH, ba and fH1 c-a1 35 x 10 O up to a, F from ba 6 birch wood SCH 25 GBMP 2 .1 Deep Bass PRIMARY 7 cH, dH, gH, cH1, dH1, gH1, ba1 GBMP 1.1 GBMP 3 .1 35 x 10 O up to a, F from ba 4 birch wood MGB GB Deep Bass GLOBAL BEAT 16 C-major with fH, ba and fH1 c-a1 35 x 10 O up to a, F from ba 6 birch wood SCH 25

CM L Concert Metallophone* 38 chromatic f-fH3 40 x 6 O up to b, F from c1 38 CX CM SCH 16

*) see page 25

Stepped Primary resonator box



Orff_Catalog_E_2012.indd 22 06.07.2012 17:02:38 Uhr Concert Metallophone* Metallophone* Concert L CM BEAT GLOBAL Bass Deep f with C-major 6 MGB GB PRIMARY Bass Deep 16 GBMP 2 .1 PRIMARY Bass Deep MEISTERKLASSE Bass GBMP Deep 1 .1 MEISTERKLASSE Bass 20 GBKM Deep 10GBKM 20 TAKM 10 TAKM BEAT GLOBAL Alto GB MA AM .1 2 AMP .1 1 AMP BEAT GLOBAL Soprano GB MS SM .1 2 SMP .1 1 SMP 20 SKM 10 SKM Soprano Metallophone Metallophone Soprano Alto Metallophone Metallophone Alto Soprano MEISTERKLASSE 16 C-major with f C-major with 16 MEISTERKLASSE Soprano orn ESEKAS 7 7 MEISTERKLASSE Soprano Soprano PRIMARY PRIMARY Soprano Soprano PRIMARY PRIMARY Soprano Alto PRIMARY PRIMARY Alto Alto PRIMARY PRIMARY Alto Tenor-Alto MEISTERKLASSE 19 C-major with f C-major with 19 MEISTERKLASSE Tenor-Alto eo-loMITRLSE 7 MEISTERKLASSE Tenor-Alto

ubr Number of bars of 38 chromatic chromatic 38 13 C-major with f with C-major 13 16 C-major with f with C-major 16 16 C-major with f with C-major 16 f with C-major 16 f with C-major 16 f with C-major 16 16 C-major with f with C-major 16 f with C-major 16 7 7 7

Scale

H H H H H H H H H H H 1, b 1, b 1, b 1, b 1, b 2, b 2, b 2, , b , b , b b 2 and a a a and f and f and and f and a a a a a a a 1 and f 1 and f 1 and f 1 and 1, f 1, 2 and f 2 and f 2 and f 2 and a H 2 2 and b 2 and H H H 1 1 1 H H H H H H 2 c1-a2 c1-a2 2 c1-a2 2 c1-a2 2 3 c2-a3 3 c2-a3 3 c2-a3 3 c2-a3 a 2 c1-c3 c1-c3 2 c2-f3 c2-f3 c c c c Tonal range c c c-a1 c-a1 c-a1 c-a1 c-a1 f-f H H H H H H , d , d 1, d 1, d 1, d 2, d 2, H 3 H H , g , g H H H H 1, g 1, g 1, 2, g 2, g 2, H H , c , c H H H H H H 1, c 1, c 1, 2, c 2, c 2,

1, d 1, d 1, H H H H 2, d 2, d 2, 3, d 3, d 3, H H 1, g 1, g 1, H H H H 2, g 2, g 2, 3, g 3, g 3, H H 1, b 1, 1 H H H H a 3, b 3, b 3, 2, c 2, b 2, 1 H a a a 3 3 3 2 Orff_Catalog_E_2012.indd 23 Chromatic Chromatic Bars Bars Chromatic Chromatic

SMP 1.1 10SKM

AMP 1.1AMP xeso o instrument for extension

GBMP 1.1 TAKM 10TAKM GBKM 10 GBKM

SMP 3 .1 3 SMP 30 SKM

AMP 3 .1 3 AMP

35 x10 GBMP 3 .1 TAKM 30 TAKM 45 x13 30 GBKM 38 x10 38 35 x5 35 x5 38 x10 38

30 x4 30 40 x6 40 35 x10 35 x10 45 x13 35 x5 35 x5 x1038 38 x1038 (mm) 35 x5 x6 40 35 x5

CX CM CX O = Overtone Tuning O =Overtone F Tuning = Fundamental O up to b1, F from c2 5 pine wood SCH 16 SCH wood pine 5 c2 b1, to O up Ffrom O up to b1, F from c2 5 pine wood wood pine 5 c2 b1, to O up Ffrom O up to b, F from c1 c1 b, Ffrom to O up O up to a, F from b a, Ffrom to O up O up to a, F from b a, Ffrom to O up O up to a, F from b a, Ffrom to O up = Frame construction with wheels, height adjustable (see page 24) (see page adjustable height wheels, with construction = Frame Tuning chambers made of of made chambers Tuning O O F F F F F F F F F F

a a a 6 birch wood SCH 25 SCH 25 SCH wood birch wood birch wood birch 6 4 6 eoao Rsntr Mallets Resonator Resonator CM CX 38 made of RESOPHEN of made 38 1 pine wood SCH 17 SCH wood pine 1 6 pine wood SCH 15 SCH wood pine 6 23 SCH wood birch 23 SCH 1 16 SCH wood birch wood pine 1 3 3 pine wood wood pine 3 1 birch wood wood birch 1 1 birch wood wood birch 1 1 birch wood SCH 25 SCH 5 SCH wood birch 25 SCH wood pine 1 wood birch 1 1 6 pine wood wood pine 6 = 38 tuned tube resonators tube = 38 tuned REFERENCE METALLOPHONES REFERENCE 06.07.2012 17:02:39 Uhr SCH 16 SCH (1 pair) 

ORFF CONCERT MaLLETS

Concert Mallets Concert Xylophone Rosewood SONOR Concert Mallets are available with special alloy metal bars, Rosewood bars 38 x 15 mm, overtone tuning up with Palisono or genuine rosewood bars. These three types of to c-sharp2, fundamental tuning from d2 sound bar sets can be mixed individually on one instrument and CX P 38 bars, f - f-sharp3, 1 pair SCH SXY G 1, expand the musical expressions. chromatic scale, The only requirement is the purchase of the optional sound bar set. combination of CX CM and CX P 38 The complete instrument can be set up or switched, as an example CX P 38 Sound bar set, from xylophone to metallophone, within minutes. 38 bars, f - f-sharp3, 1 pair SCH SXY G 1, chromatic scale CX CM Frame construction with wheels, height adjustable from approx. 30 to 40 inches, resonator bar with tuned tube resonators made of shock-resistant RESOPHEN for 38 bars

CX Sound bar holder CX Height adjustment CX P

Palisono Rosewood Metal

4

Orff_Catalog_E_2012.indd 24 06.07.2012 17:02:44 Uhr Orff_Catalog_E_2012.indd 25 RESOPHEN for 38 bars 38 for RESOPHEN made of shock-resistant resonators tube tuned with bar resonator inches, 40 to 30 approx. from adjustable height scale chromatic wheels, with construction Frame G1, SXY SCH 1pair f-f-sharp3, bars, 38 CM CX 38 PO CX and CM CX of combination scale, chromatic set, bar Sound 38 PO CX G1, SXY SCH 1pair f-f-sharp3, bars, 38 PO CX d2 from tuning fundamental c-sharp2, to up tuning x15 mm, 38 overtone bars Palisono Palisono Xylophone Concert CX PO CX CM L CM RESOPHEN for 38 bars 38 for RESOPHEN made of shock-resistant resonators tube tuned with bar resonator inches, 40 to 30 approx. from adjustable height scale chromatic wheels, with construction Frame 16, SCH 1pair f-f-sharp3, bars, 38 CM CX L38 CM and CM CX of combination scale, chromatic set, bar Sound L38 CM 16, SCH 1pair f-f-sharp3, bars, 38 L CM c1 from tuning b, fundamental to up tuning x6mm, overtone 40 bars metal alloy Special Metallophone Concert CONCERT STABSPIELE CONCERT CONCERT MALLETS CONCERT 06.07.2012 17:02:51 Uhr 5

ORFF CHIME baRS

Arrange Tones to Suit Your Preference! SONOR chime bars offer almost unlimited flexibility. The sequence The concept for the SONOR Meisterklasse instrument set KS 40 L 15 can be arranged or grouped completely to individual requirements. has been popular with children, kindergarten teachers and music The instrument setup KS 40 L 15 illustrates this feature in detail. pedagogues in Germany for years. Now we have an English version Here are two examples of playing and arrangement ideas: for you!

Example 1 Tenor-Alto p� 15 players get one chime bar each with one mallet. Special alloy metal bars 40 x 6 mm, fundamental tuning, p� The players assemble in 3 groups: resonators made of shock-resistant RESOPHEN green, red, blue. KS 40 L 15 15 chime bars, c1-c3, 8 pairs SCH 5, p� Twinkle, twinkle, little star, how I wonder what you are! C-major scale, with instruction Up a- bove the world so high, like a diamond in the sky. Twinkle, twinkle, little star, how I wonder what you are! p� A conductor (teacher) gives the cue.

Example 2 p� Only the red and green chime bars from the KS 40 L 15 KS 40 L 15 set are needed. p� 10 players each get one chime bar with a mallet. p� The players assemble in 2 groups: green, red. p� London Bridge is falling down, falling down, falling down London Bridge is falling down, my fair lady p� A conductor gives the cue.

6

Orff_Catalog_E_2012.indd 26 06.07.2012 17:02:58 Uhr Orff_Catalog_E_2012.indd 27 MEISTERKLaSSE CHIME baRS CHIME MEISTERKLaSSE therapy. music and education music for suitable especially are They c-sharp4. Cto from 5octaves of range chromatic the in available are bars chime Meisterklasse range. instrument this of quality superior the for basis the are craftsmanship and sound Excellent

P3 400 KS P2 400 KS P1 400 KS P 400 KS plywood pinewood, of made resonators tuning, x18 mm, fundamental 38 bars Rosewood Tenor-Alto combination of KS 30 L 1 and KS 30 L2 30 KS L1and 30 KS of combination L1 30 KS for extension chromatic scale, 3, chromatic SCH 1pair c2-cis4, bars, 26 chime b-flat3 and f-sharp3 b-flat2, f-sharp2, with 30 L3 KS d2, g2, c2, d3, g3, c3, c4, sharp: bars, 7chime b3, c-sharp4 c4, a3, b-flat3, g3, g-sharp3, f-sharp3, 30 L2 KS e3, f3, d3, d-sharp3, b2, c-sharp3, c3, b-flat2, scale 3, SCH C-major 1pair a2, c2-c4, bars, 19 chime g-sharp2, g2, f-sharp2, f2, e2, d-sharp2, d2, 30 L1 KS c-sharp2, c2, bars: chime bar, 26 1chime available 30 L KS RESOPHEN shock-resistant of made resonators tuning, x4mm, 30 fundamental bars metal alloy Special Soprano 1 chime bar, 26 available chime bars: c1, c-sharp1, c1, c-sharp1, bars: chime bar, 26 1chime available 7 chime bars, sharp: c1, d1, sharp: g1, d2, g2, c2, bars, 7chime 26 chime bars, c1-cis3, 1 pair SCH 16, SCH 1pair c1-cis3, bars, 26 chime c1, d1, sharp: g1, d2, g2, c2, bars, 7chime 16, SCH 1pair c1-c3, bars, 19 chime combination of KS 400 P 1 and KS 400 P2 400 KS P1and 400 KS of combination b2, c-sharp3 c3, a2, b-flat2, g2, g-sharp2, f-sharp2, combination of KS 400 P 1 and KS 400 P2 400 KS P1and 400 KS of combination scale, chromatic P1 400 KS for extension chromatic c3, b-flat2 and f-sharp2 b-flat1, f-sharp1, with scale C-major b2, c-sharp3 c3, a2, b-flat2, g2, g-sharp2, f-sharp2, e2, f2, d2, d-sharp2, b1, c-sharp2, c2, b-flat1, a1, g-sharp1, g1, f-sharp1, f1, e1, d-sharp1, d1, KS 30 L3 KS of all wood finishes with “Proterra” with finishes wood all of protection Surface KS 400 P3 400 KS combination of KS 40 L 1 and KS 40 L2 40 KS L1and 40 KS of combination L1 40 KS for extension chromatic scale, 5, SCH chromatic 1pair c1-cis3, bars, 26 chime b-flat2 and f-sharp2 b-flat1, f-sharp1, L3 40 KS c1, d1, sharp: g1, d2, g2, c2, c3, bars, 7chime b2, c-sharp3 c3, a2, b-flat2, g2, g-sharp2, f-sharp2, L2 40 KS e2, f2, d2, d-sharp2, b1, c-sharp2, c2, b-flat1, with scale 5, SCH C-major 1pair c1-c3, bars, a1, 19 chime g-sharp1, g1, f-sharp1, f1, e1, d-sharp1, d1, L1 40 KS c1, c-sharp1, bars: chime bar, 26 1chime available L 40 KS RESOPHEN shock-resistant of made resonators tuning, x6mm, fundamental 40 bars metal alloy Special Tenor-Alto KS 40 L1 40 KS KS 400 P1 400 KS KS 30 L1 KS CHIME BARS CHIME 06.07.2012 17:03:07 Uhr 7

ORFF MEISTERKLaSSE CHIME baRS

Surface protection of all wood finishes with “Proterra”

NKS 100 P

NKS 60 P

KS 50 P

KS 400 P (see page 27)

The Meisterklasse KS 50 L, KS 50 P, NKS 60 P and NKS 100 P chime Deep Bass bars have sound bars with overtone tuning and resonator boxes KS 50 L 1 chime bar, 13 available chime bars: c, c-sharp, d, made of pine wood. d-sharp, e, f, f-sharp, g, g-sharp, a, b-flat, b, c1 All resonator boxes have tuning adjusters to change the sustain KS 50 P 1 chime bar, 13 available chime bars: c, c-sharp, d, and volume. SONOR developed special feet for these instruments, d-sharp, e, f, f-sharp, g,g-sharp, a, b-flat, b, c1 which provide optimum resonance. Contra Bass Recommended mallets: SCH 16, SCH 15, SCH 8 or SCH 100 NKS 60 P 1 chime bar, 7 available chime bars: F, F-sharp, G, G-sharp, A, B-flat, B

Sub-Contra Bass KS 50 L NKS 100 P 1 chime bar, 5 available chime bars: C, C-sharp, D, D-sharp, E

Resonator with tuning adjuster

8

Orff_Catalog_E_2012.indd 28 06.07.2012 17:03:13 Uhr Orff_Catalog_E_2012.indd 29 SCH 15, SCH 8 or SCH 100 15, SCH 8or SCH SCH mallets: Recommended resonance. optimum provide which instruments, these for feet special SONOR volume. and sustain the change to adjusters tuning have boxes resonator All wood. pine of made boxes resonator and tuning overtone with bars sound have PO 100 NKS and PO 60 PO, NKS 50 KS bars chime Palisono The experiences. sound impressive for stand bars chime Palisono c-sharp3. C to from 4octaves has range tonal chromatic The therapy. music and education music for suited ideally are They craftsmanship. superior and quality sound excellent offer bars chime Palisono PaLISONO CHIME baRS CHIME PaLISONO 100 PO NKS Bass Sub-Contra bars: chime bar, 7available 1chime PO 60 NKS Bass Contra bar, 1chime PO 50 KS Deep Bass 1 chime bar, 7 available chime bars: bars: chime bar, 7available 1chime 1 chime bar, 5 available chime bars: chime bar, 5available 1chime C, C-sharp, D, D-sharp, E D, D-sharp, C-sharp, C, B B B-flat, B-flat, A, A, F,F, G, G, G-sharp, G-sharp, F-sharp, F-sharp, b, b, c1 c1 a, a, b-flat, b-flat, g, g, g-sharp, g-sharp, e, e, f, f, f-sharp, f-sharp, d-sharp, d-sharp, d, d, c-sharp, c-sharp, c, c, bars: bars: chime chime available available 13 13 KS 40 PO 3 PO 40 KS 1 PO 40 KS developed developed KS 50 PO 50 KS wood finishes with “Proterra” with finishes wood all of protection Surface 11, SCH 1pair chromatic c1-cis3, bars, 26 chime 3 PO 40 KS c1, d1, sharp: g1, d2, g2, c2, c3, bars, 7chime 2 PO 40 KS 11, scale SCH 1pair C-major c1-c3, bars, 19 chime 1 PO 40 KS c1, c-sharp1, bars: chime bar, 26 1chime available PO 40 KS RESOPHEN shock-resistant of made resonators tuning, x15 mm, 38 fundamental bars Palisono Tenor-Alto KS 40 PO 40 KS NKS 60 PO 60 NKS scale, combination of KS 40 PO 1 and KS 40 PO 2 PO 40 KS 1and PO 40 KS of combination scale, 1 PO 40 KS for extension chromatic b-flat2 and f-sharp2 b-flat1, f-sharp1, with b2, c-sharp3 c3, a2, b-flat2, g2, g-sharp2, f-sharp2, e2, f2, d2, d-sharp2, b1, c-sharp2, c2, b-flat1, a1, g-sharp1, g1, f-sharp1, f1, e1, d-sharp1, d1, NKS 100 PO NKS CHIME BARS CHIME 06.07.2012 17:03:20 Uhr 9

ORFF PRIMaRY CHIME baRS

Primary chime bars support music reading. The bars with the print Soprano of the note enable a visual connection between the sheet music Silver special alloy metal bars 30 x 4 mm with staff imprint, and the instrument. When improvising with self-created melodies fundamental tuning, white resonators made of shock-resistant the children always have a visual reference to the printed nota- RESOPHEN tion. From the other perspective the players get a feeling of how KSP 30 M 1 chime bar, 19 available chime bars: a printed note sounds like. c2, d2, e2, f2, f-sharp2, g2, a2, b-flat2, b2, c3, d3, e3, f3, f-sharp3, g3, a3, b-flat3, b3, c4 All Primary chime bars with metal bars either have overtone or KSP 30 M 1 19 chime bars, c2-c4, 1 pair SCH 3, C-major scale fundamental tuning. The resonator boxes are made of shock- with f-sharp2, resistant RESOPHEN or solid birch plywood. b-flat2, f-sharp3 and b-flat3 Primary – The Future Sounds Green! The birch resonator boxes of SONOR Primary chime bars are FSC™ certified, which means that only timber from well managed forests are being used.

KSP 30 M 1 Tenor-Alto Silver special alloy metal bars 35 x 5 mm with staff imprint, fundamental tuning, white resonators made of shock-resistant KSP 40 M 1 RESOPHEN KSP 40 M 1 chime bar, 19 available chime bars: c1, d1, e1, f1, f-sharp1, g1, a1, b-flat1, b1, c2, d2, e2, f2, f-sharp2, g2, a2, b-flat2, b2, c3 KSP 40 M 1 19 chime bars, c1-c3, 1 pair SCH 5, C-major scale with f-sharp1, b-flat1, f-sharp2 and b-flat3

KSP 40 M 15 15 chime bars, c1-c3, 8 pairs SCH 5, C-major scale, color coded corresponding to the included song book

KSP 40 M 15

Deep Bass KSP 40 Sound bar holder KSP 50 Sound bar holder Silver special alloy metal bars 38 x 10 mm with staff imprint, overtone tuning, resonators made of birch wood, plywood KSP 50 M 1 chime bar, 10 available chime bars: c, d, e, f, f-sharp, g, a, b-flat, b, c1 KSP 50 M 1 10 chime bars, c-c1, 1 pair SCH 5, C-major scale with f-sharp and b-flat

KSP 50 M 1 0

Orff_Catalog_E_2012.indd 30 06.07.2012 17:03:26 Uhr Orff_Catalog_E_2012.indd 31 based on shellac, oil and carnauba wax. wax. carnauba and oil shellac, on based Proterra, called finish safe anenvironmentally uses SONOR plywood. birch solid or RESOPHEN shock-resistant from made are boxes resonator The tuning. fundamental fundamental or or overtone overtone either either have have and and Rosa Rosa Pao Pao certified certified FSC FSC with made are bars sound wooden with bars chime Primary All mallet holder 100 KSP and 60 KSP 10 chime bars, c-c1, 1 pair SCH 8, SCH 1pair c-c1, bars, 10 chime X1 50 KSP chime bar, 10 1chime available X 50 KSP plywood wood, birch of made resonators tuning, overtone imprint, staff 45 with mm x20 bars rosa Pao Deep Bass X1 40 KSP X 40 KSP RESOPHEN shock-resistant of made resonators white tuning, fundamental imprint, staff 37 x17 bars with mm rosa Pao Tenor-Alto 100 X KSP acoustics room the with line in sound the bring to adjustor tuning with plywood, wood, birch of made resonators tuning, overtone imprint, staff with mm x20 100 bars rosa Pao Bass Sub-Contra X 60 KSP acoustics room the with line in sound the bring to adjustor tuning with plywood, wood, birch of made resonators tuning, overtone imprint, staff 53 with mm x20 bars rosa Pao Bass Contra 1 chime bar, 6 available chime bars: F, G, bars: F-sharp, chime bar, 6available 1chime 1 chime bar, 19 available chime bars: bars: chime bar, 19 1chime available 1 chime bar, 3 available chime bars: C, D, C, E bars: chime bar, 3available 1chime 19 chime bars, c1-c3, 1 pair SCH 5, C-major scale scale 5, SCH C-major 1pair c1-c3, bars, 19 chime C-major scale with f-sharp and b-flat and f-sharp with scale C-major b, c1 b-flat, g, d, a, e, f, c, f-sharp, bars: b-flat3 and f-sharp3 b-flat2, f-sharp2, with c3 b2, b-flat2, a2, g2, f-sharp2, f2, e2, b1, d2, c1, c2, d1, e1, g1, f-sharp1, a1, f1, b-flat1, recommended mallet: SCH 100 mallet: recommended 100 8, SCH SCH mallets: B, recommended B-flat, A, tuning adjuster 100 KSP and 60 KSP wood finishes with “Proterra” with finishes wood all of protection Surface KSP 60 X 60 KSP PRIMARY METALLOPHONE PRIMARY KSP 50 X1 50 KSP X1 40 KSP CHIME BARS CHIME KSP 100 X KSP 06.07.2012 17:03:36 Uhr 1

ORFF REFERENCE CHIME baRS

Number Chromatic Chromatic Bars Resonator Mallets Complete Sets of bars Scale Tonal range extension for instrument (mm) Tuning made of (1 pair) KS 30 L 1 Soprano MEISTERKLASSE 19 C-major with fH2, ba2, fH3 and ba3 c2-c4 metal 30 x 4 F RESOPHEN SCH 3 KS 30 L 2 Soprano MEISTERKLASSE 7 cH2, dH2, gH2, c H3, d H3, Hg3, cH4 KS 30 L 1 KS 30 L 3 metal 30 x 4 F RESOPHEN KSP 30 M 1 Soprano PRIMARY 19 C-major with fH2, ba2, fH3 and ba3 c2-c4 metal 30 x 4 F RESOPHEN SCH 3 KS 40 L 1 Tenor-Alto MEISTERKLASSE 19 C-major with fH1, ba1, fH2 and ba2 c1-c3 metal 40 x 6 F RESOPHEN SCH 5 KS 40 L 2 Tenor-Alto MEISTERKLASSE 7 cH1, dH1, gH1, c H2, dH2, gH2, c H3 KS 40 L 1 KS 40 L 3 metal 40 x 6 F RESOPHEN KS 40 L 15 Tenor-Alto MEISTERKLASSE 15 C-major c1-c3 metal 40 x 6 F RESOPHEN SCH 5 (8 pairs) KS 400 P 1 Tenor-Alto MEISTERKLASSE 19 C-major with fH1, ba1, fH2 and ba2 c1-c3 rosewood 37 x 18 F/0 pine wood SCH 16 KS 400 P 2 Tenor-Alto MEISTERKLASSE 7 cH1, dH1, gH1, c H2, dH2, gH2, c H3 KS 400 P 1 KS 400 P 3 rosewood 37 x 18 F/0 pine wood KS 40 PO 1 Tenor-Alto PALISONO 19 C-major with fH1, ba1, fH2 and ba2 c1-c3 Palisono 38 x 15 F/0 RESOPHEN SCH 11 KS 40 PO 2 Tenor-Alto PALISONO 7 cH1, dH1, gH1, c H2, dH2, gH2, c H3 KS 40 PO 1 KS 40 PO 3 Palisono 38 x 15 F/0 RESOPHEN KSP 40 M 1 Tenor-Alto PRIMARY 19 C-major with fH1, ba1, fH2 and ba2 c1-c3 metal 35 x 5 F RESOPHEN SCH 5 KSP 40 M 15 Tenor-Alto PRIMARY 15 C-major c1-c3 metal 35 x 5 F RESOPHEN SCH 5 (8 pairs) KSP 40 X 1 Tenor-Alto PRIMARY 19 C-major with fH1, ba1, fH2 and ba2 c1-c3 pao rosa 37 x 18 F RESOPHEN SCH 5 KSP 50 M 1 Deep Bass PRIMARY 10 C-major with fH and ba c-c1 metal 37 x 10 O birch wood SCH 8 KSP 50 X 1 Deep Bass PRIMARY 10 C-major with fH and ba c-c1 pao rosa 44 x 20 O birch wood SCH 8

Bars Resonator Recommended Single Bars (in mm) Tuning made of Available bars mallets KS 30 L Soprano MEISTERKLASSE metal 30 x 4 F RESOPHEN c2, c H2, d2, dH2, e2, f2, fH2, g2, gH2, a2, ba2, b2, c3, cH3, d3, d H3, e3, f3, fH3, g3, gH3, a3, ba3, b3, c4, cH4 SCH 3 KSP 30 M Soprano PRIMARY metal 30 x 4 F RESOPHEN c2, d2, e2, f2, fH2, g2, a2, ba2, b2, c3, d3, e3, f3, fH3, g3, a3, ba3, b3, c4 SCH 3 KS 40 L Tenor-Alto MEISTERKLASSE metal 40 x 6 F RESOPHEN c1, c H1, d1, dH1, e1, f1, fH1, g1, gH1, a1, ba1, b1, c2, cH2, d2, dH2, e2, f2, fH2, g2, gH2, a2, ba2, b2, c3, cH3 SCH 5 KS 400 P Tenor-Alto MEISTERKLASSE rosewood 37 x 18 F/O pine wood c1, c H1, d1, dH1, e1, f1, fH1, g1, gH1, a1, ba1, b1, c2, cH2, d2, dH2, e2, f2, fH2, g2, gH2, a2, ba2, b2, c3, cH3 SCH 16 KS 40 PO Tenor-Alto PALISONO Palisono 38 x 15 F/O RESOPHEN c1, c H1, d1, dH1, e1, f1, fH1, g1, gH1, a1, ba1, b1, c2, cH2, d2, dH2, e2, f2, fH2, g2, gH2, a2, ba2, b2, c3, cH3 SCH 11 KSP 40 M Tenor-Alto PRIMARY metal 35 x 5 F RESOPHEN c1, d1, e1, f1, fH1, g1, a1, ba1, b1, c2, d2, e2, f2, fH2, g2, a2, ba2, b2, c3 SCH 5 KSP 40 X Tenor-Alto PRIMARY pao rosa 37 x 17 F RESOPHEN c1, d1, e1, f1, fH1, g1, a1, ba1, b1, c2, d2, e2, f2, fH2, g2, a2, ba2, b2, c3 SCH 5 KS 50 L Deep Bass MEISTERKLASSE metal 45 x 13 O pine wood c, cH, d, dH, e, f, fH, g, gH, a, ba, b, c1 SCH 8, 15, 16 KS 50 P Deep Bass MEISTERKLASSE rosewood 44 x 20 O pine wood c, cH, d, dH, e, f, fH, g, gH, a, ba, b, c1 SCH 8, 15, 16 KS 50 PO Deep Bass PALISONO Palisono 44 x 20 O pine wood c, cH, d, dH, e, f, fH, g, gH, a, ba, b, c1 SCH 8, 15, 16 KSP 50 M Deep Bass PRIMARY metal 38 x 10 O birch wood c, d, e, f, fH, g, a, ba, b, c1 SCH 8, 15, 16 KSP 50 X Deep Bass PRIMARY pao rosa 44 x 20 O birch wood c, d, e, f, fH, g, a, ba, b, c1 SCH 8, 15, 16 NKS 60 P Contra Bass MEISTERKLASSE rosewood 53 x 20 O pine wood F, F H, G, G H, A, Ba, B SCH 8 NKS 60 PO Contra Bass PALISONO Palisono 53 x 20 O pine wood F, F H, G, G H, A, Ba, B SCH 8 KSP 60 X Contra Bass PRIMARY pao rosa 53 x 20 O birch wood F, F H, G, A, Ba, B SCH 8 NKS 100 P Sub-Contra Bass MEISTERKLASSE rosewood 100 x 20 O pine wood C, CH, D, D H, E SCH 100 NKS 100 PO Sub-Contra Bass PALISONO Palisono 100 x 20 O pine wood C, CH, D, D H, E SCH 100 KSP 100 X Sub-Contra Bass PALISONO pao rosa 100 x 20 O birch wood C, D, E SCH 100 F = Fundamental Tuning/O = Overtone Tuning



Orff_Catalog_E_2012.indd 32 06.07.2012 17:03:37 Uhr KSP 100 X KSP 53 x20 rosewood 100 PO NKS 100 P NKS PALISONO Bass Contra X 60 KSP MEISTERKLASSE Bass Contra PO 60 NKS PRIMARY Bass Deep P 60 NKS PRIMARY Bass Deep X 50 KSP PALISONO Bass Deep M 50 KSP MEISTERKLASSE Bass Deep PO 50 KS MEISTERKLASSE Bass Deep P 50 KS L 50 KS X 40 KSP PALISONO Tenor-Alto M 40 KSP PO 40 KS MEISTERKLASSE Tenor-Alto P 400 KS L 40 KS MEISTERKLASSE Soprano M 30 KSP 30 L KS PRIMARY Bass Deep X1 50 KSP PRIMARY Bass Deep M1 50 KSP 7 f C-major with X1 40 KSP 19 M15 40 KSP M1 40 KSP PALISONO Tenor-Alto 2 PO 40 KS PALISONO Tenor-Alto C-major 1 PO 40 KS 15 P2 400 KS 7 f C-major with P1 MEISTERKLASSE 400 Tenor-Alto KS 19 MEISTERKLASSE Tenor-Alto L15 40 KS 7 MEISTERKLASSE Tenor-Alto f C-major with L2 40 KS 19 L1 40 KS MEISTERKLASSE Soprano 30 M1 KSP MEISTERKLASSE Soprano 30 L2 KS 30 L1 KS Contra Bass PRIMARY PRIMARY Bass Contra Tenor-Alto PRIMARY PRIMARY Tenor-Alto Tenor-Alto MEISTERKLASSE MEISTERKLASSE Tenor-Alto Soprano PRIMARY PRIMARY Soprano Tenor-Alto PRIMARY PRIMARY Tenor-Alto Sub-Contra Bass PALISONO PALISONO Bass Sub-Contra Sub-Contra Bass PALISONO PALISONO Bass Sub-Contra Sub-Contra Bass MEISTERKLASSE rosewood 100 x 20 x20 100 rosewood MEISTERKLASSE Bass Sub-Contra Tenor-Alto PRIMARY PRIMARY Tenor-Alto eo-loMITRLSE 7 f C-major with 19 MEISTERKLASSE Tenor-Alto MEISTERKLASSE Tenor-Alto Soprano PRIMARY PRIMARY Soprano Tenor-Alto PRIMARY PRIMARY Tenor-Alto Sub-Contra Bass PALISONO PALISONO Bass Sub-Contra Tenor-Alto PRIMARY PRIMARY Tenor-Alto

ubr Number of bars Scale Scale bars of 15 C-major C-major 15 19 C-major with f with C-major 19 f with C-major 19 19 C-major with f with C-major 19 10 C-major with f with C-major f with C-major 10 10 pao rosa 100 x 20 x20 100 rosa pao Palisono 53 x20 Palisono x20 44 rosa pao x10 38 metal x20 44 Palisono x20 44 rosewood 45 x13 metal x15 38 Palisono x6 40 metal x4 30 metal Palisono 100 x 20 x20 100 Palisono 53 x20 rosa pao (in mm) Bars pao rosa 100 x 20 x20 100 rosa pao metal 35 x5 metal pao rosa 37 x17 rosa pao rosewood 37 x18 rosewood x4 30 metal H H H H H H H H H 1, b 1, b 1, b 1, b 1, b 2, b 2, and b and b and b 1, a a a a a a a 1, f 1, f 1, f 1, f 1, 1, f 1, 2, f 2, f 2, a a

H H H H H H H 2 and b 2 and b 2 and b 2 and b 2 and 2 and b 2 and 3 and b 3 and b 3 and a a a a a a a 2 2 2 2 2 3 3 Tuning Tuning F/O F/O F/O F/O O O O O O O O O O O O O F F F F F

c c1-c3 Tonal range c1-c3 c1-c3 c1-c3 c1-c3 c1-c3 c1-c3 c2-c4 c2-c4 c2-c4 c c1-c3 c1-c3 c c c-c1 c-c1 c-c1 H H H H 1, d 1, d 1, d 1, d 2, H H H H 1, g 1, g 1, g 1, 2, g 2, H H H H 1, c 1, c 1, c 1, 2, c 2, H H H H 2, d 2, d 2, d 2, 3, d 3, birch wood wood birch RESOPHEN RESOPHEN pine wood wood pine wood pine wood birch wood pine wood pine wood birch wood birch wood pine wood pine wood pine RESOPHEN RESOPHEN of made Resonator birch wood wood birch RESOPHEN RESOPHEN RESOPHEN RESOPHEN wood pine RESOPHEN H H H H 2, g 2, g 2, g 2, 3, 3, H g3, c H H H 2, c 2, c 2, c 2, H H H H 4 3 3 3 Orff_Catalog_E_2012.indd 33 C, C C, C, C C, F, F F, c c, c c, extension for instrument instrument for extension c, c c, Available bars bars Available c1, c c1, c c2,

c1, c c1, KS 40 PO 1 PO 40 KS P1 400 KS L1 40 KS F, F F, KS 30 L1 30 KS

C, D,C, E C, D,C, E F F, c, d, e, f,c, f d, e, f,c, f

c1, c c1, c1, d1, e1, f1, f f1, e1, d1, c1, f f1, e1, d1, c1, f f2, e2, d2, c2, Chromatic Chromatic Chromatic Chromatic

H H H H H H H H , G, A, B , G, A, , G, G , G, G , d, d , d, d , d, d , D, D , D, D H H H H 1, d1, d d1, 1, d d1, 1, d d1, 1, 2, d2, d d2, 2, H H H H H H H H H , A, B , A, B , A, , e, f, f , e, f, f , e, f, f , E , E , g, a, b , g, a, b a , B H H H H 1, e1, f1, f f1, e1, 1, f f1, e1, 1, f f1, e1, 1, 2, e2, f2, f f2, e2, 2, H H H a a 1, g1, a1, b a1, g1, 1, b a1, g1, 1, 2, g2, a2, b a2, g2, 2, , B , B H H H , g, g , g, g , g, g a a , b, c1 , b, c1 H H H Palisono 38 x15 38 Palisono 3 PO 40 KS P3 400 KS L3 40 KS KS 30 L3 KS

, a, b , a, b , a, b H H H H 1, g1, g g1, 1, g g1, 1, g g1, 1, 2, g2, g g2, 2, a a a 1, b1, f d2, e2, c2, f2, 1, b1, f d2, e2, c2, f2, 2, b2, d3, e3, c3, f f3, a a a , b, c1 , b, c1 , b, c1 H H H H 1, a1, b a1, 1, b a1, 1, b a1, 1, 2, a2, b a2, 2, rosewood 37 x18 rosewood a a a a 1, b1, c c2, 1, b1, c c2, 1, b1, c c2, 2, b2, c c3, metal 40 x6 40 metal metal 30 x4 30 metal metal 40 x6 40 metal pao rosa 37 x18 rosa pao 35 x5 metal x15 38 Palisono 37 x18 rosewood x6 40 metal metal 30 x4 30 metal x4 30 metal metal 35 x5 metal (mm) pao rosa 44 x 20 x20 44 rosa pao 37 x10 metal Bars Bars H H H 2, g2, a2, b a2, g2, 2, b a2, g2, 2, 3, g3, a3, b

H H H H 2, d2, d d2, 2, d d2, 2, d d2, 2, 3, d3, d d3, 3, a a H H H a H 2, b2, c3 2, b2, c3 2, e2, f2, f f2, e2, 2, f f2, e2, 2, f f2, e2, 2, 3, b3, c4 3, e3, f3, f f3, e3, 3, H H H H 2, g2, g g2, 2, g g2, 2, g g2, 2, 3, g3, g F Tuning/O =Tuning Fundamental = Overtone H H H H 2, a2, b a2, 2, b a2, 2, b a2, 2, 3, a3, b a3, 3, Tuning Tuning F/0 F/0 F/0 F/0 F/0 F/0 F/0 O O F F F F F F F F F

a a a a 2, b2, c c3, 2, b2, c c3, 2, b2, c c3, 3, b3, c c4, H H H H 3 3 3 4 RESOPHEN RESOPHEN wood pine RESOPHEN RESOPHEN RESOPHEN RESOPHEN RESOPHEN SCH 5(8 SCH pairs) RESOPHEN RESOPHEN SCH 11 SCH 16 SCH RESOPHEN wood pine RESOPHEN SCH 5 SCH 5 SCH RESOPHEN RESOPHEN 5 SCH RESOPHEN RESOPHEN SCH 3 SCH 3 SCH RESOPHEN RESOPHEN RESOPHEN SCH 5(8 SCH pairs) RESOPHEN birch wood SCH 8 SCH 8 SCH wood birch wood birch eoao Mallets Resonator made of of made REFERENCE CHIMEREFERENCE BARS (1 pair) mallets SCH 5 SCH 5 SCH Recommended SCH 8, 15,SCH 16 8, 15,SCH 16 SCH 100 SCH SCH 100 SCH SCH 8 SCH SCH 100 SCH 100 SCH SCH 3 SCH SCH 3 SCH SCH 11 SCH 16 SCH 5 SCH SCH 8, 15,SCH 16 SCH 8, 15,SCH 16 8, 15,SCH 16 SCH 8 SCH 8 SCH 06.07.2012 17:03:38 Uhr 

ORFF Toy Sound – the hearing experience for all children aged 2-6 years. Toy Sound products are manufactured from the highest quality materials which create a positive first impression. Toy Sound – when only the very best is good enough for your child.

Toy Sound Play Objects RS MIMA Mini Mouse glockenspiel, 5 bars, g3, a3, b3, d4, e4, RB G-major pentatonic scale, 1 pair SCH 40S, children‘s songs with colored note heads MG C Mouse glockenspiel, 8 bars, c3-c4, 1 pair SCH 40, C-major scale, children‘s songs with colored notes GS Child‘s glockenspiel, 11 bars, c3-f4, TB 1 pair SCH 40, C-major scale, children‘s songs with colored note heads KIKA Child‘s castanet, beechwood TB Drum-Bear, ø 8" (20 cm) TMM Mini Maracas egg-shaped RB Joggle-Bear, ø 3.5 cm, length 6 cm KIKA RS Joggle-Pig, ø 3.5 cm, length 6 cm

GS

BWG

MIMA

MG C

4

Orff_Catalog_E_2012.indd 34 06.07.2012 17:03:53 Uhr Orff_Catalog_E_2012.indd 35 Suitable mallets are: SCH 6, SCH 7, 6, SCH SCH are: 60 SCH 8or SCH mallets Suitable sound. excellent offer always timpani –Primary weather humid or dry Whether pitch. perfect ensuring thus humidity against resistant is head aplastic heads natural with Compared sets. drum for used also are heads These playing. dynamic for allow heads plastic durable the and hoops tension the of shape unique The toms. tom or timbales as used be can timpani These Timpani Adjustment Screw Primary 7, 6, SCH SCH are: 60 SCH 8or SCH mallets Suitable experience. 125 years‘ over on the of construction The shell. the to head the from vibration of transfer unimpeded the of advantage technical The tuning. central of system atried-and-tested with timpani the in combined been 1821, has since known use, orchestral for kettledrum rotary the of principle The Timpani Rotary Meisterklasse TIMPaNI TP 16 TP 13 TP ST legs stand three and heads plastic with Timpani Adjustment Screw Primary 1574 V 1573 V 1571 V 1570 V ST legs stand three and heads calfskin with Timpani Rotary Meisterklasse ø16" E-c approx. (40 cm), range tonal ø 13" (33 cm), tonal range approx. G-e ø13" (33 approx. cm), range tonal V 1554 ø 18" (46 cm), tonal range approx. C-G ø18" approx. (46 cm), range tonal ø 13" (33 cm), tonal range approx. G-e ø13" (33 approx. cm), range tonal ø10" c-a (25 approx. cm), range tonal ø16"E-c approx. (40 cm), range tonal V 1550 SONOR rotary timpani is based based is timpani rotary SONOR timpani lies in the in lies timpani V 1553 SONOR V 1551 rotary V 1570 Original calfskin Original Suitable mallets are: SCH 6, SCH 7, 6, SCH SCH are: 60 SCH 8or SCH mallets Suitable lower. becomes pitch the and loosened is head the left, the to turned are screws tension the If increased. pitch the and tightened is head the right, the to timpani) the of diameter the on (depending screws 8tension 5to turning By system. screw tension the is mechanism tuning timpani of type traditional most and easiest The Timpani Adjustment Screw Meisterklasse V 1554 V 1553 V 1551 V 1550 V ST legs stand three and heads calfskin with Timpani Adjustment Screw Meisterklasse ø 13" (33 cm), tonal range approx. G-e ø13" (33 approx. cm), range tonal ø16"E-c approx. (40 cm), range tonal ø10" c-a (25 approx. cm), range tonal ø 18" (46 cm), tonal range approx. C-G ø18" approx. (46 cm), range tonal V 1571 1571 V TP 13 TP V 1573 TOY SOUND|TIMPANI TOY TP 16TP V 1574 central tuning central of System 06.07.2012 17:04:01 Uhr 5

ORFF HaND DRuMS

SONOR Hand Drums are made according to high quality standards Hand Drums in a wide variety of designs and dimensions. with tunable natural skins, beech wood frames with Hand Drums are available either with select natural skins or plastic natural lacquer finish, nickel-plated tension hoops heads for different sound characters and playing techniques. LHDN 10 ø 25 cm (10"), 5 tension rods Natural skins offer a warmer tone, plastic heads sound dryer and LHDN 13 ø 33 cm (13"), 6 tension rods react less sensitive to temperature changes. LHDN 14 ø 36 cm (14"), 7 tension rods LHDN 16 ø 40 cm (16"), 8 tension rods

with tunable plastic heads, beech wood frames with natural lacquer finish, nickel-plated tension hoops LHDP 10 ø 25 cm (10"), 5 tension rods LHDN 16 LHDP 13 ø 33 cm (13"), 6 tension rods LHDP 14 ø 36 cm (14"), 7 tension rods LHDN 14

LHDP 14 LHDP 13

LHDP 10

LHDN 13 LHDN 10

CG THD 10 P Hand Drums CG THD 10 N with tunable natural skin and beater CG THD 8 N ø 20 cm (8"), (not shown) CG THD 10 N ø 25 cm (10") CG THD 12 N ø 30 cm (12"), (not shown)

with tunable plastic head and beater CG THD 8 P ø 20 cm (8"), (not shown) CG THD 10 P ø 25 cm (10") CG THD 12 P ø 30 cm (12"), (not shown)

with pre-tuned natural skin CG HD 8 N ø 20 cm (8"), beater, (not shown) HDP CG HD 10 N ø 25 cm (10"), beater HDP Primary Hand Drum ø 20 cm (8") TB Toy Sound Drum-Bear ø 20 cm (8") TB 6

Orff_Catalog_E_2012.indd 36 06.07.2012 17:04:06 Uhr Orff_Catalog_E_2012.indd 37 TaMbOuRINES star-shaped, colored star-shaped, finish lacquer natural with frame wood beech jingles, GTS (12"), cm ø 30 jingles of Tambourine pairs 20 12CGHT D (10"), ø25 cm jingles of Tambourine 18 pairs 10CGHT D LHT Jingles with Instruments (10"), ø25 cm jingles of 9pairs (not shown) (8"), cm ø20 jingles, of 7pairs T10CG N (not (6"), shown) ø15 cm jingles, of 5pairs T8N CG T6N CG skin natural pre-tuned with (12"), cm ø30 rods, 11 tension 12 P TT CG (10"), ø25 cm rods, 10 tension 10 P TT CG (8"), cm rods, ø20 7tension 8P TT CG head plastic tunable with 6 LTA 20 LTA hoops tension nickel-plated finish, lacquer natural with frames wood beech jingles, silver nickel head, plastic tunable with Tambourines Tambourine Star ø 25 cm (10"), ø25 cm Star jingles, of Tambourine 14 pairs Tambourine ø 25 cm (10"), 20 pairs of nickel silver silver (10"), ø25 cm nickel of Tambourine pairs 20 ø 25 cm (10"), ø25 cm rods, 5tension ø 25 cm (10"), ø25 cm rods, 5tension 20 pairs of jingles, (not shown) jingles, of pairs 20 jingles of 9 pairs (not shown) jingles, of 6 pairs jingles of 6 pairs jingles of pairs 20 CG HDCG 10 N GTS CG T10CG N CG TT 10 P TT CG LTA 20 CGHT 12CGHT D LHT INFOS ZU KLINGENDEN STÄBEN KLINGENDEN ZU INFOS HAND DRUMSHAND |TAMBOURINES CGHT 10CGHT D CGHT 10CGHT D 06.07.2012 17:04:16 Uhr LTA 6 7

PERCUSSION GuIROS, SHEKERE & EFFECTS

Guiros FGS N Guiro, fiberglass, small, Natural FGS B Guiro, fiberglass, small, Soft Black FGL N Guiro, fiberglass, large, Natural FGL B Guiro, fiberglass, large, Soft Black FS N L 2621 Guiro, Mexican style, with scraper

Shekere FS N Shekere, fiberglass, Natural FS B Shekere, fiberglass, Soft Black

L 2621

Shekere in Soft Black LCAF

KIKA Guiro in Soft Black FGS N

LCA

FGL N

LVS

Cabasa LCAF Cabasa Catena

Quijada GCE LVS Quijada PCA

Circle Effect GCE Circle Effect, with beater

Castanets with Handle KIKA Child‘s castanet, beechwood GRS LCA Castanet with handle, rosewood PCA Primary Castanet with handle, beech wood

Ratchet GRS Ratchet

8

Orff_Catalog_E_2012.indd 38 06.07.2012 17:04:23 Uhr Orff_Catalog_E_2012.indd 39 movement of the player. the with interfering without stand or arm amounting to attachment quick and easy allows screw wing 3-sided A special COWbELLS & aGOGO bELLSCOWbELLS &aGOGO HB 8 HB 8 MB 5", Bell finish Cha Cha brass 55 CCB 4", Bell finish Charanga brass 5 CCB 4 CB black Finish Brass Bell, Agogo Cowbells finish brass Bell, Agogo LAG AGH AGM Bells Agogo MB 8BM BM 65 FB 5.5", finish Bell Cha matt Cha black 55 BMCCB damper stripe rubber and attachment mounting with Finish Matt Black Cowbells Cowbell 7", black Cowbell 5", black 7 GCB Cowbell 4", black 5 GCB 4 GCB mountedCowbells Cowbells Agogo Bell, mounted, brass finish brass mounted, Bell, Agogo Hand Bell 8", brass finish, with rubber stripe damper stripe rubber with 8",finish, Bell Hand brass Mambo Bell 8", finish Bell Mambo brass Cha Cha Bell 5.5", Bell Cha finish Cha brass Mambo Bell 8", black matt finish 8", matt Bell Mambo black Fusion Bell 6.5", black matt finish 6.5", finish Bell matt Fusion black MB 8 MB HB 8 HB CSB 55 CSB GCB 4 GCB AGH 5 GCB CCB 5 CCB GUIROS |SHEKERE |COWBELLS CB 4 CB CB 4 CB FB 65 BM 65 FB AGM 7 GCB LAG CCB 55 BMCCB 06.07.2012 17:04:36 Uhr MB 8BM 9

PERCUSSION SMaLL PERCuSSION

Many metal percussion instruments were developed as a result of V 4003 creative experiments with different objects and materials. Others, such as bells and jingles have a century old tradition. Often their unique character is unveiled through special playing techniques.

Instruments with Jingles V 4004 Hand Bells, with 5 bells V 4001 V 4001 Wrist Bells, with 6 small bells, white leather V 4003 Sleigh Bells, with 6 large bells V 4004 V 4002 Jingle Stick, 4 pairs of nickel silver jingles PJS Primary Jingle Stick, 2 pairs of nickel silver jingles GSS Jingle Stick, 6 pairs of jingles GHB M GHB S Hand Bells, wooden stick with 13 bells GHB M Hand Bells, wooden stick with 24 bells GHB S GSB GSB Sleigh Bells, with 9 bells

V 4002

GSS

PJS

PTR GTR 20 GTR 10

LTR 10

LTR 18 GTR 15

Triangles LTR 10 Triangle 10 cm, silver steel, with beater LTR 15 Triangle 15 cm, silver steel, with beater LTR 15 LTR 18 Triangle 18 cm, silver steel, with beater GTR 10 Triangle 10 cm, with beater GTR 15 Triangle 15 cm, with beater GTR 20 Triangle 20 cm, with beater PTR Primary Triangle 15 cm, with beater 40

Orff_Catalog_E_2012.indd 40 06.07.2012 17:04:43 Uhr Orff_Catalog_E_2012.indd 41 V 3902 V 35 mm up to 209 mm long, with stand with long, mm 209 35 to up mm 2639 L Chimes Bar Solid PHC 2014 V 2012 V 3902 V 3901 V 3900 V Cymbals PFC 2pairs 1but GFC as same the Cymbals, Finger 3905 V 1pair Cymbals, Finger 2 GFC 1 GFC SFC Cymbals Finger V 3901 V Finger Cymbals, with bag, 1pair bag, with Cymbals, Finger Primary Finger Cymbals, 1pair Cymbals, Finger Primary Primary Cymbal ø 20 cm (8") cm ø20 Cymbal Primary Solid Bar Chimes, 36 bars, brass bars 8 mm diameter, 8mm bars brass bars, 36 Chimes, Bar Solid Hanging Cymbal ø 30 cm (12"), cm ø30 Cymbal Hanging bronze Hanging Cymbal ø 35 cm (14"), ø35 cm Cymbal Hanging bronze Cymbals ø 20 cm (8"), 1pair cm ø20 bronze, silver Cymbals Cymbals ø 15 cm (6"), ø15 cm 1pair bronze, Cymbals silver Finger Cymbals 5 cm ø, silver bronze, 1pair bronze, ø, silver 5cm Cymbals Finger Cymbals ø 10 cm (4"), ø10 cm 1pair bronze, Cymbals silver V 3905 V V 3900 V PHC V 2012 V GFC 1 GFC SFC L 2639 L SMALL PERCUSSION SMALL 06.07.2012 17:04:50 Uhr PFC V 2014 V 41

PERCUSSION SMaLL PERCuSSION

Maracas are among the best known percussion instruments and allow for many different ways of rhythmic accentuation and playing styles. SONOR Maracas are available in wood, plastic or calabash giving a warmer or more defined, crisp sound.

Maracas GMW S ø 7 cm, length 22 cm, wood GMW M ø 8 cm, length 25 cm, wood GMP ø 9 cm, length 25 cm, plastic body L 2693 L 2693 wood, Mexican style MM R Mini Maracas, plastic, red MM BR Mini Maracas, plastic, brown GMW M

MM BR

GMW S GMP MM R

Caxixis LADS African Double Shaker, 2 woven baskets LCX S Caxixi, basketwork, small LCX M Caxixi, basketwork, medium LCX L Caxixi, basketwork, large, (not shown) LTC S Tube Caxixi, length 10 cm, basketwork LTC L Tube Caxixi, length 18 cm, basketwork LCX S

LCX M

LADS

LTC L

LTC S

4

Orff_Catalog_E_2012.indd 42 06.07.2012 17:04:58 Uhr Orff_Catalog_E_2012.indd 43 RF RS L NBS S, NBS Mand NBS of set RB Toy Sound NBS L NBS M NBS S NBS Shakers Bamboo L LSMS 27 cm Shaker, length Metal Round M LSMS 21 cm Shaker, length Metal Round L LRMS 16 cm Shaker, length Metal Round 25 cm Shaker, length Acrylic M LRMS cm 20 Shaker, length S LRMS Acrylic 12.5 cm Shaker, length Acrylic L AS M AS S AS Tubos Joggle-Friends, set of Bear and Pig and Bear of set Joggle-Friends, Joggle-Pig, ø 3.5 cm, length 6cm ø3.5 length cm, Joggle-Pig, RB Natural Bamboo Shaker, Bamboo Natural Natural Bamboo Shaker, large Bamboo Natural Shaker, small Bamboo Natural Natural Bamboo Shaker, medium Bamboo Natural Square Metal Shaker, length 26 cm Shaker, length Metal Square Square Metal Shaker, length 14 cm Shaker, length Metal Square Joggle-Bear, ø 3.5 cm, length 6cm ø3.5 length cm, Joggle-Bear, RS NBS LSMS L LSMS AS L AS LRMS L LRMS LSMS M LSMS SMALL PERCUSSION SMALL LRMS M LRMS AS M AS AS S AS 06.07.2012 17:05:10 Uhr LRMS S LRMS 4

PERCUSSION WOOD PERCuSSION

Wood idiophones are a large group of instruments coming from different cultures. They are used for basic rhythm patterns or for complex challenging playing styles. Like the originals, SONOR wood percussion instruments CLA LCL 1 are carefully handmade from select hardwoods. They have great sound quality and a cutting, powerful projection.

Claves CLA Claves, Cuban design LCL 1 Claves, ø 22 mm, rosewood LCL 2 Claves, ø 17 mm, rosewood LCL 3 LCL 3 Claves, ø 27 mm, rosewood, LCL 2 original Mexican model PCL Primary Claves, beech wood, 1 pair

Claves belong to the basic setup of every percussionist. The new SONOR CLA Claves are built after the original Cuban PCL design with a cutout for better resonance and a conically shaped beater. They have an excellent cutting sound with high projection.

Wood Blocks Wood Block, length 13 cm, rosewood, with beater LWB 1 LWB 1 LWB 3 Wood Block, length 13 cm, rosewood, with beater LWB 2 Wood Block, length 18 cm, rosewood, with beater GWB S Wood Block, length 16 cm, with beater GWB L Wood Block, length 18 cm, with beater PWB 13 Primary Wood Block, length 13 cm, beech wood, LWB 3 with beater PWB 18 Primary Wood Block, length 18 cm, beech wood, with beater LWB 2

GWB L

PWB 18 GWB S

PWB 13 44

Orff_Catalog_E_2012.indd 44 06.07.2012 17:05:23 Uhr Orff_Catalog_E_2012.indd 45 WBL GTB beater with ø4.5 cm, Tone Block, Double beater ø3.5 with M cm, ToneGDTB Block, Double S GDTB LTU LWA Wooden Agogos Two-Tone Block, rosewood, with beater with rosewood, Two-Tone Block, Tone Block, length 20 cm, with beater with cm, 20 length Tone Block, Wooden Agogo, beater rosewood, with WBM LTU WBS stand. aregular to attached be can rods cross the standing when To play low. to high or high to low from blocks the of order the switch can you way That stand. top table the off taken easily be can attached are blocks wood the which on rods cross The ash wood, with 3-sided adjustable wing screw screw wing adjustable 3-sided WBL with wood, ash WBM WBS SCH 16 mallet: recommended mallet), bar, (without mountig Wood Blocks with wood, ash pitch, high to low Block, Temple 5-piece 5 TT Set Temple Block Wood Block, large, 17.5 large, Block, x5.5 Wood x14 cm Wood Block, small, 12 x5.5 x8cm small, Block, Wood Wood Block, medium, 15 x5.5 x11.5 medium, cm Block, Wood LWA WOOD PERCUSSION WOOD TT 5 TT 06.07.2012 17:05:29 Uhr 45

PERCUSSION CaJONES

Our Grande model offers excellent low end paired with percussive snare sound. Natural body and front plate.

Grande CAJS GN CAJS GN Front plate made of birch, equipped with 12 snare wires, offers exellent low end paired with percussive snare sound, 50 x 30 x 30 cm (HxWxD)

Our Standard model have a beech body with a playing surface made from birch. The Bamboo-Snare-Effect-System gives the cajon their unique warm, earthy snare and bass sounds.

Standard Cajon CAJ ST Front plate made of birch, Bamboo-Snare-Effect- System, warm and earthy snare and bass sounds, 48.5 x 30 x 30 cm (HxWxD)

Das Bambus-Snare- Effekt-System

2 in 1 tip: Save money! Because of their double function as instrument CAJ ST and seat the Cajones are suitable as chair substitutes in your music room!

Further Cajones for adults can be found on www .sonor .com in the Percussion section. 46

Orff_Catalog_E_2012.indd 46 06.07.2012 17:05:42 Uhr Orff_Catalog_E_2012.indd 47 SONOR mallet logo is positioned on the side. the on positioned is logo mallet SONOR the of shape the in hole sound the Therefore sound. snare typical the with one surfaces, 2playing have children for Cajones Both it! try you is thing best –the recommendation age an define to want don‘t we fast unequally grow age this at children grade.Because 6th or 5th the until used be can Cajon Mediano the while age, school elementary in children for suitable especially is Chico smaller The 1729). (DIN EN institutions educational in chairs and furniture for standard European the of consideration in developed were children for Mediano and Chico Cajones SONOR the of size the Therefore feet. their with floor the touch can‘t they because Cajon, sized aregular on play to ears not often is it children For surfaces! –2playing children for Cajones 32 x 25 x 30 cm (HxWxD) 32 cm x25 x30 body, blue wires, 12 snare with equipped birch, CB CAJS (HxWxD) cm x30 40,5x30 body, multi-color wires, 12 snare with Chico equipped birch, MC CAJS Mediano Body made from MDF, 2 playing surfaces made from from made surfaces MDF, from made 2playing Body Body made from MDF, 2 playing surfaces made from from made surfaces MDF, from made 2playing Body CAJS MC CAJS CAJS MC CAJS CAJS CB CAJS CAJONES 06.07.2012 17:06:03 Uhr 47

PERCUSSION CONGaS & bONGOS

Global Series GTW 1250 GCW 1175 GQW 11 GRW 10 The SONOR Global instruments offer a great start into the world of percussion and are available both in wood and fiberglass. The curved chrome rims provide a comfortable playing feel. With an excellent price performance ratio these instruments offer great sound and professional looks.

Specifications: Height: 28", 2-ply thai oak (approx. 18 mm) or 3-ply fiberglass, buffalo heads, chrome-plated curved rims, rubber floor ring, 8 mm tension lugs, satin matte finishes, GBW 7850 Congas incl. stand

Global Holz Congas & Bongo GRW 10 Requinto 10", thai oak, with stand GQW 11 Quinto 11", thai oak, with stand GCW 1175 Conga 11.75", thai oak, with stand GTW 1250 Tumba 12.5", thai oak, with stand GBW 7850 Bongo 7" & 8.5", thai oak, without stand

Global Fiberglass Congas & Bongo GRF 10 Requinto 10", fiberglass, with stand GQF 11 Quinto 11", fiberglass, with stand GCF 1175 Conga 11.75", fiberglass, with stand GTF 1250 Tumba 12.5", fiberglass, with stand GBF 7850 Bongo 7" & 8.5", fiberglass, with stand

Finishes (Wood) Finishes (Fiberglass)

NM Natural Matte OFM Orange Fade Matte BM Black Matte BF Brown Fade Matte 48

Orff_Catalog_E_2012.indd 48 06.07.2012 17:06:14 Uhr Orff_Catalog_E_2012.indd 49 NHG NHG Finishes incl. stand incl. Congas finishes, gloss high ring, floor rubber rims, curved chrome-plated Bongos), (Congas, skin buffalo wood, Hevea Specifications: prices. affordable very at players intermediate to beginners for Bongos and Congas Mini Congas, of program afull offers line Champion The Champion CMB 45 CMB 78 CB Bongo Champion 0910 CMC Set Conga Mini Champion 1250 CT 1175 CC 11 CQ 10 CR stands height-adjustable with Congas Champion Natural Ouinto 11", with buffalo skin 11", Ouinto buffalo with Requinto 10", with buffalo skin (not shown) skin 10", buffalo Requinto with Bongo 7" and 8", with buffalo skin 7" 8", Bongo and buffalo with (High Gloss) Mini Bongo 4" and 5", with buffalo skin 4" Bongo 5", Mini and buffalo with Conga 11.75", with buffalo skin 11.75", Conga buffalo with Tumbadora 12.5", with buffalo skin 12.5", Tumbadora buffalo with 9" and 10", with buffalo skin and stand and skin 9" 10", and buffalo with RBHG RBHG Redburst CQ 11 CQ BBHG Blueburst CD 12 CD chrome-plated, double-braced legs,rubber feet legs,rubber double-braced chrome-plated, feet rubber CST BOST Stands Champion 12 CD Djembe Champion SHG Sunburst SHG Double Conga Stand, height-adjustable, height-adjustable, Stand, Conga Double Bongo Stand, chrome-plated, doublebraced legs, legs, doublebraced chrome-plated, Stand, Bongo Djembe 12", with goat skin 12", goat Djembe with CT 1250 CT CMB 45 CMB CMC 0910 CMC CONGAS &BONGOS CONGAS CB 78 CB 06.07.2012 17:06:31 Uhr 49

PERCUSSION aFRICaN KPaNLOGOS

The African Kpanlogo is one of the most popular drums originating from Ghana. Its sound makes it ideal for many different playing situations, from African rhythms to Caribbean and Brazilian styles. Also typical “conga grooves” can be played. XLite Rim for maximum playing comfort, select buffalo skins and Art Deco design motifs based upon African cave art.

African Kpanlogo Thai Oak, buffalo skin, Soft Black/White finish, XLite Rim/chrome, floor ring/rubber AK 8 8" African Kpanlogo, height 20", gazelle design AK 10 10" African Kpanlogo, height 25", bird design AK 11 11" African Kpanlogo, height 25", giraffe design

African Kpanlogo Bags GBAK 8 Bag for African Kpanlogo 8" GBAK 10 Bag for African Kpanlogo 10" GBAK 11 Bag for African Kpanlogo 11" AK 10 AK 11 AK 8

STREET CONGaS SC 11 SC 10

Street Congas offer a multitude of playing applications with different styles and are ideally suited for playing while walking (walking drums). Soundholes on bottom of shell provide best sound projection when placed on floor.

Street Congas Fiberglass, buffalo skin, carrying adapter, Cuban Style rim/chrome, available colors/finishes: Soft Black/White, Red/White SC 10 Street Conga, ø 25 cm (10"), height 72 cm (28") SCG SC 11 Street Conga, ø 27.5 cm (11"), height 72 cm (28")

Street Conga Ständer SCS 10 Stand ø 25 cm (10"), steel,height-adjustable, black SCS 11 Stand ø 27.5 cm (11"), steel,height-adjustable, black SCG Street Conga Strap, black, adjustable

Finishes (High Gloss)

SCS 11 SCS 10

BW Black/White RW Red/White 50

Orff_Catalog_E_2012.indd 50 06.07.2012 17:06:42 Uhr Orff_Catalog_E_2012.indd 51 DRuMS DRuMS your local dealer! local your to go information further For budgets. all for range extensive an We carry instruments. quality high its for famous is SONOR kits drum of manufacturer oldest world‘s the As too! set, drum your for to used are you quality SONOR the Get STREET CONGAS &DRUMS CONGAS STREET www .sonor .com www 06.07.2012 17:06:46 Uhr PAUKEN and ask ask and 51

PERCUSSION MaLLETS

Mallet application Mallet head Mallet hardness Mallet shaft SCH 13 Double Mallet glockenspiels wood and rubber head hard plastic SCH 14 Double Mallet wood percussion rosewood and rubber head hard plastic SCH 7 Felt Headed Mallet hand drums and cymbals felt head soft plastic SCH 17 Felt Headed Mallet soprano instruments felt head hard plastic SCH 5 Felt Headed Mallet soprano/tenor-alto instruments felt head medium hard plastic SCH 23 Felt Headed Mallet soprano/tenor-alto xylophones felt head hard plastic SCH 50 Felt Headed Mallet soprano/tenor-alto xylophones felt head hard plastic SCH 11 Felt Ring Mallet palisono xylophones soprano/tenor-alto felt ring head/wooden core medium hard plastic SCH 1 Rubber Headed Mallet bass instruments rubber head soft plastic SCH 2 Rubber Headed Mallet soprano instruments rubber head medium hard plastic SCH 3 Rubber Headed Mallet soprano instruments rubber head hard plastic SCH 10 Rubber Ring Mallet glockenspiels, soprano instruments rubber ring head/wooden core hard plastic SCH 40 Wooden Headed Mallet glockenspiels wooden head hard wood SCH 95 Wooden Headed Mallet glockenspiels wooden head hard plastic STI 20 Junior Timpani Mallet timpani, drums, cymbals felt head hard wood STI 2 1 Junior Timpani Mallet timpani, drums, cymbals felt head medium hard wood STI 22 Junior Timpani Mallet timpani, drums, cymbals felt head medium soft wood STI 23 Junior Timpani Mallet timpani, drums, cymbals felt head soft wood The use of mallets is always depending on the individual requirements of the player. SCH 1 SCH 2 SCH 3 SCH 5 SCH 6 SCH 7 SCH 8 SCH 17 SCH 11 SCH 16 SCH 10 SCH 14 SCH 13 SCH 95 SCH 60 SCH SCH 40 SCH SCH 25 15 SCH SCH 23 50

5

Orff_Catalog_E_2012.indd 52 06.07.2012 17:06:49 Uhr Orff_Catalog_E_2012.indd 53 Mallets SCH 100, SCH 14 are available by piece, all other mallets are sold in pairs. in sold are mallets other all piece, by 100, SCH 14 SCH available are Mallets SXY G1 SXY 8 SCH SXY H2 SXY SCH 60 6 SCH K4 STI SXY H3 SXY K2 STI H9 STI SXY H4 SXY H7 STI

SCH 25 SCH 16 SCH STI F24 STI 26 STI SCH 15 SCH SCH 100 SCH F25 STI S XY G 1

Junior Junior

Junior Junior Junior Junior

Xylophone Mallet Xylophone Mallet Headed Felt Wool Timpani Mallet Timpani Xylophone Mallet Xylophone Mallet Headed Felt Wool Mallet Headed Felt Wool Timpani Mallet Timpani Xylophone Mallet Xylophone Mallet Timpani Xylophone Mallet Xylophone Mallet Timpani Mallet Concert Mallet Concert Mallet Concert S XY H 2 100 60, NKS NKS Mallet Bass Contra Timpani Mallet Timpani Timpani Mallet Timpani S XY H 3 Mallet Timpani

S XY H 4

STI K 2 STI H 7 xylophones instruments bass deep timpani, timpani, professional use professional timpani, xylophones instruments bass deep timpani, timpani, bass instruments timpani, professional use professional timpani, xylophones use professional timpani, xylophones use professional timpani, Mallet application Mallet bass/deep bass instruments bass bass/deep instruments soprano/tenor-alto timpani, drums, cymbals drums, timpani, bass/deep bass instruments bass bass/deep timpani, drums, cymbals drums, timpani, timpani, drums, cymbals drums, timpani,

STI K 4 STI H 9

STI 20

STI 21

STI 22 wool felt head felt wool felt head/cork core head/cork felt rubber head rubber head felt wool felt head/cork core head/cork felt rosewood head cor head/wooden felt wool felt head felt wool rosewood head cor head/wooden felt wood head with leather cover leather with head wood head yarn woolen Mallet head Mallet woolen yarn head yarn woolen woolen yarn head yarn woolen head felt wool felt head felt wool head flannel STI 23 head flannel

STI F 24

STI F 25

soft medium soft medium medium hard medium soft hard soft medium soft hard hard hard hard hard medium Mallet hardness Mallet medium hard medium hard soft soft hard medium hard medium

STI 26 ACCESSORIES tonking tonking tonking

tonking tonking tonking plastic tonking tonking wood plastic wood plastic plastic wood shaft Mallet tonking wood wood 06.07.2012 17:06:52 Uhr SCH 100 5

ORFF baSIS TROLLEY

Trolley System The SONOR trolley system is very popular due to its versatile use and safe and easy transport of instruments with resonator boxes. A height and width adjustable BasisTrolley BT is the most impor- tant module within this system. All box resonator instruments with mounting plates can easily be Chromatisches mounted with the BasisTrolley adapters. Only chromatic deep bass Großbass Xylophon instruments need two trolleys, i. e. two BasisTrolleys BT. auf zwei BT BasisTrolley Playing Tables can be mounted on a BT without adapter.

BT BasisTrolley BT BasisTrolley, height and width adjustable trolley with 4 large, smooth running wheels

BasisTrolley Adapters AD 1 Adapter for BasisTrolley and diatonic soprano, alto, tenor-alto and bass mallet instruments with 3 brackets, 1 rail 166 mm, 1 rail 300 mm, 3 adapters, 1 assembly key

AD 2 Adapter for BasisTrolley and diatonic deep bass mallet AD 1 AD 2 instruments, SSX and ShortScale Xylophone with 4 brackets, 1 rail 166 mm, 1 rail 300 mm, 4 adapters, 1 assembly key

AC 1 Adapter for BasisTrolley and chromatic soprano, alto, tenor-alto and bass mallet instruments with 3 brackets, 1 rail 300 mm, 1 rail 572 mm, 6 adapters, 1 assembly key AC 1 AC 2

AC 2 Adapter for BasisTrolley and chromatic extensions for deep bass mallet instruments with 4 brackets, TI 75 2 rails 300 mm, 4 adapters, 1 assembly key Bracket

SMT 1 SONOR Multi Table TI 75 BasisTrolley Table Top, made of solid plies of birch in 10 mm thickness, length 75 cm, width 60 cm SMT 1 SONOR Multi Table, the ideal, height-adjustable table for instruments and mallets, combination of BasisTrolley BT and BasisTrolley Table Top TI 75

BasisTrolley BasisTrolley with Table Top TI 75 mounted adapter 54

Orff_Catalog_E_2012.indd 54 06.07.2012 17:07:03 Uhr Orff_Catalog_E_2012.indd 55 baGS &aCCESSORIES metallophones or xylophones metallophones or xylophones metallophones of tenor-alto bass deep of f-sharp1 b-flat, f-sharp, bars for or xylophones metallophones soprano B GBK TAK B SK B strap velcro with lock and bag roll Simply bars, in slide the L OGB M OGB S OGB Glockenspiels for Bags SSB Bag Stick SONOR Bongo and Percussion for Bag SCG GB PE 12.5" 12" &Tumbadora Conga (not for shown) Bag 1250GBCO 11.75" Conga for Bag 1175GBCO 11" 10" &Quinto (not shown) Requinto for Bag 11" Conga (not Street shown) for Bag 1011GBCO 10" Conga (not shown) Street for Bag 11GBSC 10GBSC GBD 13 Straps and Bags Street Conga Strap Conga Street for all mallets and drum sticks, 8pockets sticks, drum and mallets all for for bars f-sharp2, b-flat2, f-sharp3 of f-sharp3 b-flat2, f-sharp2, bars for for bars f-sharp1, b-flat1, f-sharp2, b-flat2 f-sharp2, b-flat1, f-sharp1, bars for Bag for SG 19, SG for TAG Bag 13, TAG 19, 31 NG 10, NG BWG, GS, 11, SG, NG for Bag GP, GB GS Bag for GSM, GAM, AGP, GAM, GSM, for GB, Bag 13 30, NG GA SG Bag for Djembe 12" 13" and (not Djembe shown) for Bag GBCO 1175GBCO SCG GB PE SSB B TAK B S OGB OGB L OGB cases and timpani and cases instrument resonators, box of brackets into screwing for height-adjustable, Leg, Stand ST Leg Stand collapsible Stand, Music P NS Stand Music NS P NS B SK B ACCESSORIES 06.07.2012 17:07:18 Uhr ST OGB M OGB B GBK 55

ORFF PaRTS

SONOR offers spare parts for all its instruments. More than Sound Bar Holders – new Models 7.000 parts all together. Because of the exquisite quality, they ZG 1 for GP, NG, white, 10 pieces are needed rarely. ZG 2 for SG, TAG, black, 10 pieces Most of the spare parts get ordered because of lost sound bars or ZG 3 for SGL, TAGL, black, 10 pieces, (not shown) mounted off parts. In everyday life at schools and kindergartens ZS 1 for all xylophones and metallophones also sometimes hides get crushed or small parts ripped off. with box resonator, 10 pieces More parts can be found in the SONOR price list. All parts listed ZS 2 for all Global beat fiberglass xylophones and are sold as single pieces unless indicated differently. metallophones with box resonator, 10 pieces Z KS 30 for KS 30, KSP 30, KSP 30 M, white, 2 pieces Z KS 40 for KS 40, KSP 40, KSP 40 M & X, white, 2 pieces Z KS 400 for KS 400, black, 2 pieces Z KS 50 for KS 50, KSP 50, KSP 50 M & X, black, 2 pieces Z KS 60 for NKS 60, KSP 60 X, black, 1 piece Z KS 100 for NKS 100, KSP 100 X, black, 1 piece ZR 1 for CX, CM, BSX 300, black, 1 piece ZB 1 Pin strip for SGP, AGP, GS GB, GA GB, black, 2 pieces, incl. felt strip ZG 1 765 001 59 Z KS 30 ZB 2 Pin strip for SG, GS, BWG, black, 2 pieces, incl. felt strip ZB 3 Pin strip for MG, black, 2 pieces, incl. felt strip ZB 4 Pin strip for GSM, GAM, black, 2 pieces, incl. felt strip FB 1 Felt strip for SG, GS, BWG, white FB 2 Felt strip for SGP, AGP, GS GB, GA GB, white FB 3 Felt strip for MG, white Z KS 40 765 006 00 ZR 1 FB 4 Felt strip for GSM, GAM, white ALS 1 Rubber cording (1 meter) for all metallophones and xylophones

ZB 2 ZS 1 ZS 2 Z KS 50

FB 1 ZB 1

Z KS 400

Z KS 100 ALS 1

765 164 59 762 212 59 F KS 1 F KS 2 56

Orff_Catalog_E_2012.indd 56 06.07.2012 17:07:24 Uhr Orff_Catalog_E_2012.indd 57 Natural skin, 16" V1553 skin, /1573 for Natural 733 014 71 13" V1551/1571 for skin, Natural 733 013 71 733 010 71 733 71 008 14" 1621) 14 skin, LHDN (V for Natural 71 012 733 733 011 71 733 71 009 733 71 007 mounted Skins Natural 61700 005 56 700 005 50 700 005 46 700 005 43 700 005 35700 005 unmounted Skins Natural 765 164 59 4pieces 100, rubber, NKS for 762 212 59 4pieces 60, rubber, 50, NKS KS for KSP F 2 F KS 1 F KS Brackets and Feet 765 00 006 765 00 005 765 004 00 model old GP, for 10 pieces, white, 00 765 003 765 59 001 Models –old Holders Bar Sound for KSP 50, KSP 60, KSP 100, plastic, 4pieces 100, plastic, 60, KSP 50, KSP KSP for Bracket, complete for box resonator box for complete Bracket, Natural skin, 16"1622) 16 LHDN (V skin, for Natural Adapter, for BT rails BT for Adapter, Natural skin, 18" for V 1554 /1574 V1554 18" for skin, Natural Natural skin, 10" for LHDN 10 (V 1619/1639) 10 10" LHDN (V for skin, Natural Natural skin, 13" for LHDN 13 (V 1620) (V 13 13" LHDN for skin, Natural Natural skin, 10" V1550/1570 for skin, Natural for KS 30, KSP 30, old model 30, old 30, KSP KS for Natural skin, 61 cm skin, Natural for KS 50, KSP 50, old model 50, old 50, KSP KS for for BSM 3, old model 3, BSM old for Natural skin, 35 cm skin, Natural for KS 40, old model old 40, KS for Natural skin, 56 cm 56 skin, Natural Natural skin, 43 cm skin, Natural Natural skin, 46 cm 46 skin, Natural Natural skin, 50 cm 50 skin, Natural instruments and timpani and instruments 733 71 007 700 005 35700 005 ete ta o ybl 90 762 02801 V3900, cymbals for strap Leather 762 01 007 762 02 023 762 022 02 762 021 02 rivet with V4001, for Bell 762 017 02 762 016 02 NSS Bells and Jingles Nickel silver jingles for PJS, LTA, for LHT, jingles silver Nickel Bell for V 4003, with loop with V4003, for Bell Bell, single, medium, for V4004 for medium, single, Bell, Bell, single, small, for V4004 for small, single, Bell, Bell, single, large, for V4004 for large, single, Bell, ete ta o agn ybl cymbals hanging for strap Leather 762 02801 762 016 02 NSS 762 017 02 V 2012, V2014 V 3901, V3902, PHC 1pair V 4002, 762 022 02 762 021 02 762 01 007 762 02 023 06.07.2012 17:07:29 Uhr PARTS 57

ORFF TONaL RaNGES

In almost all music literature xylophones, metallophones and Although the term “soprano” is used, neither tonal range nor glockenspiels are arranged with terms like “soprano”. scale are identical. SONOR is using these terms only because they Unfortunately these terms do not give any indication of the have become a standard in music literature worldwide. actual tonal range. Therefore SONOR specifies the exact range of all instruments with detailed description of scale and number The reference chart shows all terms used within the SONOR program of notes. and the available tonal ranges. We want to stress that glocken- spiels are transposing musical instruments. They sound one or two Example: octaves higher than transcribed in music literature. Instruments The soprano xylophone SKX 300 has a chromatic scale in the bass range are sometimes notated with the bass clef (F clef) from c2 to b-flat3 (23 notes). and other times with the treble clefs (G clef). Depending on the notation they are counted as transposing instruments with a lower The soprano glockenspiel NG 10 has a C-major scale sound than indicated in literature (one octave or two octaves). with f-sharp3 and b-flat3 from c3 to f4 (13 notes).

58

Orff_Catalog_E_2012.indd 58 06.07.2012 17:07:33 Uhr Orff_Catalog_E_2012.indd 59 Scientific Helmholtz Scientific Helmholtz C2 C2 Concert Pitch a1 = 880 Oscillations = 440 Hz =440 Oscillations a1 =880 Pitch Concert Hz C =64 Octave large Sub-Contra Bass Sub-Contra D2 D2 E2 E2 F2 F2 Contra Bass G2 G2 A2 A2 B2 B2 C3 C3 c =128 Hz Octave small Deep Bass D3 D3 E3 E3 F3 F3 Bass Bass-Soprano G3 G3 A3 A3 B3 B3 C4 c1 = 256 Hz =256 c1 Octave once-accented Tenor-Alto Alto D4 E4 F4 G4 A4 B4 C5 c2 =512c2 Hz Octave twice-accented Tenor-Alto (Glockenspiels) (Glockenspiels) Alto Soprano Alto (Glockenspiels) Alto Soprano D5 E5 F5 G5 A5 B5 C6 C6 c3 =1024 Hz c3 Octave thrice-accented Soprano (Glockenspiels) Soprano D6 D6 E6 E6 F6 F6 GLOBAL CONGAS &BONGO CONGAS GLOBAL G6 G6 A6 A6 B6 B6 C7 C7 c4 = 2048 Hz =2048 c4 Octave four times-accented TONAL RANGES TONAL D7 D7 E7 E7 F7 F7 06.07.2012 17:07:35 Uhr G7 G7 A7 A7 B7 B7 59 C8 C8

ORFF Effective from 2012

Orff_Catalog_Cover_E_2012.indd 1 06.07.2012 16:58:15 Uhr